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Phillip Island and District Historical Society Inc.Photograph
One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of a map of Phillip Island in the making and showing fourteen separate Islands before natural processes joined them.local history, photography, phillip island, black & white photograph, phillip island geology, map, dr g baker, john jenner, bryant west -
Phillip Island and District Historical Society Inc.Photograph
One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of a map of Phillip Island showing a late stage in the geological formationlocal history, photography, phillip island, black & white photograph, phillip island geology, map, map of phillip island, john jenner, bryant west -
Phillip Island and District Historical Society Inc.Photograph, Dr G Baker
One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of inter basaltic formations on basalt shore platform eastern end of Smith's Beachlocal history, photography, rock formations, black & white photograph, coastline, smith's beach, dr g baker, john jenner, bryant west -
Phillip Island and District Historical Society Inc.Photograph, Dr G Baker
One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of the boulder beach banked up against the cliff base at the eastern end of Surf Beachlocal history, photography, boulder beach, black & white photograph, coastline, boulder beaches, surf beach, dr g baker, john jenner, bryant west -
Phillip Island and District Historical Society Inc.Photograph, Dr G Baker
One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of a Quarry in jurassie rock near Rhylllocal history, photography, jurassic rock quarry, black & white photograph, coastline, rock formations, rhyll, dr g baker, john jenner, bryant west -
Glenelg Shire Council Cultural CollectionDocument - 34th Annual Report for the Port of Portland, Photos: Greg Baker, Malcolm McEachern, 1984-1985
port of portland -
Glenelg Shire Council Cultural Collection
Book - Book Publication - 1984 150th Anniversary of Portland, 1984
A4 size publication 'Portland', made for 1984 150th Anniversary of Portland as Victoria's first permanent settlement. Covers cardboard, content, coloured photographs with black text. Front cover has photographs with black text. Front cover has photographs of Kingsley, historic painting, harbour at sunset, lifesavers, oil rig and yachts Henty Beach; with red border. Back Cover: Glenelg river -
Kiewa Valley Historical SocietyBook - Reference Maths, George Bell & Sons, Elementary Algebra Part 11, 1905
This item was a standard maths book used in Victoria. It would have been a continuation of the Part 1 of the same name. Elementary level would have been in the early years of secondary school. This has historic significance as it shows what Elemenetary Algebera was taught in the early - mid 20th century. This book would have been used in the Kiewa Valley schools by a local identity Wilma Davies therefore has social significance and research value. This book is now out of print and is a collectible item.A blue maths book with faded blue coth cover. It has gold lettering on the side of the book stating the name, author and publisher with their logo. It would have had its name on the cover at one stage but it no longer on it due to water damage.Cover has a triangle with Cambridge Mathematical Series enmbossed around the three sides. At the points of the triangle is the letters B D C with the letter A in the middle of the trianglebook, school, algebra, educational, math, kiewa-valley -
Orbost & District Historical Societyadvertisement, before 1933
John Tomlinson was the eldest son of Arthur James and Jessie Tomlinson who selected land at Tabbara in 1887. He worked in Temple's , the Herbert's store and for the Butter Factory until beginning his own business in 1906. He remained in business until 1933.A round metal tray with decorated edge. It is an engraved advertisement for J.S. Tomlinson.advertisement tomlinson commerce-orbost -
Eltham District Historical Society IncPhotograph, Alan Baker, Early settler's cottage, Ely Street, Eltham; May 1979, 1979
Falkiner Cottage, also known as Maynard's Cottage. Falkiner was the original owner and Maynard the last owner. This site was classified by the National Trust but there is no citation available. The Cottage has since been demolished. Located on the north side of Ely Street where present day #19 is situated. The cottage ran in a north-south orientation with an easterly aspect down the hill.Roll of 35mm black and white negative film, 2 stripsKodak Safety 5063cottage, early settlers, eltham, ely street, falkiner cottage, maynard cottage, houses -
Eltham District Historical Society IncPhotograph, Alan Baker, Early settler's cottage, Ely Street, Eltham; May 1979, 1979
Falkiner Cottage, also known as Maynard's Cottage. Falkiner was the original owner and Maynard the last owner. This site was classified by the National Trust but there is no citation available. The Cottage has since been demolished. Located on the north side of Ely Street where present day #19 is situated. The cottage ran in a north-south orientation with an easterly aspect down the hill.Roll of 35mm black and white negative film, 2 stripsKodak Safety 5063cottage, early settlers, eltham, ely street, falkiner cottage, maynard cottage, houses -
Eltham District Historical Society IncPhotograph, Alan Baker, Early settler's cottage, Ely Street, Eltham; May 1979, 1979
Falkiner Cottage, also known as Maynard's Cottage. Falkiner was the original owner and Maynard the last owner. This site was classified by the National Trust but there is no citation available. The Cottage has since been demolished. Located on the north side of Ely Street where present day #19 is situated. The cottage ran in a north-south orientation with an easterly aspect down the hill.Roll of 35mm black and white negative film, 2 stripsKodak Safety 5063cottage, early settlers, eltham, ely street, falkiner cottage, maynard cottage, houses -
Eltham District Historical Society IncPhotograph, Alan Baker, Early settler's cottage, Ely Street, Eltham; May 1979, 1979
Falkiner Cottage, also known as Maynard's Cottage. Falkiner was the original owner and Maynard the last owner. This site was classified by the National Trust but there is no citation available. The Cottage has since been demolished. Located on the north side of Ely Street where present day #19 is situated. The cottage ran in a north-south orientation with an easterly aspect down the hill.Roll of 35mm black and white negative film, 2 stripsKodak Safety 5063cottage, early settlers, eltham, ely street, falkiner cottage, maynard cottage, houses -
Eltham District Historical Society IncPhotograph, Alan Baker, Early settler's cottage, Ely Street, Eltham; May 1979, 1979
Falkiner Cottage, also known as Maynard's Cottage. Falkiner was the original owner and Maynard the last owner. This site was classified by the National Trust but there is no citation available. The Cottage has since been demolished. Located on the north side of Ely Street where present day #19 is situated. The cottage ran in a north-south orientation with an easterly aspect down the hill.Roll of 35mm black and white negative film, 2 stripsKodak Safety 5063cottage, early settlers, eltham, ely street, falkiner cottage, maynard cottage, houses -
Eltham District Historical Society IncPhotograph, Alan Baker, Early settler's cottage, Ely Street, Eltham; May 1979, 1979
Falkiner Cottage, also known as Maynard's Cottage. Falkiner was the original owner and Maynard the last owner. This site was classified by the National Trust but there is no citation available. The Cottage has since been demolished. Located on the north side of Ely Street where present day #19 is situated. The cottage ran in a north-south orientation with an easterly aspect down the hill.Roll of 35mm black and white negative film, 2 stripsKodak Safety 5063cottage, early settlers, eltham, ely street, falkiner cottage, maynard cottage, houses -
Federation University Historical CollectionBook, T. Baker, C.E, Mathematical Theory of The Steam Engine, 1883
Tooled green hardcover book with gold printing.Weale's Rudimentary Series: No 139steam engine, mathematical theory, t baker, j r young -
Port Melbourne Historical & Preservation Society
Film - DVD, Sean Baker, The Borough, 2006
'The Borough', a play by Sean BARKER and the people of Port Melbourne, starring Suzie STAPLETON and Sean BARKER, Gasworks Theatre. Recorded at a performance February 2006. black cover with photo of actorsarts and entertainment - community arts, sean barker, suzie stapleton, the borough - play -
Port Melbourne Historical & Preservation Society
Audio - CD, Sean Baker, The Borough, 2006
'The Borough', a play by Sean BARKER and the people of Port Melbourne, starring Suzie STAPLETON and Sean BARKER, Gasworks Theatre. Recorded at a performance February 2006. CD; black cover with photo of actorsarts and entertainment - community arts, sean barker, suzie stapleton, the borough - play -
Port Melbourne Historical & Preservation Society
Document - Script, Sean Baker, The Borough, 2006
Script for 'The Borough', a play by Sean BARKER and the people of Port Melbourne. Performed in February 2006, starring Suzie STAPLETON and Sean BARKER, Gasworks Theatre. Blue coverarts and entertainment - community arts, sean barker, suzie stapleton, the borough - play -
Women's Art RegisterBook - Anthology, Thomas B Hess and Elizabeth Baker, Art and Sexual Politics Why have there been no great women artists?, 1971
Professor of Art Linda Nochlin, and critic and art historian Thomas B. Hess respond to the question "Why have there been no great women artists?'. Nochlin writes of 'the women question' in art and beyond, addressing barriers in education and art schools negating full participation or studying the nude, the limiting definitions of 'greatness', domestic demands and class, and maintains it is the institutional structures that are the key to equality, and it is these which should be challenged and reformed. Hess addresses wrong attribution, the studio system, the relative freedoms in the Middle Ages before the Renaissance emphasised the male genius ideal and self confidence. Ten replies from artists follow, mainly responding to Nochlin's treatise. Elizabeth Baker, writes the final essay, charting the changes in regards to representation including issues surrounding quotas, recognition, the debates surrounding the contested definitions of female and feminist artists.and the frequent lack of support by female dealers, critics and curators.non-fictionProfessor of Art Linda Nochlin, and critic and art historian Thomas B. Hess respond to the question "Why have there been no great women artists?'. Nochlin writes of 'the women question' in art and beyond, addressing barriers in education and art schools negating full participation or studying the nude, the limiting definitions of 'greatness', domestic demands and class, and maintains it is the institutional structures that are the key to equality, and it is these which should be challenged and reformed. Hess addresses wrong attribution, the studio system, the relative freedoms in the Middle Ages before the Renaissance emphasised the male genius ideal and self confidence. Ten replies from artists follow, mainly responding to Nochlin's treatise. Elizabeth Baker, writes the final essay, charting the changes in regards to representation including issues surrounding quotas, recognition, the debates surrounding the contested definitions of female and feminist artists.and the frequent lack of support by female dealers, critics and curators.essays, feminism, studio practce, art history, gender, politics, discrimination, museolgy, curatorship, identity -
Monbulk RSL Sub BranchBook, Pan Books, Merrills marauders, 1972
The actions of Merrill's marauders - an unconventional force in Burma during World War TwoIll, maps, p.159.non-fictionThe actions of Merrill's marauders - an unconventional force in Burma during World War Twoworld war 1939-1945 - campaigns - burma, guerrilla warfare -
National Vietnam Veterans Museum (NVVM)Book, Baker, Mark, Nam: The Vietnam War in the words of the Men and Women Who Fought There. (Copy 3)
The war billed on the marguee as a John Wayne shoot 'em up test of manhood turns out to be a warped version of Peter Pan. Vietnam was a brutal Neverneverland outside time and space, where little boys didn't have to grow up. They just grew old before their timeThe war billed on the marguee as a John Wayne shoot 'em up test of manhood turns out to be a warped version of Peter Pan. Vietnam was a brutal Neverneverland outside time and space, where little boys didn't have to grow up. They just grew old before their timevietnam war, 1961-1975 - personal narratives, american -
National Vietnam Veterans Museum (NVVM)Book, Baker, Mark, Nam: The Vietnam War in the words of dozens of its veterans - easily stands with the best descriptive accounts. and Women Who Fought There. (Copy 2)
The war billed on the marquee as a John Wayne shoot 'em up test of manhood turns out to be a warped version of Peter Pan. Vietnam was a brutal Neverneverland outside time and space, where little boys didn't have to grow up. They just grew old before their time.The war billed on the marquee as a John Wayne shoot 'em up test of manhood turns out to be a warped version of Peter Pan. Vietnam was a brutal Neverneverland outside time and space, where little boys didn't have to grow up. They just grew old before their time.vietnam war, 1961-1975 - personal narratives, american -
National Vietnam Veterans Museum (NVVM)Book, Baker, Mark, Nam: The war in the words of dozens of its veterans - easily stands with the best descriptive accounts. (Copy 1)
The war billed on the marguee as a John Wayne shoot 'em up test of manhood turns out to be a warped version of Peter Pan. Vietnam was a brutal Neverneverland outside time and space, where little boys didn't have to grow up. They just grew old before their timeThe war billed on the marguee as a John Wayne shoot 'em up test of manhood turns out to be a warped version of Peter Pan. Vietnam was a brutal Neverneverland outside time and space, where little boys didn't have to grow up. They just grew old before their time vietnam war, 1961-1975 - personal narratives, american -
Bendigo Art GalleryPhotograph - Work on paper, Hayley MILLAR BAKER, I Will Survive 1, 2020
work on paper, photograph, inkjet, first nations artist, female artist, self portrait, clones, binoculars, ocean, sea, rocks, shoreline -
Bendigo Art GalleryPhotograph - Work on paper, Hayley MILLAR BAKER, I Will Survive 2, 2020
work on paper, photograph, inkjet, first nations artist, female artist, self portrait, clones, rocks, hair -
Horsham Regional Art GalleryPainting, Arthur BAKER-CLACK, Houses in Provence, n.d
Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1990 -
Horsham Regional Art GalleryPainting, Arthur BAKER-CLACK, In Provence, n.d
Gift of Mack Jost, 1991 -
Horsham Regional Art GalleryPhotograph, Hayley MILLAR-BAKER, Knock him out of the tree and put him on the stove (diptych), 2018
Purchased through the Horsham Art Gallery Trust Fund, 2020silver gelatin photographs -
Tatura Irrigation & Wartime Camps Museum
Photographic plates, : AUSTRAL DRY PLATE, T. Baker & Co., Austral Laboratory, Glass photographic plates, c.1900
Glass photographic plates discovered by Mr. Jack Smith in the ceiling of the weatherboard cottage attached to Williams Bros. Store, cnr. Hogan & Thomson Streets, in 1973. Mr Smith had purchased the Cleckheaton Woolen Mills factory which had been built around the original Williams Store, c. 1960. Gifted to Tatura Museum in 1992 by Jack Smith, 55 Service Street Tatura, 3616. Frank Williams family & house, Tatura.|Baptist hymns.|Goulburn River.|Victorian coastal scenery. Glass photographic plates and prints consisting of:|Members of Francis Williams family.|Williams home, Hogan Street, Tatura.|Hymns from Glass photographic plates. (28 plates and 5 prints) - Photographic prints (3) Possibly members of Francis Williams family,| c. 1900 . Two of the same two men standing in the base of an aged, giant gum tree; one of gig and tied up horse.|PLATES :|Small girl in best frock on cane stool.|* Parents and small girl standing.|* Mr and Mrs Williams sen. standing in front of their home in Hogan Street near Presbyterian Church. Note: the picket fence.|* Wiiliams' daughters on picnic at Goulburn River. c. "Picnic at Hanging Rock" film era.|* Young lady seated on cane chair (High pleated collar and bib on frock)|* Two small sisters - one with elaborate black lace collar on her frock, the other seated on a cane chair, holding her doll. c.1900|* Gaunt aged gum tree with two men standing in V-shaped hole in base, Goulburn River.|* Horse tied to tree beside Goulburn River.|Note: All above items in box marked "Austral Dry Plates".|* 18 glass plates of hymns from Baptist hymn book.|Note: The Williams family were devout Baptists.|* Plate of rugged coastline ? Great Ocean Way Victoria?|* Plate of rock stacks - ? " London bridge and smaller bridge.|* (3) Prints of the two rock bridges in the ocean off shore.photography, photograph, slides, film
