CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint with light blue background. Top left side features a large pink and brown bird (albatross) in flight. The bottom third of the work is a large brown and yellow rectangle which represents a sheep ship.Front: 5/6 (lower left) "The Sheep of Fools" (centre) Wendy Black '83 (lower right) Back: 1.

A black talking watch with plastic watchband. It consists of a LCD display and voice response. It is stored in a black cardboard box which has instructions on it.LCD watch with black plastic bandAbove watch display: Talking Left hand button below display: Mode Right hand button below display: Talking Upper circular button below middle of display: Hr. Lower circular button below middle of display: Minassistive devices, audio equipment

Studio photograph of Elizabeth (Betty) Black, sister of Lindsay Black. The Black family were early landowners in Watsonia, from Grimshaw Street to Lambourn Road. The Model Studio operated from 330 Smith Street Collingwood from 1902-1904.Digital copy of black and white studio photograph.betty black, black family, elizabeth black, watsonia

One of a number of 'real photo' and commercial postcards created by or owned by members of the Christian and Washfold families of Kew. The postcards are part of a larger collection of photographs, postcards and publications donated to the collection in May 2021.Sepia postcard of the beach at Black Rock showing swimmers and cars parked along the beachGuest Newsagency, Black Rock No.2rickett's point, postcards -- beaches, christian-washfold collection

Bull & Mouth Hotel Main Street Stawell Built 1907 looking East. Dane market on right. C1920stawell streetscape

Part of a collection of photographs copied from the late Shirley Fraser (nee Black), also descendant of the McLaughlin family. This photograph shows "Auntie" Berthe Black.Digital copy of black and white studio photographshirley fraser, black family, berthe black

Part of a collection of photographs copied from the late Shirley Fraser (nee Black), also descendant of the McLaughlin family. This photograph shows Betty Black as infant.Digital copy of black and white studio photograph.shirley fraser, betty black, black family

Lindsay Black attended Greensborough State School and later married Hazel Stafford. The Black family were landowners in Watsonia, from Grimshaw Street to Lambourn Road.Watsonia pioneer family.Digital copy of black and white studio photograph.lindsay black., watsonia

Part of a collection of photographs copied from the late Shirley Fraser (nee Black), also descendant of the McLaughlin and Whatmough family. This photograph shows Lindsay Black as an infant.Digital copy of black and white studio photograph.shirley fraser, lindsay black.

Black Range Quarry SiteOn Reverse Bullocky Mary's House (Mary Honan) 1. Black Range. Campbell's Property Lot 14. Bullocky Mary Rd. quarry site Granite. Nr Cox's Fence. Don Rickard May 1999stawell

Part of a collection of photographs copied from the late Shirley Fraser (nee Black), also descendant of the McLaughlin family. This photograph shows Eileen Black and is a post card to "Aunt Rose" 1926.Digital copy of black and white studio photograph.On back of photograph: "To dear Aunt Rose from Eileen March 1926"shirley fraser, eileen black

Part of a collection of photographs copied from the late Shirley Fraser (nee Black), also descendant of the McLaughlin family. This photograph shows Evelyn Black. The inscription "To dear Rose" indicates it was sent to Rose McLaughlin.Digital copy of black and white studio photograph.On back of photograph: "To dear Rose Hoping you are all well, best love to all from Evelyn March 1926"shirley fraser, evelyn black, rosalie mclaughlin

The mobile butcher's shop operated by Thomas Black in the 1930s.Digital copy of black and white photograph thomas black, butchers

Owned by the Black family.Black leather cover. Yellowed pages. Contains Old and New Testaments.black family, bible

This skirt belonged to Olga Black, a long-time Brighton resident. The linen used for the skirt were woven by Olga's great-grandmother Efstathia in the late-nineteenth century with flax grown on the island of Ithaca. In the 1950s, Olga made the fabric into a skirt, embellishing it with hand embroidery. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Ankle-length full cream linen skirt with multi-coloured cross stitch embroidery featuring mountains, birds and trees. Fullness is pleated into wide waist band. Left side opening. The fabric widths have been whipped together by hand probably at the time the cloth was woven in the late-nineteenth century. The skirt is machine stitched.skirt, linen, hand woven, embroidery, ithaca, migration, greek diaspora, olga black

Part of a collection of photographs copied from the late Shirley Fraser (nee Black), also descendant of the McLaughlin family. This photograph shows people on the verandah of the home of Evelyn and Duncan Black in Western Australia.Digital copy of black and white photograph in format of Christmas greeting.shirley fraser, evelyn black, duncan black

Part of a collection of photographs copied from the late Shirley Fraser (nee Black), also descendant of the McLaughlin family. This photograph shows Evelyn and Duncan Black. The photo was made by Yeoman Co. of Bourke Street Melbourne which operated between 1888 and 1915.Digital copy of black and white studio photograph.shirley fraser, evelyn black, duncan black

An information brochure regarding the Black Spur Inn in Narbethong.An information brochure regarding the Black Spur Inn in Narbethong.narbethong, victoria, australia, black spur inn, black spur hotel, blacks' spur inn, blacks' spur hotel, narbethong hotel, accommodation, information brochure

An information brochure regarding the Black Spur Inn in Narbethong.An information brochure regarding the Black Spur Inn in Narbethong.narbethong, victoria, australia, black spur inn, black spur hotel, blacks' spur inn, blacks' spur hotel, narbethong hotel, accommodation, information brochure

An information flyer regarding the Black Spur Inn in Narbethong.An information flyer regarding the Black Spur Inn in Narbethong.narbethong, victoria, australia, black spur inn, black spur hotel, black spur inn hotel, blacks' spur inn, blacks' spur hotel, narbethong hotel, accommodation, information flyer

Maurice Fabbro on tractor with truck he used to take the vegetables to the Queen Victoria Market at Fabbro's farm, Eltham. The Fabbro Family operated their farm in Bell Street, Eltham. No date 1 colour photographfabbro's farm, eltham, bell street, market-gardens, maurice fabbro, queen victoria market, tractor, trucks

Murray Views No. 13. Panorama over Stawell, looking South West. Spotlight on Pioneer's Memorial (29,5). Black Range in background, grassland on Big Hill at front of Photo. St Patrick's Church visible, Kinsella House. The larger photo 29.5a is a slightly closer view of same scene and shows the "new" school (corner Patrick & Holt Street) opened in 1934.Two similar views of Stawell. One Murray views looing south west (29.5) and the other a larger photo showing school building beside church (29.5a).Murray Views No.13. Panorama from Pioneer's Memorial, showing Black Range, Stawell, Vic. (on 29.5)stawell, panorama

Photograph of Shirley Black and friends c. 1944Black & white photograph of children with Santa, with greeting card addressed to Shirley Fraser and names of children"Dear Shirl - thought you might like photo. Love, Heather"shirley black

The Mining Manager of the Black Range Mining Company was William JacksonTwo foolscap typed pages .1) Black Range Mining Company NL Mining Superintendent's Report by T.A. Couper .2) Black Range Kohinoor Mining Company NL Mining Superintendent's Report by T.A. Couperblack range mining company, black range, kohinoor, william jackson, couper, blair's shaft, north kohinoor

Digital copy of one of 7 slides depicting photographs of police from 1858 to 1930s. This image is of black trackers 1858.Digital copy of black and white slide.police, victoria police

Foreword by Gavin Nash and Chrissie Smith, lecturers Graphic Design / Multimedia. Double page spread per student, names appear listed black on black on reverse cover, and throughout book.Promotional 60 pp + cover catalogue created by University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) third year, graduating students, 2009. Four colour process plus special colour (flourescent orange) throughout. Textured black card cover, single colour black deboss. Perfect/burst bound.university of ballarat, federation university, graphic design, multimedia, camp street campus, bachelor, degree, arts academy

Black pure wool blazer worn by students of Burnley College 1967-1970. Blazer 1 - Edges bound in black braid. Woven badge of college on left breast pocket, also metal enamel Burnley College badge pinned on Left lapel. Made by Gayval - schoolwear of "The Doctor" flannel. Australian Wool Bureau gold medal winner - all pure wool - mothproofed. Blazer 2 - Different manufacturer , no braid. Woven badge of college on left breast pocket only. Blazer 1 - Black pure wool blazer with edges bound in black braid. Size S. Blazer 2 - Black pure wool blazer, no braid on edges. Size LBlazer 1 - Burnley College woven badge on left breast pocket. Burnley College Metal badge pinned on left lapel. Blazer 2 - Burnley College woven badge on left breast pocket identical to Blazer 1.blazer, burnley college uniform, student, burnley badge, badge, wool blazer