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Horsham Regional Art Gallery
Photograph, Bruce POSTLE, Vietnam moritorium march for peace, 1970
Purchased through the Horsham Art Gallery Trust Fund, 2005 -
Horsham Regional Art Gallery
Photograph, Bruce POSTLE, Miner Dominic Guatta (1902-1970), 1970
Purchased through the Horsham Art Gallery Trust Fund, 2005 -
Horsham Regional Art Gallery
Photograph, Bruce POSTLE, Homeless woman, 1987
Purchased through the Horsham Art Gallery Trust Fund, 2005 -
Beechworth Honey Archive
Document: interview, Interviews with Bruce Frost, 2009
1 volume: A4 folder -
Tatura Irrigation & Wartime Camps Museum
Newspaper clipping, Tatura Guardian, Blast from the Past 1951, 1951
Debutantes with partners. From back left: Kath Mulcahy (Peter Barber), Anne Leslie (Phillip Crawford), Fay Longworth (James McCann), Rhonda Dick (Jack Marshall), Helen Pogue (Bruce Barber), Heather Gurden (Phillip Mactier), Shirley Lovett (Leslie Leaf), Middle : Val Ryan (John Stewart), Theresa Noonan (Donald Stephens), Faye Beddell (Leslie Gavey), Doris De Lai (Ted Gavey), Mary Young (Terry Joyce), Ella Bunn (Neil Morgan), Patrick Dick ). Front: Betty Forbes (Thomas Atley), Madeline Mc Mahon (Neil Thomas), Mrs Pearl Dick (Chaperone), Patricia Pearce (Don Whyte), Edna Hampton (Ian Henderson)Photo of 18 debutantes, with names of their partners in brackets. 1951 -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, photograph - Tatura State School Grade three 1958, Casey Street Tatura, 1958
Grade three pupils, Tatura State School No.1958 C.1958Black & white photograph of grade three pupils at State School No 1441Tatura, C1958.Back left: Graeme Opie, Peter Longmeer, David Chivers, Geoff Taylor, Tony Telford, Trevor Miles, Steve Gilfoil, Bobby Parsons, Russell Potter. Second row: Shirley O'Sullivan, Sue Whitten, Denisee Armstrong, Jenny Hughes, Glenda Childs, Heather Caird, Joy Young, Catherine Stewart, Adrian Robbins, Barry Trevaskis. Third row : unknown, Margaret Taylor, Dorothy Sands, Thelma Matheson, Marilyn Day, Sheree Sargent, Alison Laws, Marion Langley, Robyn Dowell, Christine Moore, David McCracken. Bottom row left: George Apostle, Bruce Knee, Gary Whyte, Ronnie Connors, John Butcher, Graeme Payten, Peter Warburton, Fred Roberts. -
Tatura Irrigation & Wartime Camps Museum
Photograph, Mr and Mrs Ruxton 1997
Mrs and Mr Bruce Ruxton, RSL President at German War Cemetery November 16th 1997; with friend.tatura, ruxton, german war cemetery, costume, female, male, civic, memento, regalia, flags, national -
Tatura Irrigation & Wartime Camps Museum
Booklet, Achieving Together A history of the Tatura Primary School 1874 - 1995, 1995
Compiled by school Council 1995. Dawes and Vary, Trevaskis Engineering and Bruce McTier and Associates contributed to cost of printing. Tells history of Tatura Primary School from 1874 - 1995.White cover with black writing. Title "Achieving Together. A history of Tatura Primary School 1874-1995. A celebration of 25 years at the new school" and a picture of Tatura State School Football Premiers 1959 on front cover. 39 pages.as abovetatura primary school, schools in victoria, education in victoria -
Tatura Irrigation & Wartime Camps Museum
photo, Byrneside Tennis Club c1928
Byrneside Tennis Club, c 1928.|Back Row: Maurie Keady, ...., Bruce Donaldson, Doris Donaldson, Miss Bryce.|Middle Row: Trixie Keady, ...., ....|Seated: Mrs George Cronyn, Mona Keady, Eileen Woodman, Aggie Woodman, Katie Woodman.|Sitting on ground: Son & daughter of Kathleen Keady.Black and white photograph of Byrneside Tennis Club c 1928.tatura, byrneside, tennis, recreations, sports, costume, female, male -
Tatura Irrigation & Wartime Camps Museum
Photograph, Rotary Exchange Students
Copy of colour slides. Rotary Exchange Students:|George Luziaraga 1964, Bruce, Ross & Barbara Knee.|Suzette Escalante 1965, Melinda Hodson & Margaret Knee.|Patty Inocian 1970, & Lurline Knee..photograph, people -
Tatura Irrigation & Wartime Camps Museum
Photograph, Tatura Butter Factory personel
Tatura Butter Factory personal, ? ;Bruce M.H.R. & Mrs Lloyd; Noel & Yvonne Russel; ? ;| Tatura Butter Factory personal, "Tib" Reilly; ? ; Mr. Fraser; Joe Ford -
Victorian Aboriginal Corporation for Languages
Book, Bruce Pascoe et al, Bulayt, bulayt : poetry in four languages, 2006
A collection of poems in four languages.wathaurong, wathaurong aboriginal cooperative, southwest victoria, cherbourg -
Victorian Aboriginal Corporation for Languages
Book, Bruce Pascoe, Earth, 2001
Novel partially in Wathaurong.wathaurong -
Victorian Aboriginal Corporation for Languages
Book, In other words : souvenir program 2005, 2005
A program from the "In Other Words" Festival, celebrating poets and translators from around Australia and across the world. Features poetry, essays and songs from Jeanie Bell & Vanessa Fisher, Lou Bennet, Ricardo Idagi, and Bruce Pascoe. Works in English and Language.Black and white photographsvacl, south-east queensland, cherbourg, dungibara, ewamin, garumngar, jiman, inala, tiddas, yorta yorta, mer, murray island, wurundjeri, aunty joy murphy wandin, wathaurong aboriginal cooperative, jeanie bell, vanessa fisher, lou bennett, ricardo idagi, bruce pascoe -
Victorian Aboriginal Corporation for Languages
Book, Bruce Pascoe et al, Dictionary of Wathawoorroong, 2008
Dictionary with text in English and Wathawoorroong dialect.maps, b&w photographs, word listswathawoorroong, wathaurong, wathawurrung, wathaurong aboriginal co operative, kulin nation, aireys inlet, colac, ballarat, werribee, geelong, dictionaries, language map, victorian aboriginal corporation for languages, language reclamation, endangered languages, william buckley, francis tuckfield, william thomas, george augustus robinson, frances sievwright, barry blake, stephen morey -
Port Fairy Historical Society Museum and Archives
Book, Ward, Lock & Co., Limited, Bruce of the Boonderong Camp, 1920
Juvenile Fiction held in Reference Section. Illustrated by J. Macfarlane.256 p., [8] leaves of plates : ill. ; 19 cm.non-fictionJuvenile Fiction held in Reference Section. Illustrated by J. Macfarlane. lillian pyke, country life -- queensland -- juvenile fiction., railroads -- construction -- juvenile fiction., children's stories., railroad construction workers -- queensland -- juvenile fiction., railroads -- design and construction -- juvenile fiction., australia -- social life and customs -- juvenile fiction., target audience, book -
Port Fairy Historical Society Museum and Archives
Magazine - Newsletter, Graeme Kershaw, Port Fairy Post, February 2018
This is the newsletter printed by the Port Fairy Historical Society to inform our members of the events that have taken place over a certain period of time and of research undertaken by the editor of personalities and events of historical interest.PDF FILES non-fictionThis is the newsletter printed by the Port Fairy Historical Society to inform our members of the events that have taken place over a certain period of time and of research undertaken by the editor of personalities and events of historical interest.newsletter, pam joy bruce, advertisments, fire -
Wangaratta RSL Sub Branch
Photograph, Frank Ramage
Photograph of Wangaratta RSL Life Member Frank "Rooster" Ramage. with Vic Novak and Bruce McIlroy in background left and right respectively. Frank joined the C.M.F in 1943 and transferred to the 6th Field Ambulance A.I.F. in 1944 and discharged in 1946. He served in New Guinea and New Britain Frank joined the joined the RSL in 1956 and became a Life Member in 1996.Black plastic frame with white border mount containing photograph of elderly male smoking a cigarette with two males in background.Roosters's Corner Life Member Frank (Rooster) Ramagefrank ramage, rsl life member, wangaratta sub branch -
Wangaratta RSL Sub Branch
Framed Poem
Poem entitled Bruce Ruxton by Fred Homburg aka Barry from the Bush Bruce Carlyle Ruxton, AM, OBE (6 February 1926 – 23 December 2011) was an Australian ex-serviceman and President of the Victorian Returned and Services League from 1979 to 2002.Black metal frame with poem on cream paperPoem entitled Bruce Ruxton bruce ruxton, poem, fred homburg -
Victorian Aboriginal Corporation for Languages
Book, Museum of Victoria, Hidden histories, 2003
Collection of Print outs from an online project visited on 26/11/2003.B&w photographsgunai kurrnai, gunai kurnai, museum victoria, oral histories, bruce baxter, norman terrick, nicholas moffatt, max solomon, shirley firebrace, bill harrison, jason wilson, shane atkinson, eddie kneebone, rob thorpe, koori children's art -
Victorian Aboriginal Corporation for Languages
Book, Margaret G. Corrick et al, Wildflowers of Victoria and adjoining areas, 2000
Alphabetically listed, with detailed entries.Maps, colour photographs, glossarywildflowers, plants, victoria, mallee, grampians -
Victorian Aboriginal Corporation for Languages
Book, Wathaurong Aboriginal Co operative, Koori studies project : notes for teachers
Display book with text, coloured photos, historical photcopies, time line, etc.colour photographs, games, newspaper clippingswathaurong, curriculum development, koori life and customs, primary school education, secondary school education, victorian history, geelong history -
MYLI My Community Library
Photograph - Pakenham Consolidated School Grade Two Class Photo, 1953
Grade 2 of Pakenham Consolidated School in 1953 with their teacher Mrs Joyce Hosking. Back row L to R: Paul Manestar or Bill Vallender, Bernie Carter, (?), Norman Whitelaw, Richard Shelton, Rodney Shallard, Ian Reid (Reidy?) or Duncan Beard (Reidy), Ken Jarred, Glen Jolly. 2nd back row L to R: Keith Crofts, Peter Johnstone, Kevin Lewis, Robert Tulloch (Bones), Nipper Reid, Duncan Beard(?), Bruce Weatherhead, Peter Hobson (Hobbo). 2nd row from front L to R: David Langley, Kath Mauger, Jill Peck, Rosamund Hunt, Beth Schilling, Roslyn Smith, Lynne Tuena, Pat Stone, Joy Higgins, Lynette Wheeler, Grif Fearon or Kevin McInnis. Front row L to R: Ken McCaffrey, Marion Butcher, Helen Stephens, Mary Lou Walsh, Glenis Tuena, Dawn Hillderbrick/ Hillbrick(?), Marion Hansford, Kaye Wollard, Beverley Payne (Payney), Edna Sinclair(?), Paul Braemar. In the 1940s and 1950s there was a movement to consolidate small rural schools into one larger school. This was partly a response to a shortage of teachers, due to many male teachers enlisting during the Second World War. The War also caused a shortage of materials and labour and many Schools fell into disrepair. The Education Department decided that Pakenham would be one of the first six Consolidated Schools to be established and that all schools within 8 kms or 5 miles would be closed. The Pakenham Consolidated School was officially opened on May 29, 1951, on the site of the Pakenham State School, No.1359, in Main Street. The original Pakenham School had opened on a site near the Toomuc Creek in January 1875 and it moved to the Main Street site in 1891. The first Head Master was Charles Hicks. The School offered classes up to Year 10 (Form 4). The schools that formed the Consolidated School were Pakenham Upper No. 2155 (closed January 1952), Pakenham South No. 3755 (closed September 1951), Toomuc Valley No. 3034 (closed September 1951), Army Road No. 3847 (closed April 1947), Mount Burnett No. 4506 (closed October 1949), Tynong No. 2854 (closed April 1951), Tynong North No.4464 (closed December 1951), Nar Nar Goon North No. 2914 (closed October 1951), Nar Nar Goon South No. 4554 (closed May 1951), Rythdale No. 4231 (closed September 1951), Officedale No. 4242 (closed May 1951), Cora Lynn No. 3502 (closed May 1951) and Koo-Wee-Rup North (Five Mile) No. 3198 (closed November 1959). The School consisted of new buildings, which at the time cost one hundred thousand pounds, and many of the old School buildings. Some towns did not realise that their School buildings would be removed from the sites and transferred to Pakenham. The Pakenham Consolidated School moved from its original location in Main Street to its current location in Rundell, Way in 1997.This photograph is of historic and social significance. Pakenham Consolidated School was one of the first six Consolidated Schools established by the Education Department, and was born out of shortages of teachers, labour, and materials during World War II. The school can be used more broadly to reflect on the evolution of education in the state of Victoria, as the school can trace its origins all the way back to 1875, when the original Pakenham School was opened near Toomuc Creek. The photograph is also of social significance to many community groups, including Cardinia Shire, past and current students and teachers, allowing various groups to reflect on and share intangible memories of times spent at Pakenham Consolidated School.Copy of a rectangular black and white photograph on matte photographic paperpakenham consolidated school, primary school, class photo, grade two, grade 2, pakenham, school, photo -
Brighton Historical Society
Clothing - Dress, Evening dress, circa 1860s
A dress belonging to the family of George Ward Cole in the late 1800s; possibly his wife Thomas Anne Ward Cole or one of his daughters, Margaret or Agnes. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn, brown silk, evening dress, circa 1860, consisting of a bodice and skirt. The bodice features an off the shoulder neckline edged with cream lace. A chevron design of black velvet trim, passes from the shoulders to the centre front waist, then hangs loosely to the hip line. The black velvet trim on the sleeves and the skirt is edged with a black fringe. The bodice (.1) base is finished in a v-shaped front at the natural waistline. There are short puffed sleeves also feature the black velvet fringed trim and lace at the edge along with three epaulette style strips, which pass from the shoulder seam to the edge of the sleeve. Each strip finishes with a decorative bobble. The bodice lining is cream glazed silk with steel boning, cotton tabs sewn into both sides have four eyelets for lacing. The dress has a full, floor length unlined skirt (.2) which is slightly longer at the back creating a modest train. The skirt has horizontal bands of the velvet trim and finishes with a box pleated trim of the dress fabric. The dress is fastened at the back using two connecting rows of black velvet covered buttons.brighton, st ninian's, 1860s, evening dress, george ward cole, thomas anne ward cole, margaret morison ward cole, agnes bruce ward cole -
Brighton Historical Society
Headwear - Hat, Headdress, Late 1800s
A lace head dress belonging to the women of the family of George Ward Cole’s in the late 1800s. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn cream lace cap from late 1800s. A silk satin ribbon that encircles the back of the crown of the head, creates the structure of this cap. Towards the front it also has a net and wire-reinforced peak. Over the top of this support is a central diamond shaped lace piece of seven and a half centimeters diameter to which is attached a fine lace net that is gathered and stitched around the edge of the central lace. Two decorative bows of the same silk satin fabric are positioned on the support over the top of the lace at either temple of the wearer. "W-COLE" hand stitched on inside of band. It is unknown when and by whom this inscription was made.st ninians, george ward cole, headwear, late 1800s, brighton, margaret morrison ward cole, agnes bruce ward cole, thomas anne ward cole -
Brighton Historical Society
Headwear - Bonnet, Late 19th Century
A cotton bonnet belonging to the family of George Ward Cole’s in the late 1800s. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn ivory cotton, embroidery anglaise child’s bonnet from the late 1800s. The bonnet fabric design combines features a combination of narrow pin tucking and embroidered flowers on a vine. The bonnet edge is finished with a double-layered delicate gathered lace ruffle around all the edges. The bonnet secures under the chin with a delicate tie made of a similar but plain fabric.george ward cole, st ninians, late 1800s, bonnet, margaret morrison ward cole, agnes bruce ward cole, thomas anne ward cole, brighton -
Brighton Historical Society
Clothing - Dressing gown, Peignoir, Mid 19th Century
This peignoir or morning gown is believed to have belonged to Mrs Thomas Anne Ward Cole, an early Brighton resident and wife of George Ward Cole. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished.A mid blue-green cotton and lace peignoir or morning gown, c.1860. The bodice starts at the neck with a clavicle height, rounded neckline with a turn down flat collar, and is finished with a cream lace frill next to the face. The sleeve starts at the natural shoulder line and its overall silhouette is reminiscent of a soft three quarter length imbecile sleeve constructed of four layers of alternating fabrics. At the shoulder, there is a blue-green flap, which crosses across the top and back of the shoulders towards the centre upper back in a 'v' shape. Here it finishes where it meets with the gathered top of the fabric that creates the train. Underneath this shoulder flap is a gathered, long cream frill that finishes just above the elbow. Underneath this frill is the full gathered blue-green sleeve. Finally falling from this a second gathered long cream frill finishes at the three quarter arm. The bodice buttons with five metal buttons from the neckline to just above the bust. Here it meets a heavily gathered front in two pieces, which falls with fullness to the floor. This full section is secured closed at the centre front with four hooks and eyes over the bust and then continues with shell buttons through the remainder of the garment.st ninians, george ward cole, morning gown, peignoir, brighton, thomas anne ward cole, margaret morrison ward cole, agnes bruce ward cole -
Brighton Historical Society
Clothing - Dress, Visiting dress, Late 19th Century
This gown, one of two similar items in the collection belonged to one of the Ward Cole sisters, Miss Margaret Morison Ward Cole or Miss Agnes Bruce Ward Cole, daughters of George Ward Cole. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently sub divided and later demolished. A black and yellow velvet, wool, lace and silk dress from circa 1882. The bodice features a yellow silk, black lace and black velvet collar finishing high on the neck just below the chin finished with a black lace ruffle. The collar has a flap across the front of the throat that attaches at the side with a V-shaped baseline that contributes to concealing the fastenings of the bodice. The dress features a gathered central panel of black lace covered lemon silk, which falls from the neckline to the floor. At either side of this panel are matching panels of black velvet. The remainder of the dress and sleeves are made of black wool featuring a self-striped and spotted pattern. The dress fastens down the centre front with concealed black buttons hidden underneath the right velvet panel. The head of the Amadis sleeve sits on the natural shoulder line and finishes tightly at the elbow. The volume of the sleeve is created by ten pleats at the head of the shoulder, sewn to the bodice and is gathered at the elbow. The sleeve is finished with a black velvet ribbon with a bow and a black lace frill. The base of the dress is finished with a ruffle of the black dress wool. The dress features a small train. The dress is boned at the back waist and features an inset panel just below the waist of gathered fabric which forms the train. st ninians, george ward cole, visiting gown, brighton, margaret morrison ward cole, agnes bruce ward cole -
Brighton Historical Society
Clothing - Dress, Visiting dress, late 19th century
This gown, one of two similar items in the collection, belonged to one of the daughters of George Ward Cole, Miss Margaret Morison Ward Cole or Miss Agnes Bruce Ward Cole. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished.A black and mint green wool, velvet, lace and silk dress from circa 1882. The bodice features a wired, standing collar, finishing just under the chin and open at the front of the throat. On either side at the front of the throat it features long black lace ties with black jet bead fringe. The centre front of the dress from the neckline to the base of the skirt features an insert panel of mint green corded silk. The silk is gathered and the neckline and waist and overlaid a panel of gathered lacy net. Inserted into the seam at either side of this panel at the waist are two velvet ties. The dress secures closed with eight black buttons and one hook and eye down the right side of the mint panel to mid thigh. The edges of the collar and black front panels are finished with a looped ribbon trim. The remainder of the dress is made of a black wool fabric woven a checkered pattern of larger and looser threads and smaller and tighter threads creating a seersucker like pattern. The bodice features a natural shoulder line and an Amadis sleeve of full cut gathered to the bodice at the shoulder and finishing at the elbow with a large black lace flounce. The front panels of the dress are flat and shaped neatly to the body from neck to hip line and gently out to create the Victorian silhouette. On the back of each shoulder the dress features a leaf like, small jet beaded embellishment with multiple long loops of jet beads falling down the back to the waist. Underneath this embellishment is a pleated black ribbon that runs from the shoulder to the back of the pelvis. Over the pelvis are another two jet beaded embellishments of a floral design with two tassels. The skirt is full and pleated in under this embellishment and fulls to the floor with a small train. The base of the dress is finished with a ruched band of the main dress fabric.st ninians, george ward cole, visiting gown, brighton, miss margaret morison ward cole, miss agnes bruce ward cole, 1880s -
Clunes Museum
Photograph
A BALL AT CLUNES TOWN HALL, TOM EVANS, BRUCE REID, ROBERT VINECOMBE & BRENDA TREMBATHlocal history, photography, photographs, events and celebrations