Taken in 1944, the photograph depicts a van with two large, round satellite dishes installed on the roof stationed near Mt. Stanley, Victoria. There is a transmission tower in the background. Four unidentified young men are in the foreground on the right hand side. A secret experimental micro-wave radio station was established and tested at this site by the Army Signal Detachment Unit during World War II. It was part of an experimental Ultra High Frequency (UHF) link between Melbourne and Sydney. At the time, it was highly classified. It intended to enquire into the hitherto unexplored transmission of micro-waves; that is, a radio signal which could only be transmitted by line of sight, and thus required hill-top to hill-top location.The photograph is historically significant as it pertains to World War II; the largest global conflict in history. This significance is enhanced by Australia's prominent involvement in campaigns across the Pacific, particularly on land in New Guinea and across the Huon Peninsula. It was also the first time that the Australian mainland came under direct attack by the Axis, with Japanese forces targeting north-west Australia and Sydney Harbour. These battles became Australia's largest and most complex offensives during the war. The record is also historically significant as it relates to the Royal Australian Corps of Signals, or "RA Sigs". This significance is strengthened by Australia's unique distinction of having the first established signal unit under the British Empire. This unit provides electronic warfare. They enable commanders to implement highly dynamic battle control against opposing forces by using a number of methods including radio, fibre optic, micro-wave, information systems and satellite links. The record has strong research potential. This is due to the ongoing scholarly and public interest in war, military history, the ANZAC legend, and the continuing existence of the RA Sigs. The historic context of this record can provide insight into Australia's history, military, technological innovation and advancements, as well as national economic, defence and foreign policies after 1945.Black and white rectangular photograph printed on matte photographic paper.Reverse: BMM5095.10 / Our station set-up / in operation beside / the old Fire Watchers / Tower / 32 / It was man-handled / the last 50m. to the top /military album, army album, wwii, world war ii, army signal detachment unit, royal australia corps of signals, military, war, australian army, mt. stanley, victoria, beechworth

The Flagstaff Beacon was printed weekly from 14th July 1979 to 5th October 1979. The paper was published in Warrnambool by Trevor Alan Mackay (Ennisclay Pty Ltd) and the address was listed as 104 Liebig Street with the Classified Department at 148 Fairy Street. The name of this paper was a reference to the two operating lighthouses on Flagstaff Hill in Warrnambool. The Flagstaff Beacon was delivered free to Warrnambool householders but extra copies could be obtained for 20 cents a copy. The paper produced the usual newspaper material – current news, sport, real estate, movies, women’s news, motoring, advertisements etc. In August 1979 the Flagstaff Beacon offered colour reproductions of any photographs appearing in the paper. This was described as the first service of its kind to be offered in Victoria. These newspapers are of considerable interest as they are some of the few surviving copies of the 1979 Warrnambool paper, The Flagstaff Beacon. They also are of historical interest because of their news items and their advertisements. These are 13 copies of the Warrnambool newspaper, The Flagstaff Beacon. The newspapers are printed in black and white with a masthead featuring a colour – mainly red and orange. The masthead also has an image of a lighthouse, perhaps the Upper Lighthouse at Warrnambool. Most of the copies have 20 pages. The copies have some staining where they have been folded. warrnambool newspapers, the flagstaff beacon, history of warrnambool

Copy of a notification letter from National Trust of Australia to the owner Mrs EM Reeves that Lisbon House been classified. Dated 26/03/1994 Photocopy of conservation study of Lisbon House by Andrew Ward in October 1994. Includes brief description and history and photograph of the house. Letter from the Historic Buildings Council to owners of the Lisbon House advising on the application to review and include the house in the Historic Buildings Register. Letter dating 31/03/1995. Letter dated 18/09/1995 from the HBC to the owners of the house advising them that the house will not be added to the register. One page description of Lisbon House with sketch of facade. Date and source unknown. Photograph of Lisbon House. Date unknown, black and white, photographer unknown.reeves e m, hart t, ward andrew, brown mary, brown walter, weigall reginald, brown em, mould arthur, symons george, read m, tonkin ray, kons a&a, caulfield, elsternwick, orrong road, lisbon house, glenhuntly road, city of glen eira, verandahs, cast iron work, architectural styles, italianate style, victorian style, caulfield historical society, caulfield north

The National Trust (Victoria) citation on the Heritage Victoria Database describes Lalla Rookh as charming and rare example of a substantial domestic building from the depths of the depression of the 1890s. It was Classified by the Trust on 22/04/1971. The first Kew Urban Conservation Study established that the house was built in 1897 for John Duncan, civil servant. By 1910 William Robert Frayne, chemist, had purchased the property. When the building was listed by the National Estate the building was described as: '... Single-storied, the symmetrical, stuccoed house features a central porch with an arched opening and pedimented consoles and a bull-nose verandah which returns down both sides and is constructed with cast iron columns and friezes. A balustraded parapet crowns the main walls of the house. The encaustic tiled verandah is distinctive.'"Lalla Rookh", 41 Fellows Street, Kew, is of architectural interest as a representative example of a villa house of the period and also forms pan of the townscape of Kew. In a late version of Boom Style Classicism, the basically modest and conventionally planned house is proportioned to emphasise the porch and heavy balustrade, contrasting with the verandah and plain wall surfaces. The parapet may have had urns originally. The encaustic tiled verandah is of note. ... Of local significance.'Photographic print positive of the facade of Lalla Rookh at 41 Fellows Street, Kew.lalla rookh, houses -- fellows street -- kew (vic.), boom style architecture, architecture -- melbourne -- 1890s

The arrival of explorers Hume & Hovell in 1842 brought about the widespread clearing of land in the valleys for pastoral uses and the displacement the original inhabitants in the high country which became a boon for cattlemen due to extensive lush summer grazing for cattle. High country cattlemen built a variety of huts for shelter and storage, when driving cattle up to the plains in summer, during mustering and bringing the cattle down from the mountains before winter closed in. These same huts now provide shelter from the elements for hikers, bush walkers and skiers. Wallace’s Hut is the oldest of the Cattleman’s huts still standing in the Alpine National Park and is classified under the National Trust. Due to their age and the ravages of the elements, including bush fires, many of the huts have been destroyed, or are falling into disrepair. Groups of willing volunteers are now working to preserve as many of the huts as possible with restoration or rebuilding.The numerous cattleman’s huts of the Alpine National Park and the colourful characters who erected them represent a significant part of the history of the high country area and early cattle grazing, which has been the theme for many poets and film-makers alike. They also have a significant role in the early days of the SECV when they were used by surveyors and other workers for shelter and temporary accommodation. More recently the huts have functioned as shelter for hikers and skiers caught out in the elements and a refuge along the long trek for bush walkers. They are a popular attraction for tourists and feature prominently in much of the tourist information of the region. Black and white double page Newspaper article from the Herald Sun Newspaper of February 18, 2006 regarding the efforts of Mr David Oldfield to preserve Victoria’s remaining High Country Huts through his photography and efforts to restore old and Re-build missing ones. Article shows a photograph of David Oldfield and some of his photographic work of the huts. Page number and date printed at top of each page 30 Herald Sun, Saturday, February 18, 2006 Herald Sun, Saturday, February 18, 2006 83 cattlemen's huts; david oldfield; bogong high plains; wallace's hut; high country; alpine national park

The Commonwealth Ericsson Wall Telephone was adopted in 1901 by the Post Master General as the standard magneto telephone throughout Australia. It was designated by the Australian Post Office as: "Telephone No.1 - Magneto Wall, Commonwealth Type" The No1 was widely used in country areas and new installations of this type continued throughout the 1920s. Although classified as obsolete in 1951, several were still in service in country areas into the mid-1960s before the phone systems were fully automated. The phone was originally connected to a 'party' line (several connections to a common wire), and the winder was turned in various combinations of long and short turns (being the codes unique to each individual connection) to alert the other party of an incoming call. Anyone could listen in on a party line, although courtesy prevented it occurring most of the time. Central telephone exchanges rendered the party line obsolete. Vintage wall telephone The case originally housed two No6 dry-cell batteries to power the speaker (early models used a pair of Leclanche-like wet-cell batteries - the drawing from 1911 indicates that wet-cell batteries were still in use at that time). Batteries became obsolete when the phone was connected to a central exchange. A plastic speaker horn was fitted in 2025 - the original was missing on front - L M ERICSSON & Co STOCKHOLM inside - serial number: 496018 H 5 (this serial number identifies the phone as being manufactured in 1904) inside - slip of paper identifies date of manufacture as 1904 inside aftermarket writing - F.W.31forests commission victoria (fcv), communications

Benjamin Francis Esposito No 368 enlisted on 23.1.1915 in the 21st Bn age 25 years, embarked for Eygpt 10.5.1915 then to Gallipoli, embarked for France 19.3.1916, awarded the “MM” at Moquet Farm 26.8.1916, WIA 11.2. 1917 GSW to Face & L/Hand, promoted to 2nd Lt 1.1.1919, Lt 1.4.1919, discharged from the AIF 6.10.1919. Francis Stacey Esposito No 535 enlisted on 14.7.1915 age 22 years in B Coy 29th Bn, embarked for Eygpt 10.11.1915, embark for France 16.6.1916, WIA 26.11.1916 GSW to Neck, rejoin unit 18.3.1917, transfer to the 32nd Bn 12.10.1918, discharged from the AIF 25.7.1919. Mervyn Harold No 781 enlisted on 18.8.1914 age 20 years in C Coy 7th Bn, embark for Eygpt 19.10.1914, embark for Gallipoli 5.4.1915, admitted to Hospital Ship 2.7.1915 with Influenza, later classified as Enteric serious, Died of Disease 8.8.1915.Portrait photos, head & shoulders, of 3 soldiers in uniform, 2 with peaked caps. Oval photos mounted on cream backing with 3 battalion patches in the centre. On LHS is a drawing of a soldier with rifle surrounded by green leaf edging. Photos have brown wooden frames with gold inner edge, glass front & wooden ply backing.Across the top in white: 1914 THE WORLD WAR 1918 In centre in red: THREE MEN WENT FORTH FROM THIS HOME In centre in black: Ben Esposito, 1915 Frank Esposito, 1915 Mervyn Esposito, 1915 To fight for the preservation of .... Australia's nationhoodmemorabilia, framed, brothers

At the end of August 1940 the Hired Military Transport Dunera, a boat carrying around 2,500 European male internees, the majority of which were Jewish, arrived on Australian shores after two arduous months at sea. Although many had made England their home, their German or Austrian background caused these men to be classified as ‘enemy aliens’ by the British Government and sent to Australia without their families. The ‘Dunera Boys’ were interned in camps at Tatura and Hay. Although some internees were released after two years because they possessed specific industry skills which would aid the nation, others were interned for the entire duration of the war. This collection brings together objects, personal effects and documents relating to the journey, internment and subsequent military service in the 8th regiment experienced by the ‘Dunera Boys’. Also included are artworks and poems created by the internees during their interment, which express the thoughts and feelings of the men and document the daily life in the camps. Velvet, silk, silk embroidery thread, cotton thread, silk cord, leather, cotton and wood

Tourmaline specimens are members of a crystalline silicate mineral group based on boron but influenced by elements including aluminium, iron, magnesium, sodium, lithium, or potassium. Specimens present a wide variety of colours and forms according to the specific mix of these elements. Tourmalines are semi-precious gemstones with many applications, including commercial jewellery production. The word 'tourmaline' derives from the Sinhalese term for the carnelian or red-shaded specimens, "tōramalli". This specimen has been classified by geologists as 'Black Schoalou/Tourmaline in quartz'. Schoalou may equate to a common black-hued type of Tourmaline associated since around 1400 with mines in Saxony, Germany near a village called Schorl (today's Zchorlau). If this specimen is part of the 'Schorl' species of tourmaline it is a member of the most common group of Tourmalines, a divalent sodium ion influenced group accounting for 95% of specimens. On assessment, it was noted that the crossed lines (XIs) of this tourmaline have been fractured and rehealed by the quartz matrix in which the tourmaline rests. This item is significant as an example of its type of gemstone and the geological processes leading to its formation. A solid medium-sized piece of Black Schoalou/Tourmaline in a cream and peach coloured quartz matrix. Existing label: Black Schoalou / Tourmaline in / quartz. / Tourmalines XIs have / been fractured and / rehealed with / quartz / C. Willman / 15/4/21 /geological specimen, geology, geology collection, burke museum, beechworth, indigo shire, north-east victoria, tourmaline, quartz, boron, crystals, minerals, gemstones, semi-precious, black schoalou, zchorlau, schorl

Reginald Joseph McCULLOUGH No 2203 enlisted in the AIF in 15th reinforcements 3rd LHRegt on 15.11.1915 age 28 years 7 months. Embarked for Egypt 16.3.1916, transfers to Artillery Details 15.5.1916, embark for England 28.6.1916, attached to 5th Div Artillery, embark for France 4.9.1916, transfer to 14th FAB 11.10.1917, WIA 2.11.1917, SW to right leg fracture, rejoin unit 19.7.1918, hospital 25.10.1918 with Cellulitis left knee then classified as Synovitis, transfer to AHQ 9.12.1918, hospital 20.12.1919, died Grove Military hospital England classed as Excema and Syncope 30.12.1919. William Francis McCULLOUGH No 2863 enlisted in the AIF in 6th reinforcements 24th Battalion on 12.7.1915 age 21 years. Embark for Egypt 27.10.1915, transfer to 7th Bn 24.2.1916, embark for France 26.3.1916, hospital 18.6.1916 Dental, rejoin unit 25.6.1916, hospital 4.11.1916 with Diarrehoea, rejoin unit 9.11.1916, hospital 22.4.1917 (unclear) rejoin unit 13.5.1917, transfer to 1st Aust Div Signals, discharged from the AIF 28.7.1919.WWI Brothers - W F McCullough & R J McCullough. Frame, tan wooden, glass front, cardboard backing. Certificate, painted, coloured with a photo of each brother inserted.On certificate: TWO MEN WENT FORTH FROM THIS HOME W F McCullough 1915 R J McCullough 1914 On sticker at bottom of glass: WORLD WAR I BROTHERS Donated by J E Wilesdocuments - certificates, frame accessories

Photograph shows two maximum traction bogie cars with one drop end, numbered 22 and 23 on Balaclava Road at St Kilda Town Hall. Both cars are full and travelling in different directions and both carry an additional destination board reading "Esplanade". Along side one tram are a dozen men, women and children riding bicyles or in a passing motor car. Three uniformed tramwaymen are also shown. The Balaclava Road/Carlisle Street line opened in 1913 and was very busy in summer months and on weekends enabling residents in Melbourne's eastern and southern suburbs to travel directly to St Kilda Beach without having to change to cable trams. Trams 22 and 23 were part of a four car set, built for the Prahran and Malvern Tramways Trust in 1912 in Adelaide and based on a designed used there. They were sold to the Hawthorn Tramways Trust in 1916, eventually classified as O class then sold back to Adelaide in 1927. Their bulky design earned them the names 'Zepplin' and 'Dreadnought'. Yields information about beginnings of Prahran and Malvern Tramways Trust Black and white photograph glued to board with notes on photograph and on rear.Note on photograph reads: "St Kilda City Trams, Balaclava" Note on rear in stamp ink reads: "Geo Wall & Co Photo Experts 131 Chapel Street Balaclava. Photos copied, resuscitated and enlarged"tramways uniforms, maximum traction bogie cars, drop end, numbered 22 and 23, balaclava road, st kilda town hall, esplanade, carlisle street, st kilda beach, four car set, prahran and malvern tramways trust, adelaide, hawthorn tramways trust, o class, zepplin, dreadnought

Previous owners: T. H. Smith, T. W. SmithSecond edition No. of volumes: 91 Volume range: Vol. 1-50 + Vol. 1961-1994 [First edition?] + Masters 1948-1980 + Permanent supplement to second edition, Interim supplements to 1986 & 1987 Missing volumes: Vol. 1962 Editors: Malor, J. (Vol. 1-30, 1961-1974 & Masters 1948-1977) Jelbart, J. M. (Vol. 31-34, 1967-1980 & Masters 1967-1980) Bennett, J. M. (Vol. 35-40) Fitzhenry, K. (Vol. 41-50, 1981-1987, Permanent supplement to 1986 & Interim supplement to 1987) McPaul, B. (Vol. 1961-1980 & Masters 1948-1980) Lewis, F. (Vol. 1988-1990) Mariani, P. L. (Vol. 1991) Selvadurai, N. (Vol. 1992-1994 & Interim supplement 1987-1993) "Provides summaries of Australia reported case law since 1825. Cases are classified by subject and issue. Consists of 83 titles (58 volumes) updated each year." (ulrichsweb.com) Most items still have dust jackets ISSN: 00671843law reports: digests: etc. -- australia

Newspaper - The City Weekly, issue 14, April 25 to May 1, 2002, containing an article titled "Tram Etiquette" and "Commuter fare blitz". Printed in full colour on gloss paper with a front cover in cartoon form of the things you should not do on a tram - Cartoon by Golding. Was a free newspaper. Magazine of Newspaper Covers City Real Estate, out on the town, Health and Beauty, entertainment, classifieds and careers. Page 6 - article titled "Commuter fare blitz" - about proposed checking of Metcards, but there were many complaints and issues with machines not working and legal challenges. Pages 8 and 9 - article "Tram Etiquette", with the sub-headings "in the absence of conductors, have we become confused about public behaviour on privatised trams". Looks at issues at how people use the tram system with photos of people using trams. Also has a side item with people's photographs titled "What's getting up people's noses on Melbourne trams?" Written by Bridget McManus, Pictures by Peter Weaving and Robert Hudson. Two copies held.trams, tramways, passengers, behaviour, trams, public transport, tickets, metcard, cartoons

One of a group of slides taken by members of the Society of built heritage in Kew in 1979-80. The selection of subject matter reflects the priorities of the period. The colour of some slides has degraded. This particular slide is of 'Fairholme' on the corner of Barry and Fellows Street. The building is listed by the National Trust (Victoria). The citation on the Historic Buildings Register states: 'Fairholme is of State architectural significance as a distinctive free Romanesque Revival residence. Built in two stages, 1889 for solicitor Edward Smart and early this century for importer, J K Meritt, the singular architectural character of Fairholme is achieved by combining window bays and groups of windows with a two-storey gabled porch. The deliberate and distinctively asymmetrical composition is emphasised by Art Nouveau pressed cement detailing (coprosma) on a bowed balcony and the two-storey timber verandah, which is typical of the Edwardian period. The architects were Reed, Henderson & Smart (1889) and C Gordon McCrae (c 1900-1). Internally a grand entry hall with inglenook, staircase and gallery follow the Arts and Crafts quality of the exterior. Classified: 17/03/1993'The slides represent a snapshot in time of built architecture in Kew, much of which has changed in the forty-plus period since they were created. 35mm colour transparency (slide) of 'Fairholme' (1889) on the north-east corner of the intersection of Fellows and Barry Streets, Kew. The photo was developed in May 1979.barry street -- kew (vic.), fellows street -- kew (vic.), historic houses -- kew (vic.), architects -- reed henderson & smart, architectural styles -- romanesque revival, j k merritt

In the early years of the 20th century adequate technical education was lacking and became a focus in the Victorian Parliament. After much debate and discussion among politicians and educationalists, the 1910 Education Act No 2301 was passed, making possible the establishment of new technical schools to address the dearth of skilled trades people. In July 1912 Collingwood Technical School opened in the modified bluestone buildings at 35 Johnston St, originally built in 1853 as the Collingwood Town Hall and Court House. Within three weeks, there were 57 boys enrolled - studying preliminary carpentry and pattern-making, plumbing, engineering, sheet iron work and bricklaying. They attended two hours a night on three evenings a week. In 1913, the school opened its doors to juniors and took residence in new permanent buildings erected on the site. It was classified as a trades school by the State Education Department. Two years later courses in electrical wiring and electrical and mechanical engineering were introduced. In 1988 Preston College of TAFE and Collingwood College of TAFE merged to become Northern Metropolitan Institute of TAFE (NMIT). (http://victoriancollections.net.au/organisations/northern-melbourne-institute-of-tafe)Brown soft covered booklet of 40 pages. The contents include information relating to the Collingwood Technical School on 1913, including: Council members, constitution, standing orders, aim of the school, scholarships, advice to parents, Railway Fares, tram fares, General Rules to Students, Syllabus, English, Geography, Civics, Mathematics, Elementary Science, Woodwork, |Sheetmetalwork, evening course, carpentry, plumbing, joinery, and a list of students for 1912 Evening courses. collingwood technical school, collingwood, tafe, nmit, northern metropolitan institute of tafe

In the early years of the 20th century adequate technical education was lacking and became a focus in the Victorian Parliament. After much debate and discussion among politicians and educationalists, the 1910 Education Act No 2301 was passed, making possible the establishment of new technical schools to address the dearth of skilled trades people. In July 1912 Collingwood Technical School opened in the modified bluestone buildings at 35 Johnston St, originally built in 1853 as the Collingwood Town Hall and Court House. Within three weeks, there were 57 boys enrolled - studying preliminary carpentry and pattern-making, plumbing, engineering, sheet iron work and bricklaying. They attended two hours a night on three evenings a week. In 1913, the school opened its doors to juniors and took residence in new permanent buildings erected on the site. It was classified as a trades school by the State Education Department. Two years later courses in electrical wiring and electrical and mechanical engineering were introduced. In 1988 Preston College of TAFE and Collingwood College of TAFE merged to become Northern Metropolitan Institute of TAFE (NMIT). (http://victoriancollections.net.au/organisations/northern-melbourne-institute-of-tafe)Red soft covered book of 60 pages. Contents include: List of President, Council and staff, constitution, aim of the school, scholarships, evening classes, advice to parents, Railway fares, tram fares, free travel, general rules for students. syllabus of work, evening work. Images include carpentry class, Bricklaying, plastering and Turning & Fitting classcollingwood technical school, collingwood, tafe, nmit, northern metropolitan institute of tafe, carpentry, bricklaying, plastering, turning and fitting

The University of Ballarat department of Graphic Design / Multimedia Classification, "This year is yet to be classified", Advanced Screening. Promotional catalogue of University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) student work, 2001 or 2002. Each student has contributed a movie-poster style graphic, incorporating their email address. Portrait spiral bound book, pages are four colour process offset printed onto transparent acetate, white card back and fold to read each page. 28 Students: Alex Gillet, Andrea Read, Peta Wallace, Michelle Allen, Matt Avent, Andrew Isaac, Reuben Barnett, Fiona Woolley, e sawyers, Andrew Wapling, Hamish McDougall, Tim Allan, Jacqueline Orr, Lucy Brisbane, Leigh Scholten, L Webb, Ange Nastos, Marc Oswin, Simone Carras-Kerr, Michelle Berry, Heath McGregor, Naomi Craig, Amanda Brizzi, Anthony Boulton, Jess Steinke, Belinda Garth, Sonya Zwolinski, Danielle Harris. Promotional catalogue University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) student work, 2001 or 2002. Portrait spiral bound book, pages are four colour process offset printed onto transparent acetate, white card back and fold to read each page.alex gillet, andrea read, peta wallace, michelle allen, matt avent, andrew isaac, reuben barnett, fiona woolley, e sawyers, andrew wapling, hamish mcdougall, tim allan, jacqueline orr, lucy brisbane, leigh scholten, l webb, ange nastos, marc oswin, simone carras-kerr, michelle berry, heath mcgregor, naomi craig, amanda brizzi, anthony boulton, jess steinke, belinda garth, sonya zwolinski, danielle harris, university of ballarat, federation university, graphic design, multimedia, helmut stenzel, stephen roberts, elizabeth farlie, elise whetter

Built in 1856 by J.T.C. Balderstedt as an eight-room, two-storey red brick house near the New Chum gold reef. Extended in 1869 with a three-room gabled wing. Surrounded by ornate gardens and a masonry wall, overlooking gold mining operations. Purchased by George Lansell in 1871 for 20,000 pounds. Lansell made significant additions and modifications; he died in 1906. By 1938, the property was in disrepair but avoided demolition.In 1942, the Australian military sought a secure location for map printing and storage north of the Great Dividing Range. The Commonwealth acquired a lease on Fortuna, and Army tradesmen made alterations. Major Sari and 150 men arrived in June 1942. The Australian Survey Corps and Women's Army Corps produced classified mapping documents during World War II. Purchased by the Commonwealth Government in 1951. The Royal Australian Survey Corps was disbanded in 1996.D efence Imagery and Geospatial Organisation (DIGO) was established in 2000 in Canberra and Bendigo to provide geospatial intelligence for defence.In 2004, it was announced that DIGO operations would remain in Bendigo but move from Fortuna. The Department of Defence plans to vacate Fortuna, with its future use undecided.History Lives Article - "Historic Building has Varied Past" - The Bendigo Weekly Friday Jul 25 2008 This item contains the following: 11217.15a Colour Photo of Fortuna Long Room 11217.15b Colour Photo of Fortuna Staircase 11217.15c Colour Photo of Fortuna Steps and Entrance 11217.15d Part of page 7 - Fortuna Refit Not an Easy Option 11217.15e Colour Photo of Fortuna Bathroom 11217.15f Colour Photo of Fortuna Entrance Pathnon-fictionbendigo, fortuna, george lansell, australian army survey corps

This photograph is part of the Caulfield Historical Album 1972. This album was created as part of a project from approximately 1966-1972 by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. This album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia Victoria and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Photographers Jenny O’Donnell and Trevor Hart, members of Caulfield Historical Society. Some photographs are older and from unknown sources. All photographs are black and white except where stated. From Victorian Heritage Database citation for HO61 Presentation Convent, 28 Sandham Street Elsternwick https://vhd.heritagecouncil.vic.gov.au/places/35476 (as at 1/11/2020) The "Presentation Convent" is locally significant as a substantial late Victorian villa residence in Elsternwick and for its more recent role in the educational and spiritual lives of the community. https://vhd.heritagecouncil.vic.gov.au/places/65716 (as at 21/08/2021) National Trust Property No B2713 Typical of period but yet interesting for association with Horatio Beauchamp. Classified 26/11/1970 Victorian Heritage Database citation for HO61 Presentation Convent, 28 Sandham Street Elsternwick https://vhd.heritagecouncil.vic.gov.au/places/35476 A substantial two storeyed stuccoed asymmetrical Italianate villa residence, representative of its period, with two storeyed cast iron verandah and projecting facetted bay with trabeated treatment to the ground floor and round arched upper level windows with distinctive moulds.Page 185 of Photograph Album with one photograph of Cromarty.Handwritten: SANDHAM STREET [top] / CROMARTY - OLD CLASSROOMS [under photo] / 185 [bottom left]trevor hart, chimneys, porch, cast iron lacework, school, education, presentation sisters, catholic girls college, balcony, verandah, presentation convent, sandham street, victorian villa residence, villa residence, cast iron frieze, cast iron columns, protruding bay, bay window, 1880's, double storey, cromarty, chiselhurst, chisel hurst, horatio beauchamp, elsternwick, classrooms, class rooms, late victorian style, arched windows

NNN - BALLAST HOPPER, This vehicle was built by the Tasmanian Govt. Railways in 1954 and classified QG. A number were obtained by the Puffing Billy Railway for use on ballast trains but to date, only two have been converted. When the first of these was converted for 2’6” gauge operation it kept the Tasmanian QG but with the addition of an N prefix, and also kept its Tasmanian number of 3. However, to follow traditional V.R. practice, in June 2003 it was reclassified to NNN and numbered 1 as the nearest counterpart on the V.R. was the broad-gauge NN. A second one, numbered 2, has since been converted. 1 NNN - Bogie Ballast Hopper Truck Service History Built 1954 Tasmanian Railways - QR 3 - Bogie Ballast Hopper Truck converted from a 3ft 6 inch (1,068 mm) gauge ex Tasmanian Railways ballast wagon by the Puffing Billy railway. Coupled Length 20 feet 0 inches (6100 mm) Weight 6 tons Capacity 10 tons Number Built Not known In use 1 To be restored 3 Puffing Billy Service History or Notes Historic - Tasmanian Government Railways - 3 QG Bogie Ballast Hopper Truck Puffing Billy Railway - Track maintenance Vehicle - NNN - Bogie Ballast Hopper Truck1 NNN - Bogie Ballast Hopper Truck made of Steel and metal1NNNpuffing billy, pbr, rolling stock , 1 nnn bogie ballast hooper truck, tasmanian government railways, 3 qg bogie ballast hopper truck

NNN - BALLAST HOPPER, This vehicle was built by the Tasmanian Govt. Railways in 1954 and classified QG. A number were obtained by the Puffing Billy Railway for use on ballast trains but to date, only two have been converted. When the first of these was converted for 2’6” gauge operation it kept the Tasmanian QG but with the addition of an N prefix, and also kept its Tasmanian number of 18. However, to follow traditional V.R. practice, it was reclassified to NNN and numbered 2 as the nearest counterpart on the V.R. was the broad-gauge NN. A second one, numbered 1, was also converted. and was reclassified to NNN in June 2003 2 NNN - Bogie Ballast Hopper Truck Service History Built 1954 Tasmanian Railways - QR 18 - Bogie Ballast Hopper Truck converted from a 3ft 6 inch (1,068 mm) gauge ex Tasmanian Railways ballast wagon by the Puffing Billy railway. Coupled Length 20 feet 0 inches (6100 mm) Weight 6 tons Capacity 10 tons Number Built Not known In use 1 To be restored 3 Puffing Billy Service History or Notes Historic - Tasmanian Government Railways - 18 QG Bogie Ballast Hopper Truck Puffing Billy Railway - Track maintenance Vehicle - NNN - Bogie Ballast Hopper Truck2 NNN - Bogie Ballast Hopper Truck made of Steel and metal2NNNpuffing billy railway, pbr, rolling stock , 2 nnn bogie ballast hopper track, tasmanian government railways, 18 qg bogie ballast hopper truck

In the Sunshine Advocate of 21/03/1925 it is reported that Wunderlich Ltd decided to establish works in Sunshine for the manufacture of terra cotta and faience for the facing of city buildings. The product was intended to imitate granite, which would give a brighter appearance to concrete walls. A stone surface finish to the terra cotta could be achieved by applying a variety of colour combinations of glazes with a special 'spackle' gun. A building that is still standing and has the imitation granite finish terra cotta is the Nicholas Building at 21 - 47 Swanston Street, Melbourne. The Nicholas Building was designed by Harry Norris for Alfred Nicholas (Aspro fame), and was built during 1925 - 1926. The building is classified by the National Trust (B4079) and has the Victorian Heritage Register (H2119). During my employment in the factory from 1964 to 1969 the tiles were generally faced with single colour glazes. For some small jobs a light coloured mottled finish was achieved by spattering a white glaze over a cream coloured background or vice versa. There were no imitation granite jobs done, probably because of changing attitudes to the intended appearance of buildings. The green coloured tile in our collection is an unfinished (untrimmed) retain tile typical of the green coloured tiles that were made for the two stages of the Commonwealth Centre Building (colloquially known as the Green Latrine), that was once located on the corner of Spring and Victoria Streets in Melbourne. Similar coloured tiles were also used on some shop fronts. The Commonwealth Centre Building no longer exists, however the Century Building at 125 - 133 Swanston Street, Melbourne is covered with single coloured tiles (white). The Century Building was built in 1939, with the architect being Marcus Barlow. The Building is classified by the National Trust (B4045). Our tile along with several others were headed for dumping among the asbestos waste at the rear of the two Wunderlich factories (Circa 1968). With permission from the Factory Superintendent of the Terra Cotta factory they were saved and taken home. Several are still in use as pavers around a barbecue in Melton from where our tile was obtained. It should be noted that the Wunderlich Architectural Terra Cotta factory in Sunshine did not manufacture terra cotta roofing tiles, as reported in the Brimbank City Council Post-contact Heritage Study HO 073 former Wunderlich now West End Market. Wunderlich terra cotta roofing tiles were manufactured at their factory in Mitcham Road, Vermont. Document HO 073 contains at least 3 errors. Other References: (1). http://nla.gov.au/nla.news-article74726224. (2). Armstrong, J. 'Investigating the historic and current use, manufacture and conservation of architectural terra cotta and faience USA & UK'. This tile is an example of the type of facing that was applied to city buildings for over 40 years from the mid 1920's. As building techniques changed the need for this type of facing diminished, and so the factory was eventually sold and demolished. A free standing tall chimney stack which serviced two of the kilns was a significant feature of the North Sunshine skyline. A part of the history of Sunshine disappeared with the demolition of the factory and the chimney stack. Only the façade of the finishing section of the factory where tiles were trimmed and stored remains. Off-white/beige architectural terra cotta tile with green coloured vitreous glaze on the face of tile. The rear of tile is ribbed. wunderlich limited, terra cotta, architectural, commonwealth centre, spring street, sunshine, mcintyre, victoria street, faience, faence, imitation granite, nicholas building, century building

Walter Withers was a significant Australian landscape artist and a member of the Heidelberg School of Australian Impressionists. In 1903 Withers bought 'Southernwood', a house on 2½ acres (1 ha) at Eltham, to which he added a studio. Because of ill health, he lived during the week at his studio in Oxford Chambers, Melbourne, and on weekends and holidays with his family at Eltham until his death in 1914. The Eltham rail bridge is a unique and valuable historic relic of an earlier steam locomotive transport era in the Diamond Creek Valley and has long formed an important part of a magnificent Eltham landscape. When built in 1902 it was close to the terminus point of the Heidelberg-Eltham rail extension, on the route of the proposed Diamond Valley Railway that was then planned to continue much further up the valley towards Kinglake. This bridge is situated in attractive river-valley parkland amidst the tall and spreading manna gums and candlebarks of the Diamond Creek Valley. The Alistair Knox Park river-valley landscape, of which the timber trestle bridge is an important visual component, has been classified by the National Trust. Large manna gum and candlebark trees adorn the adjacent creek banks, and historic Shillinglaw Cottage is also part of this much-prized Eltham landscape. Eltham is home to a historic wooden railway trestle bridge. Mainly of timber-pier and timber-beam construction, but varied by a few longer steel-joists spans on timber piers at the main stream channel, this substantial bridge has almost two hundred metres of timber deck. Built in 1902, it is the only railway bridge of predominantly timber construction that is still in regular use as an integral part of Melbourne's metropolitan electric railway network and one of extremely few timber rail bridges in the State that still carry trains. Apart from its important continuing social function as a carrier of rail transport for the Hurstbridge line, this impressive bridge and its beautiful parkland environs contribute much to the character of Eltham township and that town's special reputation as an historic centre of environmental and conservation concerns. This section of the Diamond Creek Valley was the subject of a Walter Withers painting in the earliest years of the twentieth century and has strong historic links with our Heidelberg School of painters. Watercolour painting on paper of Eltham's Trestle Bridge in the middle of the day. A small section of the wooden bridge is located to the left of the painting. The focus is predominately on the wattle, manna gum and candlebark trees that is to the right of the bridge. The golden hues typically represent the australian sunlight and landscape. "W.W" in gothic script on the lower right side of the painting. Not dated. withers, eltham, trestle bridge, railway, watercolour

The Australian magpie is a passerine native to Australia and southern New Guinea. Renowned for its black and white plumage and distinctive song, the Australian magpie has also established populations in New Zealand and on the Fijian island of Taveuni, where it was introduced during the 19th century. Previously classified as three distinct species, it is now recognized as a single species comprising nine subspecies. Belonging to the family Artamidae, the Australian magpie is the sole member of the genus Gymnorhina and shares its closest relation with the black butcherbird (Melloria quoyi). Unlike the Eurasian magpie, it is not part of the Corvidae family. This specimen was originally misidentified as a white winged chough and is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This specimen an Australian Magpie with black and white plumage over the body, mounted on a cedar stand. The specimen has a large straight beak and is in an unusual pose for a magpie, compressing the white patch on the back of the neck. The beak has turned yellow where originally grey, potentially leading to a previous misidentification as a white-winged chough.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian magpie, ornithological, ornithology, white winged chough

This file contains six items about this mansion: 1/Three pages of handwritten notes by Peta Darke, dated December 2013, concerning the title and ownership of Repton from 1881 till 2013, earlier called ‘Wahgunyah’ 2/Handwritten list of owners of Repton from various editions of Sands and McDougall Directories compiled by Peta Darke on 06/12/2013 3/Black-and-white photograph of exterior of Repton, undated, photographer unknown 4/Seven copies each of a classified advertisement in The Argus newspaper relating to Repton and its occupiers. Dates are 15/01/1927, 15/12/1928, 07/03/1917, 10/07/1926, 02/07/1940, 10/04/1944, and 28/01/1949 5/Article in Property Review Weekly dated 15/11/2013 advertising forthcoming auction on 30/11/2013. Includes colour photographs of exterior and interior. Also brochure real estate agent advertising forthcoming auction of Repton: includes 4 colour photographs of exterior and interior, description of property and plan of layout. Produced in 2013. 6/Printed information taken from 'Trove' regarding former residents of 'Repton', Elm Street, Elsternwick by Claire Barton. Research is from the Stubss family tree about Dermot Du Moulin Ryan whose mother's address is listed as this property.repton, wahgunyah, elm avenue, elm road, elsternwick, roan andrew, partridge john douglas, partridge alice anna, partridge john roland phelps, phillips ida mary charlotte, steers reuben rivers, mann agnes, gruer william frank, taylor james alexander, marmaras george, marmaras arthur, supported housing, stevens edward, matthews herbert, repton court flats, marmara drive, lehte, fosbery avenue, taylor florence ethel, wood john frances wealth, brick houses, land subdivision, flats, victorian style, stubbs family, ryan dermot du moulin, ryan kate, elm street, house names, ryan h h

In 1889 the three central fire brigades of Bendigo were amalgamated and a new fire station was erected in View Street (the third to be built on this site). This two storied brick building designed by Wm. Beebe forms an integral past of the View Street landscape. The red brick, white plaster relief trimmings and window frames with greenish lead-light decoration, all reflect the late Victorian style of the building. The ground floor contained an engine station and call room with stalls to accomodate three horses immediately behind. Upstairs in the main building is a handsome drill hall.Series of letters between Miss Starke and Miss Mathison re classification of the building by the National Trust; Letter to the Country Fire Authority (CFA) re classification; Media Release; National Trust data survey form; two photos of the fire station. This item contains the following six documents: 3084.44a Bendigo Fire Station View Street Bendigo Coloured Photo 3084.44b Bendigo Fire Station View Street black and white photo, street view, about 1960 3084.44c Letters related to the classification of the Bendigo Fire Station View Street Bendigo. It was classified by the National Trust in June 1977 3084.44d National Trust of Victoria Data Survey Sheet and notes on the history of the Bendigo Fire Station, View Street, Bendigo 3084.44e This document is a 1977 media release from the National Trust of Australia (Victoria) announcing the classification of two historic buildings in Bendigo: Bendigo Fire Station (View Street)Designed by architect William Beebe in 1899.Features elaborate neo-classic rendered ornament.Former Butcher's Shop (Happy Valley Road & Wells Street) Front section dates from about 1872.Originally opened by Conrad Heinze (later Mayor of Bendigo) and his brothers.Weatherboard cottage with timber verandah and scrolled valance.Built in three stages, reflecting family growth. 3084.44f Letters re fittings in the former Bendigo Fire Station, View St Bendigo 1984history, national trust bendigo collection, bendigo, bendigo fire station

Olivine is mostly found on the Earth's surface in igneous rocks that are dark-coloured. It is common at divergent plate boundaries and at warm spots, such as volcanic areas. It crystalises and forms during the cooling of magma. Olivine is used in refractory sand, bricks, and gemstones. Olivine has been found on a number of meteorites, which might have originated from large asteroids or the mantle of a now-destroyed planet. This olivine crystal is thought to originate from Mount Noorat, with speculation that it could have originated from Mount Shadwell. Mount Noorat is a dormant volcano cone located in the Newer Volcanics Province of Victoria. Mount Noorat belongs to the Kirrae Wuurong people, who used the Mount as a place for meetings and gatherings prior to European settlement. Contact was first made between European settlers and the Indigenous people in 1841. The Mount has mostly been used for cattle and sheep grazing. Mount Shadwell is a well-known source of olivine and is the highest of a gathering of volcanic cones. The New Volcanic Province is located in South East Australia and covers 15000 square kilometres. It contains 400 explosive vents and small shield volcanoes. The last eruption is thought to have occurred 5000 years ago at Mount Gambier and Mount Schank. This olivine crystal has been identified as a volcanic bomb, which is a molten rock which was pushed out and ejected into the air when a volcano reupts. A rock needs to be larger than 65 mm in diameter to be classified as a volcanic bomb. This olivine volcanic bomb and its locality is historically and socially significant. The olivine was found in the Newer Volcanic Province, an area which contains over 400 dormant volcanoes. This olivine is one part of a volcanic bomb, which would have ejected when magma erupted out of a volcano. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A solid iron-magnesium silicate mineral with shades of green and brownburke museum, beechworth, geological, geological specimen, olivine, igneous rock, volcanic, gemstones, volcanic bomb, meteorites, asteroids, plantes, mount noorat, mount shadwell, indigenous, kirrae wuurong people, newer volcanics province, victoria, european settlement, eruption

The collection has been catalogued into a number of Series. The main series are Series 1: Main Photographic Series; Series 2: Main Transparency Series; and Series 3: Brochures and Published materials. Every Item in each of these major Series has been individually catalogued on a spreadsheet, one spreadsheet per Series. A further 70 Series have been created to catalogue smaller, discrete collections of photographs and negatives and other memorabilia including registers, published materials and objects. The completion of its transfer to the Society was noted in Newsletter No. 159 November 2004. Generally memorabilia items classified as part of Council 's art collection and negatives of historical photographs have been retained by the Council. The items now stored at our Local History Centre are quite diverse. They include many photographs of Council activities, Councillors and Council staff. There are Council brochures, calendars and other publications. All of these items are catalogued and stored in quality archival boxes. Also included is a large collection of old Council registers such as letter books, contract registers, cash books, etc. Many of these are large leather bound volumes, more of interest for their appearance than for their content. The first meeting of the Memorabilia Reference Group was held December 5, 1996. The aim of the group was to facilitate all actions required for the safekeeping of the Shire of Eltham memorabilia. The members of the group were Harry Gilham President of the Eltham District Historical Society (EDHS), Russell Yeoman EDHS Secretary and Chris Marks Curator of Collections at NSC.shire of eltham archives, series listing, memorabilia reference group

All Saints Estate is a family owned winery established in 1864 and located on the banks of the Murray River in Wahgunyah, North East Victoria. Original owners George Sutherland Smith, and John Banks, arrived from Caithness, Scotland in 1852. They were just 23 and 20 years of age. Choosing to settle in the Wahgunyah area, they used their training as engineers from the Edinburgh Railway Institute to build a bridge over the Edwards River at Deniliquin. They were also involved in the construction of several buildings in Beechworth including the Presbyterian Church, part of the Gaol and the original hospital of which the granite facade still remains today. Smith and Banks began growing vines at ‘Sunday Creek’ closer to Wahgunyah than the present All Saints Estate winery, before relocating to build the 'All Saints castle' just three miles north of Wahgunyah, in 1864. The partners took up 100 acres and proceeded with planting vines in earnest whilst also constructing pise cellars made from the estate soil. The All Saints Estate castle was based on the design of ‘The Castle of Mey’, including turrets and a tower. The castle was constructed mainly of handmade bricks that were fired in the All Saints Estate Brick Kiln (classified on the Victorian Heritage Register) on the property. However, only the battement parapets of the lower wall and a turrets were copied, not the main castle style. The Castle of Mey, most recently owned by the late Queen Mother, was where George Sutherland-Smiths’ father was a carpenter and joiner.Black and white photograph showing a view, up a road between the Elm Tree entry drive of All Saints Winery wineries, north east victoria, wine industry, all saints winery, rutherglen, wahgunyah, winemaking, castle, winery