This object relates to Roy MARTIN. He was born on 1/03/1897 in Ballarat, VIC. Roy served in the AIF (3349) enlisting on, 12/07/1915 in Ballarat, VIC before being killed in action on duties with the 5th BATTN as an Army Non-Commissioned Sergeant (SGT) on 11/02/1917. Roy MARTIN was not a prisoner of war. His next of kin is M M GENTLESInscription on back - "To Mother & Gran with Best love from Roy Martin"first world war (ww1), 1914 - 1918, photo/pictures, ballarat rsl, ballarat

This object relates to Herman Claude BENHAM. He was born on 1/07/1895 in Geelong, VIC. Herman Claude served in the AIF (3690) enlisting on, 13/08/1915 in Drysdale, VIC before being discharged from duties with the 7TH BATTALION as a Army Non-Commissioned Private (PTE) on 25/03/1919. Herman Claude BENHAM was not a prisoner of war. His next of kin is James BENHAM (Father). Herman Benham was awarded the British War Medal and the 1914-1915 Star."With love from Winnie J"first world war (ww1), 1914 - 1918, literature, ballarat rsl, ballarat

Postcard showing "The Rock' at Olinda with a man standing at centre top. It appears to be #2 in a series and is titled The Rock, OLINDA. L.A. Bach PHOTO 2. The postcard has been sent from Mary Dorey to her sister Alice Dorey. "The Rock" is located adjacent to the old Olinda Golf Course.Handwritten on reverse in black ink. Miss A Dorey 10 Princes St Fitzroy This is the rock at Olinda I have told you about I think it is taken very well the first they have ever taken off it If you send up some money I will get you a set of the postcards they are all lovely love to Auntie May Fred and all the family they have not the snowflakes yet: of course this is only a miniature size of it Yours lovingly Mary. Handwritten at a later date in blue ink: The Rock Olindathe rock, olinda, fred dorey, alice dorey, mary dorey, postcard, l.a.bach

This photograph is taken in the lady's home, and the Medical Student and Royal District Nursing Service (RDNS) Sister are supervising the lady walking with two 4 prong sticks.From the founding of the Melbourne District Nursing Society (MDNS) in 1885, known as Royal District Nursing Service (RDNS) from 1966, the rehabilitation of patients to ensure they were able to live independently in their own homes was at the forefront of care given by their Trained Nurses (Sisters). As well as teaching and supervising the use of equipment, their Sisters taught them safe transfer techniques. These techniques were also taught to family members to enable them to care for their loved ones. RDNS at first held workshops given by a contracted private Physiotherapist before employing their own Physiotherapist in 1975 who taught staff the correct techniques, not only for safety of the patient, but to reduce physical strain on RDNS nursing staff and patient’s family members. When required the Physiotherapist accompanied the Sister on her visit to the patient in their home.On the left of this black and white photograph is the rear view of a Medical Student who is standing side-on looking towards the right, and smiling at an elderly lady. He has short dark curly hair and is wearing a white hospital style coat, which has a stethoscope folded in the pocket, over grey trousers. His right hand is resting on top of the lady's right hand which is on the top of a metal 4 prong stick. The lady, who is wearing glasses and has short wavy grey hair, is standing holding the tops of the metal 4 prong sticks which are standing either side of her on the grey carpet. She is smiling at the doctor. She is wearing a black skirt and a black sleeveless jacket over a black and white patterned blouse, and is wearing black shoes with her left shoe raised with a deep sole and heel. To her right, standing side-on facing her, is a Royal District Nursing Service (RDNS) Sister who has her long dark hair drawn back. She is wearing a white short sleeve gown and her right hand is behind the lady; her left hand is on the lady's right hand on top of the 4 prong stick. In the left background is a vinyl style grey couch and on the right is a window with open Venetian blinds and open long dark curtains on either side. An air-conditioner sits in the lower section of the window.Barry Sutton Quote 25royal district nursing service, rdns, rdns rehabilitation

This postcard was sent by "O.G." to J. Gawler on 7 February 1915 from an Army camp in Egypt. The postcard appears to have been hung up by a thumb tack as there is a small hole at the top centre of the card. This item is representative of the letters and postcards that were sent home to war by servicemen during the First World War and was a way to maintain a connection to their loved ones during difficult and uncertain times. Postcards were a very common form of communication in the first World War. This postcard also records places for those who didn't have cameras. This type of souvenir would have been familiar to the first Legatees as they had served in World War 1 and many had passed through Egypt.The front image of the postcard is a photograph of a camp of white canvas tents lined up in rows in front of a pyramid. Several soldiers can be seen walking throughout the campsite. On the reverse is a message written in black ink. There is also a small hole in the top centre of the postcard.Message on reverse of postcard is dated 7.2.15 and says: "This is a view of part of Mena camp where the 1st Australian Division has been camped. We have had fine weather and very cold nights. Weigh nearly 11 stone now. O.G." Addressed to: "Mr J M Gawler, Collins St, Melbourne"world war one, war correspondence, souvenir

A post card sent from France to Australia in 1918, presumably from a soldier son to his mother while on leave from the fighting in France.A record of correspondence from France to Australia in 1918. Postcards were a very common form of communication in the first World War. This postcard also records places for those who didn't have cameras. This type of souvenir would have been familiar to the first Legatees as they had served in World War 1.Post card with a coastal panoramic view and beach houses. At the back of the post card is the written wishes. Front side: Printed, 35 / LE CROTOY. - La Plage. / Edition de la Menagere / ND. Phot. Back Side: handwriten mark, x / printed, Carte Postale / IMP. PHOT. NEURDEIN ET CIE. - PARIS. / Correspondance / Adresse, Stamped Postal Sticker from the Republique Francaise valuated in 10c Postes. / Handwritten text: 13/1/18 Dear Mater This is a snap of where I am now. We are in the house marked x, and are very comfy. Love to all Lee / Mrs W. Elsum 42 Parker St. Williamstown Victoria Australia. war correspondence, souvenir

3 A4 pages stapled together. Peter's Eulogy. We have lost a giant from the folklore scene. The huge crowd here today shows how much Peter meant to so many people. He has been my friend and band leader for the past twenty five years. Peter was the glue for our band. He planned the musical program in conjunction with the MCs. He listed all the tunes to be played and where to find them for those who read the dots. Peter was great fun to be around and I'd like to mention just a few things to show that. Peter was always an exuberant player. He would bounce around on his seat. This caused a near disaster at a drought relief benefit we were playing. The band was on a platform but our pianist Olive was at ground level as the piano could not fit. Peter bounced around so much his chair leg slipped and Peter ended up on top of poor Olive. Peter loved to entertain. He would play bones or swanee whistle at the drop of a hat. He would demonstrate the Charleston, can can or bunny hop for groups. For a big man he was very light on his feet. He loved to stand and circle his concertina, a memory I won't forget. I have to confess I have slept with Peter. Twice. The first time was at Port Fairy Folk Festival when the band slept in the nunnery at Koroit. Peter, Dean Swift and I shared a room. Peter's snoring was so bad Dean grabbed a blanket and a pillow and went to sleep in the mini bus. I went into another room but even with two closed doors found it difficult to sleep. As recently as this year's Illawarra Folk Festival Peter was in a tent in the performer's area. I noticed the tents either side quickly became vacant. The next time was in Canberra when Peter and I were at one end of a caravan and Mary Smith was at the other. I don't think poor Mary got much sleep that night. On another occasion in Canberra Peter was Half asleep in his van when another well known female performer (not from the band) came in and stripped off. She realised she was in the wrong van and grabbed her stuff and took off. She returned very red faced the next morning to collect her shoes. Peter maintained he saw nothing. One freezing cold night in Canberra Peter ad I had been at a terrific session in the bar. We had to support each other across the oval towards our caravan. Peter tried to straddle the fence and got stuck. There was a real Canberra frost on the fence and a sensitive part of Peter's anatomy was in grave danger of frost bite. Peter took an eternity to extricate himself. I couldn’t help him as I was laughing so much. We'll never forget making Harry McQueen's bull boar sausages at Nariel. Peter had already organised the meat and intestine casings from the butcher in Corryong. He was such an organiser and the sausages were brilliant. Peter was quirky. He always made a morning cuppa complete with tea cosy. It even left Martin Pearson speechless in the breakfast tent at Illawarra this year. Another example was when he sold his beloved FJ which is parked out the front today. As the new buyer drove off down the road Peter stood there playing 'Now is the hour' and 'wish me luck as you wave me goodbye' on his concertina. Peter loved a joke. He knew Shirley Andrews loathed the tune Danny boy so he played it in her hearing any chance he go. He even gave her a cd with a dozen different performers doing their versions of the song. We once played at the Rifle Brigade Oktoberfest and Peter was just a bit under the weather after being there for two days (the band got free drinks). The late night crowd was getting restless so Peter tried to shut them up by holding his finger up. They got more restless. Peter couldn’t understand it. 'it worked for Grummy Ross,' he wailed. It was the only time we ever over rode him and started playing without him. He wasn’t happy but disaster was averted. The dance club once had a reverse deb ball. Peter shave his beard, got his sister Robyn to make up his face and came to the ball in a lovely gown. It took ages for people to realise who it was.Margaret Hogan said the other night 'Peter let me see and do things I never would have done otherwise.' I think that is true of all of us in the band. We performed in major festivals regularly, travelled widely and had experiences such as playing at the opening of Melbourne Museum or State Parliament. Experience we'd never have had without Peter. I'm glad Peter didn’t suffer. He told me last Monday morning on my last visit he was in no pain. For that I am grateful. He passed away that night. He was taken far too young and has left a huge hole in all our lives. Personally I have lost a great mate, but then we can all say that. We'll miss you Dirty Pierre. John Williams.person, individual, peter ellis oam

The diary belonged to George Gilbert Connolly who enlisted in WW1 1914. He enlisted in Queenstown Tasmania.Black soft leather wallet and diary folder with ribbon tie.Inside cover of diary: To George With love from Alice Nixon St Queenstown 9-10-14 Tasmania First page of diary is dated Tuesday Oct 20-10-14. Hand written with pen, entries dated until arrival in Queenstown August 1916ww1 diary

The famous Australian poet Adam Lindsay Gordon (1833-1870) lodged for seventeen months in this cottage, located at 10 Lewis Street, Brighton. He and his wife Margaret lived here from 1869 until Gordon took his life on the Brighton foreshore in June 1970. Adam Gordon Lindsay was the first Australian poet to gain considerable recognition overseas and has been credited for beginning a national school of Australian poetry. His poetry reflected his love of the bush, a sense of humour, but also his battle with depression. In addition to being a poet, Lindsay was also a skilled horseman, police officer and politician. In 1946, the cottage at 10 Lewis Street was demolished. Local poet Mr Cyril Good, an ardent admirer of Adam Lindsay Gordon, purchased the bricks from the cottage which he carefully numbered and stored for a number of decades, in the hope that it would one day be re-erected in Gordon’s honour. John C. Paul, Adam Lindsay Gordon cottage c. 1870 1973, watercolour, 27.8 x 42.3 cm. Bayside City Council Art and Heritage Collection. Purchased 1974.brighton, john c paul, historic house, adam lindsay gordon, poet, lewis street, politician

Amy Huxtable was born at Cheltenham in 1918, to Robert Henry Huxtable and Violet A Dagg. Her father was an installer for an oil company and travelled the State. taking his family with him. She completed her education at the Bendigo High School and later attended the Bendigo Business College, becoming an expert shorthand writer. Her first position was as a copy writer with Radio 3BO, in the mid 1930s. She worked with an advertising agency in Melbourne and then with the Age,newspaper. In 1953, Miss Huxtable was appointed temporarily to succeed Miss E B Millane as social editress of the Bendigo Advertiser, during the latter's absence abroad. In 1956, Amy travelled abroad and on her return in 1957 was appointed permanently as Women's editor, a position she held for twenty-three ears. During her early years with The Advertiser she wrote under the name Toora, but in later years her own name became widely known. Miss Huxtable was well known both in her professional capacity and through a interest and involvement in community activites. She was life governor of the Bendigo Hospital, the Bendigo Home for the Aged, and Mirridong Home for the Blind, she was a member of Soroptimist International and the Business and Professional Women's Club. Amy was also a tireless worker for the spastic society and a strong supporter of the YWCA. When Amy Huxtable died at Mt AJvernia Hospital on 16 January 1980 Mayor Campbell ordered the city flag to be flown at half-mast. "Lowering the flag is the least we can do for such a lady" Cr Campbell said. Douglas Lockwood, editor of the Bendigo Advertiser said, "She was a devot d colleague who gave her craft and her newspaper the kind of service which identified a rare and generous spirit." She was a true professional who decided to make Bendigo her home. More than 300 people packed St Paul's Church for her funeral ervice the bell tolled as the casket was carried from the church. At a ceremony in the Conservatory Gardens on No ember 22 1981 The Amy Huxtable Memorial Committee presented to the City of Bendigo, a garden seat in memory of the late Miss Huxtable. This Bendigo manufactured seat was a fitting tribute to one ofBendigo's most loved and esteemed citizens. All Miss Huxtable's Advertiser articles were microfilmed and presented to the Library by the above committee. Amy Huxtable Memorial Committee - Newspaper Articles and letters to the Bendigo Art Gallery 2808.9a First Article: Bendigo Advertiser article 18/12/1985 on "two of Bendigo's noted daughters , Ola Cohn and Amy Huxtable" Describes the restoration of the Ola Cohn drinking fountain in Rosalind Park, and the installation of the Amy Huxtable Memorial Seat in the Conservatory Gardens. Second Article: Bendigo Advertiser Letters to the Editor Column 30/12/1988 paragraph entitled "Credit where it is due: "A special tricentennial council effort would be to restore the paths, kerbs and sculpture by Ola Cohn, J H Curnow Fountain, the Bob Brothers Memorial and the Chain of Ponds" (Rosalind Park) 2808.9b Seven Pages of letters: 1. To Mrs Thelma Dingle from Doug Hall, Bendigo Art Gallery Director 30/1/1986 regards the Amy Huxtable committee funding the restoration of the Ola Cohn Fountain by sculptor Mr Marc Clark. 2. From the Amy Huxtable Committee 24/3/1986 back to the Art Gallery explaining that the committee leftover funds be given to the art Gallery to go towards the restoration of the Oal Cohn Fountain. 3. From the Art Gallery to Miss N D young, Amy Huxtable Committee 3/4/1986 thanking the committee for the funds. 4. From the committee to the Mayor and Councillors, Bendigo City, 4/2/1987 asking for an update on the project. 5. Copy of above letter. 6. From the City of Bendigo to the Committee 17/2/1987, advising of progress on the restoration of the fountain. 7. From Norma Young to the Bendigo Advertiser Letters to the Editor, advising of progress on the Ola Cohn Sculpture and the J H Curnow Fountain restoration. history, amy huxtable, bendigo, amy huxtable memorial committee, bendigo conservatory gardens, ola cohn, j h curnow fountain

Ancient Order of Druids was formed in London in 1871. Their motto was "Justice, Philanthropy and Brotherly Love". The Order was established in Australia in 1851.The Sandhurst Lodge 247 met at Queens Head Hotel (Lockwood cross roads) and was first mentioned in the Bendigo Advertiser in 1863.Ceremonial collar in red velvet with gold metallic bullion fringe around outside edge and lower inside edge and gold metallic lace to edge. At one end (LHS) there is a large gold metallic star in sequins and gold metallic bullion. At the other end (RHS) the initials PA are worked in zardozi work in gold metallic thread 5cmx7cm.ceremonial collar, ancient order of druids

BHS CollectionGreen covered book with ornate edges. On the front in gold colour is a depiction of an inkwell with two stylus. On the spine also in gold lettering "Cooke's Universal Letter Writer". Revised and improved. Published by T, Nelson and Sons in 1868.On first page: H. B. Staley from his father as a token of love, October 9th 1869, Eaglehawk.english grammar, letter writing, cooke

The Easter Rising also known as the Easter Rebellion, was an armed insurrection in Ireland during Easter Week in April 1916. The Rising was launched by Irish republicans against British rule in Ireland with the aim of establishing an independent Irish Republic while the United Kingdom was fighting the First World War. It was the most significant uprising in Ireland since the rebellion of 1798 and the first armed conflict of the Irish revolutionary period. Sixteen of the Rising's leaders were executed starting in May 1916. The nature of the executions, and subsequent political developments, ultimately contributed to an increase in popular support for Irish independence.The Six Days' of Rebellion in Dublin - Photo album type book with story of the rebellions and original photos of the damage inflicted on the streets of Dublin. Published by Eason and Sons Ltd., Dublin and Belfast.Inside the front cover: To Pa love from ??. The buildings are shown just as they are at present - I have seen them all. Ireland 1/11/18history, irish rebellion, rebellion in dublin

Brown cover book with the name M.A. Mackay in gold letter on the front. Index of songs handwritten on second page. The songs included are: Ever and ever mine, the dear homeland, The daily question, The old countree, the clang of the wooden shoon, home dearie home, The carnival, Last night, A creole love song, an old garden, for all eternity, The valley by the sea, Call me back. Aileen and John Ellison Collection."No. 17" on first page. Stamp of Evans and Crock, Bendigo on several pages.music, mackay

Sixteen theatre programmes from the Royal Princess Theatre: 1) ''A chapter in her life'' with Claude Gillingwater, Jacqueline Gadsen & Jane Mercer - ''Within the law'' with Norma Talmadge. 2) ''Who's Who'' directed by William Anderson. 3) ''The old woman who lived in a shoe'' with Lily Clarke, Fred Heinz, Neal Connelly, Gladys Spencer, Nellie Hornby, Willie Howard, Mary Nuttall, Frank Rossmore, George McGuire, May Bryer, Claud Chevely, Vera Nuttall, Vera Bromley, Dorothea Liddle, Coral Spencer, Ruby May, Irene McGuire, Nellie McGuire, Euston Moloney. 4) ''Splendid Fellows'' with Isabelle Mahon, frank Leighton, Eric Colman, Leo Franklin, Frank Bradley. 5) ''David Copperfield'' with W.C. Fields, Lionel Barrymore, Madge Evans, Maureen O'Sullivan, Edna May Oliver. 6) ''The Gay Divorcee'' with Fred Astaire and Ginger Rogers. 7) ''One Night of love'' with Grace Moore. 8) grand Operettas ''Life at sea'' by the pupils of the Marist Brothers' College. On Saturday, December 16th, 1916. 9) ''John Gilpin'' music by Sr Frederick Cowen. First appearance of the Marist Bros. Boy's brass band with miss Pauline Bindley, Miss Mary Bentley, Miss Vera O'Donnell, Mr. Hector Goldspink, Mr. Tom Pritchard, Mr. Frank Bensen. Wednesday, December 7th, 1910. 10) ''A night at a Maori Pah'' featuring forty full blooded Maoris from the thermal regions of New Zealand. 11) Royal Princess Bendigo eighty first birthday souvenir programme. 31st August, 1955. 12) '' The Merry Widow'' royal comic opera company with Gladys Moncrieff, Arthur Stigabt, Leslie Holland, Lance Lister. 13) ''Grand National Concert'' Tuesday, 17th March, 1925 with Rita Miller, Vera O'Donnell, Percy Blundell, W. Donohue, Donald McNeath, Pat Coleman, Arthur Douglas. 14) 15th Annual tour of the original ''Blind Entertainers'' Monday, September 3rd, 1928. 15) The joy event of the year. 5th annual Paramount week, August 31st to September 5th. 16) Princess Bendigo, programs December 5 to January 4, 1933entertainment, theatre, royal princess

Book: 'LOVE MATCH'. Hardcover with dustjacket. First reprint (August 1981); copyrighted 1981. Materials: Ink, Paper, Cardboardtennis

Reproduction of engraving with caption: 'REMAINS OF GIBBON'S TENNIS COURT/AS IT APPEARED AFTER THE FIRE/ 17 SEPTEMBER, 1809/ USED IN 1660 AS THE FIRST THEATER OF THE /KING'S COMPANY OF COMEDIANS/UNTIL THE ERECTION OF THE THEATRE ROYAL DRURY LANE;/AND IN 1695, AGAIN OPENED BY/BETTERTON'S COMPANY/WITH THE PLAY 'LOVE FOR LOVE'. Materials: Ink, Paper, Metal, Glass, Cardboardtennis

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.Early postcard of MelbourneSepia tinted postcard of Collins Street, Melbourne, Th postcard design includes a line separating the address from the message on the reverse, which dates it after 1902. The stamp on the card is a red Victorian stamp with the head of Queen Victoria in use 1901-1911.Front title - Collins Street (looking West), Melbourne Reverse. - Mrs Garahy, Creek Parade, Clunes, Vic / Dear Mollie / All join with me in wishing you and our dear mother a very prosperous and happy New Year. I am enjoying my holidays very much. I heard Melba last week and went to the pantomime Humpty Dumpty. - it was all lovely. I’ll tell you all about them when I return to Clunes. We were all home for Xmas Day. The first time for 17 years. Fondest love. N.C. / I cut my right hand very badly last Monday and have not been able to write till today. N.C.postcards -- melbourne (vic.), collins street --- melbourne (vic)

Prelude to conflict -- Blitz in the West -- Britain alone -- Italy falters -- Hitler strikes South -- Enter Rommel -- Barbarossa -- The War against Japan -- The onslaught continues -- From Moscow to the Crimea -- Turning point in the desert -- Stalingrad to Kursk -- Victory in the desert -- The Convoy battles -- Hitting back against the Japanese -- The Italian armistice -- To the Gustav Line -- Approaches to the Philippines -- War over the Reich -- The invasion of France -- Destruction of the Army Group Centre -- The Seine to Arnhem -- The Empire's last throw -- Victory in Italy -- The end in Europe -- Victory over Japanhard cover non-fiction book maps and diagramsInscription on the first page "To Dad Happy Birthday, with love Jenny xxx 1987" Glued into the same front page is an article cut from the AFR Dec 22-27 2011.

The small French village of Vignacourt was always behind the front lines. For much of the First World War it was a staging point, casualty clearing station and recreation area for troops of all nationalities moving up to and then back from the battlefields on the Somme. Remember me: the lost diggers of Vignacourt tells the story of how one enterprising photographer took the opportunity of this passing traffic to establish a business taking portrait photographs. Captured on glass, printed into postcards and posted home, the photographs made by the Thuillier family enabled Australian soldiers to maintain a fragile link with loved ones in Australia. The Thuillier collection covers many of the significant aspects of Australian involvement on the Western Front, from military life to the friendships and bonds formed between the soldiers and civilians. The exhibition showcases a selection of the photographs as handmade traditional darkroom prints and draws on the Memorial's own collections to tell the story of these men in their own voicesapprox 4000 images were discovered in the attic of a barn Vignacourt, of soldiers and other life in WW1.An exciting story about the discovery of the plates of Vignacourt

In 1930 Miss Anne Cook opened Anne’s Pantry, a home-made cakeshop at 165 Union Road, but later moved to 135 Union Road. The business of the same name is currently (2018) located at 139 Union Road. Miss Cook used to catch the first train up from Auburn and usually worked into the evening. Eventually the long hours took their toll and she had to sell. Miss E Porteous, her assistant, pictured in this photo, remained for many years with later owners. She recalled: “On the first day we opened at 10 a.m., the people surged in and within half an hour there wasn’t a cake left.” A black and white photograph of a shop interior. There are a number of large jars full of biscuits sitting on the counter. Large tins and boxes are on the shelf to the left hand side. A wicker chair is beside the counter, and part of a table and chair is on the far left hand side. A lady with glasses is standing behind the counter.Original: Top LH corner: Just in case / you forget / Anne's Pantry / 1947 Top Middle: PS/ How could we forget / love Mumunion road, businesses, surrey hills, cake shop, pastry shop, shopkeepers, 1930, 1947, anne's pantry, e. porteous (miss), anne cook (miss)

Taken at the Opening Service in 1910. Photo originally in the collection of Miss Annie Mills of "Terreglea" in Warrigal Road, Surrey Hills. Her father John Mills was a Church elder. Alfred Jacobs could be on the extreme right; Win Jacobs (Mrs Win Yarnold) just visible on the left. Win was connected with the Mills family through the mother (Eleanor Dobson Mills) of her half-sister; Eleanor was Henry Atwood Jacobs' first wife.A black and white photograph of a church with a tall spire. It is bounded by a picket fence. There are a number of people exiting from the side of the church. Many people are wearing hats.To Alfie / with love from / Auntie Annie (Mills) sister of first Mrs Jacobs / mother of Amelia Alan Jacobs / known as Amy. Surrey Hills Presbyterian Church / could be Alf Jacobs an extreme right / ..... opening. From Win Yarnold (nee Jacobs) born at "Spencey Croft" / Canterbury Rd 1905surrey hills presbyterian church, canterbury road, surrey hills, warrigal road, clothing and dress, hats, miss annie mills, mr alfred jacobs, miss win jacobs, miss winifred atwood jacobs, mrs win yarnold, mrs winifred yarnold, mr john mills, churches

This dress, which was made around 1820, was passed down through five generations of a single family before its donation to Brighton Historical Society in 2007. It originally belonged to a great-grandmother of Margaret Reynolds (1881-1958) of Hertfordshire, England, who herself came into possession of the dress around the early twentieth century. Having no daughters of her own, in 1945 the 64-year-old Margaret sent the dress as a Christmas gift to her niece, Margaret Willoughby Reynolds (1907-1996). In the letter accompanying the parcel, donated to the Society with the dress, the elder Margaret writes that she loves the dress very much but has now outgrown it. She makes reference to her own mother Mary Reynolds (nee Lloyd)'s pleasure at seeing the dress worn, indicating that it may originally have belonged to one of Mary's grandparents. She had two requests of her niece: first, that the younger Margaret wear the dress on Christmas Eve as a treat for her Mary (the letter includes styling advice on how the dress should be worn and accessorised), and second, that she one day pass the dress on to her own daughter or niece. In March 1968, the younger Margaret gifted the dress to her Australian-born niece, Dorothy May England (nee Reynolds, 1924-2013), along with a letter of her own. Dorothy, a Bayside resident, donated the dress and both letters to the Society in 2007. The letters paint a picture of the significance of the dress within the Reynolds family and its journey from England to Australia.A white, mauve, purple, red, and green paisley / floral printed cotton day dress from circa 1820. The day dress features a wide scooped neckline, with a dropped shoulder line. At the head of the sleeve is has three lines of gathering creating a narrow arm hole around the shoulder, flaring out into a leg of mutton sleeve. The sleeve finishes neatly at the wrist with a cuff that secures with two brass hook and eye closures. The dress bodice is open at the centre front and secures with six hook and eye closures to the empire line waist. Over the breast on either side of the opening are six diagonal pleats, pressed and secured facing towards the neck. This pleated detail is on a facing that extends from shoulder to shoulder and finishes with a bound edge. The remainder of the front bodice is plain and secures to the skirt at the empire waistline. The skirt pleats onto a binding, wrapping around the torso and securing to the bodice with eight hook closures. At approximately knee, height the skirt has an additional gathered flounce with the dress finishing at approximately ankle length. From the back, the bodice is plain and the skirt is gathered and sewn to the bodice at Empire line. Alterations to the garment have been made with the addition of hooks and eyes. The garment is generally in good condition although the skirt at the front shows evidence of damage and subsequent repair.day dress, 1820s, migration, dorothy may england, margaret willoughby reynolds, margaret reynolds

This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di purchased this bag from Tyabb Packing House Antiques in Tyabb, Victoria.Oval shaped bag made from armadillo leather with head and feet attached. Leather straps may be a recent addition. Metal clasp. Mirror on inside of lid. Interior lined with blue silk.handbag, armadillo, 1960s fashion, 1970s fashion, di reidie, vintage clothing

This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di purchased this two piece ensemble from the influential fashion boutique "The House of Merivale and Mr John" to wear to a performance of "The Sleeping Beauty" by London Festival Ballet, featuring Rudolph Nureyev at the Palais Theatre in St Kilda in May 1975.A two piece ensemble consisting of long evening dress (.1) and matching jacket (.2), cropped jacket of black acetate. The jacket features a tie front and long buttoned sleeve. The full length dress is slim fitting with centre back zip, shoestring straps and shaped bust with ruched centre front."Mandamatilda", "Dry Clean Only, SSWdi reidie, 1970s, house of merivale, manda matilda

This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di purchased this 1930s dress in 1983 to wear to her sister's Registry Office wedding in William Street, Melbourne. It was the first vintage clothing item she ever purchased and was the starting point of a lifelong love of collecting, preserving and promoting historical clothing. She subsequently wore the dress to a great number of events and considered it an important piece in her wardrobe. c1930s black cotton filet net dress with white cotton embroidered flowers. The dress fastens centre front with three hook and eyes, eleven black silk covered buttons and finished with black acetate ribbon band pussy bow at the neck , is slim fitting and finishes at approximately knee length. The head of the sleeve is gathered with a small shoulder band and finishes above the elbow with a black silk band. filet net, 1930s, di reidie, vintage clothing