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Tatura Irrigation & Wartime Camps Museum
Photograph, Sister Patterson, Original 1942, copy 1989
WW2 internment camp 1, Tatura. Army and nursing staff.Sister Patterson standing outside Mess hut, Camp 1.internment camps, tatura internment camps, sister patterson -
Tatura Irrigation & Wartime Camps Museum
Photograph, Matron and Sisters Moore, Asche and Moors, copy 1989 original 1942
WW2 internment camp 1, Tatura, hospital staff, Matron Captain Alice Adcock and Sister Moore, Asche and Moors,4 Army nurses, standing on steps in front of hut doorway.internment camps, tatura internment camps, sister moore, sister moors, sister ashe, matron captain alice adcock -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, copy 1990 original 1942
WW2 internment camp 1, Tatura. Black and white photograph.Stark rows of unadorned huts. Camp 1.internment camps, tatura internment camps -
Tatura Irrigation & Wartime Camps Museum
Photograph, Singapore Group Camp 3
A group of Singapore internee women and children in Camp 3 during WW2. Sepia photograph of a group of women and children standing in front of a hut.singapore internee, camp 3 internees -
Ballarat Heritage Services
Image, Store and Hut on the Diggings
Black and white image of a drawn depiction of a store and hut on the diggings.shop, gold diggings -
Tatura Irrigation & Wartime Camps Museum
Photograph - Photographs, Camp 13 entrance gates
Sketch of the entrance gates of Camp 13 Murchison.Black and white photograph of a sketch of the entrance gates to Camp 13 Murchison, with huts to the left, behind the wire, a large tree behind the huts, and two trees on the right inside the yard. On coreflue.camp 13, murchison, camp entrances -
Tatura Irrigation & Wartime Camps Museum
Photograph, 1942
One of several by C. VagariniColour photograph of a painting of 2 huts left hand side. The end of 4 huts right side. One tall post, 7 fence posts and 5 gum trees in the centre.C. Vagarini (bottom right main one)camp 3, templer society, camp artists, c. vagarini -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Oil, Camp huts, 1943
Painted by internees C Vagarini at Camp 13.B. FrankBrown wooden frame. 3 huts and the end of a 4th hut in front of which are attractive gardens with a large barrel. Flower pot behind which is a blue cylinder, not unlike a fire extinguisher.Casare Vagarinipainting oil, vagarini c, frank b, camp 3, tatura, ww2 camp 3, oil -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1902
The dwelling is said to be the store at the Stoney Creek diggings, with some members of the Langley family. From left Alice Maria Langley, Lucy, ?, ?, Charles Langley (old man) & three friends.Photo shows three women and three men standing and sitting outside a slab hut. The roof of the hut appears to be constructed of bark, held in place by saplings. One of the men is sitting against the side of the hut and is holding a dog. Another man is crouched over a gold pan while an onlooker appears happy with the contents of the pan."Store at Stoney Creek diggings ?1902. Alice Maria Langley, Lucy ? ? Charles Langley (old man) & three friends." written on back in blue pen.people, langley, mining, gold mining -
Ringwood and District Historical Society
Photograph, Ringwood Rifle Range, Jumping Creek Reserve hut at 600 yards mound, 1962
Written on back of photograph, "Range hut at 600 yards mound - 1962". -
Falls Creek Historical Society
Photograph - Hikers in the snow near Horn Hut, 27 September 1948
This photo is part of the Fred Griffith Photographic Collection documenting his time with the Australian Alpine Club and the formation of the Albury Ski Club. Frederick Charles “Fred” Griffith was born in Albury, NSW on 2 March 1910. Educated in Albury and Geelong Grammar. Beginning in 1927 he spent many years working first as a jackeroo and on a range of prominent pastoral and merino stud properties in NSW and Queensland. In 1935 he repurchased his former family property “Toonallook", Bowna, NSW and developed it to be the largest Romney Marsh stud in the world, exporting rams to Argentina. He introduced many innovative practices on his property including rabbit control measures and aerial crop dusting. He was an active member of the Albury Show Society and in 1949 established the Albury Sheep Show. Fred was also the Albury representative on the Graziers’ Association Council for over 30 years. He became a life member of both the Albury and Commercial Clubs. Fred’s greatest hobby was snow skiing. His first visit to the snow was to Kosciusko in 1919. The Albury Ski Club was formed in 1935 and Fred was an inaugural member. In 1949 they were granted a site at Falls Creek to build their own lodge. Fred guaranteed the Club for finance from the Bank of NSW. The first portion of the prefabricated building was constructed in Albury. It was transported to Falls Creek on the back of Fred’s truck and erected in one day. This was the bathroom section and the rest was completed in 1950. The original lodge was burned down in 1952 and a new one built the following year. In 1955, Fred also built the Bowna Lodge for his family in partnership with David Fairbairn. He became head of the North Eastern District Skiing Association (N.E.D.S.A.) and successfully applied to run the Australian Ski Championships. Fred also inaugurated children’s races at Falls Creek and ran them for about 20 years. He also formed the company “Falls Creek Ski Tows”. In 1956 Fred along with a group of key people selected the site for Thredbo Village. Fred and his brother sold Toonallook in sections between 1951 and 1974. He moved to Albury and set up as a landscape gardener and fencing contractor. After a serious work accident, Fred retired in 1985 and moved to Rosebud, Victoria where he died on 19 August 1992.A black and white photo of 4 people standing on a snow slope near Mount Hotham. They have packs on their backs and the woman 3rd from the left is carrying a billy.On back of photo: Return from the Horn Hut 27/9/1948bogong, falls creek, snow, snowfields -
Darebin Parklands Association
Preparations for Ranger's Hut Rockbeare Park 1980, Rockbeare Park Conservation Group, 1980
Colour photograph. This item and all other Darebin Parklands Association archival material is now held by State Library Victoria (Accession No: YMS 13746). Please contact State Library Victoria if access is required.Annotated on back [Start of 1st Ranger's Hut Rockbeare Park 1980] -
Tatura Irrigation & Wartime Camps Museum
Sketch, 1943
Camp 3. made by Gudrun and Isolde Frank, camp 3 c. Sketches for previous worksheet.Black and white sketch. Top: huts and in foreground a small tent and two youngsters centre front. The bottom sketch would appear to be the end of a hut with the inscription Weihnachtsbaum Mit Lebkuchenhauschen I Spelsesaales wird abend. the figure 9 top right handcamp 3, gudrun frank, isolde frank, frank zimmer, camp calendars, templers -
Bendigo Historical Society Inc.
Photograph - SANDHURST, c1867
Sepia photograph: Diggings Myers Creek. Slab huts on left side. Man standing in front of hut, barrels and timber outside hut. Carriage with two horses, on right buck board and one horse, horse and cart on left. Discovery of gold at Myers Creek 1867, vic. Australia. Letter from Kerry Carroll included.Batchelderplace, land, mining, kerry carroll (for dolly carroll), 9 brooke street, eaglemont vic 3084 -
Bendigo Military Museum
Photograph - GROUP PHOTOGRAPH, c.1917 - 19
Some of the soldiers are wearing up to 4 Service Chevrons, one has a “”MM” ribbon on.Possibly taken at or near Wars end. Collection re Mrs May Burns.Group photo in sepia tone of 19 soldiers outside Hut No 30.photography, group portraits, military history, souvenirs -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Craftwork, heavily carved calling card case, c1900
A visiting card, also known as a calling card, is a small paper card with one's name printed on it, and often bearing an artistic design. Visiting cards became an indispensable tool of etiquette, with sophisticated rules governing their use. The essential convention was that one person would not expect to see another person in his own home (unless invited or introduced) without first leaving his visiting card for the person at his home. Upon leaving the card, he would not expect to be admitted at first, but might receive a card at his own home in response. This would serve as a signal that a personal visit and meeting at home would be welcome. On the other hand, if no card were forthcoming, or if a card were sent in an envelope, a personal visit was thereby discouraged. As an adoption from French and English etiquette, visiting cards became common amongst the aristocracy of Europe, and also in the United States. The whole procedure depended upon there being servants to open the door and receive the cards and it was, therefore, confined to the social classes which employed servants. Some visiting cards included refined engraved ornaments, embossed lettering, and fantastic coats of arms. However, the standard form visiting card in the 19th century in the United Kingdom was a plain card with nothing more than the bearer's name on it. Sometimes the name of a gentlemen's club might be added, but addresses were not otherwise included. If a card was left with a turned corner it indicated that the card had been left in person rather than by a servant. Visiting cards were kept in highly decorated card cases.A timber calling card case, heavily carved with flowers, leaves and huts.craftwork, woodwork, visiting cards, early settlers, moorabbin, bentleigh, cheltenham, market gardeners -
Tatura Irrigation & Wartime Camps Museum
Painting - watercolour - photocopy, Hay Flood 1943, 1943
Drawn by Theo Engel after a flood at Hay war camp 8 in 1943.Photocopy of a watercolour of Hay Flood 1943. 6 Army huts and pathwaystheo engel, hay war camp flood -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, copy 1989
Early stage of Camp 13.B & W. Pre fabricated huts under construction. Trees in background.camp 13, murchison victoria, internment camps, ww2 -
Tatura Irrigation & Wartime Camps Museum
Photograph, POW Camp 13 - Tents
Painted by Klober at Camp 13.Photograph of watercolour depicting tents, army huts and 11 gum trees.Klober ? 41klober, gus pohlig, camp 13 art, watercolour paintings, pow camp 13, internment camp tents, internment camp accommodation -
Tatura Irrigation & Wartime Camps Museum
Photograph
Drawings by Herschfeld Mack during internment at Camp 1 Tatura. Originals at Shepparton Art Gallery.Photograph of drawings of camp hut army guard in foreground. Abstract drawing.ww2 artists, herschfield mach, camp 1 tatura, shepparton art gallery -
Tatura Irrigation & Wartime Camps Museum
Photograph
Black and white photograph of pre fab huts and construction of fences, etc.camp 13, camp 13 pre fab huts, camp 13 construction of fences -
Tatura Irrigation & Wartime Camps Museum
Photograph
Singapore POW'sBlack and white photos of Singapore men outside hut for roll call.singapore pow's, h. seefeld -
Wangaratta RSL Sub Branch
Envelope Art
One of several illustrated envelopes, without letter, sketched by soldier/s during the second world war sent to Mrs MacDonald of WangarattaVictoria's 2/24th Infantry Battalion was raised in Wangaratta in July 1940. They were welcomed with open arms by the local community as they rapidly built up their numbers. The people of Wangaratta adopted the Battalion and they became known as "Wangaratta's Own" because of the time the battalion spent in the town during its formative period prior to deployment overseas. Many of the soldiers maintained life long friendships with the people of Wangaratta. Even though the Battation was disbanded in 1946 members and their families return each year, in November, for a commemorative service at the 2/24th Battalion Memorial Wall at the Wangaratta Cemetery.Cream paper envelope with sketch of palm trees and hut on left of scroll.Top left - AIR MAIL Top right - postage stamp Top left - AIF Censor stamp Right side Mrs M MacDonald "Monald" 32 Grey Street Wangaratta Victoria Australia ww2, envelope art -
Tatura Irrigation & Wartime Camps Museum
Photograph, Camp 13 AWAS girls
AWAS girls, from Murchison Camp 13JBlack and white photograph of 8 AWAS girls standing in front of hut.awas, joyce montgomery, camp 13 murchison -
Stawell Historical Society Inc
Book - Biography, Catherine McMahon: A Remarkable Convict Woman
Biography of Convict Women 'free by servitude' with 1'st husband selected land at Jallukar. After his death, she fought and won her land. Land sold 1888. Remarried with 2nd Husband had a shop in Stawell. After his death Catherine Eventually moved to W.A.. 2nd Husband left her is from Catherine died in Menzies W.A.Soft Cover: Large Sepia Photo of a hut in bush. Top PinkCatherine McMahaon: A remarkeable Convict Woman. Damian King & Liz Schroeder -
Whitehorse Historical Society Inc.
Photograph, Campbell's Croft, 1/11/1971 12:00:00 AM
6 views of Ti-tree and mud hut on the property of Miss Campbellcampbell, daisy, john, campbells croft -
Tatura Irrigation & Wartime Camps Museum
Drawing - Woodcuts, 1943
Camp 3. made by Gudrun and Isolde Frank, camp 3 c.Black and white sketches for calendar. 1943. 5 sketches (all have 1943 above them): 1 - 3 men with part of hut on left hand side and huts behind. Poles with wire in front of huts; 2 - 5 guards marching with rifles with a big tree to the right of the photo and a fence with 4 posts in front; 3 - part of a hut showing an open door and open window; 4 - wild flowers from in camp; 8 people standing behind a bonfire holding signs. the number 4 top right hand cornercamp 3, gudrun frank, isolde frank, frank zimmer, camp calendars, templers -
Bendigo Military Museum
Photograph - PHOTOGRAPHS, GRINTON COLLECTION, FRAMED, 2008 - 2009
Frame 2. Photo 1. Jack in a billet which appears to be part of a barn. In writings it seems this was a Visme-au-Val in France. He had written "At my washing". Photo 2. Accommodation in an old Army hut, place unknown. Photo 3. "Tucker Time", place unknown. Photo 4. Group of diggers with some locals, they may have been billeted with them. Refer Cat No 5880P for exhibition details. Refer Cat No 1280 for Jack GRINTON Service Records.Photographs - black and white on paper. Four photographs top to bottom. 1. Soldiers in a billet. 2. Accommodation in an old Army hut, 3. 4 soldiers with mess tins. 4. 4 soldiers with 4 local people. Frame - timber with black colour paint, glass front, mount black cardboard, backing cardboard with handwritten notation.Backing cardboard - handwritten black felt tip pen "2."framed photographs, grinton collection, ww1, 38th -
Whitehorse Historical Society Inc.
Photograph, Hut on Daisy Campbell's property, 1/11/1971
Black and white photograph of three black and white views Daisy Campbell's ti tree and mud hut showing - 1. Hut of Ti-Tree and Mud - hut originally had a bull rush thatched roof, which was later covered with corrugated iron.. 2. Further view. 3. Interior view showing wall construction and remaining thatched roof.campbell, daisy, campbells croft -
Tatura Irrigation & Wartime Camps Museum
Photograph, Murchison Camp, 1941
Camp 13 view of two compounds and the dividing fenceBlack and white photograph of (l - r) huts, fence, compound dividing fence and barb wire, entanged. A pole with search light. Another path, fence and huts and large hall, possibly to become there hall in Murchison.camp 13