Briar Hill Timber's steam boiler was a “Lancashire Cowley” built in 1910. It was installed during the early 1940s and used to run 4 kilns and re-conditioner until the 1960s.The Briar Hill Timber and Trading Company was active during the 1930s - 1950s during the development of the local area with many houses being built by owner-builders who used the company for their needs. Group of 9 colour or black and white photographsbriar hill timber and trading company, briar hill timber, alison lendoudis, bob manuell, sherbourne road briar hill, squire family, purdys furniture briar hill

The Unit was picked up from a paddock on a farm in Bagshot, near Bendigo. It was donated to the Friends of Kurth Kiln Heritage Collection by the Family of Cyril H Peatling on 23 December 2006.Gas Producer Units are of significance to Kurth Kiln because they demonstrate the enduse of the charcoal that was created at Kurth Kiln. Considerable documentation has been made available to us on its history, including a picture of the truck is was mounted on. A Gas Producer Unit that converted charcoal into a gas suitable for the combustion engine. Used on motor vehicles during WWII petrol rationing restrictions. It consists of a hopper to hold the charcoal and a firebox to generate the gasNameplate missinggas producer, bagshot, wilma

Robert BARRON (1957- ) Born in Harpenden, England. Robert Barron first worked full-time with clay in 1976, the family pottery at Croydon, Victoria. In 1979, he left Australia on a five-year journey to New Zealand, North America, England, Europe, and South Korea to work with skilled potters in woodfiring. During this time, he visited Michael Cardew at Wenford Bridge Pottery, Cornwall, UK., and was engaged as an apprentice at Cornwall Bridge Pottery, Connecticut, USA. Returning to Australia in 1984, he established Gooseneck Pottery at Kardella, Victoria. With the assistance of a Crafts Board grant Robert Barron built a 1000 cubic ft five-chambered Nabori-Gama style woodfired kiln. This kiln one of the largest wood-fired kilns in Australia. Robert Barron is influenced by the philosophies of Bernard Leach and Michael Cardew.artwork, artist, ceramic, gippsland campus, robert barron

It is likely this item was received from the estate of John 'Jack' Courier. Courier left a bequest to the College consisting of a significant number of artworks by himself and others.Abstract oil painting on board, consisting of multicoloured geometric shapes. Bottom right hand corner of artwork is signed 'Courier/65'. Back of board contains handwritten text which reads 'Title OLD BRICK KILN/Artist J. COURIER/368 TOORAK RD/Sth YARRA/Price'

founded in 1885, 'The Tess' as it was known was the key to Nunawading's early development, 'but it was no favourite on Monday mornings when the kilns were fired up and vast quantities of black smoke hung over the area.'Black and white photograph of the Australian Brick and Tile Company buildings, previously situated in Nunawading on the south side of the railway line between Simla and Calcutta Streets. The photograph is mounted on board. There is a smaller, clearer photograph at NP216australian brick and tesselated tile co., tile manufacturers

Handwritten paper ''Chinese in Bendigo'' by A Chittock (no date or other details). Covers aspects such as fire in the Chinese Camp; disappearance of Constable Ryan; author's memories of kiln/ Bridge St/ nurseries; attitudes to Chinese; 1854 threat in Bendigo to the Chinese (Panton/McLachlan/Denovan);Chinese activities in community (Easter Fair); Bibliography.A. Chittockbendigo, mining, early chinese history, emu point, chinese joss house, white hills cemetry, bendigo chinese association.

Cardboard 6 Pack Carton for StubbiesWest City Brewing Co - Sunshine Ale 6 Pack Carton|Sunshine Ale described as a simple summer ale made from the finest lightly kilned Australia and New Zealand malts. We threw in loads of aromatic fruity hops to create an easy drinking, super refreshing summer beer

64 page soft cover booklet 'Bendigo Pottery with valuations'. By Ken Arnold. B&W and colour photos of pottery items with valuations. A brief history of the Pottery given as an introduction. Photo of a kiln on front cover Published 1999 by Crown Castleton Publishers and printed by DG Walker Pty Ltd, Kangaroo Flat.Ken Arnold

Cowes Post Office built in 1909 with handmade bricks which were first used in the building of first Chicory Kiln in Cowes on Phillip Island in 1870 by the West brothers, Solomon and John. It is now a Restaurant and Pizza outlet.Large white building on the west corner of Thompson Avenue and The Esplanade, Coweslocal history, photographs, buildings, historic, buildings - historical, coloured photograph, john cook, phillip island, cowes old post office

One of Phillip Islands earliest industries was chicory farming. The first kiln was constructed in 1870. The chicory scoop was used for turning the chicory over on a mesh floor above the furnace. This scoop was imported from Europe in the late 1880's.Chicory scoop with wooden handle, wooden scoop and steel joins and reinforcments.phillip island, wood, steel, tool, chicory, kiln, chicory scoop

Stoneware bottles were used for storage and transport. The bottles were handmade using either a potter's wheel or in moulds such as a plaster mould, which gave the bottles uniformity in size and shape. The bottle would then be fired and glazed in a hot kiln.A medium sized vintage cream coloured glazed stoneware bottle with a pouring lip and broken cork stopper.bottles, cooking equipment, food storage containers, beverage bottles

Donated by N. M. & J. D. Archibald. April, 1973.Colour 18.5 Sketch done from old photograph. Chicory Kiln - Jansson Family, approximately 1880's. It was built on the land next to the Caravan Park. The only remains of it now are a few bricks on the site. The sketch shows Mr Frank Jansson as a young boy in the doorway. Galvanized iron structure was sold to Mr N Cleeland.local history, illustrations, agriculture buildings, historic, chicory kiln, water colour sketch, jansson family, n & j archibald, jean archibald

Briar Hill Timber originally milled hardwood only. This green timber was airdried in the stackyard where the Motor Wreckers operated in 1996. After air drying the transfer trolley shifted the lengths of timber down to the kilns, which are the buildings seen in the background.The Briar Hill Timber and Trading Company was active during the 1930s - 1950s during the development of the local area with many houses being built by owner-builders who used the company for their needs. Group of 10 colour photographsbriar hill timber and trading company, briar hill timber, alison lendoudis, bob manuell, sherbourne road briar hill, squire family, purdys furniture briar hill

Bendigo Pottery - a. Booklet (text by Eric Page - Mullaya Publication) - has good coverage of history of the pottery and sections relating to 'Bottle Kilns'', local clay' potter's skill, use of moulds, firing, ceramic tiles - includes photos and line sketches; b. Bendigo Trust flyer re pottery with tour times and summary of history on reverse side.A Mullaya Publication. Designed and published for Bendigo Pottery (Epsom) Pty Ltd., by Mullaya Publications, 17 Griotte Street, Canterbury, Victoria. Printed by Humphrey and formula Press. Line Drawings by Jan Neil.bendigo, tourism, bendigo pottery

In 1916 Joe Reece established the Sunbury Pottery works. He excavated clay a from reserve in Jackson Street near Brook Street. His work area included powered equipment, preparation rooms and a large kiln. The pot in the photograph was made at his works.Pottery was one of the early craft industries that were established in Sunbury in the early days of European Settlement.A non-digital coloured photograph of an unglazed round ceramic pot, which has a fluted edge and the words 'Sunbury Pottery' etched into the side.SUNBURY POTTERYpottery, sunbury pottery, jackson street, joe reece

Neville Mirvane Bunning was born in Rockhampton, Queensland in 1902. He was home taught until 1916 and then was a boarder at Geelong Grammar School, Victoria until 1921. He then returned to Queensland and worked on the family property. During this time he built ceramic kilns and taught himself the required skills for ceramiic production. During the Depression he went to Sydney and set up an artist's studio. In 1934 he went to England and studied, wrote and did commission work. Achieving local success and had work acquired by the Victoria and Albert Museum. Neville returned to Australia and became a lecturer at East Sydney Technical School until the outbreak of the Second World War. He joined the RAAF. After the War he joined the staff of the Art School of the Ballarat School of Mines and Industries until his retirement in 1964. Neville Bunning formed the Ballarat Artist's Society, a group which sponsored art and invite guests to speak to students and the public of Ballarat. He wrote a weekly column in "The Courier", the local newspaper where he encouraged people to be more aware of the trends in art. His works were included in the 1988 Australian Bicentennial Exhibition. His sympathetic understanding of Aboriginal culture is recorded in a letter written in 1937 to the Victoria and Albert Museum. Neville Bunning continued painting during his retirement. His last major exhibition was held at the Golden Age Gallery in Ballarat in 1983. The sketch books cover a range of topics using pen, ink and watercolour.28 A3 sketch books, spiral boundneville bunning, queensland, geelong grammar school, ceramics, kilns, depression, sydney, england, commission work, victoria and albert museum, east sydney technical school, art school, ballarat school of mines and industries, ballarat artist's society, second world war, raaf, australian bicentennial exhibition, golden age gallery ballarat, painting

One of Phillip Islands earliest industries was chicory farming. The first kiln was constructed in 1870. The chicory devil, with its unique shape and design, was a tool specifically developed to dig out chicory roots. It was originally designed by Duncan McGregor. This chicory devil was handmade by Dinney Justice in the late 1800's.Handmade wrought iron chicory devil.phillip island, tool, chicory, kiln, chicory devil, wrought iron

A history of the Bendigo Pottery by Paul A.Scholes beginning in 1858. 283-page hard cover book, illustrated with many B&W and colour photos of people and products. Dust jacket has a colour photo of a kiln furnace front and back and is covered in plastic sheet. Full page colour portrait of the pottery founder, George Duncan Guthrie on first page. Lowden Publishing Co. 1979 bendigo pottery, george duncan guthrie

Black and white photo of Australian Tesselated Tile Co. Works c1940. Situated on south side of railway line. Founded 1885- ceased operation 1965. Certainly not Mitcham's most favourable aspect but key to its early development. Residents of the time can well remember vast quantities of black smoke when the kilns were fired up on Monday morning for the week's production.australian tesselated tile co. pty ltd

This bottle was made in Scotland and recovered decades later from a shipwreck along the coast of Victoria. It may have been amongst the ship's cargo, its provisions or amongst a passenger's personal luggage. It is now part of the John Chance collection. Stoneware bottles similar to this one were in common use during the mid-to-late 19th century. They were used to store and transport. The bottles were handmade using either a potter's wheel or in moulds such as a plaster mould, which gave the bottles uniformity in size and shape. The bottle would then be fired and glazed in a hot kiln. Makers often identified their bottles with the impression of a small symbol or adding a colour to the mouth. The manufacturer usually stamped their bottles with their name and logo, and sometimes a message that the bottle remained their property and should be returned to them. The bottles could then be cleaned and refilled. The Barrowfield pottery was founded in 1866 by Henry Kennedy, an Irish native, in the Camlachie district east of Glasgow, close to the Campbellfield and Mount Blue potteries. It is believed that Kennedy started with just one kiln but by 1871 was employing forty men and six boys and such was the success of the enterprise that by 1880, no less than eight kilns were in operation and a year later one hundred and the pottery was employing eighteen people. Stoneware bottle production was a mainstay of the pottery and over “1500 dozen” were being turned out daily along with other wares, including 30-gallon ironstone containers. With so many kilns in operation, six hundred saggars were required every week but, unlike some potteries, these were made on the premises from Garnkirk and Glenboig fire clays. Pottery production reaches a high scale which presented a high risk of fire and Barrowfield was no exception. In April 1884 heat from a kiln set fire to the roof resulting in significant structural damage, the loss of unfinished wares alone amounting to £10,000 a very substantial sum in 1884.  The pottery recovered from this reverse but then Henry Kennedy died in July 1890. The terms of his will indicated that he and his sons John and Joseph were partners and this was reflected in a change of title in the 1891-92 Post Office Directory to Henry Kennedy & Sons. Despite the growth of the business there was still space enough, however, to allow china, earthenware and glass retailers Daniel and John McDougall to commence production of their Nautilus wares there in 1894, the success of which allowed them to soon move to permanent quarters at the empty Saracen Pottery, Possil. In around 1900 John Kennedy left to resurrect the liquidated Cleland Pottery and although Barrowfield remained listed as Henry Kennedy & Sons, brother Joseph was in control. In 1911 Henry Kennedy & Sons Ltd was formed, with two of the four directors being the Kennedy brothers. The pottery’s growth to this point was reflected in the eighteen kilns the largest pottery kilns then recorded in Scotland.   However, the disruption of the First World War and the combined effects of subsequent economic depression, US prohibition, hygiene regulations and competition from alternative materials posed severe challenges for stoneware potteries in the post-war years as they competed with each other for diminishing markets. Competitors such as Eagle and Caledonian Potteries fell by the wayside and finally, Barrowfield closed in 1929. This stoneware bottle is historically significant for its manufacture and use in the late 19th to the early 20th century. The bottle is also significant as it was recovered by John Chance, a diver, from a wreck on the coast of Victoria in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Stoneware was produced at Barrowfield pottery for the domestic and export markets, with South America being a large market. Barrowfield stoneware can be found throughout the world. Its longevity and abundant production makes the subject item a significant addition to the Flagstaff Hill Maritime Museum collection.Bottle, salt glazed stoneware, beige, some discolouration above base. Chip on base and on neck. Inscriptions stamped near base.Makers lozenge stamped, H Kennedy Barrowfield Pottery GLASGOW at base.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, h kennedy pottery, stoneware, ironstone, pottery, barrowfield glasgow

``Newspaper clipping from "The Post" 18-5-94 P9 Ringwood Mayor's Column. Cr Margaret Cheevers.Cr. Cheevers hosted a "thank you" function for many volunteers . The Ringwood Blues football team, a team of intellectually disabled people had a member, Damien Kilner, represent Victoria in a state match in Adelaide. A member of the Ringwood Professional Athletic Club, Rodney Lewis, won the 1994 Stawell Gift. Cr Cheevers also thanked many more Ringwood volunteers in all different areas.`

Tony NANKERVIS A graduate student from the Gippsland Centre for Art and Design (GCAD), Tony Nankervis has been a pioneer of the long wood-fired ceramics technique in Australia. He retired from lecturing at Southern Cross University after working there for 19 years in 2004. He describes his work as 'one-off functional table ware', which includes highly-individualised everyday table items. Nankervis prefers the pre-Industrial Revolution method of firing pottery, involving heating the kiln by burning wood for five days, to the modern, quicker methods using gas or electricity. The distinctive surfacing in wood-fired ceramics is generated by the ash and volatile salts from the burning wood. The wood ash and salts blush the ceramic pieces in the kiln, with finished work taking on the nature of the firing process, which has been described as painting with fire.Two woodfired earthernware cylindrical forms by Tony Nankervis. tony nankervis, woodfire, jan feder memorial collection, jan feder, ceramics, gippsland campus, jan feder memorial ceramics collection, alumni

Tobacco farming began circa 1960 in the Kiewa Valley and consequently became one of its major industries. Many of the Italian families were involved in tobacco farming.Historical: This equipment was used on one of the first tobacco farms in the Kiewa Valley at Mongans Bridge. Provenance: This tobacco farmer came from Italy and was sponsored to visit a tobacco farmer in Myrtleford to learn how to grow tobacco so that he could transfer those skills to his own farm in the Kiewa Valley.The twine was used to tie green leaf in bunches onto the sticks. There were 26 bunches per stick and 500 sticks per kiln. Spool of tying cotton used on electric sewing machine. With the bailing, the sewing needles were housed on a hook on the top edge (of the tying horse) with the correct length of string at hand - time was of the essence. A large ball of orange, scratchy, twine kept together by a piece of twine wrapped around it.tobacco. mongans bridge. kiewa valley. twine. tying horse.

Tobacco farming began circa 1960 in the Kiewa Valley and consequently became one of its major industries. Many of the Italian families were involved in tobacco farming.Historical: This equipment was used on one of the first tobacco farms in the Kiewa Valley at Mongans Bridge. The tobacco 'stretcher' was home-made showing the resourcefulness of farmers living in the Kiewa Valley. Provenance: This tobacco farmer came from Italy and was sponsored to visit a tobacco farmer in Myrtleford to learn how to grow tobacco so that he could transfer those skills to his own farm in the Kiewa Valley.The 'stretcher' was used for carrying dry tobacco from kiln to stacking shed and later from stacking shed to the grading benches. 2 tree logs parallel to each other with 2 hessian bags cut into a piece each to overlap down the middle and starched between and held by a plank of wood nailed along at each end. The tree logs are held in position across the middle and behind the hessian by a thick plank of wood.Holes. One piece of hessian has painted in green:- Albury NSW and 5 green rectangles printed on it at the top partly covered by wooden plank.tobacco. mongans bridge. kiewa valley. kiln. shed. parmesan. rossaro. lorenzi brothers.

BHS CollectionPhotocopy of a newspaper article titled Old battery to charge-up tunnel tourism. There is a photo of a Thompson's Foundry battery which is being re-erected at the site of the North British mine on Parkin's Reef, near Carman's tunnel. The battery was recovered from a deep gully at Bola Creek. Other works include restoration of quartz roasting kilns and cyanide vats. Written at the top of the article is a date 11/1/85.bendigo, history, long gully history group, the long gully history group - old battery to charge-up tunnel tourism, thompson's foundry, parkin's reef reserve, conservation forests and lands department, carman's tunnel, north british mine, carman's tunnel committee, dr doug kemsley, the prospectors' and miners' association of victoria, mr ken garden

View looking up Thompson Avenue from The Esplanade. The Chicory Kiln built in 1870, a two storey brick building is adjoined by West's General Store, built in 1869 to cater for the needs of the Settlers. A large Gum Tree and finally houses follow on from these two buildings. In the foreground and to the left, is a small three sided fence and a gracious Gas Lamp on long pole.Cowes looking up Thompson Ave to Chapel Street. 1905Main Street Coweslocal history, photographs, streetscape, cowes, black & white photograph, mary robb

The building under the chimney housed the boiler which provided steam to heat the kilns which were located behind. The boiler had 2 fuel burners. One used sawdust, the other solid fuel, such as wood off-cuts. The chimney was the smoke outlet. Pipes brought sawdust waste from machining into the boiler room. Dust extractors on the roof are clearly visible from Sherbourne Road.The Briar Hill Timber and Trading Company was active during the 1930s - 1950s during the development of the local area with many houses being built by owner-builders who used the company for their needs. Group of 29 colour or black and white photographsbriar hill timber and trading company, briar hill timber, alison lendoudis, bob manuell, sherbourne road briar hill, squire family, purdys furniture briar hill

Janet MANSFIELD (1934-2013 ) Born Sydney, New South Wales Janet Mansfield studied Ceramics at the National School of Art, East Sydney Technical College in 1964 to 1965. She received a Crafts Board Grants in 1974 to study in the United States of America; to research salt glaze technique in 1975; to exhibit in Japan in 1985; to travel to Hungary fir a symposium, and an Australia-Japan Foundation Grant in 1977 to study in Japan. She was a visiting lecturer to the Gippsland Centre for Art and Design in 1980 and a Spotkanie guest in 1984. Her work was fired to wood kilns and taken to stoneware temperatures. She used salt for shorter firings, or in the anagama kiln depended on the ash and flame for glaze effects. Janet Mansfield has been editor of 'Pottery in Australia' and 'Ceramics: Art and Perception'. In 1987 she was awarded an Order Of Australia Medal for services to art and ceramics. In 1980 Janet Mansfield was a visiting lecturer at the Gippsland Institute of Advanced Education. She was a guest at Spotkanie in 1984.Wheel thrown wood fired and salt-glazed stoneware.jan feder memorial ceramics collection, ceramics, janet mansfield, gippsland campus, visiting lecturer, spotkanie