Showing 347 items
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Greensborough Historical Society
Photograph - Digital image, Charles Marshall et al, Light Horse passing a wrecked Turkish train at Ramleh, 1918_
This photograph shows members of the Light Horse passing a wrecked train at Ramleh [Egypt]Digital copy of black and white photograph. "Wrecked train Ramleigh"charles marshall, world war 1 -
Greensborough Historical Society
Photograph - Digital image, Charles Marshall et al, Prisoners captured at Beersheba, 31/10/1917
This photograph shows prisoners captured by the Light Horse at Beersheba 31 Oct 1917Digital copy of black and white photograph. "Prisoners captured by the L.H. at Beersheba 31 Oct 1917"charles marshall, world war 1 -
Greensborough Historical Society
Photograph - Digital image, Charles Marshall et al, Light Horse recruits in Seymour 1917, 1917_
This photograph shows a group of young men, possibly Light Horse recruits. The back of the postcard has a Seymour address.Digital copy of black and white photograph. No caption on this photo, back has a postcard layout.charles marshall, world war 1 -
Greensborough Historical Society
Photograph - Digital image, Charles Marshall et al, Stowell Marshall, 3rd Light Horse Machine Gun Squadron, 1917_
This photograph shows Stowell Marshall (seated) and another from the 3rd Light Horse Machine Gun Squadron..Digital copy of black and white photograph. No caption on this photographcharles marshall, world war 1, stowell marshall -
Greensborough Historical Society
Newspaper Clipping, Light Horse at Broadmeadows, 1935, 12/09/1935
Illustrations of Light Horsemen from 2nd Cavalry Division at their training camp at Broadmeadows: two profiles and one of a machine gun crewTwo newspaper images with captionsaustralian army, broadmeadows training camp, light horsemen -
Greensborough Historical Society
Newspaper Clipping, Diamond Valley Leader, Walk's glowing message, 28/09/2016
The annual "Light the Night Walk" took place at Anthony Beale Reserve on October 7th, 2016.News clipping, black text and colour image.light the night walk, leukaemia foundation -
Greensborough Historical Society
Photograph - Digital image, Marilyn Smith, Scotland House: bedroom light and ceiling rose, 03/12/2016
Formerly the home of Greensborough pioneer, John Scotland, this renovated home retains many original architectural elements. It was sold in December 2016.Digital copy of colour photographjohn scotland, scotland avenue greensborough -
Glenelg Shire Council Cultural Collection
Sign - Luminescent Sign - Glenelg Shire Council, 1990s
In use by Council 1995 - March 2006A semi-circular piece of Perspex in a black plastic base containing light bulb and electrical wiring. Black electrical cord (2 metres) extends from lower left back of base. Sticky safety label attached to cord with safety assessment printing on it in pen.Front: (GSC logo) Back: (no inscriptions)glenelg shire council, signage -
Glenelg Shire Council Cultural Collection
Souvenir - Souvenir Butter Dish - Portland Lighthouse, 1930s
Owned by James and Ada Brimblecombe, Heywood. Later owned by Merle Lewis, Mt. Gambier. R.H. Plant founded Tuscan Fine China in 1878 in Staffordshire. This area known as the Potteries, was England’s centre for the production of china. The Plant family already had a long history in producing china. Tuscan specialized in decorative fine bone china dinnerware that is very fine and light. Despite their reputation for quality, the company suffered the fate of the other potteries with lower sales and higher costs after WW2. Wedgwood purchased the company in 1967. However, Wedgwood continued producing china under the Tuscan name. However, in 1967 the new owners added the Royal prefix to the name. Despite this production ceased in 2006.Leaf-shaped butter dish of white glazed china, edged in gold. Black and white image of a lighthouse on a cliff with a tall flagpole behind it. There is a broken fence running to the edge of the cliff in the right foreground.Front: Lighthouse Bluff, Portland, Victoria (printed with image in centre of dish) Back: Tuscan China/England (stamped logo, green)souvenir of portland, portland harbour, whalers bluff, domestic item, butter dish -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Mr H. Sutton, n.d
Portland Town Council. Opalotype or opaltype is an early technique of photography. Opalotypes were printed on sheets of opaque, translucent white glass; early opalotypes were sometimes hand-tinted with colors to enhance their effect. The effect of opalotype has been compared "to watercolor or even pastel in its softer coloring and tender mood."[1] "Opalotype portraits...for beauty and delicacy of detail, are equal to ivory miniatures."[2] The basic opalotype technique, involving wet collodion and silver gelatin, was patented in 1857 by Glover and Bold of Liverpool. Opalotypes exploited two basic techniques, using either the transfer of a carbon print onto glass, or the exposure of light-sensitive emulsion on the glass surface to the negative. Opalotype photography, never common, was practiced in various forms until it waned and disappeared in the 1930s. "Milk glass positive" is another alternative term for an opalotype. Opalotype is one of a number of early photographic techniques now generally consigned to historical status, including ambrotype, autochrome, cyanotype, daguerrotype, ivorytype, kallitype, orotone, and tintype. This and many other historical photographic methods are now considered alternative photographic techniques and are practised by a small number of dedicated artists.Photograph of Mr Sutton. Yellowish halo around the figure. Opalotype.Front: Br _______/Melb. (Signature, pencil, lower right)mr sutton, sutton, opalotype, portland town council -
Glenelg Shire Council Cultural Collection
Domestic object - Badge - "Prefects' Badge for Portland, n.d
Previously owned by S. Carss (see back of badge). Displayed at History House.Enamelled badge depicting a lighthouse with stylised light rays on left and right. Lighthouse is red on a royal blue field. This central shield shape is on a pale blue background, surrounded by a red border. A blue banner at base bears word "PREFECT".Front: Portland/.Alte Vestica Oculis Prefect Back: S. Carss (engraved roughly) Stokes/Melbourne (impressed, lower back) -
Glenelg Shire Council Cultural Collection
Photograph, Portland Lifeboat Going to the Rescue, n.d
... lifeboat - flag flying. Group of people. Gas light. 2. Lifeboat.... Group of people. Gas light. 2. Lifeboat being lowered - crew ...Displayed at History House.Portland LifeboatSeries of 4 photos, sepia. 1. Shows building housing lifeboat - flag flying. Group of people. Gas light. 2. Lifeboat being lowered - crew on board. 3. Lifeboat in water - men wearing life jackets and using oars to push off. Man on pier. 4. Lifeboat and others rowing boat under way. Crowd on pier.Front: Portland Lifeboat. Going to the Rescueportland lifeboat, admella, portland, vessel -
Glenelg Shire Council Cultural Collection
Print, Bushland, n.d
Art collectionThe print depicts two tree trunks in the foreground surrounded by bushland. The two tree trunks are composed of patches of white, grey, yellow, light brown and dark brown. The trees in the background are composed of a single colour. On the lower left side is a plant with light blue foliage. The work has a painted wooden frame with small white mount and glass.Front: Hunter (brown handwritten, lower right, partically covered by the mount) Back: 1972 (lead pencil, upper left) -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Lights, paraffin lamp c1950, c1950
A flat-wick lamp is a simple type of kerosene lamp, which burns kerosene drawn up through a wick by capillary action. A flat-wick lamp has a fuel tank (fount), with the lamp burner attached. Four prongs hold the glass chimney, which acts to prevent the flame from being blown out and enhances a thermally induced draft. The glass chimney needs a "throat," or slight constriction, to create the proper draft for complete combustion of the fuel; the draft carries more air (oxygen) past the flame, helping to produce a smokeless light which is brighter than that produced by an open flame. The lamp burner has a flat wick, usually made of cotton. The lower part of the wick dips into the fount and absorbs the kerosene; the top part of the wick extends out of the wick tube of the lamp burner, which includes a wick-adjustment mechanism. Adjusting how much of the wick extends above the wick tube controls the flame. The wick tube surrounds the wick, and ensures that the correct amount of air reaches the lamp burner. Adjustment is usually done by means of a small knob operating a toothed, metal sprocket bearing against the wick. A paraffin lamp with a green metal base to hold fuel with a side screw to adjust wick length. An opaque white glass shield sits in a metal frame attached to base* moorabbin, bentleigh, cheltenham, pioneers, early settlers, market gardeners, lights, lamps, paraffin, oil lamps -
Greensborough Historical Society
Booklet, The Lions' Burra, 1973_
Records the people involved in the organisation in 1973, including all members of the Committee and a list of members.Contains a list of local business people who were Lions' members in 1973.A 9 paged typed booklet outlining the activities and members of the Greensborough Lions Club in 1973. The outer cover is light blue with a stylised lion and printing in red. lions club of greensborough, 1973, lions club -
Eltham District Historical Society Inc
Photograph, Jim at "The Pub" Eltham; Reed's Eltham Hotel, c.1948
Olive Elsie May Reed was licensee of the Eltham Hotel from April 1948 to January 1950. The Eltham Hotel is the oldest continually operating hotel in the Eltham district. Initially referred to as the Little Eltham Hotel, it has been known as the Eltham Hotel since the 1850s through to present time with a very brief period as the Eltham Tavern in the late 1980s. Benjamin Oliver Wallis was a prominent Eltham resident, publican and Councillor during the second half of the nineteenth century. He owned the house that is now the Nillumbik Living and Learning Centre at 739 Main Road Eltham and one stage the Eltham Hotel. Wallis migrated to Melbourne in 1853 but his wife and children remained in Cornwall for a further 10 years. Later in 1853 Richard Warren engaged Wallis to build the Eltham Hotel and it opened in 1854. The hotel was constructed of hard basaltic blue stone quarried in the Eltham district and cemented together with mud, and partly of bricks made at Eltham. The Fountain of Friendship Hotel on the opposite side of Maria Street (Main Road) opened shortly after. The hotel was a well-known resting place for gold diggers during the gold rush at Woods’ Point and Warren would buy the gold from the diggers. In 1858 Warren fell into financial difficulties and had to sell the hotel. Wallis bought the hotel and obtained a publican’s licence in 1861. In the 1850s the Fountain had been the more popular hotel but after that the Eltham Hotel became more popular. It is understood that in about 1857 Wallis probably built the “Living and Learning house” for tanner John Pearson. In 1868 Pearson became bankrupt and Wallis acquired the house and he lived there until his death in 1896. For some of this time the house was in the name of Benjamin’s son Richard but he died in 1888 and ownership reverted to his father. Wallis was a member of the Eltham Jockey Club and in 1867 his wife Anna rode her horse Charlotte in the Annual Races. Anna was also an angler and is reported to have caught a large perch in the Yarra River. She died in 1887. On 16th September 1886 Wallis sold the hotel to Christopher Watson (Snr). Watson died in 1887 and the hotel passed to his son Christopher Watson (Jr) who owned it until his death in 1909 at which time his wife Emily took over the license. Upon her death, their son Herbert applied for the license in January 1915. In July 1925, Herbert Watson demolished the original building and, in its place, erected a modern hotel which remains the foundation of the present Eltham Hotel. The contractors at the time commented on how well the original building had been constructed. A description of the new building was detailed in the Advertiser newspaper of January 8, 1926: “The new building consists of. two stories. designed in English tavern style, and contains-all told, 24 rooms. On the second floor, in front uninviting the two gables is a deep balcony, which will be much appreciated by visitors. The lower story is wholly of brick, and the upper one of wood and fibrous cement plaster. The rooms are spacious and lofty, and the windows are large and of latest style, and light the rooms splendidly. The entrance hall is 8 feet wide. The bar is a very commodious room and is furnished in the most up-to-date and convenient manner. The dining room, a very attractive apartment, is 30 feet by 15 feet 6 inches, and the bar parlor is also a large and well furnished room. A large cellar, an indispensable adjunct to an hotel, has been excavated beneath the bar. On the upper story are 12 bedrooms, and among other conveniences are two bath rooms in which hot and cold water can be used. All the rooms have been supplied with the necessary appliances for electric lighting, which will be one of the progressive evidences which Eltham will shortly enjoy.” “In the yard a brick garage to accommodate three cars at once, has been erected. This, as well as the hotel, is roofed with tiles.” “From the front of the hotel (especially the balcony) a lovely view of the country west and, north may be obtained.” “It may be added that it Is intended to have an ornamental garden, a tennis court. and a kiosk in connection with the hotel, and the property will have a rustic fence round it.” The hotel has since undergone several modifications and extensions Pages from a scrapbook belonging to Heather Jenkins (nee Sargeant) who lived as a child in the Police Residence at 728 Main Road, Eltham in the 1920s.Heather Sargeant was the daughter of Constable W.C. Sargeant, the local police officer in residence at Eltham, 1922-1927Glued on a brown paper scrapbook page (torn from scrapbook) with 8 black and white/sepia photos of varying sizes, 1 newspaper clipping and one greeting card with printed sketch and handwritten captions in ink. On back of page is 1 black and white photo and a large newspaper clipping.eltham, police residence, heather jenkins (nee sargeant), walter withers, constable w.c. sargeant, eltham hotel, jim jenkins, reed's eltham hotel, olive elsie may reed -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Regimental Colour, Kyneton District Mounted Rifles, 1861 (exact)
Address given by Mrs Lavender on the presentation of the Kyneton Colours on 28 February 1861 “Gentlemen of the Kyneton District Mounted Rifles, I feel proud of the honour done me in being deputed by the ladies of Kyneton to present the colours to your honourable Corps. There has always been a peculiar honour and responsibility connected with the colours of a Regiment. They have been unfurled on a battlefield as rallying points for many a splendid troop of gallant soldiers and courageous hearts. They have been spread to the breeze on the storming of many a city and battles hardly fought and dearly won. To retain their position and maintain their integrity, many a brave soldier has freely offered his life in their defence and, when in the hour of adversity they have been lowered, overpowered by the foe, many a brave heart has bit the dust. We might say that the history of our country is written on the banners of our “Fatherland”. The names emblazoned there speak, it is true of many a battlefield, of many a desperate struggle and of many a glorious victory won by British bravery. Gentlemen, your colours are not decorated by names such as Waterloo, Alma, Inkerman, Delhir Cawnpore, and many others I might mention. They are blank and may the God of Peace grant that in this land of adoption, it may be long before necessity of duty calls upon you to maintain the integrity of your colours and win their names. But if in the providence of God, either from internal commotion or external aggression, you should be called into action, may these colours, the token of your Corps, be upheld with the bravery of British Soldiers, their honour maintained with your lives, and may they never be lowered to a foe. Gentlemen, your motto directs: Onward, onward; may it be so Onward at the shout of victory” This item is significant as The Kyneton Colour is the 2nd oldest Regimental Colour knownin Australia, and the oldest Australian Cavalry Colour. It is unique, in that it is hand made from an original design, there is no other colour of this type known to exist. The Kyneton District Mounted Rifles is the oldest ancestor unit of the 4th/19th Prince of Wales's Light Horse Regiment and therefore is historicaly significant to the Regiment in particular and to Australian Military History in general.Regimental Colour of the Kyneton Distric Mounted Rifles. A double sided blue silk damask standard bounded on three sides by 30mm coiled metal fringing. It is heavily embroidered through a silk and cotton layer and these sections are are put back to back forming a sandwich of four layers. Several kinds of metal threads and sequins have been used for the embroidery as well as coloured silk floss, employing satin and stem stitch. The front shows a central insert in white silk divided into four and with a steam engine, bull, plough, and wheat sheaf in the segments. This crest is flanked on the left by a kangaroo and the right by an Emu. Above the crest is a horizontal baton, and above that a smiling sun sitting on a bed of clouds. The initials KD are in the upper hoist area and MD in the upper fly region.Below the crest is a red ribbon with the Latin words VESTICIA NULLA RETRORSUM in metal thread. Below this applique is a green satin stitch shape. The reverse has a red cross with stars surrounded by a green and gold laurel wreath. This is surmounted by a Queen's crown in embroidered metal thread over a base of red silk velvet. The bottom third of the flag is decorated with the words KYNETON DISTRIC MOUNTED RIFLES in embroidered metal thread.See description.standard, colours, kyneton district mounted rifles, kyneton -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Gaiters, Not known, 1960 (estimated)
Black canvas Army issue gaiters, with leather straps and brass buckles, eyelets and fittings. Leather binding on lower hem.gaiters, military clothing -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Tunic, 1943 (estimated); 1940-44
Tunic and badges assembled by owner to respresent a Great War Light Horse tunic from WW2 Tunic which is almost identical to the Great War tunics worn by Light Horse OR's. This tunic forms part of a mannequin essemble representing a 1st AIF 4th Light Horse soldier of the period 1916-1919 serving in Sinai, Palestine and Jordan.Tunic, OR's, 1st AIF style. Woollen serge, 8 oz, Olive drab, 4 patch pockets, 4 large plastic buttons, beige, 9 small plastic buttons, beige. Sgt rank chevrons right sleeve (3 stripes). 5 Blue service chevrons stitched to lower RH sleeve. 2 Colour patches (4LH Regt) Lt blue over Dk blue. 2 'A' badges brass attached to colour patches. 2 'rising sun' collar badges, oxidized copper, attached to collar points.Makers label not present1914, 1918, 1917, ww1, 1916, 1915, jacket, light horse, tunic, woollen jacket -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Tunic, Cotton, Paramount Mfg Co, 1941
Tunic is used to represent a tunic used in the Boer War 1899-1902. Although manufactured almost 40 years after this war ended, the style is almost identical to that used by VMR soldiers serving in the Boer War. The major difference is the stand and fall collar. In the Boer War, the collar was a stand up collar. A minor difference is the shape of the pocket flaps which on a tunic from the Boer War, was more rounded on the lower edge. The buttons are from a later period but were the closest available at the time the Tunic was assembled by the owner c.1994.Tunic, Khaki Cotton Drill, @ breast pockets with pleats. stand and fall collar, Inverted chevron, cuffs, Patrol back. AMF buttons, brass 7 total VMR shoulder titles, brass, 2 totalParamount Mfg Co 1941 size Regitmental No.... NAME..........tunic boer war mounted -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Medal Set, early to mid 20th century
Indochina Campaign commemorative medal Awarded by France Type Campaign medal Eligibility French citizens and foreign nationals fighting under the French flag Awarded for 90 days service between 16 August 1945 and 27 July 1954 Campaign Indochina War First awarded August 1, 1953 Precedence Next (higher) 1943–1944 Italian campaign medal Next (lower) North Africa Security and Order Operations Commemorative Medal Morocco commemorative medal (1909) Medaille du maroc France Medal with three clasps Awarded by France Type Campaign Medal Campaign Second Franco-Moroccan War First awarded 22 July 1909 Last awarded 20 July 1912 Total awarded ~63,200 Orient campaign medal Medaille d orient FRANCE Awarded by France Type Campaign medal Eligibility French nationals and foreign nationals Awarded for Service with the French Army of the Orient prior to 11 November 1918 Status No longer awarded Established 15 June 1926 Syria-Cilicia commemorative medal Awarded by France Type Campaign Medal Eligibility French nationals, soldiers under French flag Awarded for Middle Eastern campaigns between 11 November 1918 and 30 September 1926 Clasps "Levant" and "1925-Levant-1926" Established 18 July 1922 Precedence Next (higher) Médaille commémorative de la guerre 1914–1918 Next (lower) Dardanelles campaign medal Medaille commemorative de Syrie-Cilicie (Levant) Set of 4 full size French medals, comprising: 1. The Indochina Campaign Commemorative Medal, 2. Morocco Commemorative Medal, with clasp "Maroc" 3. Orient Campaign Medal,"Orient " on reverse 4. Syria-Cilicia Commemorative Medal, with clasp "Levant"medals, french -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Postcard photograph, c. 1917
A sepia toned postcard photograph of a Light Horse Squadron resting dismounted. The horses are all saddled . Written on lower border: " Awaiting Orders Palestine" Written on back: "Waiting for orders just prior to moving out on a stunt. In the distance you can see an ex Turks or Bedouins domicile". The card is not signed.light horse, palestine -
Kiewa Valley Historical Society
Gaiters, Estimated 1914; Early 20th Century
These type of gaiters were used by soldiers who would have been attached to the Light Horse Regiments. No other men other than soldiers in the Light Horse Regiments wore these gaiters as they were part of their uniform and added protection of their lower legs when riding their horses. All levels for AIF people wore these gaiter from Privates to Officers. There seems to be several types of gaiters which were lace ups or had straps over the outside of the gaiters or some were just done up with the buckles at the top. It is unknown it the ones we have would have had straps on the outside or if this was a choice of the wearer. Towards the end of WWI many of the light horse regiments combined with each other as their numbers became less and eventually with the advancement of military weapons the use of horses in war battles become less and were not needed in consequent world wars. These gaiters are historical significant to world war one and the light horse regiments especially the 4th and 13th Regiments. Men from the the Kiewa Valley went off to war and fought with the these regiments. Henry Higginson fought with both the 4th and 13th LHR in France. Sydney Stewart fought with the 4th LHR in France and was killed in France aged 20 years of age. A few of the young men that left from Tawonga in the Kiewa Valley went into the Light Horse Regiments as they were farmers that had experience with horse. Even though the AIF said they just did not automatically put country men into the LHR . Despite not having provenance of these gaiters the fact that men from Tawonga were in the light horse regiments, and only men from the LHR wore these gaiters it would be safe to say they would have been from some one in the local area that fought in WWI who owned these. Therefore they are representative of gaiters from the LHR and have excellent interpretive capacity as KVHS have a photo of Henry Higginson wearing his uniform which clearly shows his gaiters similar to these ones.One pair of brown leather gaiters with buckle at top. Seam at ankel. Left gaiter has strap missingmilitary, army, horse, gaiters -
Kiewa Valley Historical Society
Sigmoidoscope Rigid, Mid to late 1900s
This item was used before the flexible sigmoidoscope (1996) and before the introduction of fibre optics late 1900s. The 1900s saw an incredible leap forward in the field of medical procedures. The ability to visually see what was happening within the human body (in real time) provided greater analysis about certain biological abnormalities during a greater time elapse than before. This procedure involved less trauma to the patient and greater flexibility to the Physician in treatment schemes. The rigid signoidscope, however provided the first visual of the colon in situ, but was highly invasive to the patient.This item was used in the Mount Beauty Hospital for qualified Physicians to use in their diagnostic evaluation of patients. This would not be an instrument used by a General Physician. This item is still a internal observatory method which may, in some instances, cause some minor complications. This item does point to the level of medical diagnostics, equivalent to those available in larger towns and cities, which brings this rural area (once considered to be an isolated region) to a higher level of medical care.This rigid 35 cm long sigmoidoscope (internal probe) is made of stainless steel outer hollowed rounded rod, which permits the use of both a fixed (very thin) lighting rod and two flexible cord lights access. Both the lighting rod and the flexible lights can be lowered within the main rod to allow the physician to see the colon at the bottom of the rod.These items are all contained within a specifically inlaid wooden box. The box has separate open compartments for the main instruments and a small lidded compartment containing replacement light bulbs. The hollowed tube permits the physician to visually observe the signoid (an S shaped part) of the colon.On the stainless steel main rod body are engraved the lengths of the body,in centimetres ,with numbers starting at the five centimeter mark and then every five centimetres up to the thirty centimetre mark. On the front inside rim of the box are two inlaid white plastic strips with black print, "ALLEN & HANBURYS Ltd" and the other "LONDON"medical diagnostics, sigmoidoscope examinations, medical examinations, hospital equipment -
Eltham District Historical Society Inc
Photograph, J.H. Clark, Maria Street, Eltham, c.1910
William Jarrold's cottage on left was used by the Police 1858-1860. The Court house and Police precinct (upper right) were opened in 1859-1860 Photographer: J.H. Clark John Henry Clark was the youngest of three boys born to William Henry Clark (1823-1877) and Maria White (1843-1914). He and his brothers, William Charles Clark (1872-1945), Clement Kent Clark (1874-1912) operated a photography business (Clark Bros.) from 25 Thomas Street, Windsor near Prahran during the period c.1894 to 1914. Following death of Clement in September 1912 and their mother in 1914, the Clark Bros business appears to have dissolved, the premises demolished, and a new house was under construction in 1915. John set up business independently in 1914 operating out of 29 Moor Street, Fitzroy where he is registered in the 1914 and 1915 Electoral Rolls. By 1916 John had relocated to Eltham where he continued his practice as a photographer and took many of the early images around the district of Little Eltham. Around 1930 John changed professions and opened a small cobbler's shop in 1931 near the pond opposite Dalton Street adjacent to the Jarrold family cottage. He never married and continued his profession as a bootmaker from this little shop, maintaining a close relationship with Mrs Jarrold for the rest of their lives. His bootmaker shop remains today beside the Whitecloud cottage and is one of only three remaining shops in the area from the early 20th century. There are a couple of images of Eltham taken by Clark Bros. in the Eltham District Historical Society collection, one such example being Hunniford’s Post Office with Miss Anne Hunniford out front (EDHS_00140 - marked on the back of the print, Clark Bros., 25 Thomas St. Windsor), which would date this image between c.1894 and 1914. Other early images of Eltham taken by John Henry Clark are marked on the face “J. H. Clark Photo” and it is assumed these are dated between 1914 and 1930. It is noted that the Grant of Probate for John H Clark of Eltham South dated 5 April 1957 (513/387) records his occupation as "X Photographer".Sepia postcardNotations in biro 'A. Petrie', rest in pencil as follows Telegraph poles show one wire No 1918 Avenue of Honour trees c.1907 Jarrolds house No shop at White Cloud on fence line Police Residence has extensions Chimney on wash house Office Brickwork on stables Lock-up, entry and window end Light lamp - cnr Dalton and Maria streets Surface damage to lower left cornermain road, eltham, maria street, dalton street, william jarrold, jarrold cottage, police residence, courthouse, j.h. clark photo -
Warrnambool RSL Sub Branch
Ornamental biscuit, Phoenix Co, 1914-1918
This biscuit is called a 'Dog Biscuit' and was produced during WWI. It was part of a rashion kit to accompany another biscuit and a tin of Bully beef. The original owner was presumably a serviceman called Jack was and he created a souvenir for a loved one using this biscuit, accompanied by another biscuit with an inlaid photograph of himself. This object is a rare and precious piece. It is rare for items composed of edible goods to remain almost perfectly intact after a century after creation. The use of the biscuit as a souvenir, with the addition of a artificial flowers, is presumably unique and imparts great social significance to the item.Dry biscuit with artificial flower decoration. The flowers are of light green and cream coloured fabric, wire and are attached in the top right hand corner of the biscuit. There are fabric strips attached to the back and tied with cotton string through holes in the lower right corner.Inscriptions on the front read: "Phoenix Co. Melbourne" biscuit, dog biscuit, military rations, ww1, world war 1, world war one, the first world war, the great war -
Warrnambool RSL Sub Branch
Army Jacket, 1942
This object is one of a three piece set. There is also a pair of trousers and a defence leave ticket which are associated with this object. The three chevrons on the sleeve signify three years of service. The unit patch may denote that the wearer was part of the Army Serice Corps Divisional Unit one. The associated ticket shows that the serviceman was at some point travelling in uniform on defence leave in a first class carriage from Spencer Street to either Moreland, Newmarket, North Carlton, Northcote or Westgarth.As an historic army uniform with an association to Victoria this item is of local historic and social significance. It is also in very good condition. Woolen khaki jacket with button-up front. The top button is a plain brown plastic button. The lower four buttons are identical embossed dark brown metallic buttons. They depict an image of Australia in the centre with a crown above. Encircling this image are the words "Australian Military Forces". There is also a metallic clip at the waist-band and a metallic stud below the row of buttons. There are four button-up pockets on the front of the jacket. Two of these are breast pockets and the other two sit directly beneath these. There is also an interior pocket on the lower right section of the jacket. The lower right exterior pocket is missing its button. There is a spare button in the right breast pocket. All of these pocket buttons are of the same type as the decorative dark brown metallic buttons. There is also a spare unit patch in the bottom right pocket. The two cuffs are buttoned up with one decorative dark brown metalic button each. There are two identical brass badges on either collar. They depict a crown in the centre with the rising sun surrounding it and ribbons below with the words "Australian Commonwealth Military Forces". There are two identical brass badges on the shoulder edges of the epaulettes depicting the word "Australia". There are two buttons that fasten the epaulettes to the jacket near the neck which are of the same type as the decorative dark brown metallic buttons. There are two identical felt unit patches on either section of the upper arms. They have a light blue border surrounding a navy blue rectangle above a white rectangle. There is also a felt chevron just above the cuff on the right arm. This depicts three blue stitched arrows on a khaki/green background. There are also two labels stitched to the interior of the right breast pocket. Ther are two white rectangular labels that are stitched to the interior of the right breast pocket. These have inscriptions. There is also a stamp on the interior of the lower right pocket.Inscription on the two interior Labels: REGIMENTAL No........./ NAME........./ V.162 / MADE IN AUSTRALIA / 1942 / SIZE / (within a rectangle the number “26”) Stamp on the interior of the lower right pocket inscription: W.W. ( and what appears to be an upside-down W above thesearmy, uniform, jacket, army service corps, asc, divisional unit one, division one -
Sir Reginald Ansett Transport Museum
Hat
early (1940s?) hostess cap worn by Airlines of South Australia staffAirlines of South Australia hostess cap without peak. Light & dark olive green plaid pattern. Fine wool (blend?). Oval-shaped crown narrower & lower at front / broader & higher at rear. Olive green bemsilk lining & matching grosgrain sweatband. Matching fabric emblem 7cm high on left front, featuring metallic gold thread embroidery of 3mm thick initials "S" & "A " on crimson background with gold embroidered wings above. No visible evidence of manufacturer or ownersouth australian, hostess cap, wool plaid, gold wire embroidery, olive green -
Orbost & District Historical Society
corset, Berlei, c. 1930s-1950s
Worn and owned by Mrs Marjorie McKeown (nee Ford) who lived in the Orbost district A ladies corset made from light pink fabric. The corset can be opened out around the body and then closed with a series of metal hooks and eyes which run vertically down the body. It has two large elastic panels positioned on either side of the garment, and a small "v" shape of elastic in the lower front edge. Six suspenders are attached to the bottom edge.Size 4 H Berleiwomens-undergarment ladies-wear fashion -
Ringwood and District Historical Society
Flyer, Building Allotments Auction Notice - Ireland Street, Ringwood, Victoria - circa 1960
Notice attached to light cardboard backing advertising auction in the lower town hall, Ringwood, at 3pm, Saturday October 4 (1958?) for 12 building allotments in Ireland Street, Ringwood. Locality plan with red shading highlighting sites for auction in Ireland Street under instructions from the Borough of Ringwood. (Agent) C.E. Carter & Son, 126 Whitehorse Road, Ringwood (Phone) WU 6024.