Metal frame perspex lens with canvas head band with attachment for visor and nose guard. Goggles have inner lining made of suede for eye socket protection.Crown AM 220/826 1858

Framed watercolour featuring a landscape painted by Adriene Dietrich. Silver metal frame with white card window mount. Painted predominately in shades of blues, brown and greys.

Government issue desk. Manufactured (perhaps 1970s)It has second level contributory significance as a furnishing that has remained at the lightstation to demonstrate its more recent working operations.Wooden desk with metal frame. Dark grey vinyl top, three drawers on left-hand sde with metal handles. Second drawer has filing inserts.Right-hand front leg on black sticker. "C. of A. / D.O.T. 147110"

This is a suitcase known as a Gladstone bag. It is named after William Gladstone (1809-1898), a four-time Prime Minister of England. Gladstone bags were first produced by Edward Cole in London in 1854. This item has no particular local provenance but bags such as this one were commonly used, mainly by men, for business and sporting purposes. As it was compact and stored quite a lot of material in its deep interior, it was a popular choice for men travelling by public transport to the workplace or to sporting events. This Gladstone bag is retained for display purposes as an example of a mid 20th century suitcase.This is a small suitcase, called a Gladstone bag, made of stiffened brown leather built over a rigid metal frame. It has a leather handle on top of the metal frame and a metal lock on the side of the frame. There are metal clips to enclose the ends of the frame. There are metal straps attached to the sides of the case. Inside, the bag is lined with light brown cloth and there are two pockets on one side. The metal parts are somewhat rusted. warrnambool, vintage suitcases, gladstone bag, history of warrnambool

Loin cloth worn by Capt D.F.V. Hufer who was a P.O.W. on the Burma Railway during WW2. See Catalogue no. 2725 for medal details and his service record.Navy coloured cotton cloth with two cotton strings for tying around a person's waist. The item is displayed over green card under glass in a rectangular metal frame.On a rectangular white card inside the frame: 'Loin cloth worn by Capt D.F.V. Hufer Burma Railway WW2'prisoner of war, burma railway, world war two, capt d.f.v. hufer

Robert Allen No 7925 enlisted in the AIF on 30.7.15 with 6 Field Artillery Brigade age 30 years 6 months. Embarked for Egypt 22.11.15, hospital 26.1.16 with Pyrexia, embark for France 17.3.16, hospital 26.1.17 with Diarrhoea, WIA 24.4.18 Gassed, transfer to A.A.M.C 30.11.18, discharged from the AIF 24.9.19 medically unfit. Refer 1777, 1778, 1787.4.B & W scan, photo of soldier WWI re R.H.Allen with writing in lower left hand corner. Gold coloured patterned metal frame wooden back section. Written on front "Yours with love/ Bob 8-7-17"photography - photgraphs, frame accessories, military history

A flat-wick lamp is a simple type of kerosene lamp, which burns kerosene drawn up through a wick by capillary action. A flat-wick lamp has a fuel tank (fount), with the lamp burner attached. Four prongs hold the glass chimney, which acts to prevent the flame from being blown out and enhances a thermally induced draft. The glass chimney needs a "throat," or slight constriction, to create the proper draft for complete combustion of the fuel; the draft carries more air (oxygen) past the flame, helping to produce a smokeless light which is brighter than that produced by an open flame. The lamp burner has a flat wick, usually made of cotton. The lower part of the wick dips into the fount and absorbs the kerosene; the top part of the wick extends out of the wick tube of the lamp burner, which includes a wick-adjustment mechanism. Adjusting how much of the wick extends above the wick tube controls the flame. The wick tube surrounds the wick, and ensures that the correct amount of air reaches the lamp burner. Adjustment is usually done by means of a small knob operating a toothed, metal sprocket bearing against the wick. A paraffin lamp with a green metal base to hold fuel with a side screw to adjust wick length. An opaque white glass shield sits in a metal frame attached to base* moorabbin, bentleigh, cheltenham, pioneers, early settlers, market gardeners, lights, lamps, paraffin, oil lamps

This photograph was taken from Grandview overlooking the Orbost flats.A black/white photograph in a frame. The frame has a stand. The frame is card padded over a metal frame. It is covered in plastic. The photograph is of the Orbost flats with the river and the town in the background.in white - "Orbost From "Grandview"grandview orbost-flats photograph

Fred Brown was awarded a certificate in Telegraphy at the Ballarat School of Mines in 1880. (SMB Annual Report 1880, p64) A sitting man poses for a studio photograph, wearing a jacket and bow tie. The photograph is surrounded by an oval shaped metal frame, and that in turn is located within an ornate rectangular frame. ballarat school of mines, telegraphy, telegraph, brown, fred brown, alfred brown

Lt-Colonel J.H.P. Eller was the second President of the Melbourne Legacy Club and followed H.E Cohen, the Foundation President. Eller's year of office was devoted chiefly to the consolidation of membership and is notable as a period when new ideas regarding the Club's future began to be entertained. The principle of "Preference to Returned Soldiers" and finding employment for them was no longer so important and it was recognised that a wider meaning might be given to the term "Legacy" by the undertaking of active work amongst the children of deceased soldiers. (Blatchford, Claude. 'Legacy: the story of the Melbourne Legacy Club'. Melbourne, W.D. Joynt, 1932. p.22)Presented to Peter Eller in recognition of his presidential service, a tradition which has continued to the present day for all retiring presidents.Rectangular in shape, clear glass, cardboard fawn coloured border, certificate white cardboard, black metal frame. Back, brown paper, brass coloured hanging wire."Melbourne Legacy Club, Presidents' [sic] certificate, J.H.Peter Eller, Year of Office 1924-1925 In commemoration of your service to Legacy, more especially in the office of president, this Certificate is presented with the sincere regard and thanks of fellow Legatees." Thomas W. White President Frank J. Doolan Secretary Written in black ink. Legacy badge at top centre.service award, past president

Spectacles in a metal and brown leather case. Spectacles have a grey metal frame with round lenses. Similar to Item 21. They were designed to be used underneath a respirator during WW2.spectacles, ww2, respirator

Coloured photograph of Queen Elizabeth with bouquet of flowers under curved glass in thin white metal frame with floral corner pieces, Donated by Mr Atkinson related to Mary Reibyperson, individual, personal portrait, queen elizabeth, queen, royals, royal

This wrought iron "ladder-frame" bookcase is located in Penleigh's bedroom. A second "ladder-frame" bookcase with a drop-down table is located in Suzy's bedroom (item F096). They were both designed by Bruce Anderson - in the past they have been incorrectly attributed to Clement Meadmore. This type of furniture was featured in 'The Age' Small Homes Service and a similar one was featured in 'The Age' Dream Home Exhibition in 1955. From 1947 to 1953, Robin Boyd was the director of The Small Homes Service, set up by the Royal Victorian Institute of Architects in conjunction with "The Age' and he produced a weekly article for 'The Age'. Wrought iron black frame with 10 ladder slots, and 3 cross brace frames, with 6 timber shelves. Shiny metal feet, nothing covering top of metal frame. bruce anderson, walsh st furnishings, robin boyd, small homes service

Singer, black metal with gold decorations treadle type, in wooden cabinet, placed on a black metal frame. Machine folds away and has 3 drawers down either sidesee photosewing, sewing machine, singer, treadle

These items were donated by George Shirling, a long-term stakeholder in Falls Creek, first building and owning Koki Lodge and later owning and operating the Red Onion Lodge. The metal sledge was at Red Onion when George bought the lodge from Lauriston GIrls' School in 1974. Lauriston had owned the Red Onion for about three years. The sledge was most likely made or acquired by the Australian Alpine Club who had built there in 1963 and owned the Lodge until 1970. The suitcases belonged to George Shirling's parents who arrived in Australia from Austria in 1938. George then used this suitcase when he travelled to Falls Creek in the early 1960s.These items are significant because they were donated to the Falls Creek Historical Society by a long-standing and highly regarded member of the Falls Creek community.A sledge made from a metal frame and base plate with a rope lead attached. A leather suitcase with a silk lining and leather handles. A variety of travel stickers have been attached.george shirling, koki lodge, red onion

Metal hanging frame with figurine of boy with racquet. Materials: Metaltennis

Braille hand frames and styluses were the primary way to produce Braille for over a century. The stylus was used to make a separate indentation for each dot, and the hand frame to keep dots within the same cell. Braille rows are produced from right to left. The process was very time consuming. Volunteer transcribers for the library could take an average of ½ hour to produce one page of Braille using this method. For example: “Oliver Twist” required approximately 600 sheets equating to 300 hours of work! This wooden slate, which was used to make the system portable, served as a firm base needed to sustain puncture pressure. The frame can also be slotted into both sides of the slate, thereby ensuring that the lines of Braille were straight across the page. The metal clasp at the top of the frame held the wooden which kept paper from slipping. In this example, the Rules of Membership for the Victorian Braille Writers were attached to the board.1 wooden back board with metal hand frame and stylus156 carved into wooden framebraille equipment, victorian association of braille writers

Designed to create an impression on paper, the slate allows users to create Braille by guiding the stylus into the correct alignment to produce Braille, through the applied use of pressure that creates a depression on one size of the paper and a raised dot on the alternative side. In this example, the frame has two side hinges which allow it to sit over the paper edge, and four lines of Braille could be written.1 metal Braille frame with four lines of Braille windowsPerkins Model 140 RVIB sticker has been attached to the back of the framebraille equipment, assistive devices

Light green tinted preserving jar. Embossed writing on front. Glass lid. Metal frame around top to seal lid. Has wire bail and neck tie wire lever.Front- Chicago Fruit Jar-trade mark. Bottom- "M" top of lid- "See rubber ring is level before closing the jar, Registered Patent 1893preserving bottle glass chicago-fruit-jar

Coloured poster listing all units - Navy Army & Air Force in BCOF period - Japan 1946. Mounted on purple backing, white metal frame, glass front, masonite backing.BCOF 50th Reunion - Dubbo NSW March 1996 On back in black texta: Donated by: Maurie Smith. Seymour Vicdocuments - posters, frame accessories

These goggles and helmets were issued to flying recruits for learning to fly biplanes.Leather helmet with suede lining, under chin strap, earphone inlets with snap locked flaps. Metal framed goggles with leather surrounds, adjustable rubber strap and split glass lenses.Made in England Patent. R51067 scratched into metal.

After the First World War the defence of the Australian mainland lay with the part-time soldiers of the Citizens Military Force (CMF), also known as the Militia. The Militia was organized to maintain the structure of the First AIF and kept the same numerical designations. The Militia units were distributed in the same areas the original AIF units were raised. Consequently, Militia units were also known by the name of their shire. Thus, the Victorian 37th Infantry Battalion was the "Hunt Regiment", while the 52nd Infantry Battalion was the "Gippsland Regiment". Both were raised in 1921 and linked in 1930, forming the 37th/52nd Infantry Battalion. In 1937 the battalion was separated but merged again in August 1942, after Japan's entry into the Second World War and the subsequent reorganisation of the Australian Army. carved gold coloured metal frame with green mount containing 3 silver and 2 green badges 8 large and 7 small gold coloured buttons on tartan cloth background.37th-52rd Australian Infantry Battalion Affilitated with The Queens "Own" Cameron Highlanders 37th/52nd australian infantry battalion, cameron highlanders

The Kew Historical Society's Fashion & Design collection includes a small and representative collection of reticules, purses and handbags, inherited, owned, used and or donated by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products.An earlier inventory of the collection identified an Eighteenth century French evening bag. While the frame shows some affinities with models of that period, its dating has provisionally been made to the Nineteenth century, until expert advice is sourced.Densely beaded evening bag on a gilded metal frame. The beads are woven in a a variety of abstract and geometric patters, including a cross within an octagon at centre. The bag is held by a white metal chain.evening bags, women's clothing -- accessories, bags -- handbags, bags -- purses, fashion accessories