Combined Pensioners' Association Minute Book 1960 -1961 contains General and Committee minutes for these years in a grey covered book with red spine. Hand written on front cover is information that the group was inaugurated 8/10/59, President Mr. C. Belcher, Secretary Mrs. Lindrea, Treasurer Mr. A. Morrison, Vice President Mr. A. Priest, Assistant Secretary Mrs. Neville. Inside front cover lists Executive elected 1960, President Mr. Hughes, Secretary Mrs. Lindrea, Treasurer Mr. Morrison. Loose pages list paid members ( with addresses.)bendigo, clubs

At a press conference in Melbourne, the Australian Council of Church, Australian Catholic Relief, the Baptist World Aid and Relief Committee, the Lutheran World Service and the Seventh Day Adventists joined to speak about a combined appeal to relieve drought victims in Africa. One speaker was Anglican priest the Rev. James Murray, who had recently returned from some of the drought-stricken areas with a film-maker, having been sent on behalf of the appeal. The article has three columns and provides more detail about the drought and its effects and how the churches' help will be used.Head & shoulders photo of middle-aged man wearing a beard.C&N identification.combined churches drought action in africa, murray, james

Lower Plenty Heritage Excursion included the former monastery of the Blessed Sacrament Fathers, now Odyssey House, and its suspension footbridge across the Yarra River. Odyssey House drug rehabilitation centre in Bonds Road, Lower Plenty is a distinctive landmark, especially when viewed from across the Yarra at Templestowe. It was built in the 1950’s as a seminary for the Blessed Sacrament Fathers. Because of the poor and circuitous road access, a suspension footbridge was built across the river. As well as providing easy access for the priests residents of Templestowe could attend services at the seminary. The bridge is now part of the Yarra Trails system.Roll of 35mm colour negative film, 6 strips Also photographic prints 10 x 15 cmKodak Gold 200-6activities, blessed sacrament fathers, bonds road, bridge, foot bridge, lower plenty, odyssey house, seminary, yarra river

Lower Plenty Heritage Excursion included the former monastery of the Blessed Sacrament Fathers, now Odyssey House, and its suspension footbridge across the Yarra River. Odyssey House drug rehabilitation centre in Bonds Road, Lower Plenty is a distinctive landmark, especially when viewed from across the Yarra at Templestowe. It was built in the 1950’s as a seminary for the Blessed Sacrament Fathers. Because of the poor and circuitous road access, a suspension footbridge was built across the river. As well as providing easy access for the priests residents of Templestowe could attend services at the seminary. The bridge is now part of the Yarra Trails system.Roll of 35mm colour negative film, 6 strips Also photographic prints 10 x 15 cmKodak Gold 200-6activities, blessed sacrament fathers, bonds road, bridge, foot bridge, lower plenty, odyssey house, seminary, yarra river

This item is part of the collection of Ecclesiastical Linen once used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. This item is part of the Ecclesiastical Linen collection, which is significant for its examples of handworked embroidery and drawn-thread work from the early 20th century. The items are also examples of a collection used for religious services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance the the community of setting aside land in the 1850's for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900's and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Priest's armband, part of a set of Ecclesiastical Linen once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. The rectangle of lined coarse white fabric is slightly flared at the ends. The length has been folded in half, then stitched across its width about halfway along to form a loop on the folded half. One side has been finished with a white twisted cotton fringe. A cross symbol has been handworked on the end above the fringe, using white ribbon with gold-coloured edging and gold embroidery in the form of rows of small crosses. Embroidered symbol [ribbon cross with gold-coloured borders and small gold-coloured crosses along the arms]flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, communion linen, hand worked linen, religious service, religious ceremony, ceremonial linen, needlework, embroidered, applique, cross symbol, priest's armband

Robert Edward Davies CBE (30 July 1913 – 17 May 2002) was the Anglican Bishop of Tasmania from 1963 to 1981. Educated at Queensland University, he was ordained in 1937 and began his career as an assistant priest at Christ Church Cathedral, Newcastle, NSW. After World War II service as a chaplain with Toc H and the Royal Australian Air Force he became Warden of St John’s College Brisbane. After this he was Archdeacon of Canberra, then Wagga Wagga. He became an assistant bishop of Newcastle and Warden of St John’s Theological College, Morpeth in 1960 and three years later the Tasmanian diocesan bishop. B&W head and shoulders studio photograph of Right Reverend Robert Edward Davies, Bishop of Tasmania."The Right Reverend RE Davies Bishop of Tasmania"davies, r. e., bishop

Bendigo Advertiser "The way we were" from Monday, October 25, 2004. Hopefuls: the North Bendigo football team prior to playing Harcourt in the Bendigo Football Association's preliminary final in 1955. The side included S. Burns, R. Barkmeyer, V. Flynn, J. Bacon, J. Keil, K. White, C. Clough, J. Collins, W. Bovaird, H. Benbow, M. Foley, T.Martin, G. Thompson, H. Priest. W. Mooney, K. Martyn, F. Thompson, F. Poulter, A. Knight, H. Morgan, D. McIntyre, R. Donaldson, R. Andrea, N. Butler, G. Barmeyer and W. Farrar.newspaper, bendigo advertiser, the way we were

Cover is dark blue with the title on the front cover.non-fictionThe Book of Common Prayer and Administration of the Sacraments, and other Rites and ceremonies of the Church according to the use of The Church of England together with The Psalter or Psalms of David.prayer, sacraments, psalms, church of england

First Communion Party in Catholic Church Hall, Ringwood in 1930 - Black and White PhotographNo identification on photograph but catalogue cards reads, "c1930. First Communion Party - Catholic Church - Catholic Church Hall, Ringwood. Centre door, lady in front, next to table, V-neck dress, 3rd lady RHS of priest is Mrs. Maud Matlock, mother of Ted Matlock. She died when Ted was only 14. Lady with beret RHS of middle door is Mrs. George Pratt. Photograph a copy of photo of Ted Matlock's see Pratt packet for Pratt history".

Small beige & grey box with a black oval sticker on the front. On it is printed in gold: Jewellers & Silversmiths White's Pall Mall, Bendigo. The sticker also has a gold border. The box contains 2 gold coloured medals with Off white 33mm ribbons, a silver medal and a small heart shaped cushion with a cross on the front and light blue edging and ribbon. The 2 gold coloured medals have 'Guard of Honour of the Most Blessed Sacrament' printed around the oval shaped edge. In the centre is a chalice? With IHS on it and at lower sides are 2 angels. On the back it has 'Stokes & Sons MXL?' The small, round silver medal has a man & boy on the front and on the back asking in case of accident to notify a priest. Made in Germany.Stokes & Sonscottage, miners, foster & wilson collection, religious medals

"Centenary of Fnrst Mass at Ballarat Friday last marked the centenary of the arrival of the first priest and the celebration of the first Mass in Ballarat. The Rev. Patrick Dunne reached the diggings on October 17, and on Sunday, October 19, 1851, in a bark hut near Brown Hill, he celebrated Mass. Worshippers had to kneel on quartz gravel. The weather had been the worst experienced in Victoria for a number of years, and most of the creeks between Melbourne and Ballarat were flowing torrents, but Father Dunne (who came from the Coburg mission), carrying the barest necessities and the sacred vestments, set out for Ballarat on horseback. He had to ford and swim his horse across the creeks. When most of his congregation left for the Castlemaine diggings Father Dunne returned to Melbourne. In August, 1852, Rev. Matthew Downing became Ballarat's first resident priest. He built a large wooden structure with a canvas roof which served as a church, but later erected at the Gravel Pits the first permanent church. This church was the largest of any house of worship on any goldfield in the colony. It cost £ 100, contributed solely by Father Downing and his flock. Soon after he got the authorities to survey a large piece of land at the back of the township as a burial ground and procured a grant of £500 for fencing it. A grant of £250 was also obtained for the improvement of the chapel and fittings of a school, where Michael Campion Carey opened the first school. Rev. Patrick Smyth succeeded Father Downing, who was followed by Rev. P. Madden, who in 1857 began to plan the erection of St. Patrick's Church. The foundation stone of this was laid by Bishop Goold on February 12, 1858, and the church was opened for the first time on November 8, 1863." (Melbourne Advocate 25 October 1951)Two colour photographs showing the St Alipius' Catholic Church flag - a blue cross and border on white. st alipius, church, ballarat east, flag

St Patrick's Cathedral first conducted services from 1851 onwards, the parish of Ballarat was instituted in 1852.The first Parish Priest was Father Matthew Downing,who selected in 1853 the two acres site for this church which was granted under a crown Grant in 1855. The style of the church is early Gothic from the era of Edward the 1st in the 13th Century. (http://www.ballarat.catholic.org.au/parishes/default.cfm?loadref=93, accessed 13 November 2013) Bishop James Alipius Goold OSA (Bishop of Melbourne) celebrated Mass in St Patrick's Ballarat on Sunday November 8th 1863. The Bishop had laid the foundation stone for the Church in 1858 and by November 1863 the Church was sufficiently completed to be used on a regular basis. (http://stpatscathedral.weebly.com/, accessed 13 November 2013) See http://www.ballarat.catholic.org.au/aboutus/default.cfm?loadref=9 A series of coloured digital photographs showing the bluestone church known as St Patrick's Cathedral, Ballarat.ballarat irish, st patrick, st patrick's cathedral, st patrick's cathedral ballarat, church, gothic, bluestone

The donor's aunt, Margaret E. Hollis nee Piesse (18/2/1919-2008) wore this gown to the Coronation of Queen Elizabeth II in 1953. She was one of a total of 8,251 guests who attended the ceremony at Westminster Abbey, London. Margaret Piesse was born in Hobart and grew up in the Piesse family home, 'Merridale', Sackville Street, Kew. She was residing at 4a Little Cloister, Westminster Abbey at the time of the Coronation and was married (on 14/2/1942) to Rev Howard Hollis, a minor Canon at the Abbey and a deputy Priest in – Ordinary to the Queen (1954-1959). Howard chanted the litany and carried the sceptre. Margaret’s daughter-in-law, Sue Hollis, Margaret’s sons, Julian who attended the Coronation with his mother, and Richard, gave the photograph to Felicity Renowden, the donor. Margaret Hollis died in Kew on 16/4/2008.Single piece, formal silk brocade gown worn to the Coronation of Elizabeth II on 2 June 1953. The bodice is informally draped with horizontal folds of fabric above an antebellum waistline below which is a full skirt. An accompanying photograph of the wearer in the dress can be viewed in the final image above. coronation elizabeth ii, piesse family, merridale -- sackville street -- kew (vic.), margaret e hollis, margaret ellen piesse, fashion design, fashion -- 1950s, women's clothing -- 1950s

The donor's aunt, Margaret E. Hollis nee Piesse (18/2/1919-2008) wore this gown to the Coronation of Queen Elizabeth II in 1953. She was one of a total of 8,251 guests who attended the ceremony at Westminster Abbey, London. Margaret Piesse was born in Hobart and grew up in the Piesse family home, 'Merridale', Sackville Street, Kew. She was residing at 4a Little Cloister, Westminster Abbey at the time of the Coronation and was married (on 14/2/1942) to Rev Howard Hollis, a minor Canon at the Abbey and a deputy Priest in – Ordinary to the Queen (1954-1959). Howard chanted the litany and carried the sceptre. Margaret’s daughter-in-law, Sue Hollis, Margaret’s sons, Julian who attended the Coronation with his mother, and Richard, gave the photograph to Felicity Renowden, the donor. Margaret Hollis died in Kew on 16/4/2008. Print copy of an original photograph of Margaret Ellen Hollis (nee Piesse) before she attended the Coronation of Elizabeth II in 1953. She is posed in the photograph, seated wearing her dress, tiara and long elbow length gloves.coronation of elizabeth ii, westminster abbey, piesse family, merridale -- sackville street kew (vic.), margaret e hollis

Golden Square Maple Street P.S. Collection - Photograph - Grade 5-6 S 1999 class and their teacher. Their names are: 3rd Row L-R: Reece Alderding, Tim Marmion, Felicity Usher, Tracey Priest, Dylan Hunt, Erin Wyatt, Jessie Taylor, Max Grant, Amy Campbell. 2nd Row L-R: Jacquie Fordham, Michele Brannagan, Sam Bacon, Kate Geyer, Toby Martin, Jessica Hall, Llewellyn Green, Miriam Henderson, Kyle Bevans, Tara Sullivan, Broderick Gordes. Front Row L-R: Hope Williams, Chas Barker, Lindon Stewart, Martin Olsen, Lisa Haines, Nicholas Parker, James Ng, Rebecca Negus, Jessie Rodgers. Absent: Clinton Turner. Teacher: B Savy. Principal: Mr David Robins.Arthur Reed Photoseducation, primary, golden square laurel st p.s., golden square maple street p.s. collection - photograph - grade 5-6 s 1999, reece alderding, tim marmion, felicity usher, tracey priest, dylan hunt, erin wyatt, jessie taylor, max grant, amy campbell, jacquie fordham, michele brannagan, sam bacon, kate geyer, toby martin, jessica hall, llewellyn green, miriam henderson, kyle bevans, tara sullivan, broderick gordes, hope williams, chas barker, lindon stewart, martin olsen, lisa haines, nicholas parker, james ng, rebecca negus, jessie rodgers, clinton turner, b savy, mr david robins, arthur reed photos

Taken in the year 1900, this glass slide captures an image of St. Joseph's Church, a Roman Catholic Church that is still present today at 9 Church Street, Beechworth. This was one of many churches that was established in Beechworth during the second half of the nineteenth-century. This trend began with a focus on Anglican faith; however, in the early 1850s, Father Patrick Smyth, a priest from Maynooth, Ireland, advocated for the establishment of a Roman Catholic Church in the town. Roman Catholicism quickly grew to be the second largest religious group in the area; this was primarily due to the work of Father William Tierney, a priest from Dublin who arrived in Beechworth in 1859. Tierney personally fostered the growth of many Catholic schools and churches in Beechworth, as he viewed it to be a significant area for the prosperity of the religion. St. Josephs Church was officially established in 1866, with the Bishop of Melbourne, Dr Goold, laying the foundational stone of the building. The estimated cost of the building in its entirety was approximately twenty-thousand pounds. Further additions to the building - including a second aisle, tower and spire - were proposed for the church, but were ultimately never built. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide captures social and historical significance as it represents the development of Beechworth as a prosperous and thriving town; a development that occurred during the second half of the nineteenth-century. It also shows the development of religious institutions in the area, specifically the growth of Catholicism. Thin translucent sheet of glass with a circular image printed on the front and framed in a black backing. It is held together by metal strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, churches beechworth, st. joseph's church, catholicism beechworth, roman catholic churches beechworth, father patrick smyth, father william tierney

Rev Walter Guthrie Bower was born in Lincoln, Lincolnshire, England in 1877. He was a graduate of London University and was ordained a priest in 1901. He had been a curate of St. Michael & All Angels, Bedminster, then he became the Vicar of St. Thomas, Bristol, for 8 years prior to coming to Warrnambool in 1923. He made a lasting impression on the Parish with his teaching and Christian humility and service. He was a quiet, scholarly, Christian gentleman who endeared himself to all sections of the community. He was married to Norah Marianne. He resigned from the Vicariate of Warrnambool in 1932, to return to England to accept the living of Metfield with Withersdale, Suffolk. HIs address when he died was - The Vicarage, Metfield, Harleston, Norfolk. He died on Mar 26th, 1936 aged 59 yrs leaving his widow Norah. Norah died in 1963 aged approx 77 yrs in Horiston, Devon. Stained glass lancet window memorial to the Reverend Walter Guthrie Bower, the 7th Vicar of the Parish of Warrambool 1923 - 1932. Depicting Jesus as the Good Shepherd.To the Glory of God. In grateful and/affectionate memory of the life and ministry of/ Walter Guthrie Bower/ Vicar of this parish 19230-01932. A faithful minister of the Gospel.

BHS CollectionBendigo Advertiser ''The way we were'' from Wednesday, December 1, 2004. on the field: a photograph of the men who played in the curtain raiser at the 1.15pm grand final of the seconds competition. The year is unknown. The match was between YCW and North Bendigo. Pictured are the team members from North Bendigo and others. Top row: trainer F. Palmer, W. Thompson, J. Kiely, K. Martyn, R. Kenley, Coburn, H. Speechly, R. Knight, C. Lownes, A. Johnson, L. Grenfell, R. Grant (umpire), E. Manning, J. Boyd. Middle row: F. Thompson, S. Burns, J. Rowe, T. Martin, W. Farrer, S. McGregor, R. White, W. Bovaird, W. Mooney, Turner. Front row: F. Warren, T. White, E. Thompson, R. Smith, K. Fitt, H. Priest.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser from Saturday, November 27, 1943. Two black and white photographs of women in uniform in an outdoor setting. The first is captioned: with Warrant officer Durack (third from left) are from left Cpl Nolte, Cpl Hands, Cpl P. Priest, Cpl H. Morton, Sergeant W. Sprott and Cpl G. Glover. The smiles are for the A.W.A.S. first birthday in Bendigo and for general satisfaction of barracks life. The second is captioned: Group of A.W.A.S. members taken in the garden of their barracks, where one year's residence in Bendigo was celebrated yesterday. From left: Spr. V. Edwards, Private M. Treloar, Private A. Geddes, Spr. A. Lewis, Spr. W. Hyatt. Standing from left: Spr. M. McPherson, Private M. Penton, Spr. G. Johns, Spr. M. Simonds, L/Cpl J. Murray, Pte. G. Simpson, Spr. N. Jeffrey and Spr. S. Pieydell.military, world war 2

It is made up of andalusite. Andalusite is a rock-forming mineral, sometimes found in granite or schist. It is often used to make glass, ceramic products, chemicals, and heat-resistant bricks as it can withstand high temperatures without changing. The chiastolite contains particles of graphite, which arranges in geometric patterns. When crystal growth occurs in the rock, the granite particles concentrate at crystal interfaces and can result in cross shapes. These ‘cross stones’ have been valued and used for their spiritual or religious meaning and used as charms, gems, or amulets. Chiastolite was first discovered in 1754, seen in a description in a published book by a palaeontologist, Franciscan priest, and Spanish author, Jose Torrubia. Deposits have been found in Australia, France, the USA, Chile, Canada, Spain, Brazil, Sri Lanka, and Russia. Deposits have been found in Western Australia and South Australia. This particular specimen was found in Bimbowrie, South Australia. Other chiastolite specimens have been found in Bimbowrie, along with jasper, quartz, and aventurine in the form of rolled pebbles or schist. This chiastolite specimen is socially and historically significant. It is a very rare sort of andalusite mineral. It is from one of only two locations where it is regularly found in Australia. The carbon cross has made it an important religious symbol in the past. Its ability to withstand high temperatures has made it a common ingredient in heat-resistant bricks and ceramics today. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A metamorphic mineral consisting of andalusite, with a cross shaped graphite pattern in colours of grey, brown and yellowburke museum, beechworth, geological, geological specimen, andalusite, chiastolite, geometric, cross stone, spiritual, religious, australia, south australia, bimbowrie, quartz, jasper, aventurine, schist

“The Bird God cult is the official lboriisi religion, but there are certain sections of the planet where people worship the sun - not the big Voidstar, but the smaller erratic red star, known as Lanturan on lrusag, and lisa, or “Womb of the Wave Stone” on Iboriis. The sun is thought to be the creator and controller of all things, both benevolent and capricious. Priest of the Sunworshippers sacrifice appropriately coloured fruits and vegetables to the Sun God to ensure continuity of crops and a rich, peaceful life. When the red sun disappears from the sky on its erratic orbit, the God is thought to be displeased and the people gather in great groups to pray for better times. It is at this time that the Sun dances are performed in specially prepared dancing grounds in the forests. This essentially peaceable religion is hated and feared by followers of the Bird God, so that Sunworshippers are hunted and destroyed whenever possible. It is considered a favourable omen if the year’s sacrificial victims can be Sunworshippers, a sure sign of a good future harvest. Naturally enough, Sunworshippers are never delegates to the Court — this Robe was smuggled out of lboriis by a team of dedicated anthropologist who risked their lives to study the Sun God religion.” -Inga Hunter

From The Sun of Wednesday Sept 12 1945, a, page 6, Coding of Names criticised ARMY GIVES LISTS OF FREED VICTORIANS listing names so identified, and message to relatives, included a reference to J. F. Dale to his parents H. C. Dale of 47 Joseph Street Bendigo. Item re radio expert got news for P.O.W.s and on b, page 5 HIGH PRODUCTION COSY INVESTIGATION; RSL Wants clinics for War Neurosis; BRAVERY EARNS MM; LAND LEASES ADVOCATED Assembly Discussion on Settling Soldiers; WOOL BUYING SCHEME CHANGE SOON; CWA makes Requests; Good homes needed; Decentralization Urged; Peck killed in air accident. C Page 27 of the Advocate April 13 1939, Requiem for Late Father Ronan, popular Bendigo Priest. This page also has advertisements for the Beehive, Davey & Waddington, Matthews Bros, Sandhurst and northern district Trustees, W. Ewing & Son, H & C Styles, McEncroe Milk Products.

HOSKING AND HUNKIN COLLECTION: Common Prayer Book inside envelope. On Front Cover: Society for Promoting Christian Knowledge 1698 On Indside of Cover: Rasim xx x Vinixxxxx gives this book to Emely Hosking for her sake. First Page: The Book of Common Prayer and Administration of the sacrements, and other rites and cermonies of the Church according to the United Church of England and Ireland: together with the Psalter or psalms of David., pointed as they are and the form and manner of making, ordaining and consecrating of Bishops, Priests, and Deacons. Oxford: Printed at the University Press, for the Society for Promoting Christian Knowledge. Sold at the Society's Depository, Great Queen Street, Lincoln's Inn Field, London. y24Nonparell 24's M.DCCCLIK. Cum Privilegio Slip of paper inside book: 1000M 800 DCCC 50 L 9 IX = 1859 Front of Envolope: Another book given (by?) when family left Redruth for Australia. Rear of Envelope: Betty Knight (Great Grand-daughter) 29 Gilbertson Street Essendon Vic 3040book

Stations of the Cross by Clifton Pugh is a contempooray art piece in four sections making up 11 stations of the cross. It was commissioned by the Catholic parish in Eltham (Our Lady Help of Christians) in 1961 Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p81 Art is an important means of nurturing faith at Our Lady Help of Christians Church, Henry Street, Eltham. The Stations of the Cross by Clifton Pugh and The Crucifix with the Ascending Jesus by sculptor Charles Rocco are two of the fine works that enhance the parishioners’ worship. These two inspiring works of art were added in 2001 – long after Roman Catholics began worshipping in Eltham around 1864. This beautiful worship centre was built following hardship and change – for parishioners have endured their church being destroyed by fire and have built four churches since they first worshipped together. Before 1864, according to local legend, a visiting priest administered sacraments in the parlour of former convict-turned-respected citizen Thomas Sweeney at Sweeneys Lane, Eltham.1 The first church was blessed in September, 1865, by the Archbishop of Melbourne, Dr Goold. It stood on an acre (0.4ha) of land in Little Eltham as that area was known then, near the present Fordhams and Main Roads and was part of the Heidelberg Church Parish. In 1912 the church was relocated to a new building on the present primary school site at 1 Henry Street. This was closer to the town centre, which had moved from Little Eltham after the railway line was extended to Eltham in 1902.2 In 1958 the church split from the Sacred Heart parish, Diamond Creek, to become a parish in its own right, with Father Tom Curran as inaugural priest. Not long after in 1961, a fire destroyed the church and huge working bees under the prominent Catholic builders, the Sibbel brothers, rebuilt and extended it, using the original altar from the first church. It was then that builder and parishioner Herman Sibbel asked his friend, artist Clifton Pugh, to paint the Stations of the Cross for the church. But the priest, Father Curran, neither approved of Pugh’s bohemian reputation nor liked the paintings, so they were hung in the corridor of Our Lady’s Primary School instead. The parishioners almost sold the paintings in 1989 to pay for major school renovations. However the paintings remained there for about 40 years, until 2001, when the church was extensively renovated by Father Barry Caldwell. Another change awaited the church, as it outgrew its building, later to be used as the school hall. So, in 1976, the present church was built across the road. Three beautiful stained-glass windows depicting the Passion, Death, Resurrection and the presence of Christ’s Spirit, link these with the church’s experiences. The first depicts a bushfire in Eltham, referring to their church damaged by fire. Another represents the Resurrection of Christ with new growth on a blackened stump and the Holy Spirit is represented by the Southern Cross. A window depicting Our Lady Help of Christians by parishioner Bill Peperkamp, was donated by parishioners to commemorate the Silver Jubilee of Father Desmond G Jenkins’ ordination to the priesthood on July 27, 1977. This, with the statue of Mary, creates a Marian shrine. In the 14 Stations of the Cross painted on four masonite panels Pugh captures the pathos of the suffering Christ and his disciples.3 The figures are stylised, except intriguingly, that of Pontias Pilate, who looks like Clifton Pugh. Charles Rocco’s sculpture is an extraordinary Jesus figure being raised from the Cross. The delicate stainless steel mesh of the figure creates a sense of the power of God over death. The organ, built in 1868 by George Fincham and Sons, was first installed in the All Saints’ Anglican Church, East St Kilda, then in the St Andrews Church, Clifton Hill. It was rebuilt into a modern instrument with a donation from parishioner Jim Murray, in memory of his wife Gwendolene Mary.4 Church members created their own work of art in front of the entrance, by painting designs and messages on 700 tiles. This work indicates the strong church family and faith expressed in art, that awaits the worshipper inside.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, art, clifton pugh, stations of the cross, our lady help of christans, installation