Coloured photograph of the Golden Square Primary School No. 1189 Grade 3/4 G 1996. Children are standing in front of and on a piece of timber playground equipment. Their names are:- Back Row, L to R: Joshua Skinner, Thomas Catterall, Louise Kudell, Stacy Fiske, Mathew Wynne, Christopher Ohlson, Rose Worthington, Tara Walsh, Dearne Rice, Ryan Trickey. Middle Row, L to R: Danielle Blake, Anna Markis, Kristy Allen, Skye Pascoe, Rodney Weeks, Hayley Buvk, Luke Anderson, Jessica Gloster, Jessica Burton, Emma Hazelton, Mrs. Julie Gibson (Teacher), Stevie Blake. Front Row, L to R:- Sara Oakes, Thomas Townsend, Lachlan Carter, Seb Robins, Anna Oakes, Jeffrey Lewis, Jedd Fettling. On the right of the names is an oval sketch of the school.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - golden square primary school no. 1189 - grade 3/4 g 1996, joshua skinner, thomas catterall, louise kudell, stacy fiske, mathew wynne, christopher ohlson, rose worthington, tara walsh, dearne rice, ryan trickey, danielle blake, anna markis, kristy allen, skye pascoe, rodney weeks, hayley buck, luke anderson, jessica gloster, jessica burton, emma hazelton, mrs julie gibson (teacher), stevie blake, sara oakes, thomas townsend, lachlan carter, seb robins, anna oakes, jeffrey lewis, jedd fettling

Coloured photograph of the Golden Square Laurel Street P.S. Collection - Golden Square Primary School No. 1189 - Grade Prep/1 W 1995 classes. Children are in front of and some are standing on a piece of wooden playground equipment. Their names are:- Back Row:- Kellyanne Moschetti, Lisa Rosos, Joshua Boyd, Nicholas Smith, Christopher Hyett, Jessica Theobold, Sarah Harper. Middle Row:- Jamey Mitchell, Luke Herrick, David Doolan, Samantha Wynne, Brian Smith, Brock Lancaster, Caitlin Skinner, Catrina Preece, Amy Allchin, Zoe McPherson, Mr. John Wakker (Teacher), Nikki Steele. Front Row:- Leah Morris, Teike Larkins, Kassandra Robins, Jack Wallis, Alexander Fettling, Michael Lewis, Joshua Parsons. Absent:- Courtney Rice. Oval sketch of the school on the right of the names.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - golden square primary school no. 1189 - grade prep/1 w 1995, kellyanne moschetti, lisa rosos, joshua boyd, nicholas smith, christopher hyett, jessica theobold, sarah harper, jamey mitchell, luke herrick, david doolan, samantha wynne, brian smith, brock lancaster, caitlin skinner, catrina preece, amy allchin, zoe mcpherson, mr. john wakker (teacher), nikki steele, leah morris, teike larkins, kassandra robins, jack wallis, alexander fettling, michael lewis, joshua parsons, courtney rice

Report - hand made on very thin paper, almost rice paper, 3 pages + cover note of 2/11/1921 to Mr. Wilcox, General Manager from Mr. C. W. Young and W. A. Savage, Assist Traffic Manager titled "Proposed Flying City Shunt". Report suggests that improved shunting arrangements are needed at Collins and Spencer St due to increased traffic. Notes cars can be shunted in abnormal conditions in 40 seconds. Normal shunting was 60secs it appears. Report gives details of the costs and the shunting times taken to turn cable sets around. The cover note of 2/11/1921, re-submits the report to Mr Dix from a person (can read the signature) from the Fitzroy Power House. Last page was scanned separately as a jpg file. Dated 11/9/1917Has been stamped "Copy" in two places.trams, tramways, cable trams, track, collins st, shunting

Madhubani art or Mithila painting was traditionally created by the women of various communities in Mithila region of the Indian subcontinent. It originated from Madhubani district of Mithila region of Bihar, and, it is popularly called Mithila painting or Madhubani art. Madhubani is also a major export centre of these paintings. This painting as a form of wall art was practiced widely throughout the region; the more recent development of painting on paper and canvas mainly originated among the villages around Madhubani, and it is these latter developments led to the name Madhubani art being used alongside the name "Mithila Painting." The painting was traditionally done on freshly plastered mud walls and floors of huts, but now they are also done on cloth, handmade paper and canvas.[3] Madhubani paintings are made from the paste of powdered rice. Madhubani painting has remained confined to a compact geographical area and the skills have been passed on through centuries, the content and the style have largely remained the same. Madhubani paintings also use two-dimensional imagery, and the colors used are derived from plants. Ochre and lampblack are also used for reddish brown and black respectively. Generally, no space is left empty; the gaps are filled by paintings of flowers, animals, birds, and even geometric designs.(wikipedia)Framed traditional Hindu story painted onto textile.madhubani, indian, krishna, radha, punjab, mehndi

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Here we see a creation of the type whose beauty is said to have astonished the celebrated sixteenth-century tea master Sen no Rikyu. Originally, confections of mochi (steamed and pounded rice) filled with bean jam were wrapped in chigaya, a species of reed, and came to be called chimaki. We are told that a shopkeeper named Kawabata Doki used bamboo leaves to wrap the chimaki he presented to the emperor Gokashiwabara (1464-1526) and that thereafter the use of bamboo leaves for wrapping such confections became predominant. In fact, the bamboo-wrapped chimaki seen here are known as Doki chimaki after the pioneering shopkeeper, and it is small wonder that this product of Kyoto should have an air of refinement and dignity suggestive of the imperial court. The two different flavours of the contents are indicated by exposing either the upper sides or the undersides of the leaves. The cord used to bind the chimaki together is made of rushes, and ceremonial gift cords (mizuhiki) are attached. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Here we see a creation of the type whose beauty is said to have astonished the celebrated sixteenth-century tea master Sen no Rikyu. Originally, confections of mochi (steamed and pounded rice) filled with bean jam were wrapped in chigaya, a species of reed, and came to be called chimaki. We are told that a shopkeeper named Kawabata Doki used bamboo leaves to wrap the chimaki he presented to the emperor Gokashiwabara (1464-1526) and that thereafter the use of bamboo leaves for wrapping such confections became predominant. In fact, the bamboo-wrapped chimaki seen here are known as Doki chimaki after the pioneering shopkeeper, and it is small wonder that this product of Kyoto should have an air of refinement and dignity suggestive of the imperial court. The two different flavours of the contents are indicated by exposing either the upper sides or the undersides of the leaves. The cord used to bind the chimaki together is made of rushes, and ceremonial gift cords (mizuhiki) are attached. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

1930 - Mavis Bauer 1931 - Nancy Grant 1932 - Raymond K. Dowrick 1933 - Jessie C. Grant 1934 - Keith Heap 1935 - Nina Walter 1936 - Melva Rielley 1937 - Lindsay H Bauer 1938 - Raymond A Caldwell 1939 - June E. Caldwell 1940 - Winsome M. Pritchard 1941 - Mavis Peeler 1942 - Not Awarded 1943 - Elaine Walter 1944 - Ronald K. Rice 1945 - E. M. Pritchard 1946 - Ian M. Peeler 1947 - Gilbert Hallett 1948 - Donald W. Carr 1949 - Barry Norris 1950 - Howard V. Grant 1951 - Lorraine K. Bull 1952 - Beverley Peeler 1953 - Not Awarded 1954 - Brian Finning 1955 - Trevor J. Grant 1956 - Joyce Easdale 1957 - Joan Dearlove 1958 - Ian Ogilvie 1959 - Denis Mulvihill 1960 - Lorriane Bauer 1961 - Carmel Grant 1962 - Lindsay Earl 1963 - Margaret Bauer 1964 - Glenda Portwine 1965 - Faye Bauer 1966 - Neil Cummings 1967 - Neil Norris 1968 - Keith Bassett 1969 - Trevor Peeler 1970 - Christine Pritchard 1971 - Norman Jenkin 1972 - Tyrone Rice 1973 - Penny Walterbarkers creek primary school

Bendigo Advertiser ''The way we were'' from Friday, June 17, 2005. On the field: the Northern United side was a force to be reckoned with. The Bendigo Football League team and its associates in 1989 were, back row: K. Taggert, P. Milkins, M. Pattern, M. Osborn, D. Brooks, C. Nieman, L. Holt, G. Evans, R. Pangrazzio, G. Appleby, S. Cole and T. Rice (C. Man). Centre row: W. McGregor, (club doctor), R. Considine (president), G. Thompson (trainer), C. Foran, T. Barnes, M. Rohde, R. Muir, A. Miles, D. Wharton, D. Ludeman, R. Crouchman, G. Geary, D. Hall, R. Brown (runner), J. Keely (selector), W. Hagar (selector) and N. Kline (C. Man). Front row: B. Clayton (trainer) H. Hall (secretary), M. Brodie, E. Shiels, D. Trickey, G. Mountiov, T. Southcombe (coach), D. Grinton, I. Marlow (capt.).newspaper, bendigo advertiser, the way we were

.1 .A poster advertising the production of Kiss Me Kate proudly sponsored by The University of Ballarat Arts Academy performed by the Graduating Performers of the Third Year Music Theatre students of the University of Ballarat to be held at The Princess Theatre from 24th November - 3rd December 2006. Directed by Kim Durban; Choreography and Staging by David Wymen, Musical Direction by Andrew Patterson. Music and Lyrics by Col Porter. Book by Sam and Bella Spewak. Tickets were available through Ticketek 1300 795 012, or premier.ticketek.com.au or www.kissmekate.ballarat.eu.au .2 The program includes messages from Professor David Battersby, Vice Chancello and Professor Peter Matthews, Head Arts Academy;. Directors Notes (Kim Durban); Notes About the Play; Cast; Songs; Orchestra; Creative Team; Performing Arts Staff; Visiting Artists; Administrative Staff; Actor's Biographies; Creative Team's Biographies and Sponsors. Cast: Claire George, Joshua Piterman, Graham Foote, Kate Cusworth, James Chapel, Luke Rice, Ed Howard, Jo O'Callaghan, Jennifer Stirk, Paul Bebbington, Spike Levy, Adam Stafford, Penelope Bruce, Zoe Wood and Vicki Doak. Featured Dance Ensemble: Eliza Brian, Deeon Clark, Kat Frain, and Tara Minton. Company: Denise Ververakis, Jennifer Stirk, Vicki Doak and Zoe Wood Chorus: Adam Kirk, Alex Cheatley, Amanda Remfrey, Andrew R Jenkings, Ashley Craven, Belinda Howe, Carla Trolano, Cassie McIvor, Chantel Bui Viet, Cristina D'Agostino, Elise Brennan, Hayley Nissen, Hayley Ramfrey, Jenny Byrne, Jim Cocks, Lara Thew, Liam Kilgour, Luke Hales, Mark Booth, Melanie Harris, Sue Luderman, Sarah Power, Zac Gower and Zoe Thomas. .1 Original Poster .2 Program

A group photograph of the men and women of the Brown Hill Progress Association. Back Row: Charlie Rice, Bill Tainsh, Bill Proven, Ernie Williams, Bill Bawden, Eddie Dovington, Joe Morrison, Lou Heighway, George Palmer, Tim Eustace, Jack Quinn, Frank Opie, Tim Fauldo. Second Row: Melville Anstis, Frank Nankervis, Bob Shattock, Ernie Craig, Alex Clark, Harold Leeder, Chris Wendt, George Thomas. Third Row: Lil Banoy, Eric Powell, Dolly Ellis, Val Buchanan, Em McPhail, Estelle Young, Gwen Collett, Pearl Findlay, Katie Roberts, Ruby Fanar, Evelyn Hassell, Mavis McTaggart, Mr Williams, Earl Clark. Fourth row: Doris Wilton, Marg Lamont, Lil Messer, Nancy Strange, Mavis Franklin, Eva Trevenen, Gwen Grose, Millie Richards, Doris Lugg, Nell Oliver, Rita Robbins, Josie Saff, Eunice Rodda. Fifth row: Mr Lovett, George WIlliams, Miss Cousins, Mr Webb, Nellie Hodgetts, Mr Chaplin, Miss Molly Hayes, Mr Shattock, Mabel Richards, Mr Squires, Myra Reny, Prue Rooney, Jessie McIver, Mr Lavaro Front row: Jack Beng, Henry Foss, Albert Benjamin, Ralph Stout, Jack Collinsbrown hill

This is the 2nd set of 6 pages from Scrap book Cat No 8225. Page 7a. Photo and article re Sam Ryan receiving a Life Membership of the RSL. Refer Cat No 8225. Page 7b. Photo and Article of Sam Ryan President Bendigo RSL receiving a cheque from Mr W.P. Casey Chairman of Directors of the Bendigo Easter Fair. Page 8. Phot and article 1969 re the planting of an Aleppo Pine tree from the original on Gallipoli. On the Left is Jack Plant President Bendigo RSL, the other two persons unknown as section of the text is missing. Page 9a. Anzac Appeal 1969, Mr John Ogden pins an Anzac token on the coat of Phillip Rice. Page 9b. From the "Mufti" RSL Magazine showing Delegates to the RSL State Conference 1969. Three of the six are known, W.B. Nicholls, D.J. Osborn, J. Hipworth State Councillor. Page 9c & d. Jack PLant in both photos on the left, other man unknown as well as place. Page 10. From the bendigo Advertiser relating to the Bendigo RSL Annual Dinner held on Saturday 10th 1971. From the left is G. Garth President Kangaroo Flat RSL, Lt Col W. Howarth Commanding Officer AHQ Survey Regiment, T. Shaw State Executive of the RSL, J Plant President Bendigo RSL, T Stephens Deputy Commissioner Repatriation Department and Cr N.J. Oliver the Mayor of Bendigo. Page 11a. Photo from a Bendigo RSL Annual Dinner year unknown, 2nd from the left is Bruce Ruxton State President of the Victorian RSL, 2nd from the right is possibly W.B. Nicholls, others onknown. Page 11b. This is a photo of RSL Annual Dinner 1971, same as per Page 10 for details. Page 12. Photograph of Bendigo RSL Annual Dinner year unknown. 2nd from the left is Jack Plant, the man to the left of man standing is possibly W. Howarth CO Survey Regiment.Six articles and Spiroflex sketch book. Page 7. Photo and article re the award of a Life Membership. Page 8. Photo and article re planting a Lone Pine tree. Page 9. Two articles and two photos re Appeals and State Conference. Page 10. Photo and article re RSL Annual Dinner. Page 11. Two photos re RSL Annual Dinners. Page 12. One photo re RSL Annual Dinner. Page 8 hand written, "1969". Page 9, hand written names as per "Context"brsl, smirsl, scrapbook

Ballarat Teachers' College was opened on may 4th, 1926, at S.S. 33, Dana Street, with an enrollment of sixty-one students, its original staff consisted of the Principal, Mr W. H. Ellwood, M.A., m.Ed. (Chairman of the Teachers' tribunal from its inception in 1946 until 1954), Miss A. Bouchier, B.A., and Mr A.B. Jones, B.A. (Lecturers). In 1927 Miss P.A. Hamano joined the staff. Teaching practice and special rural school work were carried on in schools in or near Ballarat - drawing, crafts and singing were taught by local teachers. In 1927 the college moved to the old Ballarat East Town Hall (remodelled for their use) in Barkly Street. During 1927 the numbers in the College were augmented by twenty-six Manual arts students who had formerly received their training at Ballarat High School. Manual Arts students continued till 1930, when, on grounds of economy, their training was concentrated at Melbourne Teachers' College.\During the four succeeding years approximately sixty students annually entered the primary course. Inclusive of Manual Arts students, and private fee-paying students, exactly 400 trainees passed through the college in its brief span of life (1926-1931) Fourteen years were to pass before they were again opened to students on February 2nd, 1946. The college was re-commenced at S.S. Dana Street under the guidance of Mr W.F. Lord, M.C., M.M., B.A., Dip.Ed., (Acting Principal 1946-1950), and a staff consisting of Miss E.B. Hughes, B.A., Dip. Ed., Mr C.B. Bryan, B.A., V.Com., Dip.Ed., Miss M.H. Miller, L.Mus.A., and Miss G. Kentish, Dip.Phys.Ed. The opening ceremony was performed by the Minister for education at that time, the Hon. F. Field, M.L.A., accompanied by the Hon. T.T. Hollway, M.L.A., and the then Director of Education, Mr J.A. Seitz. It was originally intended to cater for women students only (for whom 130 Victoria Street was purchased as a hostel) but, at the last moment, men were also accepted. A co-educational college was thus set up instead, and has continued as such. The original Staff has been considerable augmented, and the number of Students has been more than trebled. 1951 saw the introduction of the two-year course, successful students being presented with the Trained Primary Teachers' Certificate at the final College assembly each year. In December, 1855, College held its first Graduation Ceremony, with its own Graduation hymn, the words of which were written by Miss C.M. Canty of the staff. Mr Ellwood, former Principal,delivered the occasional address and presented the Ellwood Prize to the outstading student of the year (Mr C.P. Handreck). Students who had successfully completed the course received their certificates from Mr E.B. Pederick, Chief Inspector of Primary Schools. College accomodation having been strained for several years, it was pleasant news when tenders were called in July, 1956, for the building of the first section of the new Ballarat Teachers' College in Gillies Street, near the Botanical Gardens. At the beginning of 1958 the new College was occupied, and staff and students have appreciated greatly the appointments and cacilities of the new buildign. In 1968 the three-year Diploma Course began, co-existent with the other courses which will continue during the transitional period. Successful students in the course receive the Diploma of Teaching (Primary).Black and white photograph of students and staff of the Ballarat Teachers' College. The people are in four rows, and they stand in front of the Dana Street Primary School. Back Row: Jim Howlett; Milton Rice; Keith McLean; Jim Williams; George Nield, David Cooper, Ray Terrill, William Gleeson; Tom Pascoe; Lindsay Harley; Ron Carless; Robert Giddings; Colin Connelly; Alex Magill; Eddie Blake; William Punshon; Athol Aisbett; Kevin Collins; John O'Shannessy. Second Row: Beth Leslie; Faye Dreher; Gwen Pamphilon; Arthur Lelean; Howard Pattenden; Jack Tyers; Hugh Fraser; William Henderson; Jack Mallett; Alan Martin; Keith Boyd; John Ellifson; John Collins; Tom Hill; Wal Henning; Burns Roddis; Fred Marshman; Dawn Doney; Pat Watts; Ann McKinnon. Third Row: Ethel Esmore; Joy Love; Pat Luxford; Jean Elliott; Josie Bunny; Phyllis Borley; Joyce Matheson; Val Witney; Ruth Tozer; Nancy Kerr; K.ath Tobin; Muriel Morrish; Jean Clode; Peg Purdue; Joyce Kennedy; Margaret Palmer; Marie Faulds; Thelma Ritchie. Fourth Row: Pat Lewin; Mavis Poland; Lorna Welsh; Lynette Lynch; Nancy Alexander; Betty Williams, Val Gorrie; Alan Sonsee; Trudy Kentish; Carl Bryan; Monica Miller; W.F. Lord; Beth Hughes; Mephan McMcEwin; Mattie Hayes; Neila Vallance; Pat Robinson; Elva Surman; Joan Gunning; Norma Dally; Beatrice Freeman; Kath Crossett.ballarat teachers' college, education, dana street primary school, 1947

Sepia photograph mounted on grey board. Photograph of frame included. 50 bust photographs of males, 2 storey building. 1 larger male bust photo. 1 badge and ribbons, surrounded by cut out mount board. BENDIGO BICYCLE CLUB . On back in biro Mr. L ? E. Wait, 72 Lily Street. Names of people transcribed below Presented to J HEFFERNAN ( as a mark of esteem) L Barnett C Barnett J Butler T W Capewell F Casey H Crowe W Crowley T Doyle F W Drews J Driscoll C Edwards J L Faul Dr B Gaffney J Gould J Grant A Gude J C Hallam J Heffernan A Heine L Herman P F Hogan W Honeybone E Hull T O Hunter A Johnson R Jones D B Lazarus A Magee W Maggs S Marcollo H McAtamney F A Moore E T Morland R Nicolai E J V Nigan T O’Donnell G Pritchard J Purchase C I Rice C E Roberts H Rolfe A Stephenson J Stevens C E H Swyer J Thomas F Vlaeminck C B Walker R Watson W Westphalen H White C E Ward ALAN SPICER Williamson Street BendigoAlan Spicerorganization, club/society, bendigo bicycle club 1898

Mainly Pictorial record of Carlton's GF 1979 win over Collingwood by 5 points 1979 Summary After the early season problems with coaching staff in 1978, the Carlton team seemed to really gel under the stewardship of Alex Jesaulenko after he took over as coach early in the season. In fact, Jesaulenko had won 14 of his 18 games in charge. This late season form certainly carried over into the 1979, Jesaulenko's team winning its first 6 matches, before a narrow 4 point loss to North Melbourne in Round 7. Carlton would be the dominant team of the season, losing only two more games, to Geelong by 6 points in Round 12 and to Collingwood in Round 21 by 19 points. Measures of the Blues dominance include being on top of the ladder in 20 of 22 rounds, finishing 2 games in front of second place on the ladder, winning by at least 50 points eight times and having an average winning margin of over 40 points in the team's 21 victories. It topped 100 points in all but 2 matches (one of which was the Grand Final in muddy conditions)- a feat never achieved by any team before. After finishing clearly the best side of the home and away season, the team had a week break in the first week of finals before taking on North Melbourne in the first Semi Final. After a tense first quarter in which both sides kicked only a goal a piece, Carlton started to exert its dominance in the second quarter, but poor kicking for goal left the Kangaroos still in the match, with the Blues having a 14 point half-time lead. Carlton's seven goals in the thrid quarter killed the game as a contest, and 38 point winning margin probably flatters North considering that the Blues had 36 scoring to 18. This victory would give the team a place in the Grand Final and another week break. Collingwood defeated North Melbourne in the Preliminary Final to setup a Grand Final clash between the two old enemies. After a slow start Carlton would trail by 10 points at quarter-time, but would lead by 1 point going into half-time. A 5 goal third quarter gave the Blues a handy 21 point lead going into the last quarter, but poor kicking would again threaten the chance of victory for the team. Kicking 1.4 for the last quarter Carlton hung on to win by only 5 points and claim our 12th Premiership, equalling both Collingwood and Essendon for the most VFL premierships at the time. Coupled with the Premiership was the Norm Smith Medal to Wayne Harmes. Incredibly, the only Carlton goal for the quarter was the infamous Harmes tap to Sheldon, where Wayne Harmes followed up his terrible kick, knocking the ball with an amazing sliding punch to Ken Sheldon in the goal square who kicked the goal to win the match. To this day the debate about whether the ball Harmes tapped back was out of bounds or not. In the final analysis the Blues would win 11.16 (82) to 11.11 (77) in our first Grand Final appearance since 1973 to end our glorious 1970's era as it started, with a Premiership. Jesaulenko now had the enviable record of 35 wins and a premiership from 42 games as coach in less than two seasons in the position. Unbelievably he wouldn't be the Carlton Coach in the following season. Former Melbourne Lord Mayor Ian Rice issued a challenge to incumbent President George Harris for control of the club. Jesaulenko threw his support behind Harris, who had appointed him Coach the previous season. In a bitter and hard fought election, Rice would win and Jesaulenko would cross to St Kilda as their coach. Jesaulenko would again coach the Blues, being appointed after Robert Walls mid season sacking in 1989 until the end of the 1990 season. You may have noticed that the Round orders in this year appear to be slightly out of order. Please click here to find out why. At the lower levels, Carlton also won the Under 19's Premiership for the 6th time in 1979, following on from the Under 19's Premiership in 1978. The team list has been scanned in and can be viewed here. This was Carlton's last Under 19's Premiership with the competition disappearing after 1991. Overall, Carlton with 6 premierships was behind only Richmond with 11 and the Kangaroos with 7.A mainly pictorial record of 1979 Carlton Triumph over Collingwood. Includes an autograph page of many 1970s Carlton Players.A4 Coverless Scrap Book

The subject item is believed to be a "Chinese style stoneware liquor bottle used to store "Tiger Whiskey" (rice wine). These Chinese liquor bottles are made of glazed pottery known as brown stoneware and have been made throughout the centuries by many makers until well after American Prohibition. Later varieties from the mid 20th century are commonly found in the USA with the raised lettering "Federal Law Forbids Sale Or Re-use of this bottle" a sure sign of post-1934 manufacture. This example is interesting as it has a British Minton mark of two triangles on the base indicating a date of 1879 and was likely exported to Australia by Minton. These ceramic bottles virtually always have irregularities and flaws which indicate a product has been hastily manufactured, in any event, this is a fine example of a relatively common item that may have been copied by Minton and sold as a decorative domestic item for display or mass produced for storing liquor. Giles Family: The pair of ceramic bottles were given to Vera Giles by Jim Thompson and are just many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with Warrnambool and the Giles Family history. Items donated by the family have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940. A significant item of lead-glazed ceramic with the possibility it was made by the Minton potteries in England who were renowned for making quality pottery. The item style is in all probability a copy of a Chinese liquor bottle that was in common use throughout the British colonies and America up until the mid 20th Century. The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established.Chinese liquor bottle one of a pair, lead glazed ceramic, dark brown and blue/black. Part of the Giles Collection.Mark of a double triangle, apex touching, on base, (Minton mark for 1879).flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, vase, pottery, ceramic ornament, domestic ware, late 19th - early 20th centuy ornament, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century household goods

The subject item is believed to be a "Chinese style stoneware liquor bottle used to store "Tiger Whiskey" (rice wine). These Chinese liquor jugs are made of glazed pottery known as brown stoneware and have been made throughout the centuries by many makers until well after American Prohibition. Later varieties from the mid 20th century are commonly found in the USA with the raised lettering "Federal Law Forbids Sale Or Re-use of this bottle" a sure sign of post-1934 manufacture. This example is interesting as it has a British Minton mark of two triangles on the base indicating a date of 1879 and was likely exported to Australia by Minton. These ceramic bottles virtually always have irregularities and flaws which indicate a product has been hastily manufactured, in any event, this is a fine example of a relatively common item that may have been copied by Minton and sold as a decorative domestic item for display or mass produced for storing liquor. Giles Family: The pair of ceramic bottles were given to Vera Giles by Jim Thompson and are just many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with Warrnambool and the Giles Family history. Items donated by the family have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940. A significant item of lead-glazed ceramic with the possibility it was made by the Minton potteries in England who were renowned for making quality pottery. The item style is in all probability a copy of a Chinese liquor bottle that was in common use throughout the British colonies and America up until the mid 20th Century. The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established.Chinese liquor bottle one of a pair, lead glazed ceramic, dark brown and blue/black. Part of the Giles Collection.Mark of a double triangle, apex touching, on base, (Minton mark for 1879).flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, vase, pottery, ceramic ornament, domestic ware, late 19th - early 20th centuy ornament, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century household goods

Madagascar was a large British merchant ship built for the trade to India and China in 1837 that disappeared on a voyage from Melbourne to London in 1853. The disappearance of Madagascar was one of the great maritime mysteries of the 19th century and has probably been the subject of more speculation than any other 19th-century maritime puzzle, except for the Mary Celeste. Madagascar, the second Blackwall Frigate, was built for George and Henry Green at the Blackwall Yard, London, a shipyard that they co-owned with the Wigram family. A one-eighth share in the vessel was held throughout her 16-year career by her first master Captain William Harrison Walker Walker. Madagascar carried freight, passengers, and troops between England and India until the end of 1852. In addition to her normal crew, she also carried many boys being trained as officers for the merchant marine. Known as midshipmen from naval practice, their parents or guardians paid for their training, and they only received a nominal wage of usually a shilling a month. Due to the Victorian Gold Rush, Madagascar, under the command of Captain Fortescue William Harris, was sent to Melbourne with emigrants. She left Plymouth on 11 March 1853 and, after an uneventful passage of 87 days, reached Melbourne on 10 June. Fourteen of her 60 crew jumped ship for the diggings, and it is believed only about three replacements were signed on. She then loaded a cargo that included wool, rice, and about two tonnes of gold valued at £240,000, and took on board about 110 passengers for London. On Wednesday 10 August, just as she was preparing to sail, police went on board and arrested a bushranger John Francis, who was later found to have been one of those responsible for robbing on 20th July the Melbourne Private Escort between the McIvor goldfield at Heathcote, Victoria and Kyneton. On the following day, the police arrested two others, one on board the ship and the other as he was preparing to board. As a result of these arrests, Madagascar did not leave Melbourne until Friday 12 August 1853. After she left Port Phillip Heads Madagascar was never seen again. When the ship became overdue many theories were floated, including spontaneous combustion of the wool cargo, hitting an iceberg and, most controversially, being seized by criminal elements of the passengers and/or crew and scuttled, with the gold being stolen and the remaining passengers and crew murdered. There have been many rumors as to what happened to Madagascar over the years but what really happened is still a mystery. The lithograph was made around 1950 from an original painting of Madagascar a Vessel with a notorious past and is interesting and a significant item for the ships part in early Victorian history. The picture is it’s self not valuable or can be associated with a significant person in history. The interest lies in the events that are linked to the ship in the mid 19th century.Lithograph of the ship Madagascar, in a wooden frameThe Madagascar East Indiaman 1000 tonsflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, lithograph, the madagascar, east indiaman

The play 'Kiss Me Kate' tells the tale of two once married, now divorced theatre actors Fred Graham and Lilli Vanessi who are performing opposite each other in a Broadway-bound musical version of William Shakespeare's 'Taming of the Shrew'. An all-out war erupts when Lilli discovers Fred has sent her wedding bouquet to his latest fling Lois, who plays Bianca in "the Taming of the Shrew'. The show must go on so that Lois' steady boyfriend Bill (in the show as Lucentio) who has signed an IOU with Fred's name can pay back gambling money he owes to gangsters. In classic musical comedy fashion madness ensues and both pairs of lovers are reconciled. Presented by University of Ballarat Arts Academy. Directed by Kim Durban, choreography and staging by David Wynen and musical direction by Andrew Patterson. Music and lyrics by Col Porter; book by Sam and Bella Spewak. Cast: Lilli Vanessi/Katharine Minola - Claire George; Fred Graham/Petruccio - Joshua Piterman; Bill Calhoun/Lucentio - Graham Foote; Lois Lane/Bianca Minola - Kat Cusworth; Hortensio - James Chappel ; Gremlo - Luke Rice; Paul - Ed Howard; Ralph - Jo O'Callaghan; Door Woman - Jennifer Stirk; Harry/Baptista/General Harrison Howell - Paul Bebbington; Gangster One - Spike Levy; Gangster Two - Adam Stafford; Hattie - Penelope Bruce; Wardrobe Lady - Zoe Wood; Cab Driver - Vicki Doak. Featured Dance Ensenble: Eliz Brian, Deeon Clark, Kat Frain and Tara Minton. Company: Denise Ververakis, Jennifer Stirk, Vicki Doak and Zoe Wood. Chorus: Adam Kirk, Alex Cheatley, Amanda Remfrey, Andrew R Jenkings, Ashley Craven, Belinda Howe, Carla Trolano, Cassie McIvor, Chantal Bui Viet, ,Cristina D'Agostino, Elise Brennan, Haley Nissen, Hayley Ramfrey, Jenny Byrne, Jim Cocks, Lara Thew, Liam Kilgour, Luke Hales, Mark Booth, Melanie Harris, Sam Luderman, Sarah Power, Zac Gower, Zoe Thomas .2 The Programme contains: Vice-Chancellor's Message (Professor David Battersby); Head of Arts Academy's Message (Professor Peter Matthews); Director's Notes (Kim Durban); Notes about the Play (Kurt Geyer - adapted from sources Wikipedia and IMDB); Cast ; Songs; Creative Team; Performing Arts Staff; Visiting Artists; Advertising for courses at The University of Ballarat; Show - 'Billy Crystal 700 Sundays'; Administrative Staff; Actor's, Creative Team's Biographies including individual photos; Sponsors Acknowledgement and some advertisements; Pink and black coloured poster. Pink heart with 'fireworks like' printing of the title on a black background. Underneath black printing on a pink background providing information about the performance of Kiss Me Kate.kiss me kate, professor david battersby, david battersby, professor peter matthews, peter matthews, university of ballarat arts academy, the princess theatre, kim durban, david wynen, andrew peterson, claire george, joshua piterman, graham foote, kat cusworth, james chappel, luke rice, ed howard, jo o'callaghan, jennifer stirk, paul bebbington, spie levy, adam stafford, penelope bruce, zoe wood, vick doak, eliza brian, deeon clark, catherine cusworth, kathryn frain, edward howard, tara lee minton, denise ververakis, darrel cordell, alexis george, bronwyn pringle, meredith grey, ashley groenen, darren garaway

Forms part of the A.J. (Blue) Roddy VX8007 Collection2 sheets of card used to make a menu, hand sketched xartoon on front in grey lead and ink of soldier leaning on a shovel. Inside is two menus. One is the ideal menu the second is the real menu, (Very Humerous) all hand written in ink. Brought home from POW camp by A.J. (Blue) Roddy VX8007Front page: 3rd POW/ Anniversary/ 1944/ Bottom Left corner: Notsch 10811/GW Page 1: MENU/ Hors-d'oeuores/Soup./ Consomme Minestrone Tomato Bouillon/ Fish/ Whiting Dover Soles Oysters./ Emtree/ Roast beef and Yorkshire Pudding/ Roast Pork and White sauce./ Grilled chops and peas./ Dessert. Peach Melba Fruit Salad and Cream/ Carlton Puding, Apple pie and Cream/ Ice Cream/ Coffee.// Page 2: Menu/ Horses Manoeures/ Etwas./ Yeatecomme,Tinned Tomato Bully./ Tons of it./ Salmon Red. Salmon Pink. Sardines Varied./ Enter./ Roast Bully and "Bengers" Yorkshire Pudding./ Roast Meat Roll and Horse radish sauce/ Garlic sausage Grilled spick and Etwas./ Desserted./ Rice Custard, custard,/ Fruit salad and klim, Notsch duff./ Currant Pudding and custard./ Cold klim./ Coffee - if lucky tea./ Captivity Plonk./ K.G.H. Schnapps, Soft Drinks/ Beer cocktails.of, world, war, prisoner, roddy, a j blue, menu, war11, notsch, 1944, stalag, xv111a

Dr George Clendinning and others were trustees of the Church of England (St Paul's) A number of enlargements of the Ballarat East maps. .4) Bakery Hill, Humffray Street, Victoria Street, Ballarat Youth Council .5) Specimen Vale, Victoria Street, Eureka Street, Housing Commission .10) - Tomber Reserve, York Street, Spencer Street, Bennett Street, Wilson Street, Rodier Street, Richard Street, Fussell Street, Turpie Street, Stockade Street, Ballarat Rifle Range Lal La Street, Clayton Street, Eureka Street Sheet 2 - Yarrowee Creek, High Street, Dinney's Dam, Binney Street, Oliver Street, Humffray Street, Morres Street, Finch Street, Scotts Parade, Rice Street, HOrnby Street, Queen Street, Newman street, King Street, Napier Street, Sim Street. Sheet 3 - Russell Square, Victoria Street, Orphan Asylum, Ballarat Orphanage, Lofven Street, Haines Street, Yarrowee Creek, Ching Who Coey, Chinese, Stawell Street, Rice Street, Lane Street, Humffray Street, Nelson Street, Coffield Street, Morres Street, Western Highway, Rodier Street, Scott Parade, Canterbury Street Sheet 4 - Orphan Asylum, Ballarat Orphanage School, Fortune Street, Scotts Parade, Water Street, Ritchie Street, Humffray Street, Brophy Street, Thompson Street, Victoria Street,Humffray Street Church of England Reserve, Strickland Parade. Mount Xavier Recreation Reserve, Charlesworth Street Catholic Church Reserve. Sheet 5 - Western Highway, Mount Street, Fortune Street, Finlay Street, Jones Street, Ryan Street, Water Street, Brandbury Street, Humffray Street. Sheet 6 - Barkly Street, Ebden Street, Grenville Street, Cameron Street, Peel Street, Young Street, Victoria Street, Steinfeld Street, Haymes Street, Bond Street, Anderson Street, Eastwood Street, Mair Street, East Street, Haymes Crescent Sheet 7 - Murphy Street, Queen Street, Dyte Parade, Princes Street, Midland Highway, York Street, Dodds St, Wilson St Otway Street, Specimen vale, King Street, Gray Street, Little Dodds Street, Eureka Street. Sheet 9 - Richards Street, Fussell Street, Stockade Street, Orphan Asylum, Ballarat Orphanage, Elford Street, Russell Street, Ross Street, Charlesworth Street, Lalor Street, Stockade Street, Wilson Street, York Street, Eureka Street Sheet 10 - Eureka Street, York Street, Elford Street, Wilson Street, Mount Street, Turpie Street, Timber Reserve, Mount Xavier Sheet 11 - Yarrowee Creek, Humffray Street, Barkly Street, Morton Street, Cobden Street, Morton Street Wesleyan Church, Pryor Street, Albion Street, Bradshaw Street, Ballarat Woollen Mills, Tannery, Mount Pleasant. Sheet 12 - Magpie Street, Grant Street, Gladstone Street, Cobden Street, Fraser Street, Grenfell Street, Robertson Street, Bond Street, Barkly Street, Vine Street, Sovereign Hill, Ballarat Observatory, Pearce Street, Bond Street. Sheet 13 - Murphy Street, Larter Street, midland Highway, Geelong Road, gales Street, Lal Lal Street, Clayton Street, Dodds Street, Elsworth Street Sheet 14 - Eureka Street, Eureka Stockade Memorial Park, Eureka Stockade Reserve. York Street, Joseph Street, Kline Street, Charlesworth Street, Chamberlain Street, Trevor Street, Belford Street, Queen Street, Murray Street, Eureka Tiles, Orphan Asylum, Ballarat Orphanage. Sheet 18 - Scotts Parade, Stawell Street, Fortune Street, Victoria STreet, Railway Line, Haines Street, Eureka Street, Elford STreet, Brophy Street, York Street, Clayton Street, Elsworth Street, Barkly Street, Humffray Street, Midland Highway, Princes Street ballarat youth council, ballarat east, bakery hill, humffray street, victoria street, st paul's anglican church, humffray street state school

The Buddhist monk Guangqia visited Karl Duldig’s studio on two consecutive days, in the company of the noted Chinese writer, Professor Yu Dafu, a friend of Karl’s. Karl made two portraits of the monk, the first depicting him sitting, and the second in a standing pose. The portraits were drawn using a Chinese brush and Indian ink. Surviving sketches in the Studio’s collection indicate that Karl thought about creating a life-size sculpture later on, but this was not realised. Guangqia added inscriptions in his own hand to both drawings and stamped them with a red seal. The seated drawing has an inscription in which he quoted from a Buddhist poem, ‘A Contented Mind’ by the scholar Lingfeng of Mt Tiantai. In the summer I went to visit the Austrian sculptor Duldig with Professor Yu Da Fu. My virtue is slight – I cannot accept your offerings and gifts; I am amply rewarded by the clouds and springs. Rather than a table laden with pearl-like rice, I prefer the wind and leaves falling on my bed. Sitting quietly on my meditation cushion Is sweeter than the wheat offered by a thousand families. The pity is that I am gradually growing old; My bitter journey is not worthy of your offerings. The second drawing has a quote from a Buddhist poem on the study of Chán (Zen) Buddhism, by the famed Chán master, Dàjiàn Huìnéng (638–713): The portrait, with its figure positioned on a scroll-like ground and inscription is reminiscent of traditional Zen Buddhist portraiture. In this school of portraiture, which stretched back to at least the thirteenth century, monks were depicted sitting or standing facing the viewer, and typically the monk added an autographic inscription to the portrait. The portraits were often passed from master to disciple, continuing the disciples’ journey of spiritual enlightenment and were revered for their association with remarkable or holy priests. The Buddhist monk, Guangqai who added his inscription and stamp to the drawings would most certainly have been aware of this tradition. It is likely that Karl was aware of this tradition, one of the points where the studio’s collections of art works from Singapore intersect with the earlier Viennese collections can be found in the Library where a catalogue of an exhibition, 'Ausstellung Ostasiatischer Malerie und Graphik' is held. The Viennese Friends of Asian Art and Culture and the Albertina Museum staged this exhibition of East Asian painting and graphic works in 1932. Such was the internationalism of Duldig’s education in Vienna, that adaption to a new environment and culture in the Straits Settlement was swift, and he was able to interpret the artistic traditions of the place, and make them his own. It is part of the strength of the collection, that in many cases contemporary supporting documentation for the works of art is available. In this case there is a photograph of the Monk with Yu Ta-fu, and Karl and Eva Duldig, outside the studio at the time the drawings were made. Ann Carew 2016The portraits of Guangqai have national and international aesthetic significance. The works of art demonstrate the artist’s skill in capturing the physical appearance and demeanour of his subject, and his ability to adapt his working methods to incorporate traditional Asian materials and cultural practices. The portrait is one of few examples in Melbourne of a central European modernist artists working in, and engaging with Asia, during this period and it is culturally and aesthetically significant for this reason. The portraits are also historically interesting in documenting the life and experiences of Karl Duldig in the Straits Settlement (Singapore). Ann Carew 2016Brush drawing in chinese ink on paper. Seated Buddhist Monk. Chinese calligraphy hand written in black ink. Two red stamps under calligraphy.Signed Karl Duldig in l.r. corner. Dated Singapore 1940 in l.l. corner.

The Melbourne cable tramway system operated between 1885 and 1940.Former Melbourne cable tram bell used for fortnightly and annual meetings of Ringwood Apex Club, mounted on timber base with metal shields showing presidents for each year from 1966 to 2003. Ringwood Apex Club closed in 2003-04.This dinner gong, formerly a Melbourne cable tram bell, was donated by inaugural secretary Wal Hodgson 21.10.67. President shields - Martin Verhoeven 1966-68, Colin Steel 1968-69, Neville Fuller 1969-70, John Ritchie 1970-71, Allan Penman 1971-72, Graeme Kruse 1972-73, Graeme Bathie 1973-74, Terry Amos 1974-75, Richard Baxter 1975-76, Noel Stokes 1976-77, Neville Burns 1977-78, Wayne Barlow 1978-79, David Collyer 1979-80, Don McKinnon 1980-81, Ken Rice 1981-82, Vic Beesley 1982-83, Geoff Bonsall 1983-84, Peter Phillips 1984-85, John McGowan 1985-86, Harry Bell 1986-87, Ross Barry 1987-88, Steve McMahon 1988-89, Peter Hookey 1989-90, Philip Pomaroff 1990-91, Keith Walker 1991-92, Greg Cowan 1992-93, Peter Watts 1993-94, Bernard Klewer 1994-95, Mark Burton 1995-96, Colin Robertson 1996-97, Stuart Gay 1997-98, Barry Williams 1998-99, Tom Jackson 1999-2000, Trevor Hallum 2000-01, Ashley Crow 2001-02, Trevor Hallum 2002-03, Michael Pumpa 2003-04.

A white document titled Bendigo Teachers' College. Pre Graduation Luncheon. 11th December, 1968. Below the title is a copy of the Menu being offered and an outline of the Program: Chairman - Mr. F. Courtis. Grace - Mr. Rob Davis. Welcome - Mr. F. Courtis. Loyal Toast and Graduation cake - Miss Lorraine Silke and Mr. Rob Davis. Principal - Mr. J. M. Hill. Guest Speaker Mr. J. Witney. Also included Mrs. H. Chatfield and Miss Lorraine Silke. On the back of the card is a list of the Students of 1966 - 1968. Trained Infant Teacher's Certificate: Linda Boxall, Carole A. Campbell, Maureen J. Carter, Alice M. Chiswell, Robyn J. Clemson, Lynn F. Dewhurst, Rosslyn D. Doble, Elizabeth J. Duvall, Nola L. Flynn, Dawn E. Freemantle, Dawn E. Gray, Louise Hadfield, Laurel Y. Harrison, Beth A. Harrop, Jennifer N. Hildebrand, Merren J. Hurlston, Helen M. Jasper, Glenise F. King, Rosalie D. King, Wendy J. Lanyon, Anne T. Luddington, Bernadette M. Moore, Judith M. Olsen, Cheryl D. Peace, Janet E. Pollock, Glenda J. Ritchie, Sandra F. Ross, Patricia Scott, Lorraine M. Silke, Kaye E. Speers and Robyn M. Walker. Students of 1967 - 1968. Trained Primary Teacher's Certificate: Garry D. Aitchison, David C. Allsop, Susan M. Blacket, Leonie J. Bock, Coral M. Brown, Glenys M. Brown, Helen E. Campbell, Merril A. Campbell, Dianne J. Cheong, Roslyn O. Chisholm, Lloyd R. Christopher, Therese A. Curran, Tanyth M. Dainton, Robert J. Davis, Elaine Duncanson, Janice Eddy, Joyce P. Evans, Kerrie F. Featherston, Heather F. Fehring, M. Selby Fidler, E. R. Lia Filisone, Lindsay J. Fisher, Jennifer K. Goode, Kaye D. Gribben, Patricia J. Grigg, Susan A. Haines, Rhonda M. Hall, Mary J. Hallinan, Raymond C. Harvey, Neil J. Harrington, Robin C. Hill, Gayle L. Hinks, Carol A. Hitchens, Aileen M. Hooley, Susan M. Hunt, J. Maree Hutchins, Rhonda E. Jobling, Cherrill J. Johnson, Roslyn M. Jordan, Leonard J. Jude, Mary Kappadais, James C. Kennedy, Cheryl A. Little, Helen M. Lynas, Brian D. McDonald, Elaine T. Mace, Patricia Mackin, Christine E. Maddern, Michael J. Maher, Janet F. Markey, Averil N. Miles, Helen A. Moait, Kenneth D. Molyneux, Edna M. Morrison, Jillian M. Morrison, Noelene E. Morrison, Marilyn F. Nadenbousch, Christine D. Napier, Sandra Nesbit, Maxine J. Nicolson, Jane L. Nisbet, Jeanette M. Norman, Shane J. O'Brien, Jillian R. Ogden, John G. Pease, Pauline E. Peck, Peter C. Powles, Denise M. Quinn, Georgia A. Radcliffe, John Reid, Kaye Retallick, Glenice W. Rice, Kirtis R. Richards, Judith H. Richards, Pamela M. Schroeter, Marjorie R. Shaw, Christopher F. Sharpley,Beverly L. Smith, M. Anne Stuchbery, Heather Sutherland, Elaine R. Sutton, Ian H. Taylor, Julie A. Thirwell, Margaret A. Thomas, Jennifer R. Thorne, Faye E. Tonkin, Rosemary D. Turner, Robert R. Walsh, Helen J. Watt, Glenda K. Wilson and Eugeniusz Zolnieczyk.bendigo, education, bendigo teachers' college, la trobe university bendigo collection, collection, bendigo teachers' college, bendigo, education, teaching, teachers, students, menu, graduation luncheon, lunceon, tertiary education, graduates, graduands, graduation, bendigo teachers' college staff, bendigo teachers' college students

A “Bill of Fare” is a menu or list of food offered for a meal. This Bill of Fare from the sailing ship Schomberg is handwritten in pen in hard-to-read script on the printed pages specifically for the Schomberg ship, of the Black Ball Line of Australian Packets. (‘Packets’ were vessels that had a regular trade run of cargo, passengers and mail; the sailing ship Schomberg was designed for long voyages between England and Australia.) These menus posed a puzzle as they have the handwritten dates of, May 10 and 12, 1856, by which time the Schomberg had sunk (she sunk on December 26, 1855). The donor of these pages of Bill of Fare is a stamp collector from Melbourne. He came across the menus in a package that he bought in 1980 at a stamp auction in Tasmania. He decided to give the menus to Flagstaff Hill this year during his annual family holiday in Warrnambool. A 1981 newspaper article about this donation included an interview with Flagstaff Hill’s curator Mr Peter Ronald, who said that the stationery of these menus is genuine. He went on to say that there would have been much stationery printed for use on the Schomberg although she sank on her maiden voyage. These menus could have been written at a dated late because the surplus Schomberg stationery could have been used for menus on other ships. We will probably never be sure of the answer but none-the-less the pages are still connected to the Schomberg. Below is what we believe the menu consists of although some of the writing is indecipherable - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - (first menu) Roast Mutton Boiled Mutton? Ox Tail Mulligatawny? Or possibly Ox Tail Vegetables? Mutton Pies? ------------------------------- Vegetables Potatoes ---------------------------------- Dessert Fruit Puddings? Saturday May 10, 1856 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - AND - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - (second menu) Boiled Mutton Roast Mutton? Roast Geese? Ox Tail?? Calves Head Broth? ------------------------------- Vegetables Potatoes ------------------------------- Dessert Tarts? Rice Pudding? ?...Maids?? Monday May 12, 1856 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Background of “SCHOMBERG” When SCHOMBERG was launched in July, 1855, she was considered the “Noblest ship that ever floated on water.” SCHOMBERG’s owners, the Black Ball Line (one of three companies by that name), commissioned the ship for their fleet of passenger liners. She was built by Alexander Hall of Aberdeen, UK at a cost of £43,103. She was constructed with 3 skins: one planked fore and aft, and two diagonally planked, fastened together with screw threaded trunnels (wooden rails). Her first class accommodation was luxurious: velvet pile carpets; large mirrors; rosewood; birds-eye maple; mahogany; soft furnishings of gold satin damask; an oak-lined library; and a piano. Overall she had accommodation for 1000 passengers. SCHOMBERG’s 34 year old master, Captain James ‘Bully’ Forbes, had promised Melbourne in 60 days at the launch, "with or without the help of God." James Nicol Forbes was born in Aberdeen in 1821 and rose to fame with his record-breaking voyages on the famous Black Ball Line ships MARCO POLO and LIGHTNING. In 1852 in the MARCO POLO he made the record passage from London to Melbourne in 68 days. There were 53 deaths on the voyage but the great news was of the record passage by the master. In 1954 Captain Forbes took the clipper LIGHTNING to Melbourne in 76 days and back in 63 days, this was never beaten by a sailing ship. He often drove his crew and ship to breaking point to beat his own records. He cared little for the comfort of the passengers. On this, the SCHOMBERG’s maiden voyage, he was going to break records. SCHOMBERG departed Liverpool on her maiden voyage on 6 October 1855 flying the sign “Sixty Days to Melbourne”. She departed with 430 passengers and 3000 tons cargo including iron rails and equipment intended to build the Melbourne to Geelong Railway as well as a bridge over the Yarra from Melbourne to Hawthorn. She also carried a cow for fresh milk, pens for fowls and pigs, and 90,000 gallons of water for washing and drinking. SCHOMBERG also carried 17,000 letters and 31,800 newspapers. The ship and cargo was insured for $300,000, a fortune for the time. The winds were poor as she sailed across the equator, slowing SCHOMBERG’s journey considerably. Land was first sighted on Christmas Day, at Cape Bridgewater near Portland, and Captain Forbes followed the coastline towards Melbourne. Forbes was said to be playing cards when called by the Third Mate Henry Keen, who reported land about 3 miles off. Due in large part to Forbes regarding a card game as more important than his ship, SCHOMBERG eventually ran aground on a sand spit near Curdie's Inlet (about 56 km west of Cape Otway) on 26 December 1855, 78 days after leaving Liverpool. The sand spit and the currents were not marked on Forbes’s map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to SCHOMBERG and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted the steamer SS QUEEN at dawn and signalled it. The master of the SS QUEEN approached the stranded vessel and all of SCHOMBERG’s passengers and crew were able to disembark safely. The SCHOMBERG was lost and with her, Forbes’ reputation. The Black Ball Line’s Melbourne agent sent a steamer to retrieve the passengers’ baggage from the SCHOMBERG. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Later one plunderer found a case of Wellington boots, but alas, all were for the left foot! Local merchants Manifold & Bostock bought the wreck and cargo, but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. In 1864 salvage efforts were abandoned after two men drowned when they tried to reach SCHOMBERG. Parts of the SCHOMBERG were washed ashore on the south island of New Zealand in 1870, nearly 15 years after the wreck. The wreck of the SCHOMBERG lies in 825 metres of water. Although the woodwork is mostly disintegrated, the shape of the ship can still be seen due to the remaining railway irons, girders and the ship’s frame. A variety of goods and materials can be seen surrounding the wreck, by divers. Flagstaff Hill holds many items salvaged from the SCHOMBERG including a ciborium (in which a diamond ring was concealed in concretion), communion set, ship fittings and equipment, personal effects, a lithograph, tickets and photograph from the SCHOMBERG. These Bills of Fare are significant due to their connection to Flagstaff Hill’s collection of artefacts from the Schomberg, which is significant for its association with the Victorian Heritage Registered shipwreck S612. The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Schomberg. The Schomberg collection is archaeologically significant as the remains of an international passenger ship. The shipwreck collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day. The Schomberg collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Menu, or Bill of Fare, on cream coloured stationery from the sailing vessel “Schomberg”. Two rectangular pieces of paper, each bears the printed words “Black Ball Line of Australian Packets, Bill of Fare, Ship, Schomberg”, a printed symbol of the Black Ball line (a black ball on a red flag) and a decorative border. Both pages are handwritten, in similar but different sized writing, with a Bill of Fare and a date, Page (1) dated May 10th 1856 and (2) dated May 12th ’56, (Both dates are AFTER the Schomberg sank in December 26th 1855.) Both pages have three fold lines spaced across their width. To be used for the return voyage.Printed on the pages ““BLACK BALL LINE OF AUSTRALIAN PACKETS.” “Bill of Fare, / SHIP / “SCHOMBERG”.” Handwritten list of food, and on one page “Saturday May 10 1856” and on the other page “Monday May 12” warrnambool, peterborough, shipwrecked coast, shipwreck coast, flagstaff hill maritime museum, flagstaff hill maritime village, maritime museum, great ocean road, flagstaff hill, sailing ship schomberg, shipwreck schomberg, black ball line of australian packets, bill of fare schomberg, menu schomberg 1856, food mid-1800’s, food on ships mid-1800’s, menu, may 10, 1856, may 12, 1856

All participants attended BTC (Ballarat Teacher's College) in 1947.Much of this document is handwritten so is significant as an example of teacher's handwritten letters.Two Ballarat Courier newspapers dated 5 June 1991 and 1 June 1991 bound at side with white contact adhesive. The newspapers are used as an alphabetical filing system for correspondence relating to reunions. They have been cut along the top edge to create an indented filing system with a number and name put onto each tab. .1) Newspaper dated 5 June 1991, comprising tabs 1 Athol/Aisbett - 27 Gleeson. The information contained in the pages is sometimes biographical, with names, addresses and occupations. * 1. Athol/Aisbett 6 pages * 2. Nancy Alexander (McDonald) 7 pages * 3. Jessie Batson 3 pages * 4. Eddie Blake - * 5. Phyllis Borley (Smith) 10 pages * 6. Keith Boyd 1 page * 7. Owen Brennan - * 8. Josie Bunning (Humphries) 1 page * 9. Ron Carless 15 pages * 10. Jean Clade (Courten Coster) * 11. John Collins 3 pages * 12. Kevin Collins 2 pages * 13. Colin Connelly 1 page * 14. David Cooper 9 pages * 15. Kath Crossnett (Ward) 1 page * 16. Norma Dally (Gittson) 4 pages * 17. inez Domaschenz (Reimers) 3 * 18. Dawn Doney (Spencer) 5 pages * 19. Fay Dreher (O'Toole) 6 pages * 20. John Ellifson - * 21. Jean Elliott (Elliott) 1page * 22. Ethel Esmore (White) 17 pages * 23. Marie Faulds 3 pages * 24. Hugh Fraser 2 pages * 25. Beatrice Freeman (Sanders) 6 pages * 26. Bob Giddings 2 pages * 27. Bill Gleeson 2 pages 15105.2 Newspaper dated 1 June 1991, comprising tabs 28. Gorrie/Gunning to 81. Williams/Witney, then names in alphabetical order and one tab "information" at back of newspaper filing system. The following pages are listed after the second name of the "tab" * 28. Val Gorrie (Lynch) * 29. Joan Gunning (Jennings) 17 pages * 30. Madeline Hannan (Meehan) * 31. Lindsay Harley 6 pages * 32. Bill Henderson * 33. Wal Henning 2 pages * 34. Tom Hill * 35. Jim Howlett 13 pages * 36. Claire Kennedy (McLachlan) * 37. Joyce Kennedy (Evans) 3 pages * 38. Nancy Kerr (Harley) * 39. Arthur Lelean 2 pages * 40. Beth Leslie (Only) (Stutterd) * 41. Pat Lewsin (Williams) 12 pages * 42. Joy Love (Robertson) * 43. Pat Luxford (Steer) 3 pages * 44. Lynette Lynch (vickery) (McCl;ure) * 45. Ann McKinnon (Oldfield) 29 pages * 46. Alex McLachlan * 47. Keith McLean 3 pages * 48. Alex Magill * 49. Jack Mallett 12 pages * 50. Fred Marshman * 51. Alan Martin 11 pages * 52. Joyce Mathison (fraser) * 53. Maurine Merlin (Carter) 9 pages * 54. Muriel Morrish * 55. Mary Murnane (Bergin) 15 pages * 56. George Nield * 57. John O'Shannessy 1 small note * 58. Margaret Palmer (Alexander) * 59. Gwen Pamphiton 20 pages * 60. Tom Pascoe * 61. Howard Pattenden 12 pages and two small notes * 62. Ruth Pearse (Marshall) * 63. Betty Ferry (Ellis) 7 pages plus small note * 64. Mavis Polard (Grant * 65. Bill Punshon 4 pages and 2 small notes * 66. Peggy Purdue (Wood) (Jakeman) * 67. Milton Rice 29 pages * 68. Thelma Ritchie * 69. Pat Robinson (Kloppenborg) 6 pages * 70. Burns roddis * 71. Elva Surman (Murphy) - nil * 72. Ray Terrill * 73. Kath Tobin (Hatfield) 2 pages * 74. Ruth Tozer * 75. Jack Tyers 10 pages * 76. Neila Vallance (Peart) * 77. Pat Watts (Knight) 12 plus 2 newspaper articles * 78. Lorna Welsh (Davis) * 79. Betty Williams (Maynard) 12 pages plus 2 small notes * 80. Jil Williams * 81. Val Witney (Kelm) 12 pages * Carl Bryan * Mattie Hayes (Uton) - nil * Beth Hughes * Trudi Kentish 7 pages * W. Lord - nil * Mephan McEwin - 12 pages plus newspaper obit * Monica Miller (Rawlings) 5 pages includes funeral booklet * Win O'Brien (Lloyd) 9 pages * Alan Sonsee - nil * Information - 25 pages of acceptances and addresses of students who attended BTC in 1947 Most of the notes and letters contained in this document are handwritten. All the tabs are handwritten, mostly in blue ink or biro.btc, ballarat, ballarat teachers' college, education, 1947, harley, tozer, pattenden, sonsee, lelean, miller

The Victorian Gold Jubilee Exhibition, held at Bendigo from 13 November 1901 to 14 May 1902. The courts were numbered from one, or had titles like “Machinery”, “Agricultural”, “Naval & Military Court” and “Art”. The female visitors to the Exhibition were able to view exhibits deemed suitable for the fairer sex and located within their own “Women’s Court”. There were exhibits such as “Parasols & Umbrellas”, cotton and haberdashery from Manchester and Staffordshire, “Corsets & Embroideries” from Paris. The most valuable exhibits were mining machinery such as Taylor Horsfield’s £850 “Air Compressor & Rock Borer”. “Bohemian Glassware” brought down from Sydney was valued at £600. The profits from this Exhibition were used to fund the sculpture known as the Gold Monument, which still gazes along Pall Mall (from the McCrae Street end). The Exhibition’s Cash Book shows payments, which totalled £1160, were made to then up and coming sculptor C.D.Richardson. Recently a City of Greater Bendigo staff member used both these volumes to write a detailed report about this monument, for Heritage Victoria.Carol Holsworth Collection: Small book Souvenir, 29 pages plus cover; each page. has a photo of the exhibit. Exhibition was held on the site of the present Bendigo Library between Hargreaves St and Lyttleton Terrace. * 8662.1a Victorian Gold Jubilee Exhibition - Front Cover: Printed 'Souvenir', 'Bendigo 1901-1902'; a photo of the Entrance to the exhibition beside the Town Hall. * 8662.1b Victorian Gold Jubilee Exhibition - Inside Front Cover - Page 1 of 29. Portraits of Exhibition President S.H. Cowen esq.; and G.V. Allen esc., General Secretary. Photos by W.H. Robinson publisher. Printed by T. Cambridge, Market Square Bendigo. * 8662.1c Victorian Gold Jubilee Exhibition - Page 1 of 29 The Governor General at the Exhibition. Photo of the crowd, police, trooper and horse drawn vehicles. * 8662.1d Victorian Gold Jubilee Exhibition - Page 2 of 29 Procession Passing the Fountain, Pall Mall. The crowd and horse drawn vehicles. *8662.1e Victorian Gold Jubilee Exhibition - Page 3 of 29 James Martin and Co's Exhibit. James Martin & Co was an Australian engineering company which progressed from making agricultural equipment to making railway locomotives. * 8662.1f Victorian Gold Jubilee Exhibition - Page 4 of 29 Old Pioneers. Elderly gentlemen on foot and carriage - at the Bendigo Railway Station. * 8662.1g Victorian Gold Jubilee Exhibition - Page 5 of 29 Robert Harper and Company's Exhibit. From Trove - The Brisbane Courier 25 Aug 1891: One of the best known firms in the Southern hemisphere is Messrs. Robert Harper and Co , tea importers, coffee, rice, and spice merchants and manufacturers Then productions circle this continent, and every thrifty housewife is familiar with their Empire tens, their Star' brand of goods, then oatmeal, wheatmeal, and other breakfast table luxuries The headquarters of the firm are placed at Port Melbourne, and the manufactory there occupies over an acre of ground, while the mills at Sydney and Adelaide are as great in proportion It is eight cars since the firm opened business in this colony. The step was taken with much confidence, the principals the firm being quite attracted. * 8662.1h Victorian Gold Jubilee Exhibition - Page 6 of 29 The Electric Tram * 8662.1i Victorian Gold Jubilee Exhibition - Page 7 of 29 G. Weymouth Proprietary Ltd. The business of G. Weymouth & Co was founded in 1898 by George Andrew Philip Weymouth, who began operating from a small workshop on City Road, South Melbourne (opposite Princes Bridge). An early advertisement describes the firm's activities at this time as being 'makers of dynamos, (electric) motors, x-ray apparatus and electrical instruments, &c' together with 'repairs to every class of electrical work'. * 8662.1j Victorian Gold Jubilee Exhibition - Page 8 of 29 The Exhibition Fernery * 8662.1k Victorian Gold Jubilee Exhibition - Page 9 of 29 Cohn Bros'. Exhibit. In 1857 at the height of the gold rush, with people pouring into Central Victoria from all over the world, three brothers from Denmark – Moritz, Julius and Jacob Cohn – founded a small cordial factory in the booming town of Bendigo. They went on to build an empire and, through introducing lager, which is served cold, to the country, changed the drinking preferences of Australians. * 8662.1l Victorian Gold Jubilee Exhibition - Page 10 of 29 Ornamental Lake in the Exhibition Grounds * 8662.1m Victorian Gold Jubilee Exhibition - Page 11 of 29 Australian Explosives and Chemical Co.'s Exhibit. The Australian Explosives and Chemical Company began manufacturing explosives in Melbourne's outskirts (the area now known as Deer Park) in 1875. In 1897 the Company was purchased by Nobel, forming Nobel (Australasia) Ltd. * 8662.1n Victorian Gold Jubilee Exhibition - Page 12 of 29 Tasmanian Court * 8662.1o Victorian Gold Jubilee Exhibition - Page 13 of 29 N. Guthridge's Limited Exhibit. Guthridge sold a variety of mining supplies and equipment; also 'Rackarock' which was used to fill the mining drill holes before blasting. * 8662.1p Victorian Gold Jubilee Exhibition - Page 14 of 29 Navel and Military Court (LARGE File) * 8662.1q Victorian Gold Jubilee Exhibition - Page 15 of 29 Women's Court * 8662.1r Victorian Gold Jubilee Exhibition - Page 16 of 29 T. J. Connelly and Co's Exhibit. T.J. Connelly an American immigrant came to the Bendigo goldfields where he later established Connelly’s Tin Shop on the corner of High and Forest Streets 1853. Connelly was named after Thomas Jefferson the famous statesman who wrote much of the American Declaration of Independence in 1776 and became the third United States President. Connelly, along with other prominent citizens of the time established Bendigo’s first Fire Brigade, Mechanics Institute. * 8662.1s Victorian Gold Jubilee Exhibition - Page 17 of 29 The Potter's Wheel * 8662.1t Victorian Gold Jubilee Exhibition - Page 18 of 29 G. D. Guthrie and Co.'s Exhibit. In 1863 the Bendigo Pottery was set up by Guthrie. * 8662.1u Victorian Gold Jubilee Exhibition - Page 19 of 29 The Ladies' Committee * 8662.1v Victorian Gold Jubilee Exhibition - Page 20 of 29 J. Kitchen and Sons Exhibit. In Port Melbourne since the 1850s they made such products as Velvet Soap and Electrine Candles from the tallow and other animal fats from the nearby slaughter yards. In recent decades the company has become Kitchen & Lever then Unilever and most recently Unichema. * 8662.1w Victorian Gold Jubilee Exhibition - Page 21 1of 29 The Executive Committee * 8662.1x Victorian Gold Jubilee Exhibition - Page 22 of 29 Taylor Horsfield Exhibit. The most valuable exhibits were mining machinery such as Taylor Horsfield’s £850 “Air Compressor & Rock Borer” * 8662.1y Victorian Gold Jubilee Exhibition - Page 23 of 29 A Peep at the Education Department 8662.1z Victorian Gold Jubilee Exhibition - Page 24 of 29 John Danks and Co's Exhibit. John Danks & Son was a major manufacturing company in Melbourne, Victoria and Sydney, New South Wales. * 8662.1aa Victorian Gold Jubilee Exhibition - Page 25 of 29 Glance at the Agricultural Department's Court * 8662.1bb Victorian Gold Jubilee Exhibition - Page 26 of 29 T. York's Exhibit. Thomas York was an instrument repairer and brass instrument maker that resided in Melbourne in the late 19th to the early 20th century. While old newspaper advertisements suggested he repaired all instruments, it appears the focus of his business were military and brass band instruments. (BrassandWoodWind.com) * 8662.1cc Victorian Gold Jubilee Exhibition - Page 27 of 29 T. McPherson and Son's Exhibit. Possibly monumental masons. * 8662.1dd Victorian Gold Jubilee Exhibition - Page 28 of 29 T. Lewis and Whitty's Exhibit - Inside Back Cover. Lewis & Whitty were prominent boot blacking manufacturers as well as a number of other chemical products such as “Odourbane" disinfectant. * 8662.1ee Victorian Gold Jubilee Exhibition - Page 29 of 29 Singer Manufacturing Coy's Exhibithistory, bendigo, victorian gold jubilee exhibition bendigo, carol holsworth collection

Large hard covered book containing names and photographs of 159 deceased Servicemen. Lest We Forget. Roll of Honor. Dedicated to the gallant Sons and Daughters in the Fighting Services of the Dandenong Branch of the Sailors Soldiers and Airmen,s Fathers Association of Victoria. Let not their Sacrifices be in Vain. Photographs are of the following. 143736 RAAF. Y.D Bending. 128756 RAAF LAC R. J. Berry. VX 66913 AIF Pte. J. M. Bland. VX 67586 AIF Sgt. C. Boote. VX 37378 AIF Pte. H. E. Bould. VX 72867 AIF Pte. C. J. Bould. 59887 RAAF LAC. V. A. Bould. VX 41802 AIF Dvr. J. Bradley. VX 113184 AIF Sgt. R. B. Brooks. VX 109393 AIF Sgt. A. Y. Brooks. 49145 RAAF Corp. R. J. Brooks. VX 64333 AIF Corp. D. L. Brumley. WX 9742 AIF. Pte. T. H. Budgeon. VX 85885 AIF Gunner W. M. Buttler. VX 137411 AIF Pte. A.W Cameron. 400037 RAAF Flt. Lieut. W J Canterbury. VX 85253 AIF Capt. T C Canterbury. 49218 RAAF Lac. S E Cannard. VX 24291 AIF Capt. A L Carthew. VX 132044 AIF Gunner G Chandler. VX 68692 AIF Bdr. A J Chandler. 128776 RAAF Acr. D Chrisfield. VX 90726 AIF Gunner W J Chrisfield. 401631 RAAF Flt. Sgt. S Cooper. W2091 RAN Stoker H J B Cooper. VX52731 AIF Cpl. C B Cooper. VX92695 AIF Pte. J M Cornish. 13774 RAAF Flt. Sgt. G R Coulthard. RAN Stoker H F Cross. RAN Stoker. R O Cross. VX15688 AIF Bmd. E J Curran. 42998 RAAF Sgt. R F Dawson. VX 5835 AIF Pte. R R N Dobson. VX 110898 AIF Gunner R B Dunn. RAN Stoker E W Eades. 401424 RAAF Pilot Off. H L Edgoose. VX 89563 AIF Corp. A R Ewart. 401817 RAF Flg. Off. F P Field. VX 2115 AIF Sgt. J E Ford. VX 53019 AIF Dvr. M G Greyling. VX 100355 AIF LCorp. V F Greyling. VX 137580 AIF Corp.J J Greene. VX 138491 AIF Pte. D M Greene. VX 5828 AIF Corp. G S Hamilton. VX 85863 AIF Gunner. B W Hamilton. VX 80141 AIF Gunner A W Hamilton. VX 51804 AIF Gunner E W Harden. 41632 RAAF Lac. T J Hardy. 121213 RAAF Lac. C W Harvey. VX 29054 AIF Pte. F Howard. VX 11914 AIF Corp.D J Hunter. VX 123189 AIF Signaler A W Hussey. VX 147815 AIF Sapper K B Hussey. VX 42893 AIF Sigr. J Hussey. VX 15925 AIF Pte. D R Irvine. 41389 RAAF A/Crew. M Irvine. VX 52919 AIF Gunner A F Issac. VX 136374 W/Off. M G Jarvis. VX 83137 AIF Sgt. R N Jarvis. VX 6220 AIF Pte. R Johnston. VX 12679 AIF Sigr. A J Johnston. 51831 RAAF Lac. M L Keys. VX 89237 AIF Staff /Adj. C H Llewelyn. 55876 RAAF Corp. J R Llewelyn. VX 139945 Pte. M A Llewelyn. 126096 RAAF Lac. E F Lovie. RAN Sigr. A Luxford. VX 109843 AIF Corp. C Mace. VX 85346 AIF Gunner R Mace. VX 133409 AIF Pte. K J Mackenzie. VX 50667 AIF Pte. K H Macindoe. VX 112854 AIF Corp. L J Marshall. RAN A/B M A McCallum. VX 66713 AIF Trooper J L Mc Calman. AIF Corp. J L Mc Carthy. RAAF A/C K Mc Carthy. VX 144119 AIF C/M A J McConnell. VX 26648 AIF Pte. K L McCoy. VX 63759 Pte. S V McCoy. 128190 RAAF Lac. G E McDonald. VX 101980 AIF W/O A McDonough. VX 83581 AIF Dvr. N P McGrath. VX 64933 AIF Pte. J McLaren. VX 5086 AIF Pte P McLaren. VX 48798 AIF Lieut. R A McPherson. 125723 RAAF Lac. G M McPherson. 52002 RAAF Lac. G W Mussett. VX 80158 AIF Pte. K S G Nankivell. VX 18938 AIF Dvr. W H Norris. VX 41804 AIF Pte. R E Norris. VX 137948 AIF Lieut. E C C Norris. VX 122762 AIF Sgt. G C Norris. VX 902 AIF Bombd. S G Oakley. VX 113395 AIF Sgt. K J Oldmeadow. NX 84580 AIF Gunner L Oldmeadow. 118349 RAAF Lac. M W Oldmeadow. RAAF F/O C J Oldmeadow. 205672 RAAF W/O A R Orr. VX 14383 AIF Dvr. D C Owler. 428562 RAAF Lac W G Pocknee. RAAF F/O F R Pocknee. VX 47310 AIF Sgt. J Pocknee. 142216 RAAF A/C G Palmer. VX130212 AIF Sgt. J A Palmer. VX 5838 AIF Corp. A L Philp. VX 36554 AIF Pte. R H Phillips. VX 121360 AIF Pte. S Phillips. VX 44179 AIF Signr. H Phillips. 418565 RAAF F/Sgt. J Phillipson. VX 65396 AIF Sgt. A L Pike. 408515 RAAF F/O H L Pleydell. VX 56464 AIF Pte G Randall. VX 101729 AIF Sapper J Richards. VX 1393 AIF Corp. A Rice. 252694 RAAF F/O J J Rice. VX 47285 AIF Gunner W J Riddell. VX 29095 AIF Corp. E W Riddell. VX 115375 AIF Bombd. R C T Riddell. VX 55435 AIF Sgt. B C Robert. VX 107273 AIF Bombd. W H Rodd. VX 62248 AIF Trooper A B Rogers. VX 6417 AIF Lieut. A C Russell. VX 79861 AIF Sapper A G Ryland. PM 542 RAN C.P.O E G Saggers. 410734 RAAF P/O. W Schoon. VX 133783 AIF L/Cpl. J Sharkie. VX 118910 AIF Gunner R T Sleeth. RAN Stoker A R Smith. VX 70614 AIF Pte,R S T Smith. VX 29106 AIF Pte. N Smith. VX 108076 AIF Lieut. L B Stuart. RAN Stoker N D StClair. RAAF Flt/Off. D Swann. 252284 RAAF Flt/Lieut. M R Swann. 408537 RAAF Sgt/Pilot R R J Swords. 51502 RAAF Lac. L R Taylor. VX 55365 AIF Tpr. C Tebb. VX 75522 AIF Pte. R J Toogood. VX 102902 AIF Sapper L B Topsell. VX 143983 AIF Pte. G Vines. VX 54677 AIF Sgt. H A Vines. VX 53827 AIF Cpl. A Walker. 410743 RAAF Flt/Sgt. J M Walker. VX 48654 AIF Sapper S R Walters. VX 69063 AIF Sapper C H Walters. 428392 RAAF Sgt. R C Westmoreland. VX 119494 AIF Dvr. W H Wharton. VX 73771 AIF Pte. F G Wharton. VX 23645 AIF Dvr. J W Wharton. VX 52333 AIF Pte. R A Wharton. PM 4551 RAN Abl/Sea. C P Whiteman. VX 60652 AIF Slgr. R B S Whitwell. VX 113345 AIF Sgt. W J Williams. VX 42674 AIF Cpl. T J Williams. VX 143637 AIF Pte. T A Williams. VX 88121 AIF Capt. R E Williams. 41738 RAAF Cpl. A F Wood. 49725 RAAF Lac. K A Wood. 42333 RAAF Cpl. S T Wood.