Three lancet stained glass windows. The window on the left has the symbol IHS, an abbreviation of the Greek word for Jesus. The central window has an empty cross, the right window has the Alpha and Omega symbolising 'the beginning and the end/the first and last'.To the Glory of God. In memory of / James Fraser and Bertha Jukes./ Erected by their children.jukes, james jukes, bertha jukes

Document. Printed coloured picture of a stained glass window. Accompanying note identifies it as "Local Preachers Window, Uniting Church, Castlemaine". See note 11402.14. Window depicts a local preacher on the Forest Creek Goldfields during the 1950's.print, buildings, stained glass window

This window along with the the second window in the reredos was donated by the Misses Forge in memory of their brother, James Leslie Forge, 33yo, who died on the 23 April 1917 while working on his orchard in Wingello, NSW. A Footscray local, he had donated the funds (100 pounds) for the reredos of the St Peter chapel. Follow Me and Thou of little Faith in the Sanctuary of the Chapel were probably installed at or around the time that the building was erected. The windows are attributed to Brooks, Robinson & Co. on stylistic grounds, probably designed by William Wheildon and drawn up into a full scale cartoon by George H. Dancey c1918.Arched stained glass windows which design and texts from St. Matthew’s Gospel reference water by showing the Sea of Galilee and Christ stilling the water. The ornamental borders have the anchor of hope in the point directly central above the scene.‘Follow Me and I will make you fishers of men ‘ Matt. 4.19 / To the Glory of God, and in loving memory of J. Leslie Forge / This window is given by his sister E.F.altar, st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, anchor, stained glass windows, win, 1917, ww1, memorial chapel, reredos, footscray, james leslie forge, edith forge, forge's store, gifts-1917

Holy Trinity Anglican Church is one of the parishes of the Diocese of Melbourne in the Anglican Church of Australia. Services of worship began in this building in March, 1863. The Vicarage was built in 1873, and both carry National Heritage classifications. The church contains many splendid stained glass windows dating from the 19th century.Holy Trinity Church, High Street, Kew. Inscription on reverse: "KH-224. Holy Trinity COFE Kew. Entered to the Heritage Register 1978. Photo presented by Progress Press."churches -- kew (vic.), holy trinity church -- high street -- kew (vic.)

In 1884 the Ballarat School of Mines Council reserved a three acre site on a spur of the White horse Ranges known as Mount Pleasant. The Vice-President of the Ballarat School of Mines, James Oddie undertook at his own expense (said to be 4,000 pounds) to erect and equip the observatory. By 1886 seven rooms, a workshop and a cottage had been erected. The first large telescope built in Australia, the Baker Telescope, opened 1888. In 1913 the Council of the Ballarat School of Mines handed over the Observatory to the Ballarat East Town Council. A number of images as depicted in a newspaper. The top image shows the Carlver Equitorial Telescope. Middle left is a stained glass window at the observatory (donated by the Ballarat Courier), middle right is 'fire mist'; lower left shows Saturn, and lower right is 'in pleiades'.ballarat observatory, telescope, stained glass window, jelbart telescope, equalateral telescope, meterological apparatus, john brittain

Document, W.D.Mason Collection, Memorandum from Reed, Smart ,Tappin, Architects & Surveyors, 44 Elizabeth Street, Melbourne.dated 31.5.1900 This letter is to inform that you can proceed with the stained glass windows for the Bendigo Cathedral in accordance with your tender of May 12th.business, retail, w d mason

Slide. Bendigo Street Views & Fortuna. A large nine stained glass panelled window in the Villa.slide, bendigo, bendigo street views & fortuna., bendigo street views & fortuna.

St Katherine's Church St Helena dates from 1858. The Church was built by Major Anthony Beale in memory of his wife Katherine Rose Beale. This photograph shows one of the stained glass windows; dedicated to those who restored this church. The Church had been damaged by a bushfire in 1957 and was rebuilt to the original plan.Digital copy of colour photographst katherines church st helena, anthony beale

The booklet sets out the history of Christ Church Warrnambool from 1847-1947. The forward is by Vicar Ronald E Richards and the booklet outlines the history of the building of the church with special mention given to the stained glass windows. It covers other aspects of the history such as the vicars, choir, other church organizations and recreational facilities and service of the laity.A compact history of one of Warrnambool’s earliest and longest established churches. It provides a comprehensive listing of people and ministers who served the church and the community.Fawn coloured light card cover with black text and oval cutout showing photograph of front view of Christ Church. 16 pages.Printers: Kaye & Son Warrnambool.warrnambool, christ church, christ church warrnambool, centenary christ church warrnambool

Slide. Bendigo Views. Front entrance to the Sacred Heart Cathedral. It has a number of steps leading up to double doors. Above the doors is a five panel stained glass window. There is a stone fence both sides of the steps and some shrubs behind the fence.slide, bendigo, bendigo views, bendigo views

Holy Trinity Anglican Church Stained Glass Windows (Colour) on left James and John. I will make you fishers of men. To the Greater glory of God and in memory of John Bennett 1895 - 1970. On the right Jesus and the children. Suffer little children to come unto me. To the Greater glory of god and in the memory of Jessie Bennett 1895 - 1974.stawell religion

St. Patrick’s Roman Catholic Church Built 1859-1867 Foundation stone laid in July 1857, money being raised be subscription and a government grant. Charles Hansom was the Architect, Nathaniel Billing Engineer. Chancel and sacristy were added in 1867, stained glass windows added in 1868. This looks to be a very early photo of the church.Black and white photograph of Large bluestone church with tower with crosses on gable ends and 3 panel arched windowschurch, sunday-school, building, catholic, st patrick's, princes highway

The stained glass memorial window was dedicated 12 April 1987. Dean Collection, refer Cat No 4575P1. The programme consists of 4 sheets of A.4 paper, when folded in two forms 16 pages. The cover is a yellow colour. The front cover has an image of St John's Church, the Rats of Tobruk Association logo and the title words. The rear cover has a black and white image of "A Weary Digger" drawn by Ivor Hele. Inside is a coloured photograph (15 x 10 cms) of the memorial window. The rest of the programme has the introduction and the church service by Rev. John E Webster B.A. LTh. Bendigo. 2, The programme is the same but without the coloured photo.ww2, rats of tobruk association

Worship began in 1854 and in 1859 St Andrews Presbyterian Church in Myers Street opened.Softcover book with olive green cover, black printing and an image of a stained glass window on the front and photograph of the church on the back. Contains 77 pages with contents, narrative and black and white photos describing the history of St Andrews Church Bendigo between 1854 and 2004.Editors Nancy Bomford, Rob Boxshall and Carolyn Johnsonchurch, history, st. andrew's bendigo, church, bendigo, st andrews

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man dressed in a suit standing leaning against the entrance surround of an ornate stone door of a church. Above the door is the lower part of a four sectioned stained glass window. The man is Frank Wright and the place is St. Andrew's Parish Church in Plymouth.Written in pencil on the back - Frank Wright 32, outside St Andrew's Parish Church (13th Century), Plymouth 19-6-34frank wright, conductor, st andrew's parish church, plymouth, church door

Colour photo taken from the interior of the Methodist Church, looking towards the stained glass window. These photographs are in the presentation album given to Vera Wigley in memory of her husband, builder Evan Wigley. See Registration Numbers 11002-00 to 11002-10 for the full set of photographs.

This commemorative plaque refers to the religiously themed window situated in the western (weather) wall of the St. Nicholas Mission to Seamen’s Church building in the Flagstaff Hill Maritime Village. It was crafted circa 1928. ABOUT THE WINDOW The window, to which this plaque belongs was once known as the Dr Connell Memorial Window, which was a feature of an external wall adjacent to the Women’s Children’s Wards of Warrnambool Hospital. Honorary Doctors had played a significant role in the operation of the hospital between the years 1900 to 1939. One of these doctors was Dr. Connell, who passed away in 1928. A paragraph in the book ‘A History of the Warrnambool Base Hospital’ by Forth and Yule describes the role of the Honorary Doctors - “At the start of the period the senior-part time medical officer was replaced by the junior resident medical officer and control of beds and the right to operate were given to the honorary medical officers...and these men dominated the Warrnambool medical world in the years before the Second World War.” Dr. Connell leased ‘Ambleside’, 192 Koroit Street, in the early 20th century, following Dr Teed who had previously run his medical practice there. In 1914 Dr Connell purchased the property and continued his private practice there until his death in 1928. He also took a prominent part in hospital work, both as physician and surgeon, and often acted as spokesmen for the Honorary Doctors. According to colleague Dr. Horace Holmes’ subsequent notes, it was after the close of the First World War, and the following years of the world-wide pneumonic influenza epidemic, that Dr. Connell himself contracted pneumonia and died. His family and friends then recognised his work by gifting the memorial window in his honour to the Hospital. By the mid-1970s the old wards at the hospital had been replaced and there was no obvious place for the window. Discussions between the previous and past Hospital managers, the Anglican Diocese, and Flagstaff Hill Planning Board, led to its installation in its present position in St Nicholas Seamen’s Church. It was installed without the bottom section of stained glass, which was inscribed as a memorial to Dr. Connell. St NICHOLAS SEAMEN’S CHURCH, Anglican Church Flagstaff Hill’s Mission to Seamen was opened in 1981. Its conception was partly motivated by the offer of Stained Glass Memorial Windows from the local Warrnambool and District Base Hospital, which was undergoing multi-storey development in the late 1960’s and early 1970’s. The Manager/Secretary at the time was keen to see the historical windows installed in an appropriate location. The chapel was designed by a local architectural draftsman in conjunction with members of the Planning Board of Flagstaff Hill, and built by Mr Leon Habel. The vision of the designers included the hope that the church be used for formal worship such as weddings and funeral, and for multi-denominational special services such as War commemorations. The design is based on the ‘Mission to Seamen’ buildings in both Portland and Port Melbourne. These types of buildings were often erected to house social and worshipful activities for seamen. The materials used in the building include sandstone recycled from nineteenth-century buildings demolished in Warrnambool and American slate tiles retrieved from the 1908 wreck of the FALLS OF HALLADALE. Most of the chapel furnishings came from the Williamstown Missions to Seamen, which was consecrated in 1946 but later decommissioned. These artefacts range from the altar cloth to the hymn board and include a visually stunning round stained glass widow called ‘Christ Guiding the Helmsman’. However the provenance of this particular artefact, large western window, is local.This plaque is significant because of its association with stained glass memorial window is of local, historical and social significance, linking local history and heritage with one of Warrnambool's doctors, Dr. Egbert John Connell (d. 1928), who gave 30 years of dedicated, medical service to the local citizens.Plaque, opaque, pale green glass rectangle mounted on white timber board and held in place with six decorative silver coloured clasps. Five rows of printed, capitalised text are fixed on the top surface. The plaque is companion to the commemorative, stained glass window installed in the St. Nicholas Mission to Seamen's Church at Flagstaff Hill. (The window was previously known locally as the Dr. Connell Memorial Window.)"A TRIBUTE TO / EGBERT JOHN CONNELL, M.B.B.S. / WHO FOR 30 YEARS RENDERED DEVOTED AND / VALUABLE SERVICE TO THIS INSTITUTION / OBIIT APRIL 4th 1928, A.D."flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, chapel window, stained glass window, warrnambool and district base hospital, st nicholas mission to seamen’s church, williamstown mission to seamen, dr egbert connell, ambleside warrnambool, leon habel builder, falls of halladale slate, memorial window, commemorative window, dr connell, commemorative plaque, plaque, edgar mcconnell

The building used by Nelson Undertakers in Linton from the 1860s was renovated into a Californian bungalow in the 1920s. After being restored again in 1988/89, this building became the Resource Centre of the Linton & District Historical Society. In 2017 was given a fresh coat of paint and a colour change back to cream and brown.Colour photograph of a Californian bungalow style building, painted cream and brown, which has some iron lacework decorating the small front porch. The right section has a sign 'Nelson Bros Undertakers' painted on it, and a stained glass window which incorporates the same name is a feature of the front wall.nelson bros undertakers, linton & district historical society resource centre, buildings, 69 sussex street linton

1, 2. the stained glass window hanging in the Staff Room. Formerly in Principal's Residence May 90. 20 slides : 3, 4. Dairy before it was refurbished for the 1991 Centenary. 5, 6.Media Bins, 7, 8.Sequoia sempervirens, 9. Egg Curator's Cottage, Others unidentified. Mar 90.staff room, principal's residence, dairy, media bins, egg curator's cottage, garden week, 1990, stained glass window, sequoia sempervirens

Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June-July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip.For over 150 years the Mission to Seafarers in Victoria has continued to meet the welfare needs of seafarers who arrive on Australian shores from around the world. This exhibition presents a selection of stained glass windows and historical photographs from the Mission, to capture a glimpse of some of the people and scenes integrale to this relationship.Cream colour, medium size poster on foamboard with title of the exhibition, a quote by Walt Whitman, an illustration, a quote by Kverndal, statement, ackowledgement and sponsorsreflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, justine m. philip, mission to seafarers, flinders street, creative victoria, prov, stained glass windows, arthouse, catherine mclay

Herbert Firks Sambell was the son of John Sambell, a chemist,who settled in Warrnambool in 1886.Stained glass, lancet window, north wall, north nave, depiction of Holman Hunt's painting (1851-1853) "The Light of the World" "To the Glory of God/ and in Memory of Herbert Firks Sambell/ died 16th June 1943./The gift of his loving family.

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From: Glen Eira Heritage Management Plan (1996) by Andrew Ward and Associates In 1905, the land was vacant in Balaclava Road, north side, from Kooyong Road east to the right of way, except for one house. A block of this land was acquired by the Presbyterian community and a timber church erected there in 1910. In time, a larger church was required. After several years of fund raising led by George Kinross, a new red brick St Stephen's church was built in 1926 to the design of architects Haddon and Henderson. George Currie was the builder and the cost of construction was £5,100.From: Glen Eira Heritage Management Plan (1996) by Andrew Ward and Associates: St Stephens has architectural importance as a noteworthy example of a Gothic Transitional design in the Arts and Crafts eclectic manner (see Stylistic Typology in National Trust's Historic Church's Study}. The facade treatment successfully combines Christian symbols with Gothic forms in the Arts and Crafts mode (comparable with Haddon's Presbyterian Church, Malvern (1906) and Haddon and Henderson's Oakleigh Church (1928). It is locally important as an example of Robert Haddon's work in Caulfield, where he also lived (4 Glenferrie St q.v.).Page 26 of Photograph Album including three black and white photographs of St Stephen's Presbyterian Church, with two photographs in portrait mode across the top showing 2 different stained glass windows from the inside; and one in landscape mode in the bottom section which appears to be a photograph of a framed photograph or drawing of the church.Hand written: St Stephen's Presbyterian Church Balaclava Road [top right] / 26 [bottom right]trevor hart, caulfield north, balaclava road, george kinross, haddon and henderson, george currie, st stephen's, 1900's, 1920's, gothic transitional, christian symbols, arts and crafts, robert haddon, stylistic typology, gothic, drawings, presbyterian church, architects, lead lights, stained glass windows

Colour photographs and negatives. 1. 2 photographs, one large and one small. Sept. 1990 handwritten on small photograph, of Administration Building. 2, 3, Garden Views of Luffmann Ponds, 4. Staff Room inside Administration Building. Note stained glass window hanging up. This was taken from the Principal's Residence when it was removed.administration building, staff room, garden views, luffmann ponds, stained glass window, principal's residence, lily ponds

Photograph attached to cardboard. "The Last Supper" Stained glass memorial window made at the studio and works of W.D. Mason Pty Ltd 1968.bendigo, business, w.d. mason

Ruby Forge (April 15th 1881-April 2nd 1969) was the sister of James Leslie Forge. She donated the fund for one of the memorial stained glass window to her brother after his passing in 1917. Ruby was engaged to a young man who was sent to the front during WWI. Unfortunately he died over there, and she never married. She passed away in April 1969. Sue McPhail, her niece, visited the Mission on Thursday 7 September 2023, bringing this photograph.Small black and white portrait of Ruby Forge wearing a hat.ruby forge, sue mcphail

Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June-July 2013 (opening night 17 June 2013) and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip.For over 150 years the Mission to Seafarers in Victoria has continued to meet the welfare needs of seafarers who arrive on Australian shores from around the world. This exhibition presents a selection of stained glass windows and historical photographs from the Mission, to capture a glimpse of some of the people and scenes integrale to this relationship.Cream colour double sided flyer with title of the exhibition, a quote by Walt Whitman, at the back: statement, date and location of the opening exhibition and sponsorsreflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, justine m. philip, mission to seafarers, flinders street, creative victoria, prov, stained glass windows, arthouse, catherine mclay