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Flagstaff Hill Maritime Museum and Village
Document - Sheet Music, W H Paling & Co., music publisher, 1900s-1920s
... & CO. LTD. George-st., SYDNEY."... & CO. LTD. George-st., SYDNEY." Sheet Music wet; three sheets ...The tunes in the set of sheet music are mostly marches, jaunty and bright songs from the 1910s. The sheet music were published by W H P & Co., which was the company of William Henry Paling, Sydney. Paling was born in the Netherlands in 1825. He was a musician, composer, and violin teacher at the Academy of Rotterdam. In 1853 he arrived in Sydney where he became a piano and violin teacher and a professor of music at a ladies' college. He opened the W H Paling music warehouse around the same time, at 85 Wynyard Square in Sydney. He initiated clubs and groups, was involved in fundraising in the community, and conducted a Philharmonic Society concert. He seized the opportunity to supply the growing demand for pianos and local sheet music, becoming an agency for European manufacturers. He made several trips to Europe to supply his business. In 1875 the firm opened up premises in George Street Sydney. On his 1884-85 trip, he met Pietro Marich, an Austrian musician and businessman who then joined Piling's company and successfully expanded it into large premises with showrooms. In 1886 Piling's brother John joined the firm as partner. In 1883 it became a limited liability company, setting up in other major cities. He had many civic involvements and eventually presented his model farm at Campden for use as a hospital, along with finances to erect buildings on the land. He became ill after a trip to Europe, passing away in 1895, but the company continued in business.The collection of sheet music represents the musical and entertainment taste of the early 20th century. Sheet music was collected from Europe and locally and played in homes and public gatherings for listening to, for dancing and for background music. It was even recorded and played on portable gramophones with wax cylinders.Sheet Music wet; three sheets of printed music, comprising two large sheets with two pages of music printed on each side in black ink, and one small sheet with one page of music printed on one side in red ink. Music on the large sheets is March Music by W H P & Co. no. 1437, which is the same company as the music on the last sheet, The Music on the small sheet is Tango Music by Paling & Co. Ltd, of Sydney, and established by William Henry Paling (W H & P Co). Music Titles on the large sheets are: - - Parade of the Tin Soldiers - Guard of Honour - Irish Guards March - Slope Arms Music title on the small sheet is: - - Caro Mio Tango (My Dear) by Silvo ArnoOn the large sheets: printed "W.H.P. & CO." "1437" and handwritten in pencil "268" On the small sheet: printed "THE LATEST SUCCESS" "Try this on your piano" "Price 1/6 or Post Free 1/7, From all Music Stores, or direct from the Publishers" "PALING & CO. LTD. George-st., SYDNEY."flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sheet music, music, guard of honour, parade of the tin soldiers, irish guards march, caro mio tango (my dear), w h p & co., william henry paling, pietro marich, john piling, jos j kaiser, silvo arno, leon jessel, george street sydney, early 29th century, march music, tango music -
Federation University Historical Collection
Photograph - Little Gem tintype, American Studio, Portrait of a Woman, (exact)
... ; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard...; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard ...The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head, attached to a card.Printed lower left hand side of the card "American Studio, 324 Geo. St."tintype, american studio, woman, unidentified woman, women, photograph -
Federation University Historical Collection
Photograph - Tintype, Portrait of two young girls
... ; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place...; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place ...The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, 6 Sturt St Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .2) A tintype portrait of two girls heads, attached to a card. The girls are wearing a cloak with a large bow at the frontlittle gem, women, children, photography, tintype -
Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Man
... ; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place...; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place ...The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .4) A tintype portrait of a man, attached to a card. little gem, tintype, man, unidentified man -
Federation University Historical Collection
Photograph - Photograph - Little Gem tintype, Possibly American Studio, Portrait of a child
... ; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place...; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place ...The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a child, attached to a card. little gem, child, hat -
Federation University Historical Collection
Photograph - Photo - Little Gem tintype, Possibly American Studio, Portrait of a child
... ; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place...; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place ...The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .5) A tintype portrait of a child, attached to a card. little gem, photography, child, portrait -
Federation University Historical Collection
Photograph - Photograph - Little Gem tintype, American Studio, Portrait of a Woman
... ; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place...; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place ...The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, 6 Sturt St Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head, attached to a card. Printed on the lower edge of the card "Allen & Gove, American Studion, 6 Sturt St, Ballarat"ballarat, american studio, little gem, allen gove, tintype, woman, unidentified woman, photography -
Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Woman in a hat
... ; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place...; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place ...The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .9) A tintype portrait of a woman's head, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography -
Federation University Historical Collection
Photograph - Little Gem tintype, Possibly American Studio, Portrait of a Boy
... ; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place...; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place ...The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .9) A tintype portrait of a child's head and torso, attached to a card. The boy is wearing a suit and the cheeks have been hand coloured.little gem -
Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Woman in a Hat
... ; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place...; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place ...The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head and shoulders, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography -
The Ed Muirhead Physics Museum
SUMLOCK Adding Machine
... Castlereagh St., Sydney / 27 Little Collins St., Melbourne / Agents...., Sydney / 27 Little Collins St., Melbourne / Agents and Services ...keys: 12 Plaque: ‘Supplied by Bell Punch A’sia Ltd / 160 Castlereagh St., Sydney / 27 Little Collins St., Melbourne / Agents and Services in all states / BPC / Cash Control Systems, Adding Machines, Ticket Registers, Charge Machines / Ticket Printers, Gum Tape, Scaling Machines etc. /’ good working condition -
Wodonga & District Historical Society Inc
Functional object - Adding Machine - J. Mann & Sons, Bell Punch Co. Ltd, 1950s
... CASH CONTOL SYSTEMS 160 CASTLEREAGH ST. SYDNEY, MA9337 427... ST. SYDNEY, MA9337 427 LITTLE COLLINS ST. MELBOURNE. CENT ...J. Mann and Sons was first established as a farm produce store in 1921. The range of products was extended in the 1930s and included groceries and hardware, as well as the first petrol bowser in Wodonga outside the store. After WWII, the premises were extended and the range of products continued to increase. In the 1960s the Mann Family opened a new supermarket in Wodonga, in addition to the hardware business, providing steel, plumbing and industrial supplies, and they employed over 100 people at one stage. With changes in the retail industry, the Mann Family sold the main hardware business to Bunnings and the produce business to the Kelly brothers in 2006. Bell Punch A/sia Ltd was a subsidiary of The Bell Punch Company, itself a part of (Cash) Control Systems. The Bell Punch Company was a British company manufacturing a variety of business machines, including several generations of public transport ticket machines and the world's first desktop electronic calculator The company was founded on 5 July 1878. By 1961 it employed a workforce of 2000 people. The circular mark on the back of the machine was adopted in the 1950s.On Back of machine: Supplied by BELL PUNCH LTD. A/SIA BPC CASH CONTOL SYSTEMS 160 CASTLEREAGH ST. SYDNEY, MA9337 427 LITTLE COLLINS ST. MELBOURNE. CENT. 2038 AGENTS AND SERVICE IN ALL STATES ADDING MACHINES TICKET REGISTERS CHANGE MACHINES TICKET PRINTERS GUM TAPE SEALING MACHINES, ETC.j. mann & sons, vintage adding machines, bell punch australasia -
Melbourne Tram Museum
Magazine, Duncan MacAuslan, "The Northern Tramway Company", 2018
... and Sydney Road to Bridge St Coburg. Opened March 1889, insolvency... and Sydney Road to Bridge St Coburg. Opened March 1889, insolvency ...Manuscript - draft - 8 A4 pages, titled "The Northern Tramway Company", by Duncan MacAuslan about the development and operation of a horse tramway company that ran from Moreland and Sydney Road to Bridge St Coburg. Opened March 1889, insolvency, ownership and lease issues with Council, purchase by Council in 1911 and closure in Dec. 1915 to enable the construction of the electric line by the MBCTT. See the August 2020 issue of Trolley Wire for the full completed article and photographs.trams, tramways, horse trams, coburg, northern tramway co., sydney road -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Underwood & Underwood and Rose Stereoscopic Views, 1908
... - George St Sydney looking towards the Queen Victoria building... - George St Sydney looking towards the Queen Victoria building ...Photographic reproduction - sepia coloured of a three stereo pair images with details on the sides. Originals made by Underwood and Underwood of Arlington New Jersey and Westwood New Jersey USA or the Rose Stereoscopic of Melbourne. Printed on A4 size ink-jet printer. Set of three: 1 - Circular quay Sydney with Ferries and a bogie combination car in the view, dated 1980, Image No. (37)-10265. 2 - Auckland Queens St with a complex tram junction in the view. Image No. (72)-10800 3 - George St Sydney looking towards the Queen Victoria building. Image No. 2666 Has trams in the views, centre poles and decorations on the centre poles.trams, tramways, sydney, auckland, stereo photograph -
Port of Echuca
A black and white photograph of a drawing, Black and white photograph of a drawing depicting the construction of the iron Murray Bridge, at Echuca, showing Surveyor, bridge workers, hoists, a crane, and much activity, 1981
... " 250 Spencer Street, Melbourne, and 39/41 York St, Sydney...., Melbourne, and 39/41 York St, Sydney. A black and white photograph ...Original negative and photograph held by The Age, before by Orm Cook, Echuca. Photo is of a drawing of Bridge work taking place in 1877, across Murray River at Echuca. Orm Cook gave The Age the photograph in 1981 as the round arches on the bridge were about to be removed.A bridge crossing of the Murray River was needed by 1877. It linked Echuca and Moama in a more tangible way. The bridge was funded privately and public use of it was discussed for the next several years.A black and white photograph of a drawing, depicting the construction of the iron Murray Bridge at Echuca, showing the Surveyor, the bridge workers, hoists , a crane, and much activity.Written in pen on the back, "Murray Bridge at Echuca under construction. Original to 'Age' came from Orm Cook. Also the numbers 6530 written in pen. Also on the back is a rectangular stamp with these words inside the rectangle. "COPYRIGHT. This photograph may not be reproduced without permission in writing from the Editor of "The Age" 250 Spencer Street, Melbourne, and 39/41 York St, Sydney.murray river, bridge work, bridge construction, bridge workers., the age newspaper., orm cook. -
Bendigo Historical Society Inc.
Document - HANRO COLLECTION: HANRO BENDIGO FACTORY PRINT
... Melbourne. Phones: P2373, P2381 and at 8A Castlereagh St., Sydney..., P2381 and at 8A Castlereagh St., Sydney Box 116A Document HANRO ...Hanro Bendigo Factory Print. On cream card printed in brown ink is a pencil drawing of the factory front in Hargreaves Street. Single story with *Hanro Austral, Bendigo Knitting Mills Pty Ltd* on the face. Two doors either end with a man standing in the right hand door . 11 windows facing Hargreaves Street. The picture has a car of the day, two people walking along the path and a lady in the foreground. Trees either side. Underneath the Print is Proposed New Mills In Bendigo, William Bockli. C.E. Melbourne. On the back is a blue stamp with *Reproduced by Commercial Copying Company, Temple Court, 422 Collins Street Melbourne. Phones: P2373, P2381 and at 8A Castlereagh St., Sydney Box 116AProduced by: Commercial Copying Company Temple Court, 422 Collins Street Melbourne. Phones F2373, F2381 and at 8a Castlereagh Street, Sydneyhanro, clothing, hanro knitting mill building, hanro knitting mills. hargreaves street. william bockli.c.e. melbourne -
Bendigo Historical Society Inc.
Document - CONNELLY, TATCHELL, DUNLOP COLLECTION: LEGAL PAPERS, 1886
... & Maxwell?. 3 - 1886 - Letter from Crawford W H, 28;7 Clarence St... & Maxwell?. 3 - 1886 - Letter from Crawford W H, 28;7 Clarence St ...Documents. Connelly, Tatchell & Dunlop - Legal Papers. 1 - 1886 - Letter from Jenkins & Barger, General Blacksmiths, Horse-Shoers & Agricultural Implement Makers, Leichardt and Bridgewater re McClean. 2 - 1886 - Letter from D Hughes re Adams & Maxwell?. 3 - 1886 - Letter from Crawford W H, 28;7 Clarence St, Sydney. 4 - 1886 - Post Office Telegraph from Portland re McKay. 5 - 1886 - Letter from The London Chartered Bank of Australia re Barwick J. 6 - 1886 - Letter from Bray R J, 19 Lily Street, Sandhurst re his cousin Bray Thomas, deceased. 7 - 1886 - Letter from Inglewood - Gooding. 8 - 1886 - Letter from Registrar of Titles re Gooding.cottage, miners, connelly, tatchell & dunlop, jenkins & barger, mcclean, hughes d, adams, maxwell, crawford w h, mckay, the london chartered bank o australia, barwick j, bray r j, bray thomas, gooding, register of titles -
Bendigo Historical Society Inc.
Photograph - W. G. DAHL PHOTO SERIES
... . Photograph exposed by Kimbel & Co 222 George St Sydney depicts... by Kimbel & Co 222 George St Sydney depicts a horse drawn wagon load ...One of nine photographs donated to BHS by Essendon OP Shop. Photograph exposed by Kimbel & Co 222 George St Sydney depicts a horse drawn wagon load of club and team members [probably Victorian] with sign reading, 'Today [Redfern Oval] Grand Interstate Cricket Match, Melbourne Versus Sydney, Collection Fund SS Hospital. W G Dahl from Golden Square was elected in 1914 to Bendigo Miners Association, played cricket with Bendigo Miners Association, and probably is among group. Three team members holding bats dressed in baggy white trousers, white shoes, dark coloured jackets stand beside wagon. Hand written 'Uncle Son' indicates a Bendigo connection based upon photograph collection captions and probably refers to W G Dahl.bendigo, sporting clubs, interstate cricket match. -
Victorian Harness Racing Heritage Collection at Lord's Raceway Bendigo
Photograph - Framed photo finish, Croughton & Ward, Grand Voyage, Paddy Glasheen, 1921 Flying Handicap, Epping, NSW, 1 November 1921
... right corner: Croughton & Ward (nb?) King St, Sydney...?) King St, Sydney Large rectangular black and white photo ...Hall of Fame Trotter Gnad Voyage winning at Epping, NSWLarge rectangular black and white photo of harness race finish mounted on brown paper and framed in wooden frame.Top centered written in black ink: 2nd Div. Flying Handicap, 1 Ml. 1 Fur. Epping, 1/11/1921 Bottom centered written in black ink: P.B.Glasheen's Grand Voyage (1) / Yard On (2) / Peal (3) (PB Glasheen) Won by 7 lengths. Time 2.31 1/4 Botton right corner: Croughton & Ward (nb?) King St, Sydneygrand voyage, paddy glasheen, trotting, epping nsw -
Kew Historical Society Inc
Photograph - VJCU Premiers, Interstate Carnival, Sydney, 1924, 1924
... ; A SMITH / MELBA STUDIOS, 65 MARKET ST. SYDNEY... MARKET ST. SYDNEY Victorian Junior Cricket Union team photograph ...Arthur Henry Miers, pictured in the photograph played for cricket, football and baseball teams in Kew for a number of decades in the first half of the twentieth century. He was born on 22 November 1901, the son of Rodolph Theophilus Miers (1874-1951) and Margaret Frances (Margaretta) Fry (1875-1958). He had two brothers, Rodolph Cecil Miers (1904-80) and Charles Wilfred Miers (1906-88), and a sister Marjorie Elizabeth Miers (1911-84). Arthur Miers died in Kew on 25 January 1966, and after his body was cremated, his body was interred in the Mausoleum of Boroondara General (Kew) Cemetery.Rare early photograph of a VJCU Premiership cricket club team of 1924.Victorian Junior Cricket Union team photograph, mounted on card. Inscription Top: V.J.C.U. PREMIERS / INTERSTATE CARNIVAL, SYDNEY, 1924" Inscription Below: BACK ROW - R ROFF; A RUSH; J CLINNICK; TJ BROWNE (MANAGER); ***RNE; J CULLETON; JJ CANTWELL / MIDDLE ROW - E MULENS; R LAWSON; H WAIXELL (CAPT.; D DICK (VICE CAPT.); N TROMPF / IN FRONT - R MCCONCHIE (?); A MIERS; A SMITH / MELBA STUDIOS, 65 MARKET ST. SYDNEYarthur miers, cricket, cricket teams, victorian junior cricket union - team 1924 -
Bendigo Military Museum
Literary work - POEMS, WW1, WW2, FRAMED, C. WW1 and WW2
... backing. .2) Poem, Gallipoli, by St Sgt Sydney BOLITHO 6... cardboard backing. .2) Poem, Gallipoli, by St Sgt Sydney BOLITHO 6 ....1) Poem, The Fuzzy Wuzzy Angels. Top half has black print on white background. Bottom half has black / white photo of Angels carrying the wounded on stretchers. Poem & photo are framed with broken wooden frame, glass front & fawn cardboard backing. .2) Poem, Gallipoli, by St Sgt Sydney BOLITHO 6 Battalion AIF. Written at Gaba Tepe 25.11. 1915. Poem is in black print on white background with black / white photo of S BOLITHO on RHS bottom. Tan wooden frame, glass front, black cardboard backing..1) On rear: 2 white stickers, 1. “2850” 2. “D16” .2) In black texta on rear top of frame: “Tom & Libby Luke”poems, fuzzy wuzzy, galipoli -
Bendigo Historical Society Inc.
Photograph - COHN BROS. MACHINE IN BUILDING
... ) Pty Ltd, 18-28 Allen St, Pyrmont, Sydney' (oval rubber red... St, Pyrmont, Sydney' (oval rubber red stamp), History ...Black and white photograph. Machine in building. Partially unpacked machine parts in wood crate (front and top removed). Inscriptions on back: 'MP 209-B,50,13' , 'Cohn Bros No.4, spares and loose parts' typed on back. Stamps on back 'Butlers (Australia) Pty Ltd, 18-28 Allen St, Pyrmont, Sydney' (oval rubber red stamp), History of Object: Previous Acc. No. 'MP 209'. 'Received 14 Sept. 1950' (rectangular rubber purple stamp), 'Royal Historical Society of Victoria, Bendigo Branch' (circular rubber blue stamp).topic, objects, machine, 2000.525.01, 2000.526.01, 2000.527.01, 2000.530.01, 2000.531.01, 2000.532.01, 2000.533.01 -
Bendigo Historical Society Inc.
Photograph - COHN BROS E637 INSIDE OF FACTORY
... 'Butlers (Australia) Pty Ltd, Sydney, 18-2?, Allen St, Pyrmont..., Sydney, 18-2?, Allen St, Pyrmont', Circular rubber blue stamp ...Black and white photograph. Cohn Bros E 637 inside of factory. Display of various size bottles on workbench. Small conveyor belt in front. Inscriptions: in image: 'Cohn Bros, E 637'. On back 'MP 204'/ T R&L corners. B 220/50/1. Purple rectangular rubber4 stamp 'received 15 Sep. 1950', Oval rubber red stamp 'Butlers (Australia) Pty Ltd, Sydney, 18-2?, Allen St, Pyrmont', Circular rubber blue stamp 'Royal Historical Society of Victoria, Bendigo Branch'. History of object: Previous Acc. No. 'MP 204'.place, building, commercial, 2000.526.01, 2000.527.01, 2000.524.01, 2000, 530.01, 2000.531.01, 2000.532.01, 2000.523.01 -
Orbost & District Historical Society
memorial card, 1912
... , in this case ‘The Memorial Card Co.,’ located at 143 King St, Sydney..., in this case ‘The Memorial Card Co.,’ located at 143 King St, Sydney ...This memorial card follows a style that was commonly used in the 1890s. The size of the card make it useful for presentation and handing out. There was a remarkably large production of memorial and funeral cards in Australia during the latter 19th and early 20th centuries and the style did not change (and many of the styles are still in effect today). Many of the card companies, in this case ‘The Memorial Card Co.,’ located at 143 King St, Sydney, published standardised plates which had areas for customisation. The card has the area for name, photograph, date of death and age. Poetry was often standardised, but could be requested at the behest of the person who commissioned the card Isabella Battley (nee Goad) was born in 1867, in Smythesdale, Victoria, Australia. She was married to James E. Battley when she died aged 45. James E. Battley was a director of the butter Factory in Orbost in 1915. Their son Ernest Albert Battley enlisted in the AIF from Orbost in 1916. His father is listed as Next of Kin and his mother as deceased. James was remarried to Eda May Battley (born Sargent) in 1914. He passed away in 1925, at age 57 Memorial cards are often treasured for a long time, and often become part of family history. The Battley family was an earlyn Orbost family.A black memorial card printed in memory of Isabella Battley. It has gold printed writing, a gold etched border and wreath. There is a photo of Isabella Battley and a memorial poem.memorial battley mourning -
Melbourne Legacy
Audio - Recording, tape, Melbourne Legacy, 1956
... -36 Queensberry St. Melbourne 18 Albion St. Sydney Sound... St. Melbourne 18 Albion St. Sydney Sound- recording Tape 60 ...An audio recording from 24 April 1956. The tape has not been played. From the date it could be a recording of the annual "Anzac Commemoration Ceremony for Students" event, usually held just prior to Anzac Day. The ceremony provides a valuable opportunity for students to gain an appreciation of the Anzac spirit, the significance of the Shrine and the meaning of Anzac Day. Inscription starts with 'Shrine Ceremony', 'Commentator L/ W Scott', also 'Governor Sir Dallas Brooks', 'Land of mine', 'Pres L/ R Gaylard'. Legatee Gaylard was president in 1956. The Governor of Victoria was patron of Legacy at the time and attended many ceremonies and events.A record of a ceremony at the Shrine run by Legacy for students.An audio tape, 90 mins, on a clear plastic spool in a red cardboard box.Box, Recording tape for magictape recorders,Pyrox LTD. 14-36 Queensberry St. Melbourne 18 Albion St. Sydney Sound- recording Tape 60 minutes twin track. For use with magictape recorders.All in blue print The Official Magictape in white print on a dark blue background. Title Melbourne Legacy,speed 7 1/2" per sec, in blue biro. Various recordings listed with times in blue ink. Spool. Side no1, side no 2, Magictape made in Australia. Tape. anzac commemoration for students, governor of victoria -
Ballarat Tramway Museum
Document - Folder with papers, Railway Track-work Company and Clementine and Thompson and Mercer Sts and Philadelphia and Pennsylvania USA. and Perrot and Adams Ltd, "Railway Track Equipment - Track Grinding Machines, Welding and Bonding Machines - Bonds, Welding Steel, Grinding Wheels and Blocks", 1920's?
... of 394 Kent St Sydney. Railway Track-work Company , Clementine... and Adams Ltd), Machinery Merchant of 394 Kent St Sydney. Railway ...Yields information about the type and presentation of books or information folders that were sent to the Electric Supply Company of Victoria about tramway products available on the market and the company the produced them.Folder with 24 pages of advertising pamphlets bound into it with two metal clip binders advertising products available from the Railway Track-Work Company and titled ""Railway Track Equipment - Track Grinding Machines, Welding and Bonding Machines - Bonds, Welding Steel, Grinding Wheels and Blocks". Has brochures or pamphlets for: . The Universal Rotary Track Grinder . Reciprocating Track Grinder . The Atlas Rail Grinder . The Ajax Electric Arc welders .Vertical Rail Lifter . The Jackson Electric Tie Tamper. Generally the lead page of each pamphlet has been imaged. Provides a description of each item, along with method of operation and parts listing generally. The folder has on a number of pages and the back cover, a sticker from Frank R. Perrot (Now Perrot and Adams Ltd), Machinery Merchant of 394 Kent St Sydney. Railway Track-work Company , Clementine, Thompson and Mercer Sts, Philadelphia, Pennsylvania USA. For a full scan of the document see the hi res file.Numerous: Front cover sticky label "1620" in top left hand corner, "Mr Pringle" on front cover and stamp with words "Ballarat Tramway Preservation Society Catalogue No. 10" in ink on front cover. Inside front cover has a pencil note, behind the crease in the bottom right hand corner. On the first pamphlet "Ballarat Tramway Preservation Society Catalogue No. 10" in ink on top right hand corner. On parts page for the Reciprocating Track Grinder has the "Perrot and Adam Ltd" company stamp.trams, tramways, trackwork, equipment, rails -
Ballarat Tramway Museum
Postcard, WTP, ESCo tram west bound at the intersection of Sturt and Lydiard St. Ballarat, c1906-7
... ? Falcon St, North Sydney NSW. Note about their travels, where... St, North Sydney NSW. Note about their travels, where ...Printed black and white postcard of an ESCo tram west bound at the intersection of Sturt and Lydiard St. Ballarat, c1906 - 7 - has a destination box. Has a number of pedestrians in the picture. Taken from the east side of the intersection, looking towards the Town Hall, with the National Mutual Insurance building and Snows in the photo. Also shows the overhead arrangements - two wire for Sturt St, single for Lydiard St, coming into the intersection. Titled "Sturt Street, Ballarat" along the top edge. On rear of postcard are the words "Post Card", has initials "WTP" in bottom left hand corner, a 1d Victorian stamp, cancelled 1/5/07, stamp "5". Divided back type. Address to Mrs T.D. Cayett? Falcon St, North Sydney NSW. Note about their travels, where they stayed and that they had travelled to the Gardens by tram. See item 8237 for a coloured version. Black and white postcard - titled "Sturt Street Ballarat" - used 1907trams, tramways, esco, sturt st, postcards, town hall -
Ballarat Tramway Museum
Postcard, JE, "Sturt St Ballarat", 1905
... . Address to Mrs, C. Harkneww 21 Alma St North Sydney NSW, from... type. Address to Mrs, C. Harkneww 21 Alma St North Sydney NSW ...Yields information about the appearance of SEC single truck trams during 1938. Has a strong association with Wal Jack.Printed colour postcard of an ESCo tram west bound at the intersection of Sturt and Lydiard St. Ballarat, c1905. Has a number of horse drawn vehicles and pedestrians in the picture. Taken from the Post Office tower looking south west, with buildings on the south side of Sturt St., west of Lydiard St in the view. Has the Robert Burns statue in the bottom left hand corner. Titled "Sturt Street, Ballarat" along the top edge. On rear of postcard are the words "Post Card", on either side of a symbol "JE" within a diamond, a 1d Victorian stamp. Divided back type. Address to Mrs, C. Harkneww 21 Alma St North Sydney NSW, from a person a 46 Grosvenor's St., South Yarra." Message includes words "what do you think of this street, none in Sydney like it" See Reg Item 2231 for the same photo (slightly different position and different cloud effects), but different manufacturer.trams, tramways, esco, sturt st, postcards, lydiard st., tram 18 -
Flagstaff Hill Maritime Museum and Village
Functional object - Hat Box, John Brush, Son & Co, 1920s
... AND HARNESS / 403, GEORGE ST. / SYDNEY” Label, paper: “BAGGAGE... / of / SADDLERY AND HARNESS / 403, GEORGE ST. / SYDNEY” Label, paper ...This sturdy, deep hat box has been carefully constructed to give the contents utmost protection in the roughest of travel conditions. At the same time, attention to detail and quality of materials makes the box an attractive, desirable and useful piece of luggage. The supports inside the hat box show that the hat’s brim dipped at the front and back in the popular 1920s Homburg or Derby style. The hat box was likely to have been purchased, complete with its fashionable hat and personalised with the initials ‘G.M.’. The five shipping labels on the hat box tell that the owner traveller overseas with it on more than one occasion. The owner had first travelled with the shipping line Peninsular & Orient Steam Navigation Company, and may have been one the first Australian passengers in 1932, as the remnant of label on the base reads Sydney. The owner later voyaged under the company’s new name of P & O. and travelled from at least one of the voyages from Melbourne to London The square label, with “P & O” and red printed “M” in centre of circle, refers to alphabetical organisation of baggage by surname, connecting the owner ‘G.M.’ to the owner’s voyage with P & O. The P & O shipping line’s early beginnings started with the partnership of London ship broker Brodie McGhie Willcox and Scottish sailor Arthur Anderson in 1822. The partnership was joined by Irish shipowner Captain Richard Bourne in 1835 and they began operation as the Peninsular & Orient Steam Navigation Company with a service between London- Spain - Portugal. In 1932 the company expanded to include Australia with its passenger services departing from Sydney; in 1840 the company was incorporated. After various take-overs of other shipping lines and businesses, it operated under the name P & O. JOHN BRUSH The hat box was made by Australian saddle designer and maker, John Brush, Sons & Co. Brush began his saddlery trade in Roma, Queensland, His designing process included consulting with the men who rode and worked the horses. He was described in the Sydney Morning Herald of December 15, 1897, as a leading Sydney saddler, well known and reliable, with every kind of English and Australian saddle on view. John Brush established his business in 1840, operating from 371 George Street Sydney. A catalogue from that era jointly advertises John Brush (371 George Sty Sydney) and Butlers & Brush (432-4 Queen Street Sydney), both under the name of Edward Butler & Co. Pty. Ltd. The catalogue included saddlery, harness equipment, riding wear and travel goods, and strongly promoted the Wienkek made saddles, which he distributed Australia wide. John Brush, So & co. advertised its ‘new’ address in 1887, as 403 George Street Sydney. In 1898 Brush made a side-saddle for a customer, a design popular with gentlewomen of the era. The business was still operating over 100 years later, producing a catalogue in the 1950s.This early 20th century hat box is significant for being one of a kind in our Collection. Its fitted design shows the shape of the hat, dating it from the 1920s men’s fashions. The hat box is significant for being a high quality hat box made in Sydney, Australia by prominent and successful early colonial saddler and leather goods business, John Brush, Son & Co. The labels on the outside of the hat box are also significant, representing the prosperous lifestyle of an Australian traveller who purchased quality goods and cared for them. The traveller was able to depart from firstly the Port of Sydney and later the Port of Melbourne. Hatbox, oval shape, brown leather, strong, sturdy construction, six pieces, and metal lock on base. Wide lid, then tapers to a narrower base that has a red leather trim. Brown velvet fabric lining inside and covers some accessories. Other internal accessories are trimmed with plain red paper and blue and white striped paper. The lid has two attached leather tabs and a leather handle and underneath it has a drawstring liner and oval, gold-lettered maker’s label. The internal oval box has a leather retention strap and brim support. Separate moulded brim support is included. A detached leather strap with catch is inside the base. Inscriptions are stamped on the lid, printed on the maker’s label, attached as printed paper labels to the lid, sides, and under the base. Maker is John Brush, Son & Co. of Sydney. The owner’s initials “G.M” are embossed on the lid.Stamped on lid “G. M.” Label, oval, inside lid “JOHN BRUSH, SON & CO. / MANUFACTURERS & IMPORTERS / of / SADDLERY AND HARNESS / 403, GEORGE ST. / SYDNEY” Label, paper: “BAGGAGE, MELBOURNE TO LONDON’, part of word ‘CABIN’ and “P & O” Label, square, white background, black print, circular emblem: ‘PE - - - - - & ORIEN-’, ‘STEAM NAVIATION COMPY.’ BAGGAGE’ and a red printed “M” in centre of circle. Label, rectangular, white background, black print; narrow line border, text in rows and an ‘X’ overprinted, from corner to corner of the border: “BAGGAGE / P. & O. S. N. Co. / MELBOURNE / To / LONDON” Label, paper, rectangular, white background, black print, an “X” across the label: “CABIN / P & O / “ Label, paper, on base, “– aid” [Paid], “SYDNEY” flagstaff hil, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, hat box, leather hat box, vintage hat box, top hat, homburg hat, derby hat, travel ware, luggage, leather goods, travel goods, clothing accessory, men’s clothing, john brush, son & co, saddler, sydney firm, peninsular & orient steam navigation company, p & o, g.m., melbourne to london, sydney port, melbourne port, hat case -
Ballarat Tramway Museum
Book, Nu-color-vue or Nucolorvue Productions, "Victoria The Land of Enchantment", c1950
... and envelope with worksheet file. Has Swains 123 Pitt St, Sydney... and envelope with worksheet file. Has Swains 123 Pitt St, Sydney ...Book with hardcovers, 48 pages titled "Victoria The Land of Enchantment". Sewn in three sections, with a green strip of cloth and self end papers and printed outer paper, sides glued onto board covers. Consists of 43 colour photographs (full and half page) with captions, detailed text, and two black and white photos printed in blue on end covers. Photos of Mt Buffalo, Gippsland lakes, Mornington Beach, Yarra River, Flinders St. station from the Yarra, Collins and Spring St (with two W2's - see image No. 2), Parliament House, Kiewa Hydro scheme, Eildon Weir, Swan Hill Murray River Bridge, Bendigo Post Office, Melbourne Botanical Gardens, Ballarat - Grenville and Sturt St (No. 22 - see image No. 3), Lorne, Yallourn Power Station, Hume Weir, Maroondah Weir, Great Ocean Road, Warrnambool, Portland Beach, A timber train (see image No. 4), Mildura, flax mills, Eastern Geelong and the Prime Ministers Ave, Ballarat. Produced by Nucolorvue Productions, c1950. See also Reg Item 2925 for the same photo of No. 22 and Reg Item 5354 for a postcard. Purchased via eBay site - see attached sheets and packing slip. Purchased 10/2/2005 for A$12.50 including postage, from Virginia Georgopoulos of West Brunswick. eBay sheets and envelope with worksheet file. Has Swains 123 Pitt St, Sydney sticker on bottom left hand corner page 2trams, tramways, ballarat, sturt st, grenville st, bogie trams, geelong, bendigo, melbourne