Showing 640 items
matching the australian sketcher
-
Warrnambool and District Historical Society Inc.
Book - World War 11 Cartoons by Armstrong, Harold Armstrong, Argus cartoonist, War Without Tears - 100 of the War's Wittiest Whimsies, late 1940s
World War 11 War Cartoons by ArmstrongThis is a book of war cartoons. The cover has two cartoons in colour and black and white and red and black printing. The spine is slightly torn.The pages contain comic sketches in colour, black and white and brown and white and sepia tones. Some pages at the front are of a shorter width than the other pages. The pages are stapled.fictionWorld War 11 War Cartoons by Armstrongworld war two, world war two cartoonist armstrong -
Warrnambool and District Historical Society Inc.
Book - World War Two Armstrong Cartoons, Harold Armstrong, Mein Kranks, c 1940
World War Two Armstrong CartoonsThis is a book of 48 pages. The cover has a cream background with a red strip on the front side cover. The front cover has a sketch in grey, black, white and red and printing in red and black. The pages are stapled and have an adhesive tape binding added to the outside spine. The pages contain sketches in black, white and grey shading.fictionWorld War Two Armstrong Cartoonsworld war two cartoonist armstrong, world war two -
Warrnambool and District Historical Society Inc.
Book - World War 1 History, Cassell & Company Ltd, The ANZAC Book, 1916
Australians in World War 1This is a book of 170 pages. The cover has a coloured sketch of a soldier on a grey background , two bomb sketches and some black printing. The spine is almost completely missing. The pages contain printed text, maps, sketches, black and white photographs and coloured illustrations. The book is bound with heavy duty staples. There are five loose newspaper cuttings.non-fictionAustralians in World War 1 world war 1, anzacs, australian humour -
Warrnambool and District Historical Society Inc.
Book, Border Watch Pty Ltd, Waranton, 1986
This book by Jack Gorman contains articles on horse racing in Australia, and in particular, Victoria and the Western District in the 19th and 20th centuries. It includes articles on the 1891 Melbourne Cup, the Casterton Centenary Cup of 1961, the champion horse ‘Waranton’, hunting in the Casterton district, the 1922 Grand Annual Steeplechase at Warrnambool and many people associated with horse racing in the past. This book is retained as it contains articles on various horse races and people associated with horse racing of the past in the Western District of Victoria, including accounts of Warrnambool races. It will be a useful addition to our local history library. This is a soft cover book of 52 pages. The cover has brown and white colouring and has an image of the finish of a horse race and black printing. The pages contain printed material, black and white photographs and sketches. The book has been stapled but the staples have been removed.western district horse racing, grand annual steeplechase, history of warrnambool, casterton centenary cup, jack gorman -
Warrnambool and District Historical Society Inc.
Book - Biography of Charles Pratt, Kevin O'Reilly, Charles Pratt of Belmont Common, 2016
Biographical material of Charles Pratt and diary extractsThis is a book of 280 pages with a blue and brown hard cover with sepia -coloured photographs on the front and back covers and multi-coloured print on the cover and spine. The dust cover has the same content as the hard cover. The pages contain printed text, black and white photographs, charts and sketches. non-fictionBiographical material of Charles Pratt and diary extracts charles pratt, 1920s aerial photographs, warrnambool history -
8th/13th Victorian Mounted Rifles Regimental Collection
Document
In 1988, as part of a Defence of Mainland Australian policy, defence of facilities of strategic importance in northern Australia were allocated to Army Reserve units. ‘A’ Squadron was allocated the defence of Tindal Air Force base located 15 KM outside Katherine in Northern Territory. Consequently the Squadron deployed on Exercise ‘Northern Explorer’ to gain first-hand knowledge of operating conditions for mounted and dismounted patrolling in the area.Rare example of a patrol report conducted by soldiers of a Victorian Army Reserve regiment while exercising in Northern Territory.Report of reconnaissance patrol conducted by soldiers of 'A' Squadron 8/13 Victorian Mounted Rifles during Exercise 'Northern Explorer, Northern Territory. 13 pages plus sketch map. -
8th/13th Victorian Mounted Rifles Regimental Collection
Document - Report
In 1988, as part of a Defence of Mainland Australian policy, defence of facilities of strategic importance in northern Australia were allocated to Army Reserve units. ‘A’ Squadron was allocated the defence of Tindal Air Force base located 15 KM outside Katherine in Northern Territory. Consequently the Squadron deployed on Exercise ‘Northern Explorer’ to gain first-hand knowledge of operating conditions for mounted and dismounted patrolling in the area.Rare patrol report made by soldiers of a Victorian regiment while on exercise in Northern Territory.Report of patrol carried out by soldiers of 'A' Squadron 8/13 Victorian Mounted Rifles 18 September 1988 near Tindal Air Base Northern Territory. Six pages plus sketch map.military, patrol, tindal, northern territory, vmr -
Kew Historical Society Inc
Book, James Bonwick, A Sketch of Boroondara, 1968
40 p. ; 23 cm. non-fictionborondarra (vic.) - history. -
Wangaratta RSL Sub Branch
Framed document, The Battle of Australia
Item detailing events of the 19th February 1942 when Darwin was bombed on two separate occasions by Japanese air raids.On 19 February 1942 Darwin was bombed by two separate Japanese air raids becoming the largest single attack ever mounted by a foreign power on Australia. The attack left hundreds of servicemen and civilians dead, and countless others injured.Brown timber frame and green mount and cream colourd paper with green text and sketches of flying planes The Battle of Australia Bombs Over Darwindarwin, australia, bombing, ww2, japanese, 1942 -
Wangaratta RSL Sub Branch
Sketch - Football Team, 7-12-1940
Aussie Rules football match between D Coy and C Coy of the 2/5 Australian Infantry Battalion played at 1.30 on 7-12-1940 at unknown location possibly Egypt/North Africa List of team players, officials and umpire names and nicknames including AR Wills ("Gaza Kid")Light blue lined note paper with oval shape marked with names written in pencil. On reverse side in pencil list of names under heading of Team. Alongside seven names are signatures in black ink.1.30 D Coy V C Coy 7-12-1940 Two columns marked "President and Officials" followed by names Reverse side - "Team"- followed by two columns of nicknames and names some with signatures in ink. 2/5 aust. infantry battalion, d & c coy, ww2, football match, 7/12/1940, north africa -
Robin Boyd Foundation
Slide, Robin Boyd
Colour slide in a mount. Sketch elevation by Robin Boyd of Pollard House, Surrey, England, 1932. (Architects: Amyas Connell of Connell, Ward & Lucas.)Made in Australia / Encircled 1 (Handwritten)the puzzle of architecture, slide -
Robin Boyd Foundation
Slide, Robin Boyd
Colour slide in a mount. Sketch elevation of Candela's shell for church of San Antonio de Las Huertas, Mexico 1959. (Architect: Felix Candela.)Made in Australia / Encircled 32 (Handwritten)the puzzle of architecture, slide -
Robin Boyd Foundation
Slide, Robin Boyd
Colour slide in a mount. Sketch elevations by Robin Boyd. Central one of Eero Saarinen's TWA terminal New York airport, 1962 . (Architect: Eero Saarinen.)Made in Australia / Encircled 1 (Handwritten)the puzzle of architecture, slide -
Robin Boyd Foundation
Slide, Robin Boyd
Colour slide in a mount. Sketch for the Chapel for Divinity School, Richmond, California, USAMade in Australia / Encircled 3 (Handwritten) / Chapel for Divinity / School / Richmond California/ Hunter ----- (Handwritten)slide, robin boyd -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, ("Once a year....")
This piece was written just after the Melbourne Film Festival, where no Australian feature film was shown. It mourns the lack of support for the Australian film industry - Canada has been able to do it, why can't we use this as a model?Typewritten (c copy), pencil edits, 2nd copy typewritten (c copy), quarto, 3 pages225c. in pencil on the side. On back of last page, blue biro sketch - a fireplace?film industry, canadian film industry, australian film industry, john grierson, robin boyd, manuscript -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, (have you ever tried to define the character of our city?)
An attempt to define Melbourne's character. Boyd sketches a history of Melbourne's architectural periods. He muses on the importance of public taste as necessary for periods of architectural flourish. He thinks Australia is in a "trough between the waves of progress."Typewritten, foolscap, 5 pagesmelbourne, urban conservation, robin boyd, manuscript -
Robin Boyd Foundation
Painting, Donald Laycock, Sketch for Terra Australis, 1969
This oil sketch by Donald Laycock is for "Terra Australis", a large (20' X 8') outback desert scene commissioned by Robin Boyd for the Australian Pavilion at Expo 1970. Robin Boyd was the Exhibit Architect of the Australian Pavilions at Expo '70 in Osaka and Expo '67 in Montreal. It is not known what happened to "Terra Australis" after Expo '70.Red toned abstract composition."DL 69" in bottom right corner. Sketch for Terra Australis Exhibition '70" written on canvas around the frame on the rear.donald laycock, expo 70, osaka, robin boyd, walsh st artwork, ohm2022, ohm2022_32 -
RMIT Design Archives
Diazotypes, Sketch Plan: Garden Layout - 13 Edward St. Kew
John and Phyllis Murphy designed this house and garden in Kew for Sir Frank and Lady Macfarlane Burnet in 1959, the year before Burnet and Peter Medaware received the Nobel Prize for discovering acquired immunological tolerance. For the most highly honoured scientist to have worked in Australia, Burnet's house is modest - single storey with two bedrooms. Typical of post-war suburban housing thought, the garden is a generous, and the planting a mix of existing shrubs and trees, old favourites such as camelias, hydrangeas, lilacs, and a unusually 'a thick copse of native trees'. John Murphy (1920-2004) and Phyllis Murphy (nee Slater) (1924-) are alumni of RMIT. John commenced his architectural studies at Swinburne Technical College prior to WW2, and subsequently studied at Melbourne Technical College (now RMIT University) from 1944 to 1946. Phyllis studied architecture at Melbourne Technical College from 1942, before transferring to Melbourne University's Architectural Atelier in 1944 They both completed their Bachelor of Architecture in 1949, with Phyllis topping the fourth year, and John coming in second. They established their architectural practice in 1950. One early project was their design with Kevin Borland and Peter McIntyre for the Olympic Swimming Pool (1956). Ann Carew 2018dye, paper, garden design, kew -
RMIT Design Archives
Page layout
Page layout for Costume of Australia book, by Marion Fletcher.Page layout features sketch of twe 1870s , including bodice detail of the second dress: 1. Day Dress c.1873, from the National Gallery of Victoria; 2. Afternoon or Dinner Gown, 1877, from the National Trust of Australia (Victoria).Inscribed in blue pencil, bottom left: '64% in grey ink, bottom left: 'P2' in blue ink, bottom left: '<-----------------------164mm--------------------------->/ OUP 102[cricled]'; bottom left [running horizontally]: <---------------------187.5mm----------ink, paper -
University of Melbourne, Burnley Campus Archives
Newspaper - Newspaper Cutting, The Illustrated Australian News, Sketches at the Horticultural Society Gardens, 1887
Photocopy of wood engraving illustration in "The Illustrated Australian News" January 8, 1887 p4. Composite of 6 views of the Gardens: 1. The Centre of the Gardens. 2. Curator's Cottage. 3. Pavilion. 4. Orange Grove. 5. Entrance to Orchard. 6. A Winding Path. Signed CSB. From the National Library of Australia.the illustrated australian news, gardens, cottage, curator -
Surrey Hills Historical Society Collection
Photograph, Norma Bull portrait
Norma Bull in a window of 'Medlow', 1920s Her brother (Ronald) Richard was a keen photographer and is believed to have taken the photographs of the family and in the grounds of 'Medlow'. Norma Catherine Bull (7 September 1906 – September 1980) was an Australian painter, printmaker and etcher best known for the paintings and sketches she made in Britain during World War II. Norma was the daughter of Richard Joseph Bull (1874-1927) and Catherine Grace Perrier (1884-1972). Her father was the Director of Bacteriology at Melbourne University. Richard and Catherine had 2 children. Norma was born in Hawthorn in 1906 and her brother Ronald Richard was born in Surrey Hills in 1912, where in 1911 Richard bought a property at 42 Warrigal Road, Surrey Hills developed by Colonel William Cairncross, known as ‘Willcyrus’ and renamed ‘Medlow’ by the Bulls. As a child, Norma was a high achiever both intellectually and artistically. She was educated at Fintona, where she matriculated as Dux of the School and winner of an exhibition in French. She won a scholarship to attend the University of Melbourne where she studied French, Zoology, Philosophy, English and History, leading to a Bachelor of Arts in 1929. Following this she studied painting and drawing at the National Gallery Art School for seven years. Whilst most of the students of the 1930s were inspired by Modernism, Norma followed more traditional styles and became known for her etchings and realistic depiction of urban scenes. Her work was strongly influenced by the conservative nature of the National Gallery Art School under Bernard Hall, and she remained a traditionalist all her life. In 1938, she was awarded the Sir John Longstaff Scholarship in Fine Art. This enabled her to travel to England to study at the Royal Academy in London. She arrived in April 1939 and after the outbreak of war, she worked as a volunteer at a First Aid Clearing Station and applied to become a war artist. In 1941, she was given a sketching permit by the War Artists Advisory Committee to record bomb damage in the Bristol area. In 1947, an exhibition of her 205 wartime works entitled “Two Hemispheres”, opened at Australia House in London. Many were acquired for major collections in England including the Victoria and Albert Museum, the Imperial War Museum and the Royal Collection. The “Two Hemispheres” exhibition toured Australia in 1948 and for over twelve months she followed Wirth’s Circus around the country, painting aspects of circus life. From then on she lived at Medlow’, From 1960 she was secretary of the Fellowship of Australian Artists. She was a finalist in the Archibald Prize on 2 occasions and is remembered through a biennial Art Prize, ‘The Norma Bull Portraiture Scholarship’ which is administered by The Victorian Artist’s Society. She continued to paint landscapes and seascapes in her traditionalist style. She had holiday homes at Anglesea and Bright. After she died in September 1980, 31 of her works were bequeathed to Bright Art Gallery. A black and white photograph of a lady holding a sun umbrella and sitting in a window frame.miss norma bull, medlow, house names, warrigal road, surrey hills, mr ronald richard bull -
Surrey Hills Historical Society Collection
Photograph, Mabel Pye, daughter of William and Alice Pye of 12 Loch Street, Surrey Hills
Mabel Pye was a printmaker and painter. She was born in Box Hill in 1894, probably at the family’s Loch Street property. She was the daughter of Alice Eleanor Noar and her husband William Edward Pye, who married in 1893. William was known as Ted and is recorded in electoral rolls as a legal clerk and later as a public servant. Mabel had a sister Hazel who was also an artist, but less well known. 12 Loch Street, Surrey Hills was known as ‘Mulberry Hill’ and the Pyes appear to be the first occupants – Alan Holt’s register of Surrey Hills properties has them there from c1900. The property was originally about an acre in size and was later divided into 4 house blocks. In 1923 they built a house for themselves on one of the blocks facing Benwerrin Street and called it ‘Tanglewood’. The Loch Street house abutted the Surrey Hills Reservoir and was diagonally linked to the land in Benwerrin Street. In 2019 both the houses still stand. The family were involved in amateur theatre and at times the studio doubled as a rehearsal space for the Benwerrin Players, a group which operated through the late 1920s and early 1930s being comprised of friends and neighbours from Benwerrin Street and Windsor Crescent. Some of their performances were at the Surrey Hall in Union Road. Most of Mabel’s known work dates from the 1930s. She had studied under Bernard Hall at the National Gallery School. Mabel was a member of both the Victorian Artists Society from 1918-1941 and also the Melbourne Society of Women Painters and Sculptors from 1920-1950. Her work is represented in the Australian National Collection and in state galleries. The NGV has one of her works, the Gallery of NSW has 9 works, a large body of works and personal material is held by the Ian Potter Collection and there is one piece in the City of Whitehorse Collection. This ink sketch of the White Horse Hotel is signed MP and dated 1933, the year the building was demolished. A black and white studio photograph of a young lady standing beside a pedestal and wearing a light coloured dress with 3/4 length sleeves, dark stockings and lace up shoes. A corsage of dark flowers adorns the bodice. loch street, surrey hills, artists, whitehorse hotel, box hill, miss mabel pye, city of whitehorse collection, william edward pye, miss alice elanor noar, mrs alice eleanor pye, frank stamford -
Surrey Hills Historical Society Collection
Book, Robert Hoddle: pioneer surveyor 1794-1881, 2004
(Ms) Berres Hoddle Colville is a local Surrey Hills resident and is a descendant of Robert Hoddle. Robert Hoddle was the first Surveyor General of Victoria. He arrived in Australia in 1823 and was one of the very earliest surveyors to explore, measure and map large areas of this vast, varied and difficult countryside, in a burgeoning era of pastoral settlement. 1837 saw him appointed Surveyor in Charge of the Port Phillip District. This book is based firmly on substantial extracts from Hoddle's own diary and other writings. Includes black and white sketches, maps and colour pages.Robert Hoddle was the first Surveyor General of Victoria. He arrived in Australia in 1823 and was one of the very earliest surveyors to explore, measure and map large areas of this vast, varied and difficult countryside, in a burgeoning era of pastoral settlement. 1837 saw him appointed Surveyor in Charge of the Port Phillip District. This book is based firmly on substantial extracts from Hoddle's own diary and other writings. Includes black and white sketches, maps and colour pages.Front endpaper: SURREY HILLS HISTORICAL / SOCIETY / PURCHASED FROM / THE AUTHOR ON THE OCCASION / OF HER TALK ON ROBERT HODDLE / TO THIS SOCIETY ON 17-10-[20]05 Title page: signed by the author: Berres Hoddle Colville / 17 October 2005 /(mr) robert hoddle, surveyors, (ms) berres hoddle colville -
Federation University Art Collection
Drawing - Ink sketch, "Man in Circle" by John Brisbane, 1960
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, john brisbane, brisbane, ink, ink sketch, sketch, drawing -
Federation University Art Collection
Painting, Searle, Ken, 'Ballarat' by Ken Searle, 1998
Ken SEARLE (1951- ) Born Sydney, New South Wales Ken Searle worked on this commission through 1997 and 1998. Further works and sketches relating to this commission are held by the Art Gallery of Ballarat. Searle is a self-taught artist who first exhibited his paintings and drawings in the mid-1970s and is known for large, and often whimsical, paintings, of suburban and industrial areas in several Australian cities. From 1998 to 2001 Searle worked as a consultant at the school in the Aboriginal community of Papunya, Central Australia. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting highlighting the artist's favoured aspects of Ballarat. Interested with scenes of suburbia for over twenty years, Ballarat is his first portrayal of a whole city. Searle’s view of Ballarat presents a deliberately untidy city seen from a number of viewpoints. Local scenes are portrayed no matter how pretty or garish, the subject matter providing a snap shot in time. Funded through the Commissions Program of the Visual Arts/Craft Fund, 1998 art, artwork, ken searle, ballarat -
Federation University Art Collection
Painting, Sydney Pern, [Seascape] by Sydney Pern, Pre 1967
Sydney PERN (c1876-1967) Dr Sydney Pern began practicing medicine in Yarram before setting up practice in Ballarat. He was a competent artist, and as an amateur anthropologist collection Aboriginal artefacts during travels in Central and Northern Australia. Dr Sydney Pern died aged 91 on 23 October 1967, and is buried in the Ballaarat New Cemetery. The ethnographic collection was housed at his home, 10 Raglan Street North, before being donated to the Ballarat School of Mines Museum. When the museum was closed in the 1960s Dr Pern requested that the collection pass to the City Council, and from there it was housed at the Gold Museum. An artwork by Sydney Pern was exhibited in the 1958 Crouch Prize at the Ballarat Fine Art Gallery. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed oil on sketching paper seascape by Dr Sydney Pern Gift of David Alexander, 2013Signed lower right corner "S. Pern"art, artwork, pern, sydney pern, landscape, available -
Federation University Art Collection
Painting - Oil on canvas, Sydney Pern, Waterhole by Sydney Pern
Dr Sydney PERN (c1879- 23 October 1967 ) Sydney Pern was a doctor who practiced in Ballarat. He was a competent artist who also collected Aboriginal artefacts. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed oil landscape on oil sketching paper.signed lower right 'S. Pern'art, artwork, sydney pern, pern, landscape, available -
Federation University Art Collection
Painting - Artwork - watercolour, Wes Walters, [Boats] by Wes Walters, 06/1948
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams, and the sketch was completed tin preparation for that portrait. 2 This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed watercolour behind glass depicting moored sailing boats.Signed lower right 'W.R. Walters June 48' Sticker verso "Jaman the Picture Framer 84-88 Lt Collins Street Melbourne Phone Cent 4802"wes walters, watercolour, boats, coastal, sailing, alumni -
Federation University Art Collection
Drawing - Artwork, [Title Unknown] by Wes Walters
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams, and the sketch was completed tin preparation for that portrait. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Black and white charcoal drawing in white frame with glass.wes walters, drawing, available, alumni -
Federation University Art Collection
Drawing - Artwork, J. Grigg, [Seated]
Sketch by J. Grigg. If you are able to assist with information on this artist or artwork please contact us via the comment below.artwork, artist, j. grigg, drawing