incl.index. This Street Directory of Melbourne and suburbs, c1940s, includes a list of suburbs, their mileage from the city and how to reach them; an index to localities as well as the index to streets appearing on the maps. It also shows bus routes, railways and tramways routes on the maps.incl.index. This Street Directory of Melbourne and suburbs, c1940s, includes a list of suburbs, their mileage from the city and how to reach them; an index to localities as well as the index to streets appearing on the maps. It also shows bus routes, railways and tramways routes on the maps.melbourne metropolitian area, suburbs, cities and towns, maps

Between 1965 & 1972, twenty-year-old Australian males had to register for National Service. The ballot was held twice a year and the marbles, which bear numbers that represented birth dates, were used in a barrel to determine who would be called up. Each numbered marble represented two birthdates. Men born on the dates of the numbers drawn were thereby called up for National Service. National Service was a hotly debated issue. These ballot balls were the items at the centre of the argument. The peace movement in Australia was opposed not only to Australia's involvement in the Vietnam War, but also to conscription of young men into National Service.The marbles are made of wood that have numbers on them. vietnam ballots, national service scheme, marbles, conscription, birthday ballot, nasho

Metal Buttons (3) all with figurines on themstawell

A photo of senior girls in costumes from an annual demonstration with Miss Enez Domec Carre. Also a photo of them on stage during the performance. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979s, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Miss Enez Domec-Carre was the supervisor of girls classes and instrumental in the Annual Demonstration for many years. She joined Melbourne Legacy in 1932 and became the chief instructor of girls' physical education until she retired aged 65 in 1970.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo of junior legatee girls in costume back stage with Miss Carre at an Annual Demonstration and a photo of them on stage during the performance.annual demonstration, junior legatee, girls' classes, enez domec carre, costume

Pigs were taken to Bairnsdale by coaxing them with maize thrown from a wagonette . From Bairnsdale they were freighted to market by train. The journey to Bairnsdale took about five days . This method of transport continued until the rail line to Orbost was opened in 1916.This photograph is a pictorial record of farming practices in the early 20th century.A black / white photograph on a brown buff card showing pigs being taken to market. The photograph shows the pigs close up with men on horseback behind them. The pigs are on a gravel road with a fence on one side and and the Orbost flats can be seen in the background.on back - "Pigs being driven from Orbost to Bairnsdale. M.Gilbert, Orbost"agriculture farming-orbost pigs

The sailors, officers and Reverend Gurney Goldsmith (centre) were picked up from the Siddeley Street mission by two double deck motorbuses. On the buses is written: "Motor Tyre, The place for tyre, 400-3-5 Swanston Street, Melbourne - Red Cross Hospital - The Globe". The Mission flag and the Union Jack are brought with the men to the St John's College, St Kilda East. The photograph appears in the Annual Report 1913. In the Age we could read: "SAILORS' PICNIC. The seamen from ships in port, were hospitably entertained on Christmas day by friends of the Victoria Missions to Seamen. The day was spent at St. John's College, East St. Kilda, by invitation of the warden and Mrs. Hart. The sailors enjoyed the treat, and entered heartily into the sports held during the afternoon. The evening was spent at the institute on the Australian wharf when every sailor received a Christmas' present from 'the brig." The photograph was used in the "Jottings fro our log" quarterly publication of the Mission in 1916.Sepia photograph with a thin black frame depicting seamen gathering in front of the Central Institute, Siddeley Street, where buses are waiting for them to take them on an outing.Handwritten at the back in pencil: "168" / Starting for Christmas picnic Handwritten in blue ink: "8" Handwritten twice in blue ink: 1914? at the top and 1914 at the bottom.siddeley street institute, ww1, christmas, transport, rev gurney goldsmith, flag, red cross, the globe, union jack, motorbus, 1913, xmas

Murray Comrie Collection. Names of some subjects handwritten on card. This photograph is an original print. Monochrome photograph of a group young men, posed together with a makeshift backdrop behind them. Two at front are seated on a fur rug and holding a football between them.tarnagulla, sport, football, youth, teams, radnell, duggan, goltz, theobald, abbott, harwood, spencer

Two green cloth badges with a crown embroidered on thembadges

Legacy celebrated its Centenary in 2023 by conducting a Torch Relay from Pozieres in France, to London, and around Australia, ending in Melbourne on 13th October 2023. Torchbearers were supplied with a white uniform, socks and hat to wear during the relay. These are additional commemorative socks produced by the Torch Relay committee (organised by Legacy Australia Inc) and given to Melbourne Legacy.An important part of Legacy's history was the commemoration of its centenary.White socks with Legacy 100 on them and the Torch emblem.torch, relay, centenary

Paper scrolls with Christian bible verses printed on them.religion, scripture, religious readings

This is a one piece, Australian Army uniform called a tank suit. It has a one piece body, long arms and trousers. Colour is jungle green, Material is cotton drill. It has numerous pockets which can be buttoned shut. There is a brass zip up the centre front.There are two little tabs inside with the number 38906 on 38908 written on them.uniform, australian army, tank suit

Yields information about tram operations in the city area of Ballarat.Set of 4 colour slides - Kodachrome white cardboard mounts - slide mounts dated August to September 1971. .1 - Photo of No. 37 at the intersection of Sturt and Lydiard Streets with the Town Hall in the background and the tramway shelter. Has detailed street signs - Government Tourist Bureau, Art Gallery and street name and a sign "Danger Cross Streets at Right Angles" .2 - No. 30 with the destination of City, westbound in Sturt St with the Town Hall, Fletcher Jones and Coles stores in the background. .3 - Nos. 30 and 21 parked in the City Loop. .4 - view of the south side of Sturt St just to west of Grenville St with the Family Footwear, Spot Cafe, Bill Valpied Fruit, Union Hotel and Thomas Jewellers buildings in the view. Photo from the collection of Lilian Butler. .2 and .3 have in pencil "Photo to America" written on them in pencil.ballarat, tramways, trams, sturt st, city loop, lydiard st north, city, signs, tram 30, tram 21

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Shrimp and fish were often preserved by drying them and stringing them together with straw. The age-old technique is also used for other foods, including fish, peppers, and giant white radishes known as daikon. The shrimp here are likely to be from Kagoshima, the southernmost prefecture of Kyushu. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

Camp 3 Evangelical Lutheran Religious Instruction Class. New Guinea Missionaries. Standing: Willi Flierl (N.G.); Theodore Stoll; Walter Mueller; Heinz Palmer; Wilhelm Stoll; Frieda Bergmann; Benno Glockemann; Eva Kotelmann; Hans-Erich Flierl; Mitzi Swoboda; Berta Krafft; Heinz Bulach; Hans Wagner (N.G.); Heinrich Bergmann. Seated: Ruth Palmer; Agnes Bergmann; Gertrud Hermann; Magdalene Rubitschung.Black and white photograph of 16 children (4 girls seated) and 2 adults with part of a hut on either side behind them. Two trees behind them as well.willi flierl, theodore stoll, walter mueller, heinz palmer, wilhelm stoll, frieda bergmann, benno glockemann, eva kotelmann, hans-erich flierl, mitzi swoboda, bert krafft, heinz bulach, hans wagner, heinrich bergmann, ruth palmer, agnes bergmann, gertrud hermann, magdalene rubitschung, camp 3 religious instruction class, new guinea missionaries, lutheran church religious instruction

These lead beater balls were used be plumbers to shape metal. The balls would be held in a sling and the lead was formed around them by being beaten with a hammer or mallet.These lead beater balls are a good example of the tools of trade for plumbers.Lead Beater Balls, quantity of 47, rounded solid wooden balls with domed ends, various sizes. Balls were used by plumbers for beating lead into different shapes and sizes, spheroid in shape and ranging in size. Balls were placed in a sling and lead was formed around them by beating with a Bossing mallet e.g. Item No 1449.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, plumbers tools, lead beater balls, plumber's balls

An album of photos from the ship that brought returned servicemen, including JB McLean, home from World War 1 in 1920. Photos include Suez Canal, Kantara military camp Egypt, onboard life boat drills, onboard baby competition, boxing and a visit to Bombay. The Ceramic departed Tillbury, UK 12th March and docked in Freemantle on 27th April 1920 and then went onto Adelaide, Melbourne and Sydney. The Ceramic was a transport vessel built in Belfast in 1913 for the White Star Line to transport frozen produce and apples from Australia to UK. It was taken over by the Australian Government for troop transport in October 1914 and could carry over 3,000 troops. This trip in 1920 there were 1467 on board, there were women and children as well as 439 soldiers returning home, one of whom was John 'Basil' McLean. Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. There was a large collection of postcards so he may have been collecting them as souvenirs. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving Portsea in 1920.A collection of items from John Basil McLean is in the archive. Kept as an indication of what founding legatees experienced in World War One.Black cardboard pages x 5 with photos glued to them, contained in black cardboard cover tied with a black string.Cover is printed with 'Photographs'. Photos have white ink handwritten captions.souvenir, world war one, jb mclean, ship, ceramic

A photo of Legacy boys on the steps of Blamey House. Blamey House (purchased 1947) , Stanhope (purchased 1945) and Harelands (purchased 1950) were residences run by Melbourne Legacy to take care of children whose fathers were servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself. Harelands accomodated boys and girls under the age of 14, Blamey House looked after boys over 14, and Stanhope looked after girls over 14. The children were cared for until they were old enough to become independent. The man in this photo is labelled ‘Bob Wight’, who was the Superintendent of the house with his wife Jane. See also 01430.A record of the boys that lived in Blamey House in the 1970s.Black and white group photo of 20 boys and Bob Wight. Plus an A4 sheet of paper identifying each person and the Melbourne Legacy Group or Branch caring for them. residences, blamey house

Ray Cleary was the executive director of Copelen Street Family Centre, which operated all adoption work for the UCA, and Katharine Lancaster was the agency's principal adoption officer. An article on page 9 of C&N for July 25 1984 discussed recent government legislation regarding adoption procedures and law.The two persons are shown seated looking at a report between them."Ray Cleary & Katharine Lancaster"cleary, ray, lancaster, katharine, copelen street family centre, adoption

Ollis was head of painting at Latrobe University, Bendigo, before his appointment as head of the Sydney Art School. His work has been described as allegorical expressionism. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Painting of a seated woman and man with a yellow lamp behind them. art, artwork, bernard ollis, available, ollis, oil on canvas, oil

Used at the Chalet or by the Victorian Railways for administering first aid. 'A range of first aid supplies, including older types of stretchers and syringes emphasise the importance given over the years to emergency equipment and to the need for remedial items such as bedpans and invalid cups.' (Pg 110. Historica) For many years whilst under Railways Management the First Aid Room was opposite the stairs leading down to the Café, on the left hand side leading up to the Dining Room. Here skiing and recreational injuries were attended to.Listed in Draft Inventory of Significant Collection items. Appendix A.3.Staff Equipment. (Pg 167 Historica).Seven green painted tin first aid cases with hinged lids. Two cases have "Victorian Railways"stamped on them. All have a blue circle with a redcross marked on them.Yes

Set of 2 Agfa colour slide, blue and white plastic mount, photo by Keith Caldwell 10/1978 of: .1 - Z64 outbound in Nicholson St at Gertrude St, route 88 for West Preston Tyler St with the Carlton Gardens South in the background. .2 - Z76 in Nicholson St just before Gertrude St, showing City Spencer St, route 95 prior to reversing at the cross over just past Gertrude St. .3 - Z72, as .1 - Route 88..1 and .2 have "MLB 10/78 BK" written on them in penciltrams, tramways, nicholson st, exhibition, route 88, east preston, z class, route 95, tram 64, tram 76, tram 72

Ticket - Pass Master - printed on paste board - Edmondson style, bright orange colour with a drawing of a Z class and Hitachi train and the words "Pass Master" and "Tram Train". On rear are conditions of travel, Child, available on tram, train and bus on the date stamped. Ticket numbers 02404, 02456, 02476 3 copies held. Further copies added 17/8/2014 from the Robert Green collection. Child - 90828 Concession - 22686 3 x Adults - wrapped in a taped section of yellow paper - 13448, 07421, 04569. 3 x Adults - ditto, 13460, 07414, 04367 For more detail see http://www.robx1.net/victkt/pre1981/html/1976.htm - accessed 7-11-2018, started 1976The two parcels of wrapped tickets both have the numbers "55" written on them.trams, tramways, tickets, children, pass master, melbourne

A History of the Roads, Tracks and Bridges in the GrampiansCrean paper cover with a line drawing of "Entering the Gap" Circa 1870 by Laurie Evans. Plastic BindingTRacks, Roads and Bridges - In the Grampians. A Celebration and a Tribute to those who worked on them.stawell

Harry Gorry bid for & purchased on internet auction site. The seller's mother was putting these & other items up for auction. Her father/ the seller's grandfather was Dr. Bruno Koening, a German surgeon detained by Allied forces while fleeing New Guinea in 1941. He was detained & sent to be interned in Camp 3, Tatura. There he met the painter Cesare Vagarini & they became friends, thus 4 years later upon the end of the war Vagarini gave the surgeon the two paintings in thanks & in memory of their friendship. Dr Koening then passed the paintings down to his daughter, where they remained in the family for 60 years. The seller's mother decided it was time to sell & was happy that the paintings went to a good home, as the family was until now unaware of the connection between Vagarini and the Tatura Museum. Harry Gorry just happened to notice a familiar name in an auction that he came across by accident & purchased them for our benefit. (Most information copied from Tatura Bulletin article, April 2014).Watercolour painting, depicting barracks at Camp 3. Picture showing fencing posts & bare ground in foreground, and row of huts in background, with 4 trees behind them. at bottom left of picture. writing not legable.tatura, camp 3, vagarini

This photograph is of Toby Nixon (Percival Charles Nixon) and Lexie Nixon, his sister. It was taken at the Roll Call for the "Back To Orbost" celebrations in 1937. Toby Nixon was born on 27.3.1902. He was the of George and Emily Nixon. Married to Grace Forbes, he farmed maize at Jarrahmond as well as wheat at Buchan. He was an active member of the Maize Growers Association, helping to create the Maize Board. He was also a director of the Seed Bean Board for many years. His sister, Lexie, married Edward Fortescue Abbott. (more information in "From White Knowle to Pumpkin Point" by Peter Nixon.) This photograph is associated with the Nixon family which contributed greatly to the history of the Orbost district. Toby Nixon was a well-respected Orbost identity.A black / white photograph of a man and a woman on a horse. Behind them is a foal.