Yields information about the Bendigo tram depot office block, the scrubber tram and the way it was placed on blocks to have the truck or bogie repaired..Black and white print on heavy matt photographic paper of the Bendigo scrubber tram on blocks outside the administration section of the depot, while the truck or the wheels undergoing repairs. In the background is "Bundy" clock on the wall of the depot, and a man resting on a bicycle. 2nd copy - laser print - with date etc on rear - added 22/2/2010, copy from Ron Hann. Printed on Fujifilm, Fujicolour Crystal Archive for Frontier"On rear in pencil "Scrubber Bendigo 1963" 2nd copy has label "Reference 6/212/34" Photo by Ron Hann" and another label "Bendigo Depot 01.63"tramways, trams, bendigo, depot, scrubber tram, tram scrubber

Yields information about the BTM's 40th anniversary celebrations, and some of the people involved.Set of eight colour prints of the display area and new panels on show for the first time. Taken by Earl Ewers, printed on Fujichrome paper. Taken 29/5/2011. .1 - Display area from the office .2 - Boards and panels on display alongside 3 road .3 - No. 39 and shed. .4 - New panels alongside wall./ .5 - Gavin Young at sales desk .6 - Panel - 1950's to 1960's .7 - Yanks Conductresses and pranksters .8 - End of the Line On rear in blue pen .1 - Interior Museum Section BTM 29 May 2011 .2 - Interior Ballarat Tram Museum 29 May 2011 .3 - Interior Ballarat Tram Museum 29 May 2011 .4 - Wall mountings ready to be put on museum wall 29 May 2011 .5 - "Counting the badges" Gavin Young hard at it 29 May 2011 Ballarat Tram Depottrams, tramways, 40th anniversary, btm, displays, depot, tram 39, tram 1, tram 40

Set of three colour prints of tram 33 and the advertising boards. .1 - No. 33 at Carlton St with the Twin Lakes dash panel advert, Sovereign Caravans and Eureka tile roof advertisements. .2 - the old Eureka Tile and Twin Lakes advertising signs stored in the depot along 3 road wall. Notes the "star" is missing on the new sign. .3 - Photo of the new Eureka tiles roof Advertisements sign. Image of the star added to the sign - see i5 - taken 1/4/2015 by WAD and emailed to Earl. Taken by Earl Ewers, 9/11/2014, printed on Kodak Royal paper.See images 6262i4 for notes on the rear of each photo.trams, tramways, carlton st, advertisements, roof ads, twin lakes, tram 33

Yields information about the construction of the track and depot fan c 1973.Black and white photograph of the two timetable boards that were located at the Tramway's Centre building at the corner of Sturt and Lydiard St. Photographed against the office wall of the old SEC depot. Printed on Kodak paper.trams, tramways, depot, timetables, city

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of the Bendigo 7 at Eaglehawk 6-1-1963. Wal's album notes note that the tram ex Ballarat No. 19. The tram has the destination of Eaglehawk and has advertisements for Ilford Film and Electricity cooking on roof and Hutton's ham on rear drivers dash panel. In the background is the Park Hotel with the wall painted for Beaurepaires Olympic tyres. Printed on Ilford Paper. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 6/6/2020. On the rear in blue ink "SEC Bendigo, 3rd No. 7 ex Ballarat No. 19. Eaglehawk, 6-1-63" with Wal Jack copyright stamp in the top right hand corner and the number "T1311" written in.trams, tramways, bendigo, eaglehawk, tram 7

Yields information and has strong association with an important tramway fund raising event during the second world war. The event and other work saw Ballarat conductress Sylvia Mitchell win the Most popular conductress competition from within the Victorian tramway depots.Raffle ticket for the Ballarat Tramway's Patriotic Fair, Most Popular Conductress Competition, Treasure Tram, 1944. Printed on light coloured orange paper, with a two colour, red and green image of the tram. Summary lists of the objects in the treasure tram and what you could use it for. Printed by Waller and Chester by courtesy of Messier and Opie of 17 Bridge St Ballarat. Advises that the results would be published in the papers of 31st July 1944. trams, tramways, world war i, most popular conductress competition, conductresses, treasure tram

Newspaper article from the Bendigo Advertiser stuck on A4 printer paper. Article is dated Friday, May 22, 2015. Article is accompanied by a picture of Peter Ellis and is captioned as such. Article is written by Jason Walls and is titled Loss for folk music history. Article reads: Celebrated Bendigo Music identity, historian and naturalist Peter Ellis OAM died suddenly this week after a brief illness. He was 69. Mr Ellis was highly regarded as a collector and preserver of traditional bush music, with his collection of dance related material the largest in the National Library Archives in Canberra. He was award an Order of Australia Medal in 2012 for services to the arts through the collection and preservation of Australian folk history and heritage. Mr Ellis was a founding member of the Emu Creek Bush Band and achieved two platinum and several gold records in his more than 30 years with the Wedderburn Old Timers Band. Fellow Emu Creek Bush Band member and close friend John Williams said Mr Ellis had made an invaluable contribution to the preservation of Australia's musical and dance heritage, travelling extensively across the country recording and notating folk music. 'In 500 year's time, as long as they can find the technology, people will be able to resurrect our bush dancing history,' he said. 'Probably his biggest legacy is the number of young people who have been made aware of bush music and are continuing to play it today and will play it in the future.' As a life member of the Bendigo Field Naturalists Mr Ellis was also involved in campaigns to establish the Whipstick and Kamarooka State Parks and the Saloman's Gully and Jackass Flat Flora Reserves, and lobbied for the inclusion of One Tree Hill in the Greater Bendigo National Park. A public funeral service will beheld at the Mulqueen Family Chapel on Bridge Street on Monday, May 25, at 11am, followed by a private cremation. An extensive obituary will be published in Saturday's Bendigo Advertiser.person, individual, peter ellis oam

Document on foolscap paper some notes on Dudley House Bendigo Victoria, Australia courtesy of Mr Geoffrey, C. Ingleton father was the former Town Clerk of Bendigo, appointed 1 January 1924. The layout of the building at ground floor level involved the removal of walls along the left side from the entrance creating one large room. Alterations required replacement of doors, 1920's style , with decorative glass panels and door knobs of the period. This report contains excellent descriptions of furniture installed at the house, including a grandfather clock, framed etchings, easy chairs with loose floral covers, and a number of 'occasional chairs' of Rose-wood or Cedar in Edwardian design. The furniture was purchased from Morley Johnson of Bendigo and Sydney. There were also china cabinets, a gramophone in a large upright rose-wood cabriole-shaped cabinet. The name Dudley house may have been earned by reputation, or had a connection to a former tenant - perhaps a State Official or a caretaker.bendigo, history, dudley house

Un Named colour Debutante ball photo in Brown heavy paper folder. Boys in black suits with bow tie white ruffle fronted shirt and pink buttonholes. Girls in white dresses with pink bouquets. Flower girls in pink. Chaperones to left. Cream brick walls red carpet.photo, group, mixed group

Two black and white photos pasted onto a sheet of paper. The top photo is a photo of three men, one playing a fiddle, one with a brass instrument and the third is not very clear. They are in front of a hut with branches on the roof and hessian walls. Beneath the photo is typed on a piece of paper - A Bendigo Camp by Mulgarrie W. A. (Boer War Training Camp? Bendigonian Jan. 14 1897. Latrobe Collection, State Library of Victoria. The second photo is three men, dressed in suits and sitting on chairs in front of a building. One has a clarinet, the middle one has a concertina and the other has a fiddle. The men are the Coleman Brothers. The photo was taken by a travelling photographer called Siebart.photo, group, male, peter ellis collection, mulgarrie w a, boer was training camp?, bendigonian 14/1/1897, latrobe collection, state library of victoria, bill coleman, charles coleman, john robertson, singabout vol 6 no 1 1966, siebart, peter cuffley

Black and white photograph of the SECV Wendouree Parade depot with tram 30 and another single trucker sitting outside the building - a worker with a bicycle is hiding the number. Note the SECV Electricity Supply Department plaque on the brick wall at the front of the depot. Tram 30 is in the 1930s colour scheme - photo late 1930s or early 1940s. Photographer unknown.Yields information about the SEC Depot late 1930sBlack and white photograph on plain paper.trams, tramways, depot, secv, tram 30

Ticket block headed Ballarat Vintage Tramway. On the rear in green ink are details of the Ballarat Tramway Museum, web address and that the organisation is a volunteer operated. The 100 tickets have been stapled onto a heavy cardboard back with a heavy metal staple and a small cardboard retaining strip at the top of the ticket. Ticket Numbers 191001 to 192100. The tickets are in the style of the former State Electricity Commission of Victoria tramway tickets. The 1/- tickets are used for Adult passengers, to save printing new tickets each time the fares changed. Commenced used end Jan. 1991. See Reg Item 5964 for the fourth run of the 1/- and 6d tickets and 1622 for the first run. Printed by Waller & Chester Ballarat Jan. 2024Demonstrates the Museums phasing out of tickets priced for the actual fare and conversion to a universal ticket that does not have to be changed for a fare increase. Block of 100 tickets - green ink on off white paper, denomination 1/- (1 shilling). trams, tramways, btm, tickets

In 1977, artist Annette Meikle undertook a commission to illustrate a book recording stories of places and people in the Bayside area. It was published in 1978 as Sandringham Sketchbook, with text by Elizabeth Waters. The sketches were intended to record remaining examples of Bayside’s early architecture and environment, as well as reflect newer architectural changes. Meikle went on to donate 22 of these sketches to Bayside City Council in 2003. Black Rock House was built in 1858 by wealthy land dealer and politician Charles Hobson Ebden as a holiday home on 112 acres of virgin scrub, taking in the area of present day Balcombe Road, Beach Road and the line of Keating Street. The house included four bedrooms, a cellar, stables and a courtyard enclosed in castle-like sandstone walls. It was named Black Rock House after Black Rock Castle near Dublin, associated with Mrs Ebden’s childhood.Annette Meikle, Black Rock House 1977, ink and watercolour, 33 x 53.5 cm. Bayside City Council Art and Heritage Collection. Donated by the artist, 2003annette meikle, sandringham sketchbook, elizabeth waters, black rock house, black rock, charles hobson ebden, architecture, historic house

Boroondara General Cemetery, often referred to as Kew cemetery, is one of the oldest cemeteries in Victoria, Australia, created in the tradition of the Victorian garden cemetery. The cemetery, located in Kew, a suburb of Melbourne, is listed as a heritage place on the Victorian Heritage Register. Framed pastel drawing, donated to the Kew Historical Society in 1965 of the entrance to Boroondara General (Kew) Cemetery, believed to be drawn by the sister of the artist George Bell. The drawing shows one of the entrances to the Cemetery before the construction of the high brick wall in 1895. This would be consistent with the life of Caroline Bell (1872-1947). The artist's perspective is estimated to be near the west end of the cemetery, perhaps in Victoria Park.caroline ethel bell (1872-1947), boroondara general (kew) cemetery, victoria park

A empty chest, originally used to house a lawn tennis set. Black and green lithographic print features a mixed doubles game of tennis. Inscription: TENNIS/F. WALLER. LITH. 18. HATTON GARDEN. Materials: Wood, Metal, Ink, Glue, Paper, Lacquertennis

An e.21st century digital print on canvas, of an original 1886 sepia photographic print, and of the paper label beneath. Image features a group of men, women, and a child, seated or standing along a wall, continuing up the stairs located behind it. Many of the participants are holding tennis racquets. Image was taken in Hyderabad, British India. Inscription across the label section below: HYDERABAD WEEK. 1886. Materials: Canvas/Cotton, Ink, Wood, Metal, Paper, Paint, Linentennis

Wallpaper fragment with two different layers of wallpaper. The bottom layer consists of cloth material with a white background and thin blue stripes. The top layer consists of paper material with a grey background and a linear floral pattern in white, pink and blue.No visible markingsbuildings, painting/decorating, wallpaper, decorating, interior, wall, fragments, floral, pattern, stripes.

Wallpaper fragment consisting of thick paper material with pink-brown textured background. Border along one side of fragment with leaf and curved line intertwined in red, green and brown.Lounge Room written on the back in red marker. Newspaper markings also on back.buildings, painting/decorating, wallpaper, fragments, interior, wall, decoration, leaf design, vine.

Advertising, Program and Poster for the first production by members of the City of Heidelberg Repertory Group. A Lady Mislaid was performed at the Eisteddfod Hall in Ivanhoe which on the poster was advertised as being at the rear of Hoyts picture theatre.The poster lists the cast, the tcket price, 3/- with Children Half Price. There were two performances, on Thursday 28 and Friday 29 February, 1952. Advertising for first production by members of the City of Heidelberg Repertory Group. A Lady Mislaid by Kenneth Horne, currently known as the Heidelberg Theatre Company Inc.Scan of original poster, white paper, black type, red highlights. Original Program, white paper, black type. Original newspaper review and article.gwenythe bode, joyce carthew, lois james, wally glassborow, mel morgan, len tonge, dorothy waller, eisteddfod hall, heidelberg theatre company inc., city of heidelberg repertory group, directed by reg rudd

Paper page folded three times into a pamphlet. Matte effect paper used. Colour photo on front page of two women standing behind the shilling wall. Asking for nominations or donation to the shilling wall project to honour Victorian women.pamphlet, fundraising event, charitable organisation

Glass square walled bottle of black ink used for replenishing stamp pads. Labelled, black metal screw top. In white on a black paper label, "Superior / Rubber Stamp Pad / Ink".domestic items, writing equipment, glass technology, bottles

A yarn wall hanging depicting sky, trees and river. Felt houses, a wooden bird and animals or fishes made from beads. Red ribbed paper outlines the picture, which is glued to a hessian covered board. This artwork was created by participants at the Day Centre in Kooyong.Striped artwork attached to brown hessian backingassociation for the blind, day centre

Ponsonby May CAREW SMYTH Ponsonby May Carew Smyth was born at Cork, Ireland, Carew-Smyth studied at the Belfast School of Art and Design. Carew Smyth taught at the National Art Training School, London and Rugby School. He arrived in Australia in January 1891 , and was appointed Principal of the Ballarat Fine Art Gallery School (Ballarat West Technical Art School) from 1891 to 1899. In 1907 Carew Smyth was Chief Inspector of Art for the Victorian Education Department. He designed commemorative wall plaques for state schools after World War One. In 1936 Carew Smyth was Acting Director of the National Gallery of Victoria. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed pencil drawing of a woman carrying a vase.art, artwork, ponsonby carew-smyth, ballarat west technical art school, victorian education department inspector of art, drawing, art education

Kees HOS In 1956 Kees and his wife Tina made a new life with their two children in the arts community of New Zealand. In Australia Kees established the art school at Gippsland College of Advanced Education in 1971 with a radical multidisciplinary approach to art education. He generously delivered encouragement and opportunities to many people including lecturers, visiting artists and students. His small team literally built an art school from zero. Temporary accommodation in an old factory and service station in Morwell moved to three student-built studios on the Gippsland Campus. His highest recognition was 1997 when the names of Kees and Albertine Hos were added to the Wall of Honour in the Garden of the Righteous at Yad Vasheem in Jerusalem along with many others who put their lives on the line against the biggest killing machine the world had known. The ‘hiding-place’ in Kees and Tina’s home was discovered but Tina managed to rescue a baby as her own while the Jewish parents were transported to Auschwitz and Dachau. Kees was on the run using his printmaking skills to forge passports but was eventually captured and jailed, the war’s end saving his life. Gippsland Director's Collection, Acquired 1973.Signed and dated lower right in pencil "Kees Hos '64"artist, artwork, kees hos, gippsland campus, gippsland director's collection, printmaking, wall of honour in the garden of the righteous

Four people retrieving Braille from the shelves to pack into cane storage baskets for dispatch. A woman is taking a book off the shelf, another is annotating a piece of paper whilst a third woman looks at the spine of a book. A man in a dust coat is also handling a book. Book shelves line the walls and cane baskets are stacked upon the floor.1 B/W digital image of people sending braillebraille library of victoria, braille

Manufactured in the 1960s, this mobile emergency telephone exchange was fitted into a caravan. Part of the Shepparton Division State Disaster Plan, the caravan could be towed to areas affected by disasters to enable communications to recommence. The caravan remained in service until approximately 1974.Mobile infrastructure plays an important role in Australian communications, owing to the often remote and hostile environments in which Australians live and work. Exchanges such as this facilitated phone calls in the aftermath of an emergency, particularly for hospitals, police and other emergency services. Today, Mobile Exchange on Wheels (MEOWs), Cell on Wheels (CoW) and Satellite Cell on Wheels (SatCOW) - which provide temporary landline and broadband services, mobile phone coverage and service in areas without communications infrastructure respectively - are a critical part of emergency response procedures for natural disasters such as fire and flood. Though technology has progressed, the need for rapid service in remote areas remains a present concern of the communications service providers in Australia. This mobile service infrastructure is historically significant as an early example of a service which has evolved over decades, yet is still needed today. The exchange, as a representative example of a vehicle which would provide early-response in a disaster, is socially significant as a facilitator of critical communications needs in devastated communities: access to emergency services and contact with family and friends. The exchange itself, intact from its period of use, provides an insight into technology of the 1970s.Mobile emergency exchange housed in a caravan trailer on 2 wheel base, duralin body, steel tow bar, Caravan divided into 3 sections; the exchange room; the relay room and the main frame room. The exchange room contains 3 switchboards, a folding table, cupboards, benches and switch rack (.1). table (.2), steel bar for attaching the table (.3), back boards of switchboards (.4-.6), switches (.7-.16), box of switches (.17). There is a wall phone magneto, 300 type handset on wall and 2 skylights with wire screens. .11? hat pegs and shelf; there are 2 fluorescent tubes for lighting, all in exchange section. The floor is covered with 2 tone grey tiles and there are wire mesh on outside of windows and a geometric curtain inside behind switch rack. There is a flywire screen door as well as exterior door. The relay room has a sectioned door so half can open at a time. Room contains a cupboard with folding bench top beneath a curtained window. The opposite wall has a bank of batteries and transmission condensers; there is a shelf above window, one fluorescent tube and fuse boxes. Tiles on floor also. The main frame room contains many metres of coiled black covered cable, a black covered magneto wall telephone with 300 type handset; grey plastic jumper cords, a rack of termination points and wire with wasp nests attached. There is a small iron step under door, a fluorescent tube on wall and 3 hat hooks. Roll of Paper Handtowels (.18), cord and handle (.19), red exchange cords and plugs (.20-.22), plastic aluminium runners (.23,.24), headset (.25,.26), logbook (.27), battery readings (.28), box containing papers circuit drawings etc (.29-.93), paper lists off wall (.94,.95). Books, record books etc (.96-.103). Manila folder (.104) containing circuit drawings (105-.124). Wooden drawer (.125), metal drawer containing subscribers master cards, record of faults cards, particular switchboards connected, Junction line cards (.126). Box of valves (.127), box of clamps (.128). Box of 2000 type rack fuses, red 1 1/2 AMPS, black 3 AMP, blue 1/2 AMP (.129). Box of sleeves for covering wire joints (.130), plastic beakers (.131,.132), soap (.133), box of white plastic squares (.134), time switch "Venner BF/43 time switch" Made in England (.135), box of bolts, knobs etc (.136), box of switchboard number indicators (.137), fuse (.138), fuse wire (.139), football card (.140). Box of cartridge fuse 6 AMP (.141). Envelope of drawing pins, rubber bands (.142), black plastic, paper tape centres (.143-.152), metal plug (.153), 2 signs "Beware of vehicles" (.154-.155). Paper listing Naringal East automatic conversion (.156). Green Commonwealth of Australia note pad (.157). Wiring plug for tail lights (.158). Black fuse plugs (.159,.160). Box of bolts (.161). 2 sections of blue plastic coated wires (.162,.163). Gloves used for working on batteries (.164-.167). Wasp nests (.168,.169). White fuse (.170). Photographs of van in use (.171,.172)..1 on front: "ANOTHER / MOBILETRAIL / PRODUCT" "MAX SPEED / 25MPH" "TRAILER BRAKES / --- / " On sides: "EMERGENCY TELEPHONE EXCHANGE" "NO 1" "PMG" "TCQ / GROSS 250 / TARE 182 / LOAD 162" "6" "COUNTRY BRANCH / NORTH REGION / [SHEPPARTON DIVISION]" "LAW'S SIGNS" "Telecom Australia" On back: "DANGER / LONG LOAD" "MQA 3787" .133: "FIR OIL" "AUSTRALIA"mobile telephone exchanges, mobile telecommunications trailers, trailers, transport, natural disaster, black saturday, bushfires, floods, emergency communications

1. Male sits at a desk with a Wang computer terminal in front of him and Optacon device to his left. The Optacon was a device that allowed printed material to be turned into Braille through the use of a small camera connected to a vibrating array that produced the Braille. To his right is a cassette recorder, another computer and recorder, whilst a long cane rests against a wall. The man is possibly wearing a sonic guide and listening to the cassette whilst he types on to the screen. 2. Male sits in an office with an Opticon to his left, which he is using, and a manual typewriter in front of him. The typewriter has the camera of the Opticon clamped into position over the typewriter. Behind the man is a reception desk, with a bell and small switchboard visible on upper counter of the desk, and a coffee mug, portable cassette recorder, telephone books and piles of paper stacked neatly under the upper counter.Digital image taken from pictures on chipboard15 - Group with 13, 14 please - no caption available 12 - Group with 13, Optacon captionemployment, royal blind society of new south wales

The buildings at Kooyong have undergone various re-modelling and redesign over the years. These plaques commemorate the dual activities taking place at the Kooyong Centre, as it strove to adapt to the increasing need for technological support and the changes in information, day centre and supports needed by the blind and vision impaired community. These plaques were located in the corridor between reception and the day centre, but were dismantled during renovations in 2018.This plaque commemorates the start of construction of Vision Australia Foundation's information and technology facilities and was unveiled by Mr D R Argus AO, Patron Vision Australia Foundation, Chairman, Centenary Appeal in recognition of all who made this development possible for the lasting benefit of people who are blind or have severe sight loss. 27 March 2000, Malcolm Daubney, President. John Cook, Chief Executive Officer. This plaque commemorates the official opening of Vision Australia Foundation's Kooyong Centre by John Landy, AC, MBIE, Governor of Victoria, 11 October 2001. Building Donors: Don Argus, AO - Appeal Chairman, Shirley Admans, Amcor Limited, Aspect Consulting Pty Ltd, Atalina Nomines Pty Ltd, Robert Bosch (Aust) Pty Ltd, The William Buckland Foundation, Cadbury Schweppes Australia Ltd, Terry Cocks OAM, Coles Myer Ltd, Commonwealth Bank of Australia, Consolidated Paper Industries, John & Beverley Cook, The Craftsman Press Pty Ltd, Norma Crook, CSR Limited, Malcolm & Beverley Daubney, Don Draffin, Sir Andrew & Lady Fairley Foundation, Ford Motor Co. of Australia Ltd, Fortis Australia Ltd, Gandel Charitable Trust, Harold Gration, Dept of Health & Community Services, Peter Isaacson Publications Pty Ltd, Kayarem Pty Ltd, Kooyong Auxiliary, Kooyong Fair Committee, Lady Joan Law-Smith, Elaine Leahy, Eve & Lewis Lustig, Henry Malycon, Ann Miller, John Moule AM, Dame Elisabeth Murdoch, AC DBE, Sidney Myer Fund, National Australia Bank, Pacific Dunlop Ltd, Raleigh Paper Co Pty Ltd, Lady Catherine Ramsay, Rothschild Australia Ltd, Shell Australia Ltd, Slade & Partners, Springfield Auxiliary, Ian Roach AO, Rotary Club of Albert Park, Rotary Club of Hawthorn, The Top Opp Volunteers, Sir Donald & Lady Trescowthick Foundation Ltd, Graham Upton, John Wall OAM, John Wicking AM, Ian & Beverley Wilson, Woodside Petroleum Ltd.vision australia foundation, nameplates

Madhubani art or Mithila painting was traditionally created by the women of various communities in Mithila region of the Indian subcontinent. It originated from Madhubani district of Mithila region of Bihar, and, it is popularly called Mithila painting or Madhubani art. Madhubani is also a major export centre of these paintings. This painting as a form of wall art was practiced widely throughout the region; the more recent development of painting on paper and canvas mainly originated among the villages around Madhubani, and it is these latter developments led to the name Madhubani art being used alongside the name "Mithila Painting." The painting was traditionally done on freshly plastered mud walls and floors of huts, but now they are also done on cloth, handmade paper and canvas.[3] Madhubani paintings are made from the paste of powdered rice. Madhubani painting has remained confined to a compact geographical area and the skills have been passed on through centuries, the content and the style have largely remained the same. Madhubani paintings also use two-dimensional imagery, and the colors used are derived from plants. Ochre and lampblack are also used for reddish brown and black respectively. Generally, no space is left empty; the gaps are filled by paintings of flowers, animals, birds, and even geometric designs.(wikipedia)Framed traditional Hindu story painted onto textile.madhubani, indian, krishna, radha, punjab, mehndi