Navy blue pinstripe suit jacket and pants. Charcoal tie with a tan geometric print. Printed [inside jacket tag]: Flair / COOL / WOOL / WARM IRON / DRY CLEAN ONLY / PURE NEW WOOL Printed [tie label]: Country Road Australia / Made in Italy Printed [pants label] No. 9722fashion, wool, men's suit, clothing, fabric, australian made, tie, pants, jackets, design, textile

Part of Birmingham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland. Bed caps were worn in the 1800s to keep the head warm. However, in the early 1900s silk caps became popular to protect hairstyles . They were though to improve the health of hair.Cream silk cap, edged with cream lace with green embroidery. Gathered at crown.clothing, night cap, 1900s, headwear, women's headwear, women, female clothing

Polyester long sleeved khaki dress shirt. Left and right breast pockets with buttons. Buttons on the cuff of each sleeve. Six buttons down the front plus one spare. Epaulets on each shoulder with buttons securing.Plain back. Label inside at the back of the neck states - ADI 1991 Size 43/86. 8405.66.088.7110. Service No. Name. 65% Polyester 35% Cotton. Do not boil or wring. Machine washable, drip dry, iron lightly with warm iron. Manufacturer - ADI 1991dress shirt, polyesters

Booklet. ALEC H CHISHOLM COLLECTION. Two identical volumes of a 78 page soft cover collection of verse by R. T. Foster (Onlooker, of 'The Herald-Sun). Illustrations by Emeric. Published in 1974 by Alpha Books, Sydney. Printed by Walter Stone and Sons, Surry Hills, NSW. Catalogue stickers '2088.1 FOS' and '2088.2 FOS' on spine. Handwritten in ink on flyleaf of vol. (b) ''Alec Chisholm With warm regards. R. T. Foster June 1, '75''R T Fosterbooks, collections, poetry, alec h chisholm collection, r.t.foster, emeric, poetry

Document. Greeting Cards. Small white card with gold border 3mm from the edges. Inside is a border of green holly with red berries and gold drawing ling each holly spray. Inside is a double brown border with 2 brown cats sitting in front of an open fire watching a gold kettle boiling. The fire has birght red flames. Underneath the picture is a large bunch of holly and under that is printed in gold: Warm Wishes. An insert is held with fine white cord.personal effects, greeting cards, malone collection, malone collection, greeting cards

Sunbeam produced a wide range of hair dryers in a variety of sizes and shapes throughout the 1960s. Lady Sunbeam was promoted as providing unequalled efficiency as well as extra convenience and comfort. Whilst you dried your hair, you were able to sit and relax, read a book, write letters, knit or apply your nail enamel. The added convenient shoulder strap enabled you to complete other small household chores such as ironing - as long as they could be carried out within the distance of the power cord. Sunbeam History The Sunbeam Corporation began in Australia in 1902 as a small branch of the American group, Chicago Flexible Shaft Company.In 1946, this company changed its name to Sunbeam Corporation and developed the slogan "Best Electric Appliances Made". The company became publicly traded in 1952 and came into Australian ownership in 1987. In 1948 the company launched the Sunbeam Mixmaster®, the first small electrical appliance to be manufactured in Australia. In 2020, the company changed its name to Newell Australia.This item is representative of a range of domestic appliances used across Australia in the 1960s to make home life simpler and more convenient.Hair dryer in portable round plastic hinged case with motor fitted within the base. Plastic wire coiled hose is attached to the motor. A plastic hood edged with elastic and lace adjustment is fitted to the end of the hose. The hood has a pattern of gold embossed flowers. The motor has settings off, cool, warm, med, hot. An electric cord and plug are attached to the motor. The lid closes with a sprung knob and has a plastic carry handle. The "Lady Sunbeam" Logo is embossed on the lid.On lid: Lady Sunbeam / HAIR DRYER Underneath unit: MODEL AHD-7 220-250V 50CYC 300W.AC. ONLY/ PATENT PENDING RD.NO.42.338 MADE IN AUSTRALIA / Sunbeam CORPORATION LIMITEDsunbeam australia, domestic appliances, hair dryers

Smoking caps are caps worn by men while smoking to stop the hair from smelling of smoke. They also kept the head warm. They were popular in the period 1840-1880, usually worn by gentlemen in the privacy of their home. They are similar to the smoking jacket, though their use, even in Victorian times, was not necessarily as widespread. Source: www.wikipedia.orgSmoking cap. Embroidered net, silver-grey silk thread. Lining mushroom-coloured. Silky material stiffened with cardboard.gentleman s, smoking, cap, headwear, apparel, embroidered, accessory

10.00AM - Received call to prepare and proceed to S. S. Time aground on Corsair Rock with other members of salvage party. Took taxi home to pick up warm clothing and gear returning at once to Fleet Forge works. Arrangements made to board tug Eagle at 5 North Wharf at 1.30PM with diving gear and salvage pumps.Scale model of SS timess time, wrecks, port phillip, corsair rock, model ship

An early electric toaster designed for manually flipping toast. Toast was inserted between the metal slots on each side. The heating element warmed the bread from one side at a time, requiring the user to flip the toast manually. Common in households from the 1920s to the 1940s, before automatic pop-up toasters were widely available.A metal, pyramid-shaped early 20th-century electric toaster with open sides for heat exposure. The toaster stands on a decorative metal base with curved edges. It has two black knobs on top for handling the toaster. The sides have metal slots for inserting bread, and the wire heating elements are visible inside. A drop-down crumb tray is at the bottom, which appears rusted.toast, bread, kitchen, breakfast, household item, electrical

Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - years-of-bliss blankets (man asleep in bed) Physician - years-of-bliss blankets - just feel the difference!/Wonderfully warm, without weight…soft and fluffy after countless washings…made from the most luxurious wool in the world….and guaranteed for 20 years/Physician/Luxurious Woollen Blanketsblanket, blanket fever, wool, collins bros mills, physician, advertisement, australian women's weekly, geelong

Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - years-of-bliss blankets -(mother and child)Physician - years-of-bliss blankets - just feel the difference!/Wonderfully warm, without weight…soft and fluffy after countless washings…made from the most luxurious wool in the world….and guaranteed for 20 years/Physician/Luxurious Woollen Blanketsblanket, blanket fever, wool, collins bros, physician, geelong, advertisement, australian women's weekly

Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - years-of-bliss blankets - (woman on telephone in bed under red blanket)Physician - years-of-bliss blankets - just feel the difference!/Wonderfully warm, without weight…soft and fluffy after countless washings…made from the most luxurious wool in the world….and guaranteed for 20 years/Physician/Luxurious Woollen Blanketsblanket, blanket fever, wool, physician, collins bros, geelong, advertisement, australian women's weekly

The Kangaroo Hoppet is Australia’s premier long distance cross country ski race, and a member of the Worldloppet series of international cross country ski events. The first race at Falls Creek was held in 1979 under the name of “Australian Birkebeiner”. It was a 21km race with about 80 participants organised by the Birkebeiner Nordic Ski Club of Mount Beauty. The course started and finished at Falls Creek Alpine Resort and took participants out into the Bogong High Plains. After running the event for 10 years, it was decided they should become part of the Worldloppet series of marathon ski races. Representatives from the Birkebeiner Nordic Ski Club and the Australian Ski Federation attended the Worldloppet Annual Meeting in Finland in June 1990 to put the case for the acceptance of an Australian event into the Worldloppet series. Before being admitted, they had to demonstrate that the Birkebeiner Club could run a world class event, so three months later in August 1990 a 42km event named the Australian International Ski Marathon was held at Falls Creek together with a 21km Birkebeiner race and a 7km event called the Birkebeiner Lite. The event was approved by delegates from USA, Norway and Austria, in 1991 Australia became the 12th member of Worldloppet, with the condition that there had to be a name change. After some late night discussion allegedly involving red wine from North East Victoria the main event became the 42km Kangaroo Hoppet, with the minor events being the 21km Australian Birkebeiner, and 7km Joey Hoppet. In the winter of 1991, the first Kangaroo Hoppet was held. It was a great success and has been a regular fixture on the international ski calendar ever since. It features the main 42km event as well as a 21km event and a 7km event. The Hoppet brings the Australian snowfields to an international audience. In 2009 the Men's Winner was Ben Sim from Australia in a time of 0:58:39.4. The winner of the Women's event was Kate Calder of New Zealand in a time of 1:07:48.9. Due to the poor weather, and in view of skier safety and poor snow cover, a modified course was set. he Hoppet was reduced from 42 to 25 kms. This poster is significant because it documents an event which brings international attention to Falls Creek and the surrounding region.A poster with an aerial photo of a large number of skiers in the formation of the shape of a kangaroo. The colour of the border is blue, white and orange text is used. The Worldloppet logo is at the top left. The logos of AGL, Alpine Shire, Birkebeiner Nordic Ski Club, Parks Victoria, Tourism Victoria and Falls Creek are across the bottom of the poster. At the top: KANGAROO HOPPET 2009 NINETEEN At the foot of the kangaroo shape: 29 AUGUST 2009 FALLS CREEK, VICTORIA, AUSTRALIA In orange text: KEEP WINTER COOL FIGHT GLOBAL WARMING WWW.KEEPWINTER COOL.COM.AU At bottom in white text: www.hoppet.com.au kangaroo hoppet, worldloppet events, falls creek, mt. beauty

A mustard plaster is a poultice of mustard seed powder spread inside a protective dressing and applied to the body to stimulate healing. It can be used to warm muscle tissues and to treat chronic aches and pains. For long a part of conventional medical treatment, and available in prepared versions in pharmacies, it fell from favour in the 20th century, and is now only used as a home remedy.A paper packet that would have contained a cotton cloth impregnated with a mustard poultice used for the relief of pain in muscles.on packet ; ONE / MUSTARD PLASTER / WET THOROUGHLY BEFORE APPLYING / S[READ ON / CLOTH / TRADE / JELCO / MARK / No. 127 - GUARANTEED BY / THE J-ELWOOD LEE CO. / UNDER THE FOOD AND / DRUGS ACT, JUNE 3J-ELWOOD LEE 0TH 1906 / MANUFACTURED BY / J-ELWOOD LEE CO. / MANUFACTURING CHEMISTS / CONCHOHOCKEN PA. U.S.A.pharmacy, pharmaceutical manufacturers, moorabbin, cheltenham, medical poultices, early settlers, mustard plaster, pennsylvania usa,

This iron chaff cutter was a vital piece of rural machinery especial for cattle in areas subjected to limited grass growing seasons. The Kiewa Valley and Alpine regions were up to the 21st century "snowed" in. The conditions requiring summer crops and fodder to be prolonged for the harsh winter climate are now becoming less and less and may confirm the precursor of "global warming". The Kiewa Valley is still a strong base for dairy cattle and other stock requiring all year access to hay/grass supplies. The use of, now defunct, Tobacco drying sheds for the storage of hay and other fodder is typical of the Australian farmer/grazier's adaptability to utilise anything available. To think outside the square.Black Iron Chaff Cutter. The wheel has a single piece inside with 4 curved spokes with adjustable blades attached by 4 screws & 3 rivets. The wheel has a wooden handle. Operated by cogs. HOCKING GREASE BALLARAT COGS FREELYagriculture, farm machinery, stock feeding, grazier, farm animals

A postcard to the Comradeship Committee when a Legatee was travelling in NSW. The picture is totally black and says it is Tura Beach, Sapphire Coast New South Wales BY NIGHT. It is addressed to Mr Lin Kirk, Chairman, Comradeship at Melbourne Legacy. It is undated and signed Reverend Caffrey. It says: " Fabulous holiday. Terrific night life. Warm regards to all, especially the College of Cardinals."A record of a Legatee travelling and relating experiences back to his comrades in Melbourne.Colour postcard from NSW.Printed "Panoramic night shot from lookout." Australian 45c postage stamp. Handwritten text in black pen.comradeship, legatee

Cream coloured knee length dress of crimplene fabric. Fabric has all over pattern of horizontal rows of looped knot pattern. Fabric also has silver thread woven into fabric. Dress has a high round neckline both front and back. Dress is A line, with front having side darts at bust line and two 30cm darts – vertical on either side of centre front from bust line to hip line. At lower end of each dart is a false pocket flap (11cm x 5cm). Back opening from centre neckline has 54cm nylon zipper with hook and loop at neckline. Back has two vertical darts on either side of centre back. Dress has short set-in cap sleeves. Part of ensemble with 11400.521.Top inside back below neckline: Fashioned by Gina of Melbourne Registered TMS Crimplene. Made from terylene polyester fibre. Wash by hand or machine in warm water. Rinse thoroughly. Gently squeeze out surplus water. Drip dry.costume, female daywear, dress

A Line cream coloured knee length coat of crimplene fabric. Fabric has all over pattern of horizontal rows of looped knot pattern. Fabric also has silver thread woven into fabric. High round neck with stand-up collar - 4.3cm. Two press studs at top below collar, plus one hook and loop to close the collar. Full length front opening with 4.5cm band. Five 2cm fabric covered buttons – evenly spaced from neckline to below hip line. Front has two side darts at bust line. Two false pocket flaps (14cm x 5cm) set at 45° angle to side seams at hem line. Long straight set in sleeves slightly tapered to the wrist. Part of ensemble with 11400.520.Top inside back below neckline: Fashioned by Gina of Melbourne Registered TMS Crimplene. Made from terylene polyester fibre. Wash by hand or machine in warm water. Rinse thoroughly. Gently squeeze out surplus water. Drip dry.costume, female daywear, coat

Sooty hand puppet from 'The Sooty Show' (1955 -1975) British children showGold coloured hand puppet with black ears and nose, with plastic yellow and black eyes. Light brown paw pads.Tag - Surface washable, sponge with luke warm water & mild soap, when dry, brush. Made exclusively for Patsy B. Marketing Ltd Shipping Yorkshire Bd18 1BP under license in China Registered 758227 Mathew Corbett Ltd.sooty, hand puppet, the sooty show, toys

These trousers are part of a Disruptive Pattern Combat Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was used in base and field activities and was replaced in 2014 by the General Purpose Uniform as the uniform worn during general base duties and in non-warlike environments.This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of previously standard issue Airforce uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating the Disruptive Pattern style of camouflage which has its roots in the 1980s and continues to be adapted into uniform design by the Defence Force.Disruptive Pattern trousers in five colours of green and brown. Long pants with elasticised drawstring fastener at ankle and velcro adjustment fasteners at the waist. Pants take a straight leg style and bears several pockets: two thigh level pockets with zippered horizontal opening, two open hip pockets on the front, one open pocket on the reverse right hand side with blue plastic button fastener. Five large belt loops encircle the waist and there is a zippered fly, secured at the top with a blue plastic button.Label on interior front right of trousers reads: “A13/ADA/VICTORIA 2008/(broad arrow)/SPECIFICATION ARMY (AUST)6542/NSN: 8415 66 152 1059/SIZE: 95 S/NAME/SERVICE NO/75% COTTON 25% POLYESTER/WARM MACHINE WASH 40*C/RINSE WELL, WARM IRON/DO NOT IRON OVER HOOK AND PILE/DO NOT BLEACH/DO NOT STARCH/MAY BE TUMBLE DRY 40*C/MADE IN AUSTRALIA” The name “FARLEY” is also handwritten on the back interior waist band of the trousers. camouflage, general purpose uniform, airforce, uniform, australian defence force

Book. ALEC H CHISHOLM COLLECTION. 260 page hardcover book on famous cricketers from Victor Trumper to Peter May. Authored by Jack Fingleton and illustrated with 18 B & W photos. Foreward by the Rt. Hon. R. G. Menzies, P.M. of Australia. Published in 1958 by Heinemann Ltd and printed by Billing & Sons Ltd, Guildford and London. Catalogue sticker ''2197 FIN'' on spine. Handwritten in ink on title page ''For Alec Chisholm in warm appreciation of yourself and help Jack Fingleton Canberra Sept 1958''.Jack Fingletonbooks, collections, sport, alec h chisholm collection, jack fingleton, cricket, cricketers

Yurri needed a warm place to sleep when winter came to the Barmah forest, her friends had no room for her in their homes in the trees, bushes, burrows and caves of the forest. With the help of Uncle Ambrose a Yorta Yorta Elder they make her a home of her own. Yurri?s Manung written by Sue Atkinson (Yorta Yorta) and illustrated by Annette Sax (Taungurung). This is the second book in the YSS series, giving insight into Indigenous Victorian culture. The ?Yarn Strong Sista? series is supported by background notes and ideas for related activities.Illustrations, maps, CDyorta yorta, barmah forest, bark hut, language list, educational activities

This type of cross-stitch embroidery was a popular decorative craft in the 20th century, often created as a hobby or gift. The delicate details and vibrant colors suggest it was made with care and patience, possibly as a handmade home decoration or a sentimental piece. The pastoral theme, featuring a cat, flowers, and a sunlit patio, is a common motif in traditional embroidery patterns, symbolizing comfort, relaxation, and domestic charm. Handcrafted, tapestry stitch, created by Elaine EMMERSON of Clear Lake and Natimuk.Artwork made by local resident.This is a framed cross-stitch embroidery artwork depicting a charming outdoor scene. The embroidery features a wicker chair, a cat sitting in a flower-filled basket, an open window with green shutters, and an abundance of colorful flowers surrounding the setting. The scene conveys a sense of warmth and tranquillity, with a blue sky and soft pastel tones in the background. The embroidery is housed in an ornate wooden frame, which has an intricate carved border and a decorative beaded inner trim. The frame is in a warm brown tone, complementing the vintage-style design of the embroidery.cross stich, emboridery, emmerson, household item

Khaki trousers with two side pockets and one back pocket. Tag - FLETCHER JONES VICTORIA 1998 ARROW indicating Govt. NSN 8405-66-139-0872 NAME. SERVICE NO. 70% Wool 30% Polyester 30% DRY CLEAN ONLY(A) Press on original creases. Use damp cloth. Warm iron

Set of three Christmas Cards prepared by Peter and Patti Duckett and sent to Mel Elliot. Printed photo on exterior with red printed ribbons, photo corners on inside with another photo and gold block print and the Duckett's address. Photographs by Peter Duckett or from his collection. .1 - Features a photo of Patti and Driver H.N. "Sam" Serman in front of X 217, 8/6/1957 and internally a photo of Members and Friends of the AETA taking delivery of X217 at Preston Workshops. Card text notes the tram on loan to PTC and will be going to Hawthorn - possibly a c2000 card. .2 - Photos and text of the Engine Room of the Ultimo Tramway Power Station. .3 - Photos of the Sandringham - Beaumaris Tramway c1900, including the Sandringham House Private Hotel. See item 6668 for the original postcard. .4 - Photos Circular Quay c1903 and South Bondi terminal, September 1950. 2nd copy of .1 (used for 1999), .2 and .3 added 18/9/2020Inside each card is an inscription "To Dear Cynthia, Mel, David, Heather, With Love" or similar On rear of ,4 is a lable with the words "Donated by John Frost 13/4/2013 KT" .2 and .3 - has "To Dear Keith with Warm wishes" in the Greetings section.trams, tramways, aeta, x class, christmas cards, power station, horse trams, sandringham, tram 217

Shirt - Khaki, polyester cotton, short sleeve with shoulder epaulettes and plastic buttons. Right shoulder patch parachute wings, dark red and white embroidery on khaki patch. Left shoulder patch - "THE AUSTRALIAN ARMY" Gold and red embroidery on khaki patch, Rising Sun and Crown. Cotton manufacturers label on back below collar with black print information and owner's label.Cotton label information - black ink print. "ADI/ 1992/^/ SIZE 44/ 8405.66.133.5959/ SERVICE NO/ NAME/ 65% POLYESTER/ 35% COTTON/ DO NOT BOIL OR WRING/ MACHINE WASHABLE/ DRIP DRY, IRON LIGHTLY/ WITH WARM IRON" Handwritten blue ink "SCOTT" uniform, army, shirt

Programmes of Post WW2 Celebrations for Bendigo Citizens. Saturday July 20 1946.1. Souvenir Program - paper, blue printing, red, white and blue flags, A4. folded. 2. Souvenir program - cardboard, A4 folded, cream background, blue printing, blue and yellow sketches.1. Bendigo Citizens Welcome Home Celebrations, Grand concert in honour of those who served, Town Hall, Saturday July 20th. 2. Bendigo Citizens Gratefully acknowledge your service and warmly "Welcome You Home" Saturday July 20th 1946.ww2, welcome home, bendigo

The Ballarat Junior Technical School was established in 1913, and was a division of the Ballarat School of Mines. According to 'The Australasian' of 31 July 1915 sixty students of the Ballarat Junior Technical School made all the items depicted in the photograph.Black and white photograph mounted onto a brown card showing the interior of the Ballarat School of Mines Carpentry Building. It shows the war efforts of Sloyd students at the Ballarat Junior Technical School. Numerous foot stools, foot warmers, tables and seats were made by student to send to the front during World War One. Teacher Albert Steane stands on the left (2nd to the left of the Red Cross sign). From the second timber support beam V. Maddison stands 4th to the right and F.N. Ling 6th to the right of the beam. ballarat school of mines, ballarat junior technical school, world war one, world war 1, world war, red cross, albert steane, v. maddison, fn king, war effort, home front, trade, steane, sloyd

Contract of sale of land dated 11th November, 1955 between Misses T.A. & I Pithie (sellers) and Mr. S.J. Quill (buyer) for land situate No. 6 Mill Street, Bendigo described in right to occupy residence area No.4878together with 5-roomed weatherboard dwelling and all sundry. Also all electric light fittings and shades, all blinds, cupboard in bathroom, cupboard in vestibule, electric stovette, electric sink heater, warm ray heather, all curtains and floor coverings with the exception of the curtains and carpet in front bedroom. Price 2,400 poundsorganization, business, h.a. & s.r wilkinson real estate

Handwritten and drawn certificate on card to Jacob Cohn and wife from members of the Danish Association. Written in Danish language in black and red bordered by shields with depictions of a horse, castle, and dates, and showing illustrations of Denmark and snow covered trees, a viking ship and topped with a crest between two men. Markings - J. W. Swanekiaer Partial translation of certificate - To Jacob Cohn & wife. Members of the Danish Association 'Dannebrog' hereby authorise to convey them and their wife warm Lykonskinger the occasion of their Guldbryllup. With the warmest onsker for the future and thanks for their great interest in the Danish welfare in Australia.person, individual, jacob cohn