Baby's dress of voile cotton with embroidered yoke and hemline and sleeves. Lace trim around neck and sleeves. Ribbon insertion on yoke. Three buttons on back.costume, infants'

Long white Nightdress with square neckline and long sleeves. Cotton broderie anglaise lace at neckline and cuffs. Four self covered buttons covered by placketcostume, female nightwear

Cream silk crochet baby bonnet lined with cream silk. Edged with white lace around face. Cream silk ribbon threaded through eyelets.costume, infants'

White cotton half petticoat with blue ribbon threaded through eyelets. Three layers of crochet lace on overlap at hem edging. Tape ties at waistcostume, female underwear

White cotton bust bodice with deep edging of crochet lace at neck and on short sleeves. Blue ribbon threaded through eyelets at neck. Buttoned at waist.costume, female underwear

Yellow silk taffeta evening top. Heavy natural coloured lace trim on neckline and front. Boned bodice. Puff sleeves metal hooks and eyes.costume, female

Netta Fuller and her husband Alec were long-term residents of Kew. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations.Two piece black silk evening dress, comprising sleeveless bodice and full-length skirt with inset panels on both pieces of guipure lace on tulle.australian fashion - 1950s, evening dresses, evening wear, netta fuller

Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Long black silk sleeveless bodice with a wide band of lace on the edging and at sleeves. Silk bow at rear. It has been provisionally dated to the 1880s-90s.women's clothing, bodices, fashion -- melbourne -- 1880s, netta fuller

White girls nightgown. Long with short sleeves with extensive tiered crochet-work down the front of the dress. The back of the dress laces up with white ribbon.No visible markingscostume, children's, nightgown, clothing, sleepwear, white, crochet.

Calico embroidery pattern for table runner, intended for Renaissance work, or Point Lace. The blue printed pattern depicts leaves and flowers the whole length of the runner." L.B. Lacet Runner. J.W. with a crown in between the two letters, No. 4322" in top left hand corner of the runner and "Worked with Point Braid No. 261" in the top right hande corner. The same inscriptions are found repeated at the other end of the runner.household textiles., tableware, textileworking patterns

White cotton camisole with short sleeves. Has pin tucking on front peplum, with royal blue ribbon threaded through eyelet lace drawstring at neck. camisoles, underwear

Part of the Cooper Collection. See catalogue No. 9586.2 for details of "Keith Cooper's", No. 3798359, service.Cylindrical polystyrene container with brown coloured leather covering. Leather cover secured with leather lacing. Cover stamped with lettering, an outline of a tank and unit insignia.Stamped on leather covering: '4th BASE WKSP BN, QMS' 'Outline of a tank' 'RAEME insignia'.cooper collection, keith cooper, souvenir, stubby holder

Black and white photograph of weatherboard house with iron-lace on veranda. Lady standing on veranda and horse-drawn wagon parked beside house. (2 copies)Typed under photograph: "Wieland residence Heathmont, 1903, corner Canterbury and Dickasons Roads. Opposite doctors surgeries. Still there in 1980".

Mrs Catherine Sneddon, née Wardrope, wife of John Sneddon, was born in Scotland in 1828 and died at Berringa in 1914. She was listed as 'nurse' in the Victorian Electoral Roll 1905. Known in Linton as 'Granny Sneddon', she was a midwife, and had three children of her own.Formal sepia photograph of an older lady dressed in long gown with lace collar, wearing hat, seated with both hands holding a book on her lap."Mrs Sneddon "Midwife""catherine sneddon (née wardrope), granny sneddon, midwives

Australian manufactured black leather ammo boots to the British pattern used by the Australian armed forces.Used by Australain armed forcesAnkle high, black stiched leather ammo boots with nylon laces on 12 eyelets, internal leather tongue and moulded synthetic soles. Size 10G.Made in Australia 10*G 1987boots, footwear

May be Goon Nure SchoolBlack and white photograph of twenty nine students and male teacher at an unknown school, girls in their white pinafores, some boys with lace collars. Gippsland Victoriaschools, students

Identified by Mrs Surman as the Linton football team in about 1900. Mrs Surman also identified names of players, which are inscribed on the back of the photograph. Guernseys were apparently hand-knitted at this time, mostly by the players' mothers. They were all in team colours, blue and white, but had different patterns. (This information given by Mrs Stella Surman in a 1991 interview. Interview recorded on CD - see Registration no. 2019-212.)Original sepia photograph of a group of men wearing football guernseys. Guernseys have different patterns (mostly variations on vertical stripes) and most are laced at the front."Jack Brown / about 1900 / L to R / H Roberts, R Nicol, Ben Cornish, Catton, Jack Hogan, Pearly Power, J Mitchell, H Catton /Jim Hogan, A Nicol, P Crane, B Angus, W McMillan, Tony Cunningham / Mick Cunningham, -?- , Whitecross, Jack Cunningham, J Brown".linton football club, jack brown, h. roberts, r. nicol, a. nicol, ben cornish, h. catton, jack hogan, jim hogan, "pearey" power, j. mitchell, p. crane (craine), b. angus, w. mcmillan, tony cunningham, mick cunningham, jack cunningham, whitecross

Book for training of Cadet Pilots. Loose leaf pages secured by black lacing. Includes Mathematics, Physics, RAAF Badges, Aircraft, Ships, Log Tables.manuals, cadets raaf

First child of John Victor and Myrtle Olive Fish nee GrantSepia toned postcard of Rex Owen Fish aged five months wearing lace trimmed baby frock seated on a chair East Gippsland Victoriagenealogy

Printed from glass plate negative found after death of the donor's uncle. Believed to be from collection of Augustus Titter (husband or son of Rose Dawe).Black and white photo of young girl wearing button through dress, lace up boots and long socks, standing with one hand on rocking chair."Rose Dawe".rose dawe

Black and white photograph of a bedroom at Dudley House. Furs and clothing draped over metal bed. Wardrobe with two mirrors. Lace curtains and floral drapes.buildings, dudley house, bendigo

Black and white copy of original early tintype, showing a boy dressed in dark clothing with white lace collar, possibly wearing some sort of hat."George Preston as a boy from early tintype".george preston, early tintype photograph, children

Clothing. Infant's cream coloured silk cape with collar and two layers. Semi-circular 180 degrees lined yoke section with round neckline with casing and fold over collar (18 cm). Collar has 9 cm frilled embroidered lace trim with scalloped edges. The cape has two layers both lined with linen fabric. The under layer (110 cm) is edged with 9cm frilled embroidered lace and three horizontal pleats above the hemline. The top layer (52 cm) is edged with 9 cm frilled embroidered lace with a 14 cm panel of embroidered lace across the centre of the cape. The layers create the effect of a long cape with a collar and a shoulder cape. The cape is fastened at the throat with silk fabric ties (8 cm X 50 cm) with fabric frills at the hem.costume, children's, infants cream coloured silk cape

Purchased from Baptist Community Care Shop in Station Street , Mitcham1980s Wedding dress with vee neckline, bodice coming to a point over waistline. Satin bodice with lace motives re-embroidered with pearl and sequins. Tulle yoke and sleeves with embroidered pattern lace motives and sleeve edge also re-embroidered. Satin bow on shoulders with pearl and sequins embroidering. Back of bodice to point over waistline, buttons down back - eleven self covered buttons over zip fasteners. Back waist finished with large bow at waist. Circular skirt gathered at bodice. Three panels inserted in centre front to 67cm high and 60cm wide. Attached underskirt. Train gathered to back waistline, two widths of material with embroidered lace inserts around hemline. Nine arrangements of embroidered lace flowers inserts over the train coming out of satin petal shaped pouches gathered at top to give an impression of a vase.costume, female ceremonial

A typical Island home of the period - hipped roof, two chimney stacks, verandah and iron lace valence. Captain & Mrs Jansson were married here on her 18th birthday.Coloured photograph of home of Captain J Jansson in Loch Road, Rhyll, built in 1892 by McLardy and Kiernan.local history, photographs, buildings - historical, coloured photograph, john cook, phillip island, capt j a jansson

Clothing. Beautiful cream lace in a deep curve (which possibly may have been the front or back) extending over the shoulders, into two long peaks- possibly a deep, V neckline. The lace has diamond shapes, woven in groups of four in a larger diamond shape, and also in a Maltese Cross type grouping. These appear to be ''fillers'' between circular shapes, 6 cm in diameter, of four-petalled flowers''. The outer edge has a scalloped effect, each with a Maltese Cross'' type filler. Possibly Brussells Lace. Two matching silk handkerchief Number 11414.30, No.1 of 6, No.2 of 6.costume accessories, female, lace collar

White cotton infant's nightgown with long sleeves. Yoked front and back. Front yoke has diagonal pintucks. Back yoke has horizontal pintucks. Front of nightgown attached to yoke with series of knife pleats with lace trim on outer edges. Decorative lace across front at waist level with 40cm ties attached on either side. Back of nightgown gathered onto back yoke. Back opening (36cms) fastened with two different one cm plastic buttons. Long sleeves trimmed at wrist with two rows of lace and diagonal pintucks. Six horizontal rows of pintucks four cm above hemline.costume, children's, white cotton infant's nightgown

Cream coloured linen and lace ladies dickey. Front opening with crossover. Each side made from two pieces of silk fabric. Crossover forms V shaped neckline. Edge of crossover has lace trim (5cm) folded back to form collar effect. Lace has scalloped edge. On each side at waist level. Front has tape tab (2cm X 9cm). Tab on LH side has 5cm loop attached at side. Back panel of linen fabric has .5cm tape stitched along hem with long ties formed either end(59cm & 34cm).costume accessories, female, linen and lace ladies dickey

This dress belonged to Alice Frances Henty (1852-1932) the youngest daughter of Francis Henty (1815-89) and his wife Mary Ann Henty [nee Lawrence] (1821-81). It is recorded that Alice wore the dress at the age of six. Alice's father, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Girl's two-tone, one-piece cotton voile dress from the 1850s has a high round neck and short sleeves has a lace insert on the front of the bodice and matching lace at the rear. The layered skirt is bordered with lace. Measurements (mm): Girth - Neck 609.6, Chest 635, Waist 558.8, Cuff 203.2, Hem circumference 2108.2. Vertical - Front neck to hem 685.8, Front waist to hem 508, Back neck to hem 723.9, Back waist to hem 534.4, Sleeve length 63.5. Horizontal - Neck to sleeve head 38.1, Cross back 304.8, Underarm to underarm 406.4.fashion -- 1850s, children's clothing, alice frances henty