Jetter and Scheerer were a surgical instrument maker founded in Germany in 1867. Their company symbol is that of a serpent curled around a rod, surmounted by a coronet/crown. This instrument was part of a collection of instruments used by Dr Michael Kloss in his medical practice. Dr Kloss subsequently donated this collection to the College.Metal forceps, consisting of two blades which lock together with a pin fitting. The handle of one of the forceps blades is engraved with the word 'Kloss', both on the outside and on the inner aspect. The number '26' is engraved on the inner aspect of both blades near the pin joint. The upper shaft of one blade is engraved with the word 'HOSON'. The blade is also engraved with a derivation of the Rod of Asclepius, featuring a serpent wrapped around a rod, with the entire design topped by a crown.'Kloss' '26' 'HOSON'obstetrics

Jetter and Scheerer were a surgical instrument maker founded in Germany in 1867. Their company symbol is that of a serpent curled around a rod, surmounted by a coronet/crown. This instrument was part of a collection of instruments used by Dr Michael Kloss in his medical practice. Dr Kloss subsequently donated this collection to the College.Metal spreader. Instrument consists of two arms and a set of spring loaded handles, with a pin lock to lock the spreader at particular apertures. Each arm ends with a 'z' shaped section with a narrow foot. The outside of each foot is grooved for grip. One arm of the spreader is engraved with a derivation of the Rod of Asclepius, featuring a serpent wrapped around a rod, with the entire design topped by a crown. Each arm is engraved with the number '355' on the inner aspect near the join point.obstetrics

Jetter and Scheerer were a surgical instrument maker founded in Germany in 1867. Their company symbol is that of a serpent curled around a rod, surmounted by a coronet/crown. This instrument was part of a collection of instruments used by Dr Michael Kloss in his medical practice. Dr Kloss subsequently donated this collection to the College.Metal ovum forceps. Instrument resembles a set of scissors, with a ratchet adjacent to the handle to lock them at particular apertures. The end of each arm of the scissors ends with a metal loop, with grooves on the inner aspects of the loops for grip. The inner aspect of the forceps are engraved with the number '99'. The forceps are also engraved with a derivation of the Rod of Asclepius, featuring a serpent wrapped around a rod, with the entire design topped by a crown.obstetrics

The '3' on this instrument indicated it was size 3. Jetter and Scheerer were a surgical instrument maker founded in Germany in 1867. Their company symbol is that of a serpent curled around a rod, surmounted by a coronet/crown. This instrument was part of a collection of instruments used by Dr Michael Kloss in his medical practice. Dr Kloss subsequently donated this collection to the College.Metal scraper. Instrument consists of a large, six sided handle section, a short, thin shaft and a small, oval shaped scoop at the end of the shaft. The handle at the proximal end is in the shape of an elongated teardrop, hollowed out at centre. The number '3' is engraved on the shaft of the instrument. The shaft is also engraved with a derivation of the Rod of Asclepius, featuring a serpent wrapped around a rod, with the entire design topped by a crown.'3'obstetrics

The '3' on this instrument indicated it was size 3. Jetter and Scheerer were a surgical instrument maker founded in Germany in 1867. Their company symbol is that of a serpent curled around a rod, surmounted by a coronet/crown. This instrument was part of a collection of instruments used by Dr Michael Kloss in his medical practice. Dr Kloss subsequently donated this collection to the College.Metal scraper. Instrument consists of a large, six sided handle section, a short, thin shaft and a small, round scoop at the end of the shaft. The handle at the proximal end is in the shape of an elongated teardrop, hollowed out at centre. The number '3' is engraved on the shaft of the instrument. The shaft is also engraved with a derivation of the Rod of Asclepius, featuring a serpent wrapped around a rod, with the entire design topped by a crown.'3'obstetrics

Jetter and Scheerer were a surgical instrument maker founded in Germany in 1867. Their company symbol is that of a serpent curled around a rod, surmounted by a coronet/crown. This instrument was part of a collection of instruments used by Dr Michael Kloss in his medical practice. Dr Kloss subsequently donated this collection to the College.Metal surgical scissors. Consists of two arms with handle grips, a narrow shaft, and small cutting blades at the end of each arm. The inner aspect of the scissors is engraved with the number '47'. The shaft is engraved with a derivation of the Rod of Asclepius, featuring a serpent wrapped around a rod, with the entire design topped by a crown.'47'obstetrics

Dr Tony Krins found this vial in a desk drawer when purchasing the Surrey Hills practice of Dr Bill Vorath in 1980. Horsehair was, and still is, a popular material for sutures. Horse hair suture contained in a glass vial. Label inside vial reads "Merson's Sterilised Surgical Suture (Horsehair) T.S.(M) 4. Batch EB 2978'.surgery

Wooden bung removed from the steam tug wattle. Found in the bilges of the vessel in the concrete ballast.At an unknown time the bung was used to plug a leak in the hull and concreted over. Uncovered during restoration of forward starboard section of the hull.Circular wooden bung enclosed in a small section of green canvas with fragments of concrete attachedwattle, wooden bung, canvas, restoration

This model was found in the collection of Bay Steamers Maritime Museum. It is not knowt who created it but it is supposed that it was constructed to educate the many masters of the Wattle in the operation of a steam engine - a not so common mode of power these days. A Bay Steamers Maritime Museum examined the model in March 2012 and discovered that is was in poor repair. Using his existing knowledge, and with reference to some historic texts, he made some repairs and returned the model to working order. Here is his anaylsis of the situation as an excerpt from the Bay Steamers Maritime Museum newsletter Steamlines May 2012 "I was confronted with a model of a steam engine used years ago as a training aid for hopeful steam engineers. Already having a knowledge of steam operations, I considered a museum write-up for that model a ‘piece of cake’. However, on turning the model’s crankshaft, the valve timing seemed ‘out of kilter’ with the movement of the piston. Problem was that the two eccentrics on the crankshaft were not properly secured to it. Eventually I fastened the two eccentrics to the crankshaft where I felt that they should be and then realized that one of them had a chain-driven valve-timing device attached. This would be adjusted while an engine was running to achieve best performance and fuel economy whilst in operation by accurately controlling the period of time during which steam under pressure from the boiler would be admitted to the cylinder and give greater time for the steam to expand in the cylinder, move the piston and turn the crankshaft and thus, drive the attached apparatus. When the valves were correctly set up it was then possible to get the model to function properly.The model comprises a green section, which is the actual the model mounted on a brown painted board. There are two parts of the model, painted white representing the steam passages, and black representing the cast- iron portions of the cylinder-block casting, and of the main valve sliding between the cylinder a second sliding valve. Of the black portions, one slides back and forth being connected to a rod which is connected to an eccentric clamped to the crankshaft and is the nearer to the flywheel of two eccentrics. This eccentric is attached to the crankshaft at an angle of 90 degrees to the crank-pin attached to the flywheel. To operate the model simply turn the flywheel by means of the handle attached to its crank-pin. A second eccentric is also attached to the crankshaft, further away from the first eccentric, and it is adjusted to operate 90 degrees from the first eccentric (that is, 180 degrees from the crank-pin) A piston (painted silver) is located in a plastic cylinder and has a piston rod which passes through one end of the cylinder, (in actual practice a steam-proof gland seals the cylinder against loss of steam) terminating in a cross-head slide between four rails guiding it. From this cross-head, a connecting rod joins the piston-rod to the flywheel via the crank-pin attached to the flywheel which is part of the crankshaft. (In actual practice, a flywheel may not be used, particularly in a multi-cylinder engine.) The white portions of the model painted nearest to the cylinder represent the two steam ports cast into the main cylinder block, whilst one section painted in between those two represents the exhaust outlet (which may be connected to a condenser to conserve water, or to the open air). The main slide valve has three white-painted portions painted thereon. It has two white-painted marks representing the steam passages to the steam ports into the cylinder, and a third section in between the other two, being that part of the valve through which exhaust steam passes in line with the ports in the cylinder block. By rotating the flywheel, the operations of an engine will be observed as steam is admitted to the main valve via the gap between the two jaws of two moveable portions of a second sliding valve which is operated by the second eccentric attached to the crank-shaft. This eccentric is used to finely tune the valve timing of this model to obtain best running results of an engine. There are various methods used for reversing a steam engine. model compound steam engine, steam engine, model, crankshaft, valve, flywheel, wattle, engineer, eccentrics

Worn by Deaf Student (Marissa (De Santis) Cooper (Early 1970's)Girl Grey School Blazer Pure Wool Worn by Student in early 1970sSchool Badge embroided VSDC (Victorian School for Deaf Children) (Packet of Chips made by Arnotts, found in left pocket)vsdc school uniform, marissa de santis cooper, thins chips, 1970s

This kind of tea cosy was found in just about every Dutch home in the 1950's. It took pride of place on the tea trolley and took the place of, or was an alternative to, the tea lights which also served to keep the teapot warm. It held a large teapot and although it was very effective in keeping the tea warm, after a couple of hours the tea became rather bitter and tasted "stewed". Since the Dutch are not in the habit of adding milk to their tea, the late afternoon cuppa was not always a favourite.A symbol of what the Dutch prize above all, namely "gezelligheid", which means homely cosiness. The afternoon tea ritual ("thee-uurtje") was a very important time of the day as children came home from school to a cosily lit home with their mother presiding over pouring out the tea and distributing biscuits (one at a time!) Half rounded cotton padded teapot warmer (Dutch "theemuts" = tea bonnet) with inserted plywood base. White outside with grey-blue Delft tile motifs, lined with navy blue taffeta and padded with kapok. Metal carrying handle under which there is a clasp which opens and closes the cosy.noneteapot, dutch family life, dutch, immigration, household items

The item was created by Bouwens and van Kampen, a ceramics business founded in Bussum by Greta Klaar. Greta married her pupil Johannes Bouwens in Amsterdam during the war. The couple then moved to Soest where the business became known as "De vlieg-uut". It went from strength to strength until a fatal accident in 1970 after which it was permanently closed. The designers and ceramicists specialised in small plates such as this commemorative one for Queen Juliana's accession to the throne following the abdication of her mother, Queen Wilhelmina.The item recalls the joyful celebrations that took place in Septermber 1948 when Juliana accepted the throne from her mother Queen Wilhelmina. The Queen had reigned for 50 years including the period of 1940-45 (WWII) during which she carried out her duties from London. Juliana and her family resided in Ottawa, Canada during those years. To some extent this event was the final celebration of liberation from the tyranny of occupation and the welcoming back of the Royal family to Dutch soil. Decorative plate to commemorate Queen Juliana's ascension of the Dutch throne in 1948. The plate is meant to be hung and has a piece of string for this purpose inserted through the rim on the back of the plate. The inscription reads: "Juliana Koningin 6 Sept.1948". On the back are the marks: "290KR." "BVK Soest" and "P.H.". It is gaily painted in red, blue and green on an off-white background. The central scene is recognisably Amsterdam with church tower, stepped gables and Dutch flags. The border consists of a circle of red, white and blue flowers; leaves are green.

(a) - (w) - A tall, off white, ceramic pot with matching sugar bowl, milk jug, and eight cups and saucers. Two scenes, Westertoren and Montelbaanstoren are found on the sides of the body of the coffee pot. Scenes of Amsterdam are also seen on the other items. Two plates for serving biscuits or cakes both also with Amsterdam scenes complete the set. The edges of these are curved slightly upwards.Item 5140(v) has the words "Nieuwmarket met Waag" (Newmarket with Weighing House); the inscription on 5140(w) reads: "Waterlooplein", (Waterloo Square). On the bottom of some items the words "Viller and Bosch" appear.

In 1858 Edward R Squibb founded his own pharmaceutical laboratory in Brooklyn, New York. E.R. Squibb, M.D. was dedicated to the production of consistently pure medicines. Squibb retired in 1895 and passed most of the responsibility for managing the firm to his sons, Charles and Edward. The company became known as E.R. Squibb & Sons. In 1989 Bristol-Myers merged with Squibb, creating a global leader in the health care industry. The merger created Bristol-Myers Squibb company, which was then the world’s second-largest pharmaceutical enterprise. Aspirin, also known as acetylsalicylic acid, is a salicylate drug, often used as an analgesic to relieve minor aches and pains, as an antipyretic to reduce fever, and as an anti-inflammatory medication.White plastic cylindrical tube with red cap and red print. The tube once contained Trigesic [aspirin].pharmaceutical, analgesia, aspirin, pain relief, bayer

Mask used for administering ether anaesthesia. This mask also has a carbon dioxide inlet tube. Carbon dioxide was found to promote deeper breather which assisted in attaining faster anaesthesia. The mask was designed by an American anaesthetist James Tayloe Gwathmey, (1863-1944). Gwathmey invented a range of anesthesia equipment. In 1904, he introduced this mask as one part of a resuscitation apparatus. Gwathmey modified an existing mask to more closely fit the contours of the face. The holes in the rim allow for oxygen to be delivered for resuscitation or for the delivery of a combination of oxygen and anaesthetic. Wire framed mask in tear shape. There is a hinged top bracket which allows for a piece of flannel or domette to secured to the mask, onto which the ether would be administered. There is an inlet tube near the hinged bracket to allow for the administration of CO2 or oxygen and the rim is pierced with holes.james tayloe gwathmey, ether, anaesthesia, anesthesiologist, carbon dioxide, oxygen

Nitrous oxide has been used for anaesthesia in dentistry since December 1844, where Horace Wells made the first 12–15 dental operations with the gas in Hartford. Its debut as a generally accepted method, however, came in 1863, when Gardner Quincy Colton introduced it more broadly at all the Colton Dental Association clinics, that he founded in New Haven and New York City. Hospitals administer nitrous oxide as one of the anaesthetic drugs delivered by anaesthetic machines. Nitrous oxide is a weak general anaesthetic, and so is generally not used alone in general anaesthesia. In general anaesthesia it is used as a carrier gas with oxygen for more powerful general anaesthetic drugs.Medium size empty blue coloured cylinder with rounded base and painted white neck once containing Nitrous Oxide. A large blue on white diamond shaped label is adhered onto the main cylinder body.Printed on manufacturer's label: 'CIG [logo] / [blank weights table] / DRY / NITROUS OXIDE / C.I.G. (Victoria) PTY. LTD. / 50 LA TROBE STREET, MELBOURNE C3 / Telephones: FJ 6681 / FJ 4164 / USE NO OIL / OR GREASE'nitrous oxide, dental anaesthesia, dental anesthesia, gardner quincy colton, colton dental association

“Penlon was founded as Longworth Scientific Instrument Co. Ltd, in 1943, in Oxford, by personnel from the Department of Anaesthetics at Oxford University.” (Ref. Retrieved from URL 2015: http://www.penlon.com/en/us/about/history.html ) Magill type blade to fit Longworth handles adult size without light bulb and without hinge at the back of the blade. Visible dust veil over its surface with presence of small oxidation spots mostly over the blade canal and base. Almost non used contact studs on base and lateral side at the light bulb connection. It has stamped on the blade base the fitting type name and the place where it was made.Stamped at the fitting base of the blade in cursive writing, Longworth Stamped at the fitting base of the base in capital writing below the previous text, MADE [I]N ENGLAN[D] longworth, magill, blade, adult blades, penlon

In 1937, the engineer Holger Hesse founded Testa Laboratory, which later became Ambu. Hesse developed products that made a difference to patients and doctors. The real breakthrough came in 1956 when the Ambu ventilation bag reached the market, developed together with anaesthetist Henning Ruben. It was the world’s first self-inflating resuscitator and a major milestone in emergency medical equipment. The Ambu bag became a permanent part of hospital and emergency services product ranges. Brown rubber bag with a round metal filter at one end and a connector tube at the other. There is a blue plastic connector between the rubber bag and the metal tube.Moulded into blue plastic connector: AMBU-INTERNATIONAL / Ruben-Resuscitator Stamped into filter: Ambu logo - large capital A with AUER inside the legs of the Aambu, ruben, self-inflating, resuscitator, emergency, henning, ruben

Mechanical resuscitation devices, such as the Pulmotor and Lungmotor, were popular in the early part of the twentieth century. Their use waned in the 1920s as significant bodies like the British Medical Research Council and American Red Cross refused to endorse them. The most popular of the resuscitators to emerge in the 1930s was the E&J (Ericson and Johnson) resuscitator. The device was soon widely available, vigorously promoted with support from many medical practitioners. They were soon to be found in hospitals, emergency services like the ambulance and fire brigade, and voluntary life-saving organisations. In Australia, Norman James, director of anaesthesia at the Royal Melbourne Hospital, developed an interest in equipment for ambulances and the resuscitation of drowning victims. Little in the way of practical, portable equipment was available to either the ambulances or the voluntary life-saving organisations, such as Surf Life Saving Australia (SLSA); American resuscitators, like the E&J, were expensive and bulky to import. James designed a simple portable resuscitation device for local use after being approached by Jack Conabere, secretary of the Elwood Life Saving Club (ELSC). The resulting Royal Melbourne Hospital resuscitator, or the R.M. resuscitator as it was marketed, was a simpler, manual version of those available overseas. It was gas driven with a plunger, marked “Press”, and a safety valve. The small working unit attached directly to the facemask. Once the patient was positioned facedown and the airway cleared of debris, the mask was placed firmly over the face. The plunger allowed gas to flow and lung inflation; releasing the plunger allowed expiration. This simple resuscitator was marketed by Commonwealth Industrial Gases (CIG) and became very popular in Australia with volunteer and professional rescue organisations. It represents one of the many innovations in resuscitation equipment that resulted from cooperation between volunteer life savers and medical practitioners. Norman James worked closely with Jack Conabere and the Government Pathologist to develop the equipment. ELSC was the first life saving club to use the resuscitator on the beach. While conducting an early training exercise on 23 December 1951, they used it to successfully resuscitate a man who had drowned after capsizing his home made yacht. The R.M. resuscitator was also used in more inventive ways. At Fairfield Hospital in Melbourne, a group of physiotherapists and doctors did some innovative work with polio patients, teaching them glossopharyngeal (or “frog”) breathing, as a means of becoming less dependent on ventilators. In 1981, the Australian Standards Association stated that the RM head failed to meet its revised standards and it was withdrawn from the market. Red leather suitcase with black leather trim with metal studs. There are clip locks for locking the suitcase in the closed position. The suitcase contains equipment for oxygen resuscitation. There is a space allocated for two oxygen cylinders, however there are no cylinders present.Embossed into metal plaque: The C.I.G. / Oxy-viva / PORTABLE UNIVERSAL OXYGEN RESUSCITATORresuscitation, portable, surf life saving australia, royal melbourne hospital, rm resuscitator

This vase was gifted to the Faculty by Dr Walter Wyndham Biggs upon his retirement from the Faculty Board in 1981. Dr Biggs was the first flying anaesthetist of the Flying Surgeon Service based at Longreach in central Queensland. The vase is hand painted by Dr Biggs mother, Bessie Biggs. The manufacturer of the vase, Furstenberg, is one of oldest and most renowned porcelain makers in Europe since 1747. Made in West Germany, the makers mark is found at the base of the vase marked with a blue under glaze symbol of a crown, script F and a number 9. Porcelain vase of bulbous form and narrow neck with gold trim on lip. Black and white hand painted scene of flying geese above a body of water surrounded by reeds.[hand written on base in black ink] Handpainted / by / Bessie Biggs / 1981 [embossed on base] 7405/30 [Blue under-glaze on base] symbol of crown / cursive script F / 9 / FURSTENBERG / SEIT 1747 / WEST GERMANY [Artist signature on painted surface] B BIGGSdr walter biggs, furstenberg, porcelain

The sitter, Associate Professor Peter D Livingstone, was the Inaugural President of the newly established ANZCA, February 1992. The portrait was later unveiled at the Council Meeting [17-18 Feb 1994] followed by the official opening of Ulimaroa on 19 February 1994. Further information about Professor Livingstone is found on Lives of the Fellows; http://anzca.online-exhibition.net/fellows/fellows-1992/peter-david-livingstone/ The artist Graham Inson is represented in many major public and private art collections. A finalist in the 1990 and 1992 Doug Moran Portrait Prize, he has painted numerous official portraits of politicians, academics and for many of Australia's largest Companies. Oil painting on canvas of Associate Professor Peter Livingstone, seated at an angle facing left, wearing the College gown and tie with a dark plain background. Mounted on a fabric backing in a gold leaf frame with a small brass plaque affixed to the lower center of the frame.[brass plaque] ASSOCIATE PROFESSOR / PETER D LIVINGSTONE / INAUGURAL PRESIDENT / 1992 / PRESENTED BY THE / AUSTRALIAN SOCIETY OF ANAESTHETISTSpainting, livingstone, peter, anzca president, inson, graham

Dr Michael Hodgson was apppointed ANZCA President in 1992 until 1993. The painting, undertaken in 1995, was later unveiled in 1996 with Dr. Hodgson present. Further information about Dr. Hodgson can be found on The Lives of the Fellows, http://anzca.online-exhibition.net/fellows/fellows-1992/michael-john-hind-hodgson/ Oil painting on canvas of Dr Michael J H Hodgson seated in front of blue-grey drapery and a window showing Ulimaroa in the distance. The subject is wearing the Presidential gown but not the Presidential badge. Framed in a plain grey and gold frame with a brass plaque affixed on bottom center front of frame. [plaque] Dr Michael J H Hodgson / President 1992 - 1993 [Artist's signature lower right corner] Audrey Wilson / 1995hodgson, michael, anzca president, ulimaroa

The subject of the painting, Dr Michael J Davis, was appointed ANZCA President in 1993 until 1995. The portrait was commissioned in 1996. Further information about Dr. M Davies can be found on Lives of the Fellows; http://anzca.online-exhibition.net/fellows/fellows-1992/michael-joseph-davies/Oil painting on canvas of the ANZCA President Dr Michael J Davies seated in front of a plain grey background wearing both the Presidential gown and medal. Set within a gold leaf frame with a brass plaque affixed to bottom centre of frame.[plaque] Dr Michael J Davies / President / 1993 - 1995 [Artist's signature lower left corner] Paul Fitzgerald / -1996-painting, anzca president, davies, michael, fitzgerald, paul

Associate Professor Neville J Davis, was appointed President of ANZCA in 1995 until 1996. Professor Davis was a member of both the last Board of the Faculty and the first Council of the newly formed Australian and New Zealand College of Anaesthetists. Further information about Professor Davis can be found on Lives of the Fellows,http://anzca.online-exhibition.net/fellows/fellows-1992/neville-james-davis/ The artist Ben Joel is a Western Australian artist, well known for his commissioned portraits and contemporary pieces in most media. Joel's artworks are represented in private and public art collections. Oil painting on canvas of Associate Professor Neville J Davis, seated at an angle, wearing the Presidential gown and badge. The backdrop is plain with a mock outline of a window. Mounted in a plain gold frame with a brass plaque affixed to center of frame[plaque] ASSOCIATE PROFESSOR / NEVILLE J DAVIS / PRESIDENT 1995-1996painting, anzca president, davis, neville, joel, ben

This is a large metal framework covered in gauze, the whole mask completely enclosing the patient's face excluding any possibility of carbon dioxide being excreted. This object was found in the possession of the Italian Army in Libya in 1940, and donated to the museum by Dr Geoffrey Kaye. Gustave Julliard, of Geneva, after a death from chloroform had occurred in his practice, abandoned the use of that anaesthetic and adopted ether. He administered it from a large, wire frame, the outside of which was covered with waxed cloth to make it impermeable to air, the inside with surgical gauze on to which the ether was poured. Large metal wire frame mask, covered in waxed paper, with gauze wrapped around the rim to prevent ether leaking out, effectively forming a rebreathing apparatus.ether, carbon dioxide, italian army, libya, 1940

Persian physicians Rhazes (860–932CE) and Avicenna (980–1037CE) mentioned coffee in specialised writings, describing its medicinal properties. Although caffeine took centuries to find its way to Europe, it was quickly found to have medicinal value. Coffee has been mentioned in medical journals since the beginning of the eighteenth century, emphasising its capacity for nervous and vasomotor stimulation. Caffeine is a central nervous system stimulant of the methylxanthine class of psychoactive drugs. It is the world's most widely consumed psychoactive drug. Pfizer acquired David G Bull in 1984.Small clear glass ampoule with black printed text on surface containing the amber coloured liquid of 2 grains in 1 cc Hermette Caffeine.