Black & white portrait style photo of a woman elaborately dressed seated at an ornate desk

Thomas Stoddart (1828 - 1905) bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. Spring is represented by the image of a young woman who is crowned with a floral wreath and carrying a posy. Her dress is a one-shoulder toga dress in the Greco-Roman style. In ancient times the welcome return of spring was celebrated with lengthy pagan festivals this tradition was adapted into Christians cultures.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure of a woman wearing a toga dress, floral wreath headress and carrying a posy.Springspring, stoddart, botanic gardens

Thomas Stoddart (1828 - 1905) bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. Roman goddess of flowers is watering flowers at her feet and is dressed in a classical garment. Flora is considered by many to be the masterpiece of the twelve because of the fi ne detail which creates such a pretty picture in stone. This portrayal of the Roman goddess of flowers shows her watering a pot of luscious blooms with a basket of flowers on her arm. Her position is a highly visible one between the Statuary Pavilion and the fernery pond.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure of a woman who is watering flowers at her feet and is dressed in a classical garmentFloraflora, stoddard

Thomas Stoddart, 1828 - 1905, bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. The noble Roman Farnese family statue of Flora, goddess of spring, shown with stylised dress and flowers in hair.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure, the noble Roman Farnese family statue of Flora, goddess of spring, shown with stylised dress and flowers in hair.Flora Farnese Presented by Thomas Stoddart 1884flora farnese, stoddart

Ruth was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. the artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, Ruth is in a seated position with a loosely draped dress.Ruthruth

Returned Soldier's Ball held in Wangaratta on 9th August 1937 Captain Mulder and Jim Boyd were floor stewards. A special set of four couples in full regimental dress danced the Quadrilles and other set dances.First Military Ball held in Wangaratta and due to its success it was decided to make it an annual event. Black and white unframed photograph of large group of men and women in front of stage with flags in background mounted on brown cardboardA momento of the Ret. Soldiers Ball Wangaratta 9.8.371937, wangaratta, returned soldier's ball

This black and white mage depicts large group of men dressed in military uniform of the Light Horse - with most wearing leather leggings, bandolier and slouch hat with emu plumes. "More Majorum" is engraved on the attached plaque which means "after the custom (or manner) of our ancestors" The 8th Light Horse Regiment was a mounted rifles regiment of the Australian Army during the First World War. The regiment was raised in September 1914, and assigned to the 3rd Light Horse Brigade. The regiment fought against the forces of the Ottoman Empire, in Egypt, at Gallipoli, on the Sinai Peninsula, and in Palestine and Jordan. After the armistice the regiment eventually returned to Australia in March 1919. For its role in the war the regiment was awarded fifteen battle honours. During the inter-war years, the 8th Light Horse was re-raised as a part-time unit based in the Indi region of northern Victoria. It was later converted to a divisional cavalry regiment during the Second World War but was disbanded in 1944 without having been deployed overseas.During WWI three light horse regiments were raised in Victoria for the AIF, the 4th ALH, the 8th ALH and the 13th ALH. These regiments served with distinction at Gallipoli, in the Middle East and on the Western Front.Wide and narrow rectangle shaped black and white reproduction photograph mounted on plyboard. A small metal plaque is attached in the centre of lower edge.Plaque -8th Indi Light Horse "More Majorum"8th indi light horse, victoria

This black and white mage depicts large group of men dressed in military uniform of the Light Horse - with most wearing bandoliers and slouch hat, some with emu plumes. The 13th Light Horse Regiment was formed at Broadmeadows in Victoria in March 1915; it was the third light horse regiment to have been raised in that state. Its regimental number quickly led to it becoming known as the "Devil's Own" regiment. It left Australia on 28 May and disembarked in Egypt on 29 June 1915. In 1921, Australia's part-time military forces were re-organised to perpetuate the numerical designations of the AIF following its demobilisation. Through this process, the 13th Light Horse was re-raised as a Citizens Forces unit in Victoria, adopting the territorial designation of the "Gippsland Light Horse". In 1939, the regiment was amalgamated with the 19th Light Horse to become the 13th/19th Light Horse.In August 1940, during the opening stages of the Second World War, the 13th was re-formed in its own right. It was later mechanised and re-designated the "13th Motor Regiment". In May 1942, it was converted into an armoured regiment – designated as the "13th Armoured Regiment" – as part of the 2nd Armoured Division's 6th Armoured Brigade, which had been formed for defensive duties to guard against a possible invasion of mainland Australia. After moving to Puckapunyal in July, the regiment was equipped with M3 Grant tanks. Further training was undertaken in Murgon, Queensland, throughout 1943. By that time, manpower within the Army was scarce and as the threat of an invasion by the Japanese diminished during the year, so too did the need for large-scale armoured forces. A number of armoured units were subsequently disbanded as men and equipment were reallocated as the Army reorganised for jungle warfare. As a result, the 13th was disbanded in October 1943. In the post war period, the unit was perpetuated by the 8th/13th Victorian Mounted Rifles, which existed between 1948 and 1991–92. During WWI three light horse regiments were raised in Victoria for the AIF, the 4th ALH, the 8th ALH and the 13th ALH. These regiments served with distinction at Gallipoli, in the Middle East and on the Western Front.Wide and narrow rectangle shaped black painted frame with gold colour mount and four silver metal screws in each corner. The frame contains a black and white photograph depicting a large group of men dressed in military uniform with bandoliers and slouch hat, some with emu plumes. A small black strip of plastic is attached in the centre of lower edge.Front - 13th Light Horse Rear - 2nd Division Cavalry School Broadmeadows 20-09-1935victoria, 13th light horse

German girls attending mothercraft nursing classes in camp 3Black and white photograph of approx. 25 pupils and teachers. 3 girls right of photo have distinct gingham check dresses.camp 3, internees, mothercraft nursing classes

Four-fold paper pamphlet which is light blue on one side and white on the inside. The print is blue. There is a MOK symbol on the front and five black and white photographs on the inside.. non-fictionThe pamphlet explains the MOK Degrees and ages, a brief history of the order, its aims, what the MOK can offer boys, dress uniform requirements, Court activities and details of how to join the organisation.methodist order of knights province of queensland

The Rev J. E. James was the minister of the Collins Street Independent Church.Sepia photograph on card mount with a paper protective cover showing nine men, four sitting, dressed formally; three are wearing academic gowns. The group are in front of long curtains. The photograph has a white label on the back.Handwritten names on paper cover: "J.E. James, W. Christiansen, Seaudrett (?) A.S. Devenish, F.A.F. (Forward), L.E. Bradbury, W.J.L. Closs, G. Bell, D.E. Reeves. 1919". Typed on white label: "Congregational College of Victoria Staff and Students 1919"congregational college

MGCE052.3.1 and MGC052.3.2: White paper booklet with the emblem of the MGC on the front.non-fictionmethodist girls' comardeship, methodist girls' comradeship rays' section, costitutions, methodist church of australasia, youth clubs, methodist youth of australasia

Hilda Elizabeth Foster (1890-1982) was commissioned as a Deaconess in 1914 giving a lifetime of service to the church particularly in the social care aspect of the Gospel. She was also a double certified nurse. Deaconess Hilda Foster began her work as a Deaconess in South Melbourne and then served for 13 years with the Presbyterian Sisterhood in North Fitzroy caring for unmarried mothers and their babies. In 1933 she was appointed Matron of the Presbyterian Girls' Home in Elsternwick where she worked for 15 years. She retired in 1948 when it was noted "In complete dedication matron has given herself to this care of souls". Deaconess Foster was awarded the British Empire Medal for her work in the Queen's birthday honours in 1981. Deaconess Foster was one of the first qualified Mother Christmasses in Australia. [Minutes of the Sixth Synod, Oct 1982]Black woollen long sleeved unlined shirt-waist dress with a side zip, three fabric covered button and two breast pockets. The dress has a collar and has two box pleats at the front and back. It has a white cotton lining at the neck.presbyterian deaconess, deaconess hilda elizabeth foster

The Methodist Order of Knights was the official youth organisation of the Methodist Church of Australasia. It originated in Hurstville, NSW, on the 4th October 1914 by the then Mr and later Rev Alex Bray. Alex Bray was a Sunday School teacher and spoke to his class of the Knights of the Round Table. In 1917 the Order of Knights was officially recognised by the Sunday School Dept of the NSW Methodist Conference. Courts spread thoroughout Australia. In 1927 the High Court of NSW called for designs for a badge and in 1929 the General Conference of the Methodist Church of Australasia recognised the Order as an approved Organisation. In 1938 the Senior Section was organised into Degrees of Sincerity, Service and Sacrifice; the Junior Section into Pages' Degree with advancement to Esquire. In 1954 the Junior Section was reorganised into two groups: Pages 8 to 11 years and Esquires 12 to 15 years. The Knight's Motto: "Live Pure, Speak True, Right Wrong, Follow Christ the King, else wherefore born?" Courts of the Order: General Conference Department of the Christian Education - General Court - Provincial High Court - District Court - Local Court - Senior Court - Intermediate Court - Junior Court . Regalia: All members of the Intermediate and Senior Courts wore regalia consisting of a cloth shield superimposed by a cross of light and dark blue ribbons, and supported by a cloth collar. Esquire and Degree of Sincerity regalia: White collar and white shield. Degree of Service regalia: Green collar and shield. Degree of Sacrifice: Scarlet collar and shield. District Court regalia: Blue collar and gold shield. High Court regalia: Gold collar and purple sheild. General Court regalia: Purple collar and shield. Officers of the local courts wore their symbols as part of their regalia. E3112.13.1 and E3112.13.2: Coloured pamphlet with information and details of the Methodist Order of Knights Uniform requirements. The pamphlet has a photograph of a MOK boy in his Dress Uniform."O.K.'s in UNIFORM"methodist order of knights

John L. Cousins: Born 1909, died 1977. Ordained 1939. Eltham, Croxton, Merbein, Cemntral Mission, Healesville, Hobart, Devonport, Oakleigh, Box Hill (to 1974), Dandenong.B & W photograph of Rev John Cousins standing at a lectern or pulpit, dressed in suit and tie. White hair, wearing glasses."Rev. John Cousins, Box Hill"

Methdodist Girls' Comradeship Rays' Section 1st Monitor sash. Blue cotton with white bias binding and "M" and "1st" in fabric paint. Rosette of blue, white and gold. This sash does not conform with the Methodist Girls' Comradeship Rays' Section Dress and Regalia constitution.methodist girls' comradship rays section, methodist church albert street ballarat

Methdodist Girls' Comradeship Rays' Section 2nd Monitor sash. Blue cotton with white bias binding and "M" and "1st" in fabric paint. Rosette of blue, white and gold. This sash does not conform with the Methodist Girls' Comradeship Rays' Section Dress and Regalia constitution.methodist girls' comradship rays section, methodist church albert street ballarat

Methdodist Girls' Comradeship Rays' Section 3rd Monitor sash. Blue cotton with white bias binding and "M" and "1st" in fabric paint. Rosette of blue, white and gold. This sash does not conform with the Methodist Girls' Comradeship Rays' Section Dress and Regalia constitution.methodist girls' comradship rays section, methodist church albert street ballarat

Methodist Order of Knights dress uniform shirts in plastic bags. MOK110.1 Size 11 Blue polyester/cotton permanent press long sleeved shirt with breast pockets with flaps. The shirt has epaulets and opalescent white buttons. MOK110.2 Size 12 Blue polyester/cotton permanent press long sleeved shirt with breast pockets with flaps. The shirt has epaulets and opalescent white buttons. MOK110.3 171/2" 44 cm. polyester/cotton permanent press long sleeved shirt with breast pockets with flaps. The shirt has epaulets and opalescent white buttons. methodist order of knights

Possible Brighton lay people.Matte, sepia, postcard head and shoulders photograph of a man and a woman. The man is looking at the camera and the woman slightly to one side of the camera. He has short white hair and beard and is wearing glasses and a collar and tie. She has her hair tied back and is wearing a white blouse with a broach at the neck underneath a dark coloured dress. She has a long chain around her neck. The couple is Rev. and Mrs. J. Latham. The postcard's width is written on the back in pencil and indication that the photograph was to be used in the Spectator.latham

Howard Dunn was an active Methodist and a UCA layman. He worked for the Synod in later life and particularly with photography. He was well-known for his energetic approach to all things.Black and white glossy photograph of Mr. Howard Dunn speaking from a piece of paper into a microphone. He is dressed in a suit and waistcoat and has a ribbon pinned to his lapel.On ribbon: "OFFICIAL" Handwritten on the back: "Mr. Howard Dunn"howard dunn uniting church in australia layman, methodist church of australasia

Born in England in 1864. Commenced ministry in 1890. Died 1928 in Burwood, Victoria.Black and white photograph of Rev. Robert Bayles, taken when President of V+T Conference, aged 1963/64, dressed in clerical garb."Rev. Robert Bayles."

Rev. E. H. Chapple (1866 - 1956) was educated at the University of Melbourne, and was ordained a Wesleyan minister. He was admitted Presbyterian in 1904. Matte, black and white 3/4 studio portrait of Rev. Edward Henry Chapple who is standing and looking directly at the camera. He is dressed in an academic gown over his clerical suit and collar and is holding a rolled document in his left had. The photograph has a grey which has a gold border and a black and gold script inscription. It is tipped onto brown card which has some pencil handwriting and an ink handwritten dedication at the bottom right.Front: "REV. E. H. CHAPPLE - B.A. MINISTER ST. ANDREWS 1913 - 1934" Back: "For Victor Taken 1930"rev e h chapple ba, st andrew's presbyterian church oakleigh, rev e h chapple ba presbyterian minister

Born 1893. Died 1967. First parish NYAH, 1922 - 1932 at Geelong Yarra St. 1936 - 1959 professor of theology, Queens College. 1959 retired. Rep to WCC 1937 + 1948 and to World Methodist Con 1937. Presiednt Australian Council of Churches, 1952 - 1953. (See Australian Dict. of Biography entry).Oval black and white, oval, head & shoulders studio photographic print portrait of Rev. G. Calvert Barber in clerical dress. He looking to his left. The print is a page that has been removed from a publication."REV. G. CALVERT BARBER, M.A., B.D., PH.D. PRESIDENT-GENERAL"rev g clavert barber methodist minister, president australian council of churches, rev g calvert barber professor of theology queens college university of melbourne, george calvert barber methodist minister, world council of churches, australian council of churches