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Federation University Art Collection
Painting - Artwork - watercolour by Robert Hannaford, Portrait of Dr Tom Kennedy by Robert Hannaford, 1990
Robert HANNAFORD (9 November 1944- ) Born Gilbert Valley, Riverton, South Australia From In 1967 to 1968 Robert Hannaford studied in Ballarat. Primarily known as a portrait artist he is also known for his landscapes, still lifes, nudes, and sculptures. Robert Hannaford has commented: "Portraiture is an exploration of character that goes beyond photography. It is an ongoing thing over a long period of time. You get elements of various emotions that can be sensed in the painting." Framed academic portrait of Dr Tom Kennedy who was the Director of the Gippsland Institute of Advanced Education (GIAE) from 1984 to 1989, and the inaugural Chief Executive Officer and Pro Vice-Chancellor of Monash University College Gippsland (MUCG) from 1990 to 1992. (In 2014 the Churchill Campus became part of Federation University Australia). Prior to moving to Gippsland, Professor Kennedy was the Deputy Director of the Chisholm Institute of Technology. He was an Associate Fellow of the Australian Institute of Management and a Fellow of the Royal Institute of Chemistry, Professor Kennedy held a degree in Science, a PhD in Chemistry (Glasgow) and a Diploma of Education. Rom Kennedy died on 04 May 2011. Signed lower right "Hannaford 90"artwork, artist, tom kennedy, gippsland campus, hannaford, robert hannaford -
Federation University Art Collection
Drawing - Artwork, Nadine Sherer, 'Sarah's Curve' by Nadine Sherer, 08/1998
Nadine SHERER (1979- ) In 2004 Nadine Sherer completed a Bachelor of Fine Arts (Honours) at the University of Ballarat (now Federation University) This work is an abstract landscape named after a colleague. A collograph is a print plate made from a low relief collage of strawboard, shellac and marble dust. It is printed using a similar method to the process of intaglio. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed collograph. Edition 1/2art, artwork, nadine sherer, landscape, printmaking, human movement collection, available -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photographs x 2 B/W, Stefanie & William Rietman c1920, c1920
Stefanie and William Rietman were the children of August and Frieda Rietmann. Stefanie became a school teacher and designed and made resin jewellery, Later she established a Native grass garden in Joyce park, Ormond, William joined August's business and after his death continued the development of Rietman's Landscaping and pottery firm . His son Ray also continued the family business in Bay Road Highett and the Carrum. August Rietman 1877-1951 and his wife Frieda 1878-1942 leased the Cottage in 1917 and raised 2 children Stefanie 1918-2006, and William 1920– 1997. August was a Monumental Mason / Potter / Sculptor and he was employed at Corbens Ltd Clifton Hill, to make the War Memorials for many towns post WW1. August purchased the property 1935,and established a pressed concrete business using the cottage as a workshop and storeroom After August died in 1951, William, his son, continued to work in the business from the site until the land was sold to Lewis Co. Ltd Timber Merchants in 1970. Rietman's Landscaping Ltd moved to Bay Road Highett 1953 and later to Carrum. The Rietman family is an example of the diverse nationalities that lived and worked productively in Moorabbin Shire 1871–1933 , the City of Moorabbin 1934-1994 and continues today in the Cities of Glen Eira, Kingston, Bayside, and Monash. August, a sculptor and stone mason, was employed by Corben Pty Ltd Clifton Hill to carve WW1 Memorials before establishing his own successful masonry business in the Box Cottage during the latter 1920s. After becoming interested in pressed cement casting, he took on apprentices (1930s Depression) and among his products were garden furniture, pots and also street lamp standards, some of which were installed in St Kilda Road. After August’s death in 1951, his family continued the business ‘Rietman’s Landscaping Ltd.’, at Highett and Carrum.Photographs x 2 Black & White, of Stefanie Amilie Rietman, and William Henry Rietman c 1920 at Ormond AustraliaHand written namesrietmann august, rietman august, rietmann frieda, rietman frieda, stonnington city town hall, war memorials, world war 1 1914-1918, rietman stefanie, rennick stefanie, francis stefanie, rietman william, rietman ray, mountford paul, malvern city town hall, box cottage museum ormond, box william, box elizabeth, joyce park ormond, rietman's landscaping pty ltd, bay road highett, macrobertson pty ltd, coleraine soldier memorial 1921, resin jewellery, australian native grasses, schools, education, craftwork, pottery, ceramics, ormond state school -
Flagstaff Hill Maritime Museum and Village
Book, Warrnambool Past & Present, 1907
This is the original book “Warrnambool Past & Present Sixty Years of Progress 1847-1907” that was published in 1907. It features photos of Warrnambool, taken by Edward Vidler in 1907, who matches them with some earlier prints. Vidler had a photographic studio in Liebig Street Warrnambool. Compiled by Edward A. Vidler, Secretary, Warrnambool Chamber of Commerce and Manufacturers, and Warrnambool and District Progress League The front cover of this little but significant book of photographs, advertisements and commentary reads “Warrnambool Past & Present. Sixty Years of Progress – 1847-1907. Illustrated by 100 views of Old and New Warrnambool. Price : One Shilling.” The title page of the book states “Warrnambool : Past and Present. The Metropolis of the Western District. Compiled from contemporary records by Edward A. Vidler, Secretary, Warrnambool Chamber of Commerce and Manufacturers, and Warrnambool and District Progress League. Illustrated. Printed by The Thompson Printing Co., Koroit Street Warrnambool.” In 1984 a facsimile reproduction of Vidler's publication was printed by the 'Osburne Group'. (The Group was named after Richard Osburne who owned the first newspaper in Warrnambool, called The Examiner. The donor of this book was another member of the three people who formed the Osburne Group). This newer book is an A4 portrait style format with Vidler's publication on the top of each page, and a matching 1984 photograph with contemporary comments on the lower half of the page. This book is significant record of the development and changes of Warrnambool therough the years since it was first settled to more recent times.Warrnambool Past & Present. Compiled by Edward D. Vidler. Sixty Years of Progress 1847-1907. Cream, soft cover, A5 landscape orientation, black and white print book, apart from front cover's title, which is red print. Printed by The Thompson Printing Co. Koroit Street, Warrnambool. Original 1907 publication. Includes photographs, advertisements and commentary on Warrnambool and the Western District of Victoria. Price was One Shilling. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, warrnambool history book, vidler’s warrnambool past & present, warrnambool historical photographs, edward a. vidler, pictorial work of warrnambool -
Kew Historical Society Inc
Painting, Park Street [Adeney Avenue] Kew, c. 1896
‘Adeney Avenue’ was the title given to this painting following its donation to the Kew Historical Society, yet the work’s origins predate the naming of Adeney Avenue in 1907 [originally gazetted as ‘Park Street’ (1865) and ‘Park Street South’ (1875).] Park Street ran between High Street and Parkhill Road beside what was later to become ‘Victoria Park’. This area was described in 1851 as “…a dense forest of gums and wattles which were to be largely cleared by 1888 after the naming of a recreation reserve”. The Reserve was still bisected by an unnamed creek in 1896, when the area was surveyed by the MMBW. The panoramic vista selected by the artist would appear to include ‘Eborensis’ (c.1895) on the corner of Parkhill Road and what was then Park Street, with views across cleared land towards the distant ranges. In the 19th century, north Kew was largely undeveloped farms stretching down to the Yarra. Oil on canvas by an unidentified artist of a panoramic view depicting what is now known as East Kew with mountains on the horizon. In the foreground is a two storey brick residence - Eborensis - located on the northeast corner of Parkhill Road and what is now Adeney Avenue. The view of the landscape and its rolling hills resulted from farming practices adopted following colonisation and settlement. Trees in the foreground and in the distance include remnant Eucalypts and introduced exotics.Label on rear of frame states "House on corner of Adeney Ave & Parkhill. [Regd. 254"]. Otherwise unsigned and undatedadeney avenue (kew), eborensis, park street (kew) -
Warrnambool and District Historical Society Inc.
Book, Sea Baths of Victoria, 2013
History of sea baths in Victoria.Hardback, landscape book with watercolour painting of Sea baths at Sorrento looking east by AC Clarke on the front. Also the title in red and author Bruce Bennett in aqua. The spine has the title and author as above. On the back cover are six reproductions of sea baths and synopsis of the book. 152 pages of white, gloss paper, acknowledgements, contents, preface, 5pages of References and a 2 page Index. The end papers are of white paper. non-fictionHistory of sea baths in Victoria.sea water baths, victoria, bruce bennett, warrnambool, windmill, 1890, swimming, closed 1960s, bathing boxes, poster, warrnambool baths company, 1877 -
Tramway Heritage Centre
Photograph Album (part of), Ray Pearson's Photo Album - Trams of Victorian Railways, Ballarat, Bendigo, Geelong
Page 3 of Ray Pearson's Photo Album. Brown card page with two metallic look postcards (landscape format) placed on page using clear plastic photo corners. Both postcard images depict trams in Ballarat. The bottom postcard has come loose of two of it's photo corners (top and bottom on the right) and is not secure on the page. A hand written inscription is written in pencil behind the bottom photograph.Hand written inscription in pencil behind postcard at base of page: W.4. Printed text to left of image on bottom postcard: BALLARAT TRAMS / 1887 to 1971 / A series of four postcards. / NO. 3 LATER ELECTRIC TRAM SYSTEM / In 1934 the State Electricity / Commission took over the Bal- / larat trams from the Electric / Supply Company of Victoria. / During 1935-37 the whole sys- / tem was reconditioned by the / Commission. / For the Coronation of King / George VI, No. 28 was decor- / ated for the occasion. It ran / for three days – 12th, 13th / and 14th May, 1937, and was / painted red and cream. / During the Coronation cele- / brations of Queen Elizabeth II, / the trams carried two flags / mounted vertically fore and aft / on the roof. / Some huge loads were / carried during the second / World War period and owing / to man power shortages, con- / doctresses were employed / from September, 1942 to July, 1946. At one time, the total / reached 23. Printed text to back of bottom postcard: BALLARAT TRAMS / 1887 to 1971 / A series of four postcards. / In the early fifties, loading / on the trams was heavy. When / the lag in housing was over- / taken, however, breadwinners / started to leave the trams and / travel to work in cars. Increas- / ing affluence in the sixties ac- / centuated the trend. Soon the / trams were running with mount- / ing annual losses. Most of the / passengers travelling in these / times were concession holders: / students, pensioners, deserted / wives and T.P.I.'s A fine printed vertical line runs down the centre of the blank writing space to the left of the body text. Above is written: POSTCARD postcard, coronation, ray pearson, vintage trams, ballarat tramway, tram postcard, female conductors, suttons, ballarat tram -
Tramway Heritage Centre
Photograph Album (part of), Ray Pearson's Photo Album - Trams of Victorian Railways, Ballarat, Bendigo, Geelong
Page 9 of Ray Pearson's Photo Album. Brown card page with two photographs (landscape format) placed on page using clear plastic photo corners. Both photographs depict trams around Bendigo. Hand written inscriptions are located beneath each photo. The brown paper has some minor damage to top and bottom right corners from what appears to be the removal of adhesive photo corners.Hand written inscription in biro - Between top and bottom photograph: GOLDEN SQUARE 4/3/72 At base of page: QUARRY HILL TERMINUS 4/3/72 -
South Gippsland Shire Council
Painting, Watercolour, Memories, 1994
Framed watercolour landscape titled "Memories" (House at Buchan South) painted by Jan Long. Set in white and grey card double window mount with brown wood frame. Small brass plaque affixed to lower edge of mount. Note: Item approved for deaccession August 2023. SGSC will now follow deaccession procedures as outlined in the Arts and Civic Memorabilia Collection Policy - https://www.southgippsland.vic.gov.au/downloads/file/2763/arts_and_artefacts_collection_policy_c69. -
Ringwood and District Historical Society
Newsletter, Ringwood Bypass Environment Effects Statement Summary Brochure - November 1987
8-page A4 size brochure issued by Road Construction Authority reporting on the proposed Ringwood Bypass. Topics include Community Consultation, Estimated Capital Costs, Traffic Effects, Property Effects, Mullum Mullum Creek, Landscape Development, Pedestrian/Bicycle Access, Noise, Air Quality, Compatability with Ringwood District Centre Development, Vehicle & Traffic Aspects, Lighting, Construction Impacts, Extension to Canterbury Road, Public Transport. -
Melbourne Tram Museum
Postcard, Scancolor, Four images of Melbourne trams, mid 1970's
Colour postcard divided back - Scancolor - part of their Landscape collection featuring four photographs on one card - V214, view across the Yarra River, Circle car 909 and one of the Restaurant trams. Back has space for name and address, stamp and a message and details of the postcard. Produced by Scan colour, possibly early 2000's. Two copies held. See Reg Item 5446 for a larger photo of the Restaurant tramtrams, tramways, postcards, v class, restaurant tram, yarra river, melbourne, city circle, tram v214, tram 909 -
Bendigo Historical Society Inc.
Painting - Bendigo Mining Country, Norman Penrose
Born in 1903, Norman Penrose studied at the Bendigo School of Mines. A painter and a teacher, he lived in Bendigo most of his life.Watercolour painting by Norman Penrose titled "Bendigo Mining Country." It shows a barren landscape of green shrubs and reddish dirt under a cloudy sky. A single poppet head and a chimney with smoke coming out can be seen on the right hand side with two houses further away. The painting is signed on the bottom left-hand side. The painting is under glass in a light brown wooden frame. Norman Penrose Collection On the back "Norman W. Penrose" ("Bendigo Mining Country') 14 Barkly Terrace, Bendigo. phone: 36420. In red chalk No 4 within a circle. bendigo, mining, norman penrose, artist, teacher -
Bendigo Historical Society Inc.
Document - BENDIGO BUSINESSES COLLECTION: GEORGE PROWSE
Advertising material. Use this blotter with the compliments of George Prowse, the quality butcher. Where your money goes further and where you can rely on quality meat and strict attention to orders. Our shops situated at: Pall Mall and Hargreaves Street, Bendigo, tel 798. On the left a copy of a painting titled ''Evening Splendour'' by H. Henderson showing a country landscape with a small lake, trees and vegetation, the top of a church in the distance.bendigo, business, george prowse -
Bendigo Historical Society Inc.
Photograph - CHARING CROSS, PALL MALL, MCGUIRE'S BATH ROOMS
Black and white photograph ( copy ) - image shows landscape view of early Sandhurst ( Bendigo ) showing McGuire's Bath Rooms situated behind Bendigo Creek ( original course ) Written on front of building 'Bendigo Baths warm and cold ' Horse and dray in forefront, people standing on road. Photo taken from 'The Story of Charing Cross' page 39', written on bottom of page. Photo taken in early 1860's ?bendigo, streetscape, early pall mall, bendigo, sandhurst, mcguire's baths, pall mall, bendigo creek. -
Bendigo Historical Society Inc.
Postcard - ACC LOCK COLLECTION: B&W PHOTO OF GUNS FIRING OBSERVED BY TWO MOUNTED SOLDIERS, POSTCARD, 1914-1918
Postcard, WW1, B&W photo of three 18 pounder guns practice firing in a desert landscape. Smoke coming from the near gun. Two mounted soldiers observing in foreground. Two horse drawn guns and soldiers standing in right background. An indistinct row of mounted horsemen on a ridge in far distance. Handwritten in ink on the back Cinema Film Series 18 pders in action Zeitoun Feby '16postcard, postcard, ww1, zeitoun, egypt, 18 pounder guns -
Bendigo Historical Society Inc.
Postcard - ACC LOCK COLLECTION: B&W PHOTO OF 12 CAMELS AND A 7IN GUN, POSTCARD, 1914-1918
Postcard, WW1, B&W photo of 12 camels harnessed to a 7" gun in a desert landscape. Two soldiers standing in front of gun (one in tropical kit). Another soldier standing in front of lead camel. Two more soldiers standing at right background. Handwritten in ink on the back - 12 camels with 7" gun Zeitoun Feby '16 Zeitoun is the site of a New Zealand training camp near Cairo.postcard, postcard, ww1, zeitoun, egypt, camels, 7' gun -
Flagstaff Hill Maritime Museum and Village
Postcard - Historical, Warrnambool, Christ Church, Warrnambool, Early 20th century
The nine postcards in this set were donated together and date to the early 1900s. All but one postcard in this set shows images of Warrnambool, in the Western District of Victoria; the other has a London image. The postcards were all printed in Great Britain according to that country’s postal regulations. The fronts of all cards have titles printed in red. Most of the images on the cards are attributed to photographer Joseph Jordan and belong to the Jordan Series. The back of these cards has an outline for a postage stamp, a vertical dividing line and a heading on each side of the line to separate the Correspondence from the Address. Postcards or ‘correspondence cards’ appeared in Britain in 1894. They were plain cards with a space for the message on one side and an address on the other; regulations didn’t allow anything but the address to be written on the ‘address’ side. In 1902 the British regulations then allowed a picture to be printed on the front and the address on the back, so messages had to be written on the picture side. Soon, the regulations changed and the back was divided for a message and the address. Christ Church Warrnambool – The image on this card shows Christ Church, a stone building built in 1856. The Anglican church is in Henna Street, Warrnambool. The church, outer buildings and grounds are heritage-listed. Its bell tower harbours German bells. Joseph Jordan - Joseph Jordan was born in 1841 in Leicester England. When he was 16 he joined the 7th Queen's Own Hussars and was sent to India at the outbreak of the mutiny. He took part in the relief of Lucknow and remained in India for eleven years. It was during this time, he became interested in photography. He was posted to New Zealand and later came to Victoria, becoming a sergeant major of the Mounted Rifles. In the mid-1880s he came to the Western district where he was responsible for establishing units of the Mounted Rifles in various country towns such as Dunkeld, Mortlake, Panmure, Bushfield, Koroit etc. He resigned from the army in 1889 and set up a professional photography studio in Liebig Street, Warrnambool. He became very well known in the Western District for family photographs, official photographs of local councillors and groups as well as views of local scenery. In 1891 he photographed the wrecked barque ‘Fiji’ at ‘Wrecks Beach’ near Princetown. His business was taken over by his son Arthur around 1917. Joseph was a keen rifle shot and in 1924 he donated the "Jordan Shield" as a prize to the Victorian Rifle Association. He was made a "Life Honorary Member" of the Warrnambool Returned Soldiers League and in 1933 he was recognised as being the oldest living soldier in Victoria. Joseph died in 1935 aged 95.This card is the only one of the nine cards with the location of Warrnambool added to the name 'Joseph Series'. It is also the only one that has text within the outline for the postage stamp. The font used for the test of the headings is slightly different to the other cards. Joseph Jordan is a significant figure in Warrnambool history as he helped to establish early units of the Mounted Rifles (G Company) in local towns during the late 1880's and later, photographed local scenes, groups and citizens of early Warrnambool. This postcard of Christ Church Warrnambool is significant for its connection to the church. The early building of the church in 1856, within the first decade of Warrnambool being proclaimed a town, shows the strong religious desire of the community. The church is part of Warrnambool's life events and the historical significance of the building,Postcard, one of nine, landscape orientation, coloured print within an oval border and mauve-toned shading. The cameo image is of the Interior of the church chapel, with exposed timber beams, white arches decorated with flowers, pews with books on shelves, and organ pipes. There is text on the image. The title is in red print on the front of the card. The back has inscriptions and outlines for a postage stamp. There is no correspondence written on the card. Jordan Series, printed in Great Britain.Front, in red: “CHRIST CHURCH, WARRNAMBOOL” Back in black: “Jordan Series” “POST CARD” “PRINTED IN GREAT BRITAIN” “For correspondence” “The Address only to be written here” Text on the arch: "THE LORD OF HOSTS"flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, maritime museum, warrnambool, great ocean road, warrnambool and district, warrnambool scenes, local scenes, views of warrnambool, joseph jordan, jordan series, jordan photography, postcard, souvenir, correspondence, cameo postcard, landscape, christ church, bell tower, german bells, warrnambool church, religious building, stone building, anglican church, parish of warrnambool, arch pillars -
University of Melbourne, Burnley Campus Archives
Plan, Como, 1983
(1) Como Plant Inventory: Rear of House - Big Pond Lawn, Fountain Terrace and The Paddock dated November 1983, Landform Australia. Numbered list of plants and placement. (2) 2 copies Blueprint - Automatic Watering System Legend by Planned Irrigation Projects Pty. Ltd. (3) Tracing paper and paper plans of Croquet Lawn and Pony Paddock 'Como', Como Avenue, South Yarra - Landscape Studies Assignment 1993.como house, plant inventory -
Victorian Aboriginal Corporation for Languages
Book, Lenny and the big red kinan : an Awabakal Language Book, 2010
Awabakal is the language of the Aboriginal people from the Newcastle, Lake Macquarie and Lower Hunter region of New South Wales in Australia. As Lenny takes his walk and collects insects, we learn some words that relate to the bush, to the landscape and the little creatures that would be found there. This book has been printed with sound, which can be heard through an Audio Reader. If you have an Audio Reader, run it over the pages to hear the sound.word lists, colour illustrationsawabakal, newcastle, lake macquarie, hunter region, juvenile literature -
Port Melbourne Historical & Preservation Society
Document - Proposal, Sculpture to commemorate Allan WHITTAKER, Adrian Gemelli, Jul 1983
This was a joint project of the Waterside Workers Federation and the Port Melbourne Council. The project developed to a high level of detail. Was never realised. Note that Allan Whittaker was referred to as 'James' at the time. Material relating to the proposed installation of a sculpture to commemorate Allan WHITTAKER (referred to as James WHITTACKER), shot by police at Hogan's Flat in 1928. James Whittaker Memorial (sic) - proposal from sculptor Adrian GENELLI covering both memorial and second phase, landscaping July 1983, including Appendix B, copy of a 27 June Australia Council notice to Arts organisations, Unions et cetera with Gemelli's proposal, signed 18 July 1983societies clubs unions and other organisations, local government - city of port melbourne, memorials, allan whittaker, actu, waterside workers federation, adrian gemelli, perce mcguire white, perce white -
Tramway Heritage Centre
Photograph Album (part of), Ray Pearson's Photo Album - Trams of Victorian Railways, Ballarat, Bendigo, Geelong
Page 1 of Ray Pearson's photo album. Brown card page with two photographs (landscape format) placed on page using clear plastic photo corners. The top photo depicts a scrubber tram and the bottom a 'Jelbart Roller' tram at the Ballarat tram depot. The photo corner plastic is perishing and both photographs are loose on the page. A hand written inscription is written under the bottom photograph and inscriptions also appear on the back of both photos.Hand written inscription in biro at base of page, under bottom photograph: JELBART ROLLER BALLARAT DEPOT To back of loose photograph at top of page: In top left corner with an underline: 4 To centre: Front of Scrubber Tram / Ballarat Depot / 20th Aug 1971 / Sebastapol lyte Car To back of loose photograph at bottom of page: In top left corner with an underline: 6 To centre: Jelbart Roler SEC / Tram Depot Ballarat / 20th Aug 1971 -
Ballarat Tramway Museum
Ephemera - Ticket/s, Victorian Railways, ARHS / TMSV joint tour to Farewell Ballarat Trams, 1971
Has a strong association with the tours to mark the closure of the Ballarat Tramway system and Graeme Breydon.Edmondson pasteboard railway ticket, No. 34, dated 21 august 1971, for use on an ARHS / TMSV joint tour to Farewell Ballarat Trams - the first day of the closure of the system. Ticket base is light green, which is printed in landscape format. Notes as being "Available on the Special Train only" Adult - Economy. Ticket number in reverse printing. Ticket used by Graeme Breydon on the day of the tour. See History of the Object for further details.trams, tramways, arhs, tmsv, tickets, closure -
Glenelg Shire Council Cultural Collection
Painting, untitled [Portland Port], n.d
Art Collection Previously located in History HouseThe painting depicts the Portland Port from an aerial perspective. The perspective is taken from the ocean looking down across the Port and into the town of Portland. Within the foreground is the ocean beyond the Main Breakwater, the Main Breakwater and the Port. Within the Port nine large ships are docked and another is being brought into the Port by two tugboats. The background features a distant view of the town of Portland and the landscape beyond the township. The work has a white wooden frame and glass.Front: TROMPF (white paint, bottom right corner) Back: (no inscriptions) -
Melbourne Tram Museum
Poster, Yarra Trams, "Capital City Transport", Feb. 2012
Set of two full colour posters titled "Capital City Transport" for a 21 Feb. 2012 stamp issue featuring Australian transport, issued by Australia Post. Adelaide - Obahn bus Sydney - ferry Perth - electric train Melbourne - W7 tram 1015 Sydney - electric train. Has details of the stamp issue and the commemorative books. 788.1 - landscape poster 788.2 - large vertical format poster - two copies held.trams, tramways, stamps, australia post, adelaide, perth, sydney, melbourne, w7 class, tram 1015 -
Melbourne Tram Museum
Book, Randal Wilson, Dale Budd, "Melbourne's Marvellous Trams", 1998
Book - 96 pages + card covers, 5 sections, perfect bound, A4 landscape full colour printed on gloss paper, titled "Melbourne's Marvellous Trams", looking at the history of Melbourne's tram, why, how, culture, economic and relationship to Melbourne and its residents. Contains a forward written by Keith Dunstan. Written by Dale Budd and Randall Wilson, published by University of New South Wales Press in 1998. Has a table of contenttrams, tramways, melbourne, tramways, tramcars, cable trams, history -
Melbourne Tram Museum
Book, Lindsay Crow et al, "More trams and streetscapes Metropolitan Melbourne 1950s - 1960s", Apr. 2002
Book - 48 pages+ card cover + jacket, perfect bound, landscape format, "More trams and streetscapes Metropolitan Melbourne 1950s - 1960s", edited by Lindsay Crow, Colin Pike and John Sargent, published April 2002, featuring photos by Keith Atkinson, Graham Evans, Ron Lennard, Don McLean, Eric Quinlan, Michael Schrader and Jim Seletto. See Reg Item 4289 for the first in the series published Dec 2000.trams, tramways, melbourne, work trams, mmtb -
Melbourne Tram Museum
Document - Report, Robert Green, Tramway Museum Society of Victoria, "A tramway museum and Tourist Tramway for Melbourne", mid 1990's
Report - 18 landscape format - A4 pages + card covers, bound with a plastic binding on the left hand side. Titled "A tramway museum and Tourist Tramway for Melbourne". Prepared by Robert Green mid 1990's. Examines various aspects of establishing a Museum at the full site of the Hawthorn; Has a Introduction, preservation and tourism, world vintage tramcar operation, the TMSV, operation of the Museum and trams, establishment requirements, an imaginary visit to the Museum, conclusion and recommendation.trams, tramways, hawthorn, hawthorn tram depot, tmsv, museums -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Planting a Large Tree in the Royal Botanic Gardens, Unknown
Large photograph showing a very large conifer being replanted by a number of people. The original photograph is held at the Melbourne Herbarium and the information provided by them is that, "This photograph was taken after William Guilfoyle became Director of the Royal Botanic Gardens, succeeding Baron von Mueller. Many of the collection of conifers were moved from straight lines to give a more aesthetic appearance, as Guilfoyle was trained in the tradition of the 18th Century English landscape design."conifers, melbourne herbarium, william guilfoyle, director, royal botanic gardens, ferdinand von mueller, trees, landscape design, botanic gardens, replanting trees -
Flagstaff Hill Maritime Museum and Village
Postcard - Historical, Warrnambool, Christ Church, Warrnambool, Early 20th century
The nine postcards in this set were donated together and date to the early 1900s. All but one postcard in this set shows images of Warrnambool, in the Western District of Victoria; the other has a London image. The postcards were all printed in Great Britain according to that country’s postal regulations. The fronts of all cards have titles printed in red. Most of the images on the cards are attributed to photographer Joseph Jordan and belong to the Jordan Series. The back of these cards has an outline for a postage stamp, a vertical dividing line and a heading on each side of the line to separate the Correspondence from the Address. Postcards or ‘correspondence cards’ appeared in Britain in 1894. They were plain cards with a space for the message on one side and an address on the other; regulations didn’t allow anything but the address to be written on the ‘address’ side. In 1902 the British regulations then allowed a picture to be printed on the front and the address on the back, so messages had to be written on the picture side. Soon, the regulations changed and the back was divided for a message and the address. Christ Church Warrnambool – The image on this card shows Christ Church, a stone building built in 1856. The Anglican church is in Henna Street, Warrnambool. The church, outer buildings and grounds are heritage-listed. Its bell tower harbours German bells. Joseph Jordan - Joseph Jordan was born in 1841 in Leicester England. When he was 16 he joined the 7th Queen's Own Hussars and was sent to India at the outbreak of the mutiny. He took part in the relief of Lucknow and remained in India for eleven years. It was during this time, he became interested in photography. He was posted to New Zealand and later came to Victoria, becoming a sergeant major of the Mounted Rifles. In the mid-1880s he came to the Western district where he was responsible for establishing units of the Mounted Rifles in various country towns such as Dunkeld, Mortlake, Panmure, Bushfield, Koroit etc. He resigned from the army in 1889 and set up a professional photography studio in Liebig Street, Warrnambool. He became very well known in the Western District for family photographs, official photographs of local councillors and groups as well as views of local scenery. In 1891 he photographed the wrecked barque ‘Fiji’ at ‘Wrecks Beach’ near Princetown. His business was taken over by his son Arthur around 1917. Joseph was a keen rifle shot and in 1924 he donated the "Jordan Shield" as a prize to the Victorian Rifle Association. He was made a "Life Honorary Member" of the Warrnambool Returned Soldiers League and in 1933 he was recognised as being the oldest living soldier in Victoria. Joseph died in 1935 aged 95.This card is the only one of the nine cards with the location of Warrnambool added to the name 'Joseph Series'. It is also the only one that has text within the outline for the postage stamp. The font used for the test of the headings is slightly different to the other cards. Joseph Jordan is a significant figure in Warrnambool history as he helped to establish early units of the Mounted Rifles (G Company) in local towns during the late 1880's and later, photographed local scenes, groups and citizens of early Warrnambool. This postcard of Christ Church Warrnambool is significant for its connection to the church. The early building of the church in 1856, within the first decade of Warrnambool being proclaimed a town, shows the strong religious desire of the community. The church is part of Warrnambool's life events and the historical significance of the building,Postcard, one of nine, landscape orientation, coloured print within an oval border and mauve-toned shading. The cameo image is a stone castle-top bell tower beside a church building flanked by trees. A stone fence is across the front, with pedestrian and vehicle white picket gates. The title is in red print on the front of the card. There is no correspondence written on the card. The reverse has inscriptions and outlines for a postage stamp. Jordan Series, printed in Great Britain.Front, in red: “CHRIST CHURCH, WARRNAMBOOL” Back in black: “Jordan Series” “POST CARD” “PRINTED IN GREAT BRITAIN” “For correspondence” “The Address only to be written here”flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, maritime museum, warrnambool, great ocean road, warrnambool and district, warrnambool scenes, local scenes, views of warrnambool, joseph jordan, jordan series, jordan photography, postcard, souvenir, correspondence, cameo postcard, landscape, christ church, bell tower, german bells, warrnambool church, religious building, stone building, anglican church, parish of warrnambool -
The Beechworth Burke Museum
Photograph, 1960s
Taken in the 1960s, depicted are approximately twenty-nine male and female spectators at a school swimming carnival on Lake Sambell near the caravan park. Lake Sambell is a beautiful Victorian recreation lake and urban park with a unique history. It was created in the mid-1800s by the Rocky Mountain Mining company during the gold rush era and used as a mining site until the early 1900s, which brought Europeans into the area. It was turned into a reserve for residents in 1920 and is considered an icon of Beechworth as it represents the development of the community, human endeavour, and the spirit of the landscape. This photograph represents the post-gold rush era use of Lake Sambell as a recreational reserve. Swimming carnivals were held at the lake and considered a social event for the Beechworth community.Black and white reproduced rectangular photograph print on paper.Reverse: Community/ Swimming pool 1960s/ near the caravan park/ Lakes?lake swimming pool, lake swimming, beechworth carnival processions, carnival, #beechworth, beechworth 1960s, victoria