Showing 3537 items
matching 1950s
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Sunbury Family History and Heritage Society Inc.
Photograph, Former Yakka Factory
In the 1950s there was a move to bring some light industries into Sunbury. The large building in Barkly Street, which was used to make gloves and other items of clothing was taken over by the Yakka Company and boys shorts were made there. In the 1960s the Yakka Company moved to new and larger premises in Broadmeadows resulting of the closure of the Sunbury factory. A car park which services the business owners and employees from O'Shanassy Street now occupies the site.The Yakka Factory was one of the early manufacturing ventures to be started in Sunbury.A non-digital scanned copy of a coloured photograph of a large shed-like building with two utility trucks parked in the street in front of the building. There are some tall shrubs on either side of the building and a tall electric light pole on the RHS of the picture.He photograph has a narrow cream border.yakka factory, barkly street, manufacturing -
Melbourne Legacy
Slide, Conference, 1960s
Colour slide of large number of legatees seated at a Conference. Legatees would meet annually for Federal Conferences. The location and date is not known. Assumed to be the 1960s as other slides are from that time. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of a Legacy Conference in the 1960s.Colour slide of legatees seated at a conference, in a cardboard Agfacolor mount with blue and white stripes on the reverse.legatee function, conferences -
Melbourne Legacy
Slide, Legacy Boys Camp 1956-7, 1957
A black and white slide of six boys doing dishes at a boys camp in 1956-57. It is possibly at Blamey House in Kew, as other slides show camps at the residence during summer holidays. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of camps being organised for children.Black and white slide photo of boys washing dishes in a large metal tub in a cardboard mount.Handwritten on front 'Legacy boys camp 1956-57' and 'SET-2' in blue pen. Handwritten '13' in black pen. Printed on front 'Made in Australia' on the reverse a navy blue outline on edge of slide.camps, blamey house -
Melbourne Legacy
Slide, Holiday Camp 1958. Boys relax at Blamey House, 1958
A colour slides of boys in the garden of Blamey House, Burke Rd, during a summer holiday camp in 1958. Blamey House was used for camps over summer holidays for many years. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of camps being organised for children.Colour slide photo of a group of boys in a garden at Blamey House in a cardboard Kodachrome mount.Handwritten on front 'Boys relax at Blamey House' and '1958' in blue pen. Imprinted '12' in black ink. Printed on reverse 'Kodachrome Transparency / Processed by Kodak' with a red outline on edge of slide. Handwritten on reverse 'Boys at Blamey / 3 / SET 2' in pen.camps, blamey house -
Bacchus Marsh & District Historical Society
Photograph, Darley Football Team 1954
Darley Football club contested the 1954 Bacchus Marsh District Football Association Grand Final against Maddingley Football Club. This photograph is thought to have been taken in 1954. It is cited in some sources as the Premiership winning team of 1954. This is incorrect as Maddingley Football club were the premiers in this year. It is possibly a photo taken at the time of the Grand Final of 1954 and subsequently misidentified. Or, it may be a photo from another year in the 1950s.A black and white photograph print on a mounting board in a display folder, showing a group 30 men, 3 boys and one younger child seated on the knee of a man probably his father. The group is arranged in three rows, 10 in civilian clothes, the rest in vertically-striped guernseys and white shorts. In the front row, seated in the middle, are three boys, club mascots , dressed in uniform guernseys and shorts. Two of the men have towels slung over their shoulder, indicating that they were club trainers. The photo is taken in an outdoor setting, probably Maddingley Park. There are no names on the mounting board, but from information taken from "Bacchus Marsh. A Pictorial Chronicle", 1986, by Gwyn Moore and Jean Oomes. This source incorrectly identifies this team as Premiers 1954. Bacchus Marsh Express of Saturday 18 September 1954 reported "Decisive Win by Maddingley." The score was recorded as Maddingley 17.11 Darley 12.15. The names given in Moore and Oomes are: Back Row: l-r: M.Cook, B.Skinner, J.Cook, C.Reddrop, L.Holt, J.Cook, M.Carr, J.Carr, M. Younger, B.Carr, R.Stevens, W.Richardson, B.Giani. Middle Row: C.Casey, N.Thomson, N.Holt, G.Tudball, J.Ashby, L.Carr, L.Carr jnr., M.Younger, J.Moore, T.Densley, L.McKenzie Front Row: H.Cairns, P.Shea, L.Kight, M.Shea, R.Closter, A.Franklin, with mascots.darley football club, australian rules football -
Warrnambool and District Historical Society Inc.
Souvenir - Cup and Saucer Soldiers Memorial Warrnambool, 1940s
This is a Warrnambool souvenir item made about the 1940s. It features the Warrnambool War Memorial which is a Warrnambool landmark popular with the makers of souvenir items for sale to local residents and tourists to the city. The War Memorial was originally designed as a memorial to the local soldiers who enlisted and died during World War One. It was built in 1924 and first used for an official function in 1925. A World War Two memorial section added was added in the 1950s. These items are of interest as examples of the souvenirs made to sell to tourists sixty years ago. The items were made of good quality bone china. The Warrnambool War Memorial still features today on some items sold as souvenirs of the City.This is a white bone china cup and saucer set - a Warrnambool souvenir piece. It has a black and white image of the Warrnambool War Memorial on the side of the cup and on the base of the saucer. There is gilding on the edges of the cup and its handle and on the saucer. The base of both items has a British Crown symbol on it. Under the War Memorial images : ‘Soldiers Memorial, Warrnambool Vic.’ On the base of cup and the saucer: ‘Melba Bone China, Guaranteed Made in England’ warrnambool war memorial, warrnambool souvenir, warrnambool -
Ararat Gallery TAMA
Textile, Frances Burke, Goanna, c. early 1950s
Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs. -
Ararat Gallery TAMA
Textile, Frances Burke, Harlequin, c. late 1950s
Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs. -
Orbost & District Historical Society
spectacles and cases, first half 20th century
Women wore frames characterized by an upsweep on the top rim, a style that was very popular until the end of the 1950s, while men tended to sport gold wire frames. These glasses are probably men's glasses. By the latter half of the 20th century, spectacles were considered part of a person's wardrobe. Similar to clothes, eyeglasses needed to be continually updated or a person could be perceived as old-fashioned. More and more celebrities were influencing spectacle fashion.These items reflect how glasses styles have changed over time and are becoming a fashion accessory as well as a prosthesis and support for lenses, Six pairs of assorted glasses and 4 cases. spectacles -
Kiewa Valley Historical Society
Book - Religious Education, The Junior Catechism
Catechism was taught at Sunday School by most Christian religions during the 1950s. Students attended Sunday School classes at the Kergunyah Presbyterian Church. Sunday school was held in a little 16 foot square wooden building which came from Rocky Valley after it was no longer needed there. Ewen Wallace's father initiated and organised the move. C2011 the building was knocked down because of white ants. The Presbyterian Church will be 125 years old in 2015.Historical: Religious Education: This book was used by students who attended the Sunday School classes at Kergunyah Presbyterian Church. Religion: Presbyterian Church at Kergunyah, in the Kiewa Valley, celebrates its 125th anniversary in 2015 after being handed over to the Uniting Church in the 1970s.Small, thin, orange booklet with black print on cover - for title. Also in black a tree with 'ribbon' underneath inside which are 2 Latin words. 16 pages inside thin cardboard cover. On back cover "B.C.E. Publications" Listed with price.Title and "Presbyterian Church of Australia Price: Sixpence. Seventh New Edition"religion, kergunyah, ewen wallace, catechism, presbyterian church, religious education, sunday school -
Eltham District Historical Society Inc
Photograph, Albert Jones, General Store, Wattle Glen, c.1910
The Wattle Glen General Store in this photo was located at the same intersection as the present Wattle Glen General Store (cnr of Reynolds Road and Kangaroo Ground Road) but on the diagonally opposite corner. [Comment from Valda via Victorian Collections June 11, 2018] "The addition to the store on the left, and the building at the back, were not part of the store/post office owned by the Keenan's. They were added by Mr and Mrs Alan (Janet) Frencham's in the ?mid-1950s."Photo printalbert jones, golden glen, shops, wattle glen -
Kiewa Valley Historical Society
Photograph Transmission lines Mount Beauty, 66 KVA Transmission lines from Clover Power Station, Circa 1950
This photograph is a "snap shot" in time circa 1950s detailing the rural environmental change and the progressive effects of the Kiewa Valley Hydro Scheme on the basic rural setting of the valley (note the sparsity of rural infrastructure). This photograph shows the beginning of the accommodation and administration buildings for use by the construction workers and auxiliary administration employees of the Victorian State Electricity Commission. It also provides a view of the landscape before extensive development of Pondage and other non rural buildings.This photograph details a dramatic period in time which saw an enormous change to the exclusively rural area of the Kiewa Valley region in the mid 1900s (see sparse rural buildings/houses). This change presented both physical and mental challenges to the existing quiet rural inhabitants of the valley. The State of Victoria had to make adjustments to the changing demands imposed by population and industrial expansions. The development of cleaner energy supplies to a growing population has its downside ,which ever way the intrusion into the "natural" landscape is made. The construction of the large Pondage at the centre of the photograph is a good example.This black and white photograph of a panoramic view of the Kiewa Valley (Mount Beauty SEC construction workers village) shows the newly completed transmission line towers delivering electrical power(66KVA) from the Clover Power Station. The photo is on 200gms paper and not on special photographic paper.mount beauty 1940 to 1950s, development of sec kiewa hydro scheme, sec victoria -
Kiewa Valley Historical Society
Sewing Machine - Singer
Singer began to market its machines internationally in 1855. They began mass-producing domestic electric machines in 1910. Treadle machines were powered mechanically by a foot pedal that is pushed back and forth by the operator's foot. There were also machines belt powered, hand powered and eventually electric powered. Treadle machines were made into the 1950s but they were most common during the late Victorian years (up to 1901). This machine is c1894.This machine was owned and used by a resident of the Kiewa Valley. It was used for domestic sewing such as for making clothes for the family, making toys for eg. a fete and making useful items eg. a bag for school readersSinger Fiddle Base treadle sewing machine with decoration of flowers. Straight stitch. No stand. A little rusty.Top: 'the Singer Manufacturing'. Front: 'Singer' and the Metal Plaque 'The Singer MFC Cony'singer manufacturing co., clothes, sewing, domestic -
Kiewa Valley Historical Society
Reel Fishing, Circa 1920's to 1940's
These reels where used by a local family in catching Murray Cod and trout in the Kiewa Rivers and Murray River. This old Pilot side cast fishing reel was made in the late 20's & early 30's They were used in the mid 1950s. Although the original inhabitants (Aborigine tribe) would have used spears for fishing the use of reels and rods by non indigenous fisher persons are also very effective especially if raised in the valley.These items are significant because they demonstrate the harvesting of fish from valley rivers and streams is one of continuation from the first human habitation of this region. The ability to harvest the natural food source of the valley's rivers and streams has come from earlier survival requirement to one of recreational pleasure. Brass & Wooden Frame Side Casting Fishing Reel. This reel has 2 winding bakelite handles.Pilot, Tag states W. Davies Please return.recreation, river, kiewa, fishing, industry, reel, side, casting, davies -
Flagstaff Hill Maritime Museum and Village
Container - Money box
Metal money boxes shaped like common familiar objects became a popular from the 18th century. In the 20th century they were used to promote and advertise events and businesses. In the 1950s money boxes shaped like a bank building were given away to children by their parents' bank to encourage them to save money. This money box was possibly used in an organisation such as the Missions to Seamen as a donation box, particularly as there is no means of easily opening the box or tampering with it.The money box is an example of a way of collecting money as a donation or contribution for an organisation or charity.Money box, rectangular polished wood money box with coin slot in the top and a blue felt fabric pad on the base. The base has a purple stamped inscription which is indecipherable. There is no obvious means of opening the box. The box has contents.Stamp (indecipherable)flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, money box, money safe, vintage money box, wooden money box, savings, donations, collection, contribution -
Torquay and District Historical Society
Photograph (copy), Early Torquay Beach Scenes, Circa 2001-2
Photograph shows a tree carving on the esplanade adjacent to the Torquay front beach based on the figurehead of the barque Inverlochy, a Scottish trading ship wrecked off nearby Anglesea on 8 December 1902. The original figurehead had been saved and mounted on a flagpole at Torquay but it disappeared in the 1950s. In 2001-02 local sculptor Mark Trinham carved a replica image of the figurehead into a 80 year old dead cypress tree on the site of the original flagpole. The Inverlochy was one of many ships that ended their seafaring days on the south coast of Victoria.Black and white photographtorquay victoria, wreck of the inverlochy, wood carving -
Robin Boyd Foundation
Drawing - Interior Perspective, Robin Boyd, Stegbar Windowalls, Springvale
Project: Stegbar Windowalls, Springvale drawn by Robin Boyd of Romberg and Boyd; two interior perspectives. In 1952-53, Robin Boyd designed the Stegbar ‘Windowall’ - a prefabricated, structural framing/glazing system - to create a wall of windows. These ‘Windowalls’ were used extensively in domestic architecture across Australia from the 1950s to the 1970s. Boyd also designed the factory and showrooms for Stegbar Limited. The Walsh Street Archive holds exterior and interior perspectives of the building. Interior perspectives, watercolour on board.windowall, robin boyd, stegbar, ohm2022, ohm2022_35 -
Robin Boyd Foundation
Drawing - External Perspective, Robin Boyd, Stegbar Windowalls, Springvale
Project: Stegbar Windowalls, Springvale drawn by Robin Boyd of Romberg and Boyd; external perspective. In 1952-53, Robin Boyd designed the Stegbar ‘Windowall’ - a prefabricated, structural framing/glazing system - to create a wall of windows. These ‘Windowalls’ were used extensively in domestic architecture across Australia from the 1950s to the 1970s. Boyd also designed the factory and showrooms for Stegbar Limited. The Walsh Street Archive holds exterior and interior perspectives of the building. External perspective, watercolour on board.windowall, robin boyd, stegbar, ohm2022, ohm2022_35 -
Melbourne Legacy
Slide, Annual Dinner 1962, 1962
Colour slides of an annual dinner in 1962. The slide shows a man speaking at the microphone. It is possible it was the induction of the new president who was sitting in the President's chair in other slides. In 1962 the President was JD Lobb Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of an annual dinner held for Legatees in the 1960s.Colour slide x 3 of legatees at a dinner in an Anscochrome white plastic mount.Imprinted 'Viewing Side' and 'Anscochrome' on front and 'Made in Australia' and 'Anscochrome by Verycolor' on reverse. Handwritten on one slide '1962 / Annual Meet 1962'legatee function, legatees, jd lobb -
Melbourne Legacy
Slide, Legacy Boys Camp 1956-7, 1957
A black and white slide of eight boys at a boys camp in 1956-57. They could be on billy carts or skateboards. It is possibly at Blamey House in Kew, as other slides show camps at the residence during summer holidays. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of camps being organised for children.Black and white slide photo of boys in a driveway in a cardboard mount.Handwritten on front 'Legacy boys camp 1956-57' and 'SET-2' in blue pen. Handwritten '14' in black pen Printed on front 'Made in Australia' on the reverse a navy blue outline on edge of slide.camps, blamey house -
Melbourne Legacy
Slide, Legacy Camp 1956-7, 1957
A colour slide of boys and two legatees near a green bus on Burke Road in 1956-57. It is probably at Blamey House in Kew, as other slides show camps at the residence during summer holidays. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of camps being organised for children.Colour slide photo of boys near a green bus in a cardboard Kodachrome mount.Handwritten on front 'Legacy camp 1956-57'. Imprinted '1' in black ink. Printed on reverse 'Kodachrome Transparency / Processed by Kodak' with a red outline on edge of slide.camps, blamey house -
Melbourne Legacy
Slide, Boys return after a swim 1958, 1958
A colour slides of boys returning to a camp on a green bus after a swim in 1958. It appears they are outside Blamey House in Kew. Blamey House was used for camps over summer holidays for many years. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of camps being organised for children.Colour slide photo of a group of boys near a green bus in a cardboard Kodachrome mount.Handwritten on front 'Boys return after a swim' and '1958' in blue pen. Imprinted '15' in black ink. Printed on reverse 'Kodachrome Transparency / Processed by Kodak' with a red outline on edge of slide. Handwritten on reverse is 'SET 2' and '11'.camps, pool, blamey house -
Wodonga & District Historical Society Inc
Memorabilia - Souvenir Ashtray Sarroff's Dry Cleaners
The Sarroff family were one of the earliest Lebanese families to arrive in the area of Albury-Wodonga in the 1890s, originating from Kousba, Lebanon. They opened a drapery business in Townsend Street, Albury. Father Carl and Nassim (Charles) were naturalised in 1897. Carl died in 1926. By the 1950s his grandsons were operating dry cleaning businesses in both towns. In 1970 their business was located in Wodonga Mall on the corner of High Street and Stanley Street.Sarroff's Dry Cleaning was operated by the family of one of the earliest Lebanese migrant families to the Wodonga area in the 1890s.A blue metal ash tray bearing the name SARROFF's Dry Cleaners in a white disc in the centrePrinted on the white disc in the centre "SARROFF'S/Wodonga/Dry Cleaners/ Phone 639/ 2 Hour Service"lebanese migrants, wodonga businesses, high street wodonga -
Melbourne Legacy
Document - Memoir, Wisdom Days
As a teenager in the 1950s Alison Wisdom was a resident for seven years at both Stanhope and Holmbush Legacy hostels in Burke Road, Kew. She has compiled a website and written a book about her extended family in which her own experiences are described. Alison's brother, Stephen Kerry Wisdom, also lived at the hostels, as well as her eventual husband, Graeme Ball, and she describes their lives as Legacy children very fondly with many photographs.This is a rare and well researched account which describes the residences from a child's point of view, The information and photographs give a valuable insight into the running of the hostels, the lives of the beneficiaries and effect of the efforts of so many Legatees.1 x pdf document, colour and black & white 5.81 MB, 33 x jpeg images, colour and black & white. 56 - 1,938 KBmemoir, residences, junior legatee -
Kiewa Valley Historical Society
Book - Reference Cooking, SEC Cook Book of Family Favourites, Circa 1950
This SEC cook book was produced circa 1950s when the Kiewa Hydro Electricity Scheme and its Commission was in full swing. The Commission had constructed two settlements, Mount Beauty and Bogong Village to house construction workers and their families in a "closed" community. These "closed" communities were for SEC staff and construction workers only. Entry into these villages was restricted to "SEC pass" carrying construction staff and their families. All facilities such as retail, sporting and other community services was provided by the SEC. This created an isolated community in which limited individual choice or administrative family leeway was available. It was a typical company town (live and work for the company). The Company was in the Kiewa Valley constructing power stations for the Kiewa Hydro Electricity Scheme of Victoria. In one way the individual did not need to be concerned with living costs, educational needs for children, and recreational amenities and therefore "normal" community survival /living methods did not apply. This living, although restrictive, was quite simple. When the scheme was completed, in 1961, marking the end of company town, caused some of the employees, who had enjoyed the "controlled" township environment, a fair degree of angst in having the new 'laissez-faire" controls thrust upon them. This was magnified when both Mount Beauty and Bogong Village became meshed into the Bright Shire, vis-a-vis, local government. This cook book is a prime example of " the company is looking after you" and leave the worrying to us. This environment of a "company town", which creates the atmosphere of minimal personal responsibilities, is still present in a few remote mining towns in Australia at the beginning of the 21st Century.This book is a classical example of the psychological control in which the company had its construction workers families living in. The motto of many companies who had employees in isolated regions was "keep them happy". A happy and contented worker is a more productive worker. This was a period in time (1950s to 1970s) when social psychology was gaining recognition in the Australian workforce as well as internationally. At the end of the construction of all the power stations both the Mount Beauty settlement and the Bogong Village became more integrated into the main stream of rural Australia environment. Development of tourism in the region opened up not only interaction with a greater cross section of the ever expanding type of Australian but also the overseas based non rural culture tourist or immigrant. It allowed the intermingling of ideas in a non company controlled environment. The Mount Beauty and Bogong Village has, and even up to the 3000 Millennium, the same housing construction, as was built by the SEC. There has only been a very gradual change to modern domestic architectural home styles. This SEC cookbook has a folded cover with two staples at the spine, securing eight double sided pages. The white pages contain black print and sketches(3), and one black and white photograph (of the author). The front cover is mainly orange in colour with a gradual fading into yellow(at the top). The cover is approximately 210 g/m2 in thickness and each page is approximately 90 g/m2 thick. Front cover: top of page "SEC Cook Book of Family Favourites", in the middle a sketch, black on orange background, of a smiling mother walking from the kitchen to the dining table with a steaming rolled roast and vegetables in one hand and a gravy pot in the other. The furniture and decor relates to the 1950s. Below this sketch is printed"SEC TESTED RECIPES NO. 16" Inside cover: on top of the page is a black and white sketch of a pineapple, apple pear fish with scales, bunch of grapes with leaves a pork roll (head of pig one end and a roll ending on the other, on top of this food arrangement rests a fruit pie. Below this sketch are printed in black print the books contents.The first side of the first page is a black and white photograph Mary Dunne, the SEC Home Service supervisor who provided a signed foreword. The inside back cover has a promotional segment detailing a black and white photograph of a smiling (and happy) couple in the foreground with an electric stove in the distance. The written motto below this photograph is" to Live better -and save money they'll join the Power People. "the new tariff is(1960s) - First 75kWh --6 cents per kWh Next 435 kWh---2.3 cents per kWh Balance --1.7 cents per kWh The rate per killowatt-hour for the final block drops from 2.1 cents to 1.7 cents --a reduction of 19%.cooking recipes circa 1950s, domestic food, sec victoria cook books, recipes circa 1950s -
The Beechworth Burke Museum
Photograph
Depicted is an unidentified male performer dressed in women's clothing. He is positioned on a stage and in front of a microphone. The photograph appears to have been taken by a reporter from the Ovens and Murray Advertiser; a weekly newspaper published in Beechworth.The photograph provides insight into entertainment, performance and recreation in Beechworth during the 1950s. The item's interpretive capacity is enhanced by its strong relationship to other photographs in the catalogue. Collectively, these records enrich the community's understanding of how the arts have developed in Beechworth since the mid-twentieth century.Black and white rectangular photograph printed on matte photographic paper.Reverse: THE OVENS AND MURRAY ADVERTISER /entertainment album, entertainment, 1950s, performance, theatre, theatrical group, arts, the ovens and murray advertiser, newspaper, beechworth, actor -
Hume City Civic Collection
Photograph, 1952
B/W photograph of a couple of single storey timber shops on the corner of Brook and Evans Street, Sunbury. Identified as Mr. Lloyd's Chemist shop, and residence, also Endall's Drapery shop. Taken in 1952.Handwritten on back: Mr Lloyd's Chemist shop, Sunbury and residence, also Endall's Drapery shop, 1952, corner of Evans Street, and Brook Street.lloyd, - (mr), lloyd's chemist shop, pharmacies, sunbury, endall's drapery, evans street, brook street, businesses, 1950s, george evans collection -
Hume City Civic Collection
Photograph, 1952
B/W photograph of a streetscape in Brook Street, Sunbury. It shows Mr Ron Geyer's Newspaper shop.Handwritten on back: MR RON GEYERS' NEWSPAPER SHOP, IN BROOK STREET, 1952newspapers, shops, businesses, geyer's newspaper shop, brook street, sunbury, streetscape, geyer, ron, 1950s, george evans collection -
Hume City Civic Collection
Booklet, Back to Sunbury 1952, 1952
This item is a souvenir booklet printed to celebrate the Back to Sunbury held in 1952 and the centenary celebrations in commemoration of the founding of Sunbury. It contains a condensed version of the history of Sunbury.A small booklet with a orange cover printed in black."Souvenir booklet/of/Back to..."1950s, sunbury, boardman, eric, dignam, william, clarke, rupert (sir), country women's association, souvenir, george evans collection -
Ballarat Heritage Services
digital photographs, Lisa Gervasoni, Dior Exhibition NGV International
dior, exhibition, national gallery of victoria, ngv international, fashion, designer, gowns, dress, 1950s, 1960s, pattern room