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Bendigo Historical Society Inc.
Document - GIRTON COLLEGE PRESENTING ANYTHING GOES, CAPITAL THEATRE BENDIGO, 27 August, 1991
Girton College Presenting Anything Goes, Capital Theatre Bendigo. a/ Flyer: 1.30pm Saturday 31st August 1991. $3.00 Bookings 42 4877. b/ Girton College Presents ''Anything Goes!'' 27th, 28th August, Capital Theatre, Bendigo. The Plot. Cast: John Elder, Genevieve Gilbert, Scott Williams, Amber McDonald, Brendon Marshall, Kaye Porter, Lok Thornton, Anna Ledwich, Jason Burns, Simon Evans, Sarah Tweed, Amelia Doble, Jane Phillips, Linden Whiting, David Pearse, Jenni Rosen, Nick Evans. Girls: Louisa Dalley, Caroline Davey, Allisa Gullan, Adam Middlemis, Alistair Hampton, Jarrod Harris, Adrian Currie, Mark Tierney, Ben Brown, James Brook, Georgia Laughton, Carolyn Macdonald, Lachlan King, Luke Tracey, Sally Branson, Michael Elphinstone, Natalie Lawson, Tanya Kairn, Matthew Evans, Sally Thorn, Emma Chuck, Natalie Davey, Geraldine Carney, Henry Chan, Rossetti Luk, Kelly Chuck, Corinne McAlpine, Tania Ray, Sally Morris, Rachel Roberts. Dancers: Rachel Campbell, Alisa Gullan, Kate Harris, Carolyn Macdonald, Rachel Millar, Jane Phillips, Carlie Sutton, Linden Whiting, Lisa Owen, Kim Davis. Sound: Bronwyn Letts, Anthea Moncrieff. Technical Lighting Spot: Davydd Griffiths, Matthew Whiting. Backstage: Emma Goulding, Dallas Anson, Sarah Carlile, Alix Osborn, Matthew Williams, Michael Porter, Kasie Watson, Alexandra Hocking, Nerida Clark, Lisa Bibby, Sher Anson, Emma Toon, Mandi Smith. Production Mrs R Pedersen, Mr R Cooke, Matthew Tilling, Michael Chittick, Mrs K Branson, Mrs A Leech with year 9 Design Students. Mr L Young, Mrs R Pederson, Mrs J Whiting, Brenda Macdonald, Pam Sutton, Mrs S Draffin, Kara Draffin, Miss M Somerville, Mr S Jackson, Mrs S Neale, Adelle Middlemis, Moira Christie, Wendy McKinlay, Shona Christie, Mrs V Jackman. Orchestra: Mr R Cooke, Maria Ciancio, Grant Welling, Susannah Breaden, Meredith Cox, Kylie Smith, Jane Davies, Jeremy Breaden, Mal Hausler, Norm Gray, Kevin Kieley, Neil Bassett, Kevin Simmonds, Betty Higgs, John Snowdon, Peter Stewart. We gratefully acknowledge the assistance of: Keith Macdonald, Macdonald's Spring Gully Nursery. Graham & Irene Keogh, Limerick Tavern. Ashman's Formal Hire. Program produced by Ms S Albion. Program designed by Jason Williams, Lok Thornton and Matt Robinson. Graphics by Broughton Snell and Amber McDonald. C & d/Tickets no.s K8 & K9, Girton College Presents Anything Goes! 7.30pm, Wednesday 28th August 1991 at the Capital Theatre Bendigo Adult $6 Conc. $3.entertainment, theatre, anything goes, girton college presenting anything goes, capital theatre bendigo. a/ flyer: 1.30pm 31st august 1991. $3.00 bookings 42 4877. b/ girton college presents ''anything goes!'' 27th, 28th 1991, capital theatre, bendigo. the plot. cast: john elder, genevieve gilbert, scott williams, amber mcdonald, brendon marshall, kaye porter, lok thornton, anna ledwich, jason burns, simon evans, sarah tweed, amelia doble, jane phillips, linden whiting, david pearse, jenni rosen, nick evans. girls: louisa dalley, caroline davey, allisa gullan, adam middlemis, alistair hampton, jarrod harris, adrian currie, mark tierney, ben brown, james brook, georgia laughton, carolyn macdonald, lachlan king, luke tracey, sally branson, michael elphinstone, natalie lawson, tanya kairn, matthew evans, sally thorn, emma chuck, natalie davey, geraldine carney, henry chan, rossetti luk, kelly chuck, corinne mcalpine, tania ray, sally morris, rachel roberts. dancers: rachel campbell, alisa gullan, kate harris, carolyn macdonald, rachel millar, jane phillips, carlie sutton, linden whiting, lisa owen, kim davis. sound: bronwyn letts, anthea moncrieff. technical lighting spot: davydd griffiths, matthew whiting. backstage: emma goulding, dallas anson, sarah carlile, alix osborn, matthew williams, michael porter, kasie watson, alexandra hocking, nerida clark, lisa bibby, sher anson, emma toon, mandi smith. production mrs r pedersen, mr r cooke, matthew tilling, michael chittick, mrs k branson, mrs a leech with year 9 design students. mr l young, mrs r pederson, mrs j whiting, brenda macdonald, pam sutton, mrs s draffin, kara draffin, miss m somerville, mr s jackson, mrs s neale, adelle middlemis, moira christie, wendy mckinlay, shona christie, mrs v jackman. orchestra: mr r cooke, maria ciancio, grant welling, susannah breaden, meredith cox, kylie smith, jane davies, jeremy breaden, mal hausler, norm gray, kevin kieley, neil bassett, kevin simmonds, betty higgs, john snowdon, peter stewart. we gratefully acknowledge the assistance of: keith macdonald, macdonald's spring gully nursery. graham & irene keogh, limerick tavern. ashman's formal hire. program produced by ms s albion. program by jason williams, lok thornton and matt robinson. graphics by broughton snell and amber mcdonald. c & d/tickets no.s k8 & k9, 7.30pm, 28th august 1991 adult $6 conc. $3. -
Bendigo Historical Society Inc.
Document - ROYAL PRINCESS THEATRE COLLECTION: SPECIAL ENTERTAINMENT FOR THE BENEFIT OF THE BENDIGO EASTER FAIR, 24 April 1914
Royal Princess Theatre - Special Entertainment for the benefit of the Bendigo Easter Fair. Friday, April 24, 1914. Stage Manageress: Miss M Eadie. Mistress of the Ballet: Miss G Mackay. Secretary: Mr H M Marks. Programme written by Miss Calma Boyd. Theatre kindly lent by Wm. Crowley, Esq. PART 1. Selected Pictures including BENDIGO ON EASTER MONDAY: THE PROCESSION AND THE FAIR. PART II. The Pierettes and Pierots Present for the first time their entire Company, introducing Miss Marjorie Eadie, Emperess of Ragtime. Miss Girlie Mackay, Genee's Revival. Miss Francie Moore, Miss Calma Boyd and Miss Jean Mackay, Shining Stars. Miss Winifred Dunstan, Dainty Balladist. Miss Dorothy Dunstan, Madame Butt's Protégé. Miss Claire Connell, Front Stall Favorite. Miss Beryl Leggo, Pianiste of Perfection. Press and other comments-'The Herald'-'Come over here?' Sir Ian Hamilton-'Spare my days!!' Madame Melba-'I never heard anything like it.' Mark Hambourg-'Miss Beryl Leggo's playing is Potslausenlililzenundgeyalikyoptor.' [don't hesitate to talk during the items--disturbing the performers really doesn't matter.] Opening Chorus-The Pierettes and Pierots. 'How do you Do, Miss Ragtime?' The Company. Chesapeake Bay, Sung by miss Eadie, with effects by Company. 'Mandy', Misses D Dunstan and C Connell, augmented by Misses Moore and Boyd. 'Here's to Love!' Miss D Dunstan (a solo of primary interest). Alabam, The Pierettes and Pierots, an effort of alleged humour. The Pierot's Wooing, Misses G Mackay and Meadie. The Dance is a result of an amicable attangement with the Pianist, Miss Beryl Leggo. Piano Solo, Miss Beryl Leggo [See Press Opinions.] 'My Sumurum Maid', The Pierettes and Pierots, [Presented with the idea of breaking up the prevailing gloom.] Interval of Ten Minutes. [If the audience can tolerate any more, they may retain their seats without extra charge.] Diamonds, Motor Cars, Confectionery, Sweets, Flowers: Gentlemen must have their name of donor attached. When you have had enough, don't hesitate to leave - the performers will sing on regardless of aching hearts. Part III. The Pierot Ballet, The Company. [Please do not throw anything harder than a brick.] Duet: 'Pretty Poll', Misses Moore and Boyd will sing to each other. 'Poor wandering One' Claimed by Miss M Eadie, with acquiescing chorus. 'Hush-a-Bye!' Part song, The Company [This item is introduced to soothe the infuriated audience.] 'Blue-eyed Baby', Miss M Eadie is associated with this number. Danse de Pierot, Miss Girlie Mackay. Leap Year!, The Pierittes- A distinctly Personal Chorus. [Gentlemen are warned that all exits will be barred]. Finale by the Pierettes. God Save The King. ___We Did It! - Cambridge Press, Bendigo.Cambridge Press, Bendigo.program, theatre, royal princess theatre, royal princess theatre - special entertainment for the benefit of the bendigo easter fair. friday, april 24, 1914. stage manageress: miss m eadie. mistress of the ballet: miss g mackay. secretary: mr h m marks. programme written by miss calma boyd. theatre lent by wm. crowley, esq. part 1. selected pictures including bendigo on easter monday: the procession and the fair. part ii. the pierettes and pierots present entire company, miss marjorie eadie, emperess of ragtime. miss girlie mackay, genee's revival. miss francie moore, miss calma boyd and miss jean mackay, shining stars. miss winifred dunstan, dainty balladist. miss dorothy dunstan, madame butt's protégé. miss claire connell, front stall favorite. miss beryl leggo, pianiste of perfection. press and other comments-'the herald'-'come over here?' sir ian hamilton-'spare my days!!' madame melba-'i never heard anything like it.' mark hambourg-'miss beryl leggo's playing is potslausenlililzenundgeyalikyoptor.' [don't hesitate to talk during the items--disturbing the performers really doesn't matter.] opening chorus-the pierettes and pierots. 'how do you do, miss ragtime?' the company. chesapeake bay, sung by miss eadie, with effects by company. 'mandy', misses d dunstan and c connell, augmented by misses moore and boyd. 'here's to love!' miss d dunstan (solo of primary interest). alabam, the pierettes and pierots, an effort of alleged humour. the pierot's wooing, misses g mackay and meadie. the dance is a result of an amicable attangement with the pianist, miss beryl leggo. piano solo, miss beryl leggo [see press opinions.] 'my sumurum maid', the pierettes and pierots, [presented with the idea of breaking up the prevailing gloom.] interval of ten minutes. [if the audience can tolerate any more, they may retain their seats without extra charge.] diamonds, motor cars, confectionery, sweets, flowers: gentlemen must have their name of donor attached. when you have had enough, don't hesitate to leave - the performers will sing on regardless of aching hearts. part iii. the pierot ballet, the company. [please do not throw anything harder than a brick.] duet: 'pretty poll', misses moore and boyd will sing to each other. 'poor wandering one' claimed by miss m eadie, with acquiescing chorus. 'hush-a-bye!' part song, the company [this item is introduced to soothe the infuriated audience.] 'blue-eyed baby', miss m eadie is associated with this number. danse de pierot, miss girlie mackay. leap year!, the pierittes- a distinctly personal chorus. [gentlemen are warned that all exits will be barred]. finale by the pierettes. god save the king. _we did it! - cambridge press, bendigo. -
Flagstaff Hill Maritime Museum and Village
Clothing - Evening Outfit, before April 1874
This amber satin evening outfit was worn by Mrs. Isabella Mitchell (nee Russell, 1840 – 1929) at the wedding of her brother Alexander (c.1846–1938) and Eliza (nee Moore c.1854–1939). The jacket and skirt attach to each other at the waist by joining the metal rings that are around the base of the jacket and to the metal hooks that are on the waistband of the skirt. The outfit was donated with its own mannequin and fits it perfectly. In the colonial days, outer clothing was rarely, if ever, washed, due to the expense of fabrics and difficulty in careful laundering. Clever methods were employed to reduce the occurrence of soiling. The mannequin included with the donation would also help keep the outfit in good shape as well as being used for ensuring a flattering fit. FAMILIES’ HISTORY The families connected with this wedding for which this outfit was worn are from Warrnambool’s colonial days. Isabella and Alexander’s parents, Robert Russell and Elizabeth (nee Mitchell) were both born in 1808 and married about 1830. They were from farming families in Northern Ireland where they raised their seven children there before migrating to Australia in the early colonial days, around 1857. Their graves are in the Tower Hill cemetery. Alexander’s wife Eliza (nee Moore, born in 1854) was also from Northern Ireland and migrated to Australia in 1858 with her parents, Thomas and Nancy Moore, in the last voyage of the sailing ship “Chance”. Isabella (Bella) talked with her grand-daughter Ruby Akers about her memories of Alexander and Eliza’s wedding and other events in her life. Ruby recorded these memories in a letter. She says “They were married in the Warrnambool Congregational Church by a pioneer minister, the Reverend Uriah Coombs. The bride wore a pale blue silk wedding gown which was made by herself. Bella was Matron of Honora and Ian McCasker was best man. In those days the transport to the church was usually a carriage – similar to a cab – and a pair of white ponies. They would have the reception at home and then go for a drive afterwards and at night there would be a dance. They did all the catering themselves … Eliza carried on farming in the Dennington, Yarpturk and Purnim districts until they moved to Camperdown around 1905…” Ruby’s letter later mentions “[Isabella] could recall seeing a blackfellows’ corroboree being performed near where the Dennington Bridge now stands. It was rather a terrifying experience, they seemed in a warlike mood and one never knew what they would do next. One lubra came running to granny crying, Hide me, bad man kill me. She was bleeding from a wound in the head. Probably the result of a blow from a waddy. My mother [Margaret Jane McLaughlan nee Mitchell], coming home from school, often met blackfellows walking ahead with spears and boomerang, the two lubras – he usually had two – following in the rear, carrying the children or any burdens they had.“ Margaret would probably have been in primary school in the 1800s when she saw these things. Alexander and Eliza had ten children. One of their daughters, Margaret Jane, was born in Warrnambool in 1879. She married William McCullagh and they had eleven children. Margaret made headlines in the Warrnambool newspapers for celebrating her 100th birthday. She had lived in the district for 60 years before moving to Melbourne. Alexander passed away at the age of 92, and Eliza passed away six months later aged 85. Their graves are in the Colac cemetery. Isabella married Ralph Mitchell and their daughter Margaret Jane married John McLauchlan in 1891. Margaret and John’s daughter, Ruby Elizabeth, Jane married Fredrick Akers in 1938. Fredrick was born in England and was a Boer War veteran and served in the British Army. He migrated to Queensland, Australia, in 1913 and he joined the Australian Army to fight in World War I. In 1935 he moved to Warrnambool where he served in the Volunteer Defence Corps 1938-1945. Both Ruby and Fredrick are buried in the Tower Hill Cemetery.Together, the evening outfit and the mannequin are examples of female fashion of the mid to late 1900s. They are also significant for their association with the colonial pioneer families of Australia, Victoria and Warrnambool. The outfit and mannequin are significant for their connection with a wedding uniting two colonial families from Northern Ireland who immigrated to Australia in the mid-1850s. The families had a significant role in the history of Warrnambool and district. The evening outfit and its mannequin are significant for its connection with colonial families and their contact with the indigenous culture of the district and the contact between the native and European people. This ladies’ evening outfit is made from amber coloured satin fabric. It comprises a short-waisted, long-sleeved jacket and long skirt and it has its own neck-to-floor wooden mannequin on a pedestal. The outfit was worn by Mrs. Isabella Mitchell (nee Russell) as the Matron of Honour at the wedding of her brother Alexander Russell and his fiancé Eliza Moore in Warrnambool, 29th April 1874. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, evening outfit, wedding outfit, bridesmaid’ outfit, matron of honour outfit, clothing female, clothing late 19th century, clothing wedding late 19th century, clothing bridesmaid late 19th century, clothing antique, clothing ladies, women’s clothing, women’s fashion, alexander russell, eliza russell, eliza moore, isabella mitchell, bella mitchell, bella russell, isabella russell, ralph russell, ian mccusker, ruby akers, fredrick william akers, ruby mclauchlan, margaret jane mclaughlan nee mitchell, margaret jane mclaughlan centenarian, william mclaughlan, robert russell, elizabeth russell nee mitchell, irish immigrants, warrnambool volunteer defence corps 1938-1945, antique satin outfit, warrnambool wedding 1874, congregational church warrnambool, reverend uriah coombs, dennington farmer, yarpturk farmer, purnim district farmer, camperdown resident 1905, dennington bridge, indigenous corroboree in dennington, corroboree in warrnambool, 1880s corroboree in warrnambool, lubra and baby, indigenous corroboree in warrnambool -
Melton City Libraries
Newspaper, Lack of support may close hall, 1977
"The Mechanics Institute movement flourished in Victoria from 1839 to 1950. It was based on the development of Mechanics’ Institutes in Scotland and England from the 1820s, which were intended to educate and enlighten the working classes. The term ‘mechanic’ in those days meant an artisan, craftsman or working man, especially those who had moved from rural areas to work in new city factories during the Industrial Revolution. The early Institutes were usually equipped with a reading room, a library and a lecture room. Although enjoying mixed success in Britain, they contributed to the development of public education and library services. The movement was adopted more enthusiastically in the colonies. It began slowly in Victoria but its expansion after the gold rushes population influx was rapid, especially in rural areas. Every suburb and town wanted to have a Mechanics’ Institute. During the 1850s approximately forty Institutes were established, with even greater growth in the period 1860 to 1900. By 1900 there were 400 Institutes in Victoria. The establishment of a Mechanics’ Institute was often a great achievement for a local community, requiring organising committees to raise substantial funds for a building site (where this had not been granted by the Government), and the building. Once built, the committee then had to purchase books, provide a caretaker or librarian, and finance the ongoing use of and improvements to the building. ‘The history of many Institutes is a story of tremendous community effort, and often, financial difficulties’. In addition to being monuments to local enterprise and community life, the Mechanics’ Institutes played a vital role as an intellectual forum, and in contributing to an informed and participatory democracy in the late nineteenth and early twentieth centuries. They provided journals and other reading matter on local, state, national and international issues, and hosted of lectures and held debates about wider issues such as Federation, colonial nationalism, defence, female suffrage, the price of land and labour. With the development of the school and technical education in the latter part of the nineteenth century, the need for community technical and adult education declined. As a result of the introduction of government library grants in 1867, many Mechanics’ Institutes incorporated a free library in their buildings to finance collection of their books. By 1884-85, there were 257 free libraries in Victoria. However, government support and library grants dropped off in the 1890s depression. Entertainment took on a greater role in the 1890s, with the introduction of moving pictures, billiards rooms, games rooms (chess), concerts and dances. The First World War had a devastating impact on many rural communities, and some Mechanics’ Institutes were no longer viable. On the other hand the early twentieth century was also a time of agricultural development, and many country towns were growing in this period. The 1930s depression further limited growth of many libraries and reduced grants substantially. In response many Mechanics’ Institutes were renamed, for example as memorial halls, in order to retain and attract more patrons (eg at nearby Sunbury). The diminishing role for Mechanics’ Institutes and the preference for larger and better appointed halls (with supper rooms, cloak rooms etc) resulted in demolition of some small Institutes. The advent of cars, radios, and television also provided other opportunities for recreation, learning and entertainment. The greater role of municipalities in providing library services also eroded the need for free libraries. While over 500 Mechanics’ Institutes or halls are extant, very few of these retain their original role as ‘diffusers of useful knowledge’. Most are still available for community purposes, as venues for meetings, socials, civic occasions etc, while others are employed as museums, shops and theatres. Most buildings are on Crown land, and managed by a delegated committee of management, who are responsible for raising revenue to maintain aging buildings. Many of those which were originally established on private land, such as Melton, have since reverted back to the Crown, and municipal Councils. The most common Mechanics Institute building form is the simple weatherboard gable building with iron roofs, notable for their ‘honest simplicity’ rather than as ‘monuments of the ancients’. At the other extreme there are some magnificent two storeyed brick and stucco structures with elaborate ornamentation (as was apparently envisaged by some in Melton in 1905-10)". The future of Melton Mechanic Institute Gazette articlelocal architecture -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Social Amusement Club, n.d
The Portland Social Amusement Club was founded in 1897. Taken from Trove. Portland Guardian Monday May 26 1913: Portland Social Amusement Club. The members of the above Club celebrated the 16th anniversary of its foundation on Tuesday evening last, when the usual banquet. and social gathering was held. During the afternoon, a numerous band of the lady members attended at the, Free Library Hall and made the necessary arrangements, so that on arrival at the scene at 8 p.m. those attending were very pleasurably surprised to find most taste fully decorated tables actually groaning with the weight of all those good things which appeal so strongly, it is said, to the average man, and perhaps we may also add, woman also. At any rate, he would indeed be hard to please, who was not fully satisfied with all that was placed before him on that eventful evening. The attendance this year overtopped that of previous years, as over 80 ladies and gentlemen took part in what must be considered as one of the most successful of the many 'successful gatherings that have taken place. This 16th anniversary was the 431st ordinary gathering that had occurred, and, as the President (Mr. F. A.Row) justly said, it would appear that the Club, which many years ago was given but six months live, had proved the falsity of the attempted prophecy. After the principal business of the gathering had been transacted, the usual Club dinner speeches were made. The President gave "The King," which after being duly honored, was followed by the principal toast of the evening, "The day we celebrate." To Mr D. McDonald the toast of the Absent and Foundation members was entrusted, and as usual, that veteran discharged his duty well. II i cferred to the fact that of the 34 foundation members who started the Club in 1897,only five were present that evening. Mr W. T. Bennett, as one of the five referred to, responded, and hoped that in the glorious future that appeared before Portland, the Club, which had been started in the days of its adversity, would flourish in a like manner. Mr Grant proposed the toast of "Our Visitors." and in the name of the Club welcomed them to this the most important gathering of the year. Mr J. R. Woods responded in his usual happy way, and acknowledged that, until he had been the Club's guest during the years of his mayoralty of the town, he had no idea that it had enrolled among its members the number of ladies and gentlemen that it had or that its functions were upon the scale that he had since found to be the case. Mr G. H. .ennett upheld the claims of the ladies, especially those belonging to the Club. He evidently spoke with much feeling, and. waxed more than usually poetical in his eulogy of the graces and skill of the gentler sex. He rather upset the equilibrium of three of the younger portion of the gentlemen present by asking them to respond, but they all managed to "upstand" and make their acknowledgments. Mr T. F. Cruse was particularly happy in proposing the toast of. "The President and Members of Committee," who, he claimed, had done so much towards the success of the Club, and were deserving of the best that the members could give. Mr T. E. C. Henry, upon the invitation of the .President, responded,-end pointed out that [whilst it might appear that the work of the committee was light, it was not so in reality, as any member who desired a seat upon the Board would soon find out after.his or her election. The singing of Auld Lang Syne brought this portion of the entertainment to a close. In the dance which followed, some opportunity to view the ladies' dresses was afforded, and it could then be easily seen that the anniversary gathering of the Club was considered by the lady members at least, if not .by others, to be important enough to demand special treatment in the matter of dress. Many elaborate and beautiful costumes graced the scene, and everyone appeared to thoroughly enjoy themselves. The function was kept going merrily until about 2 a.m.; when the break up occurred. During the gathering telegrams of con gratulation were received from Mr W. B. Shevill and also from Mr Jno. Homers, both old members, the former a foundation one. Mr O'Donnell apologised for his own and Mrs O'Donnell's absence.Photograph of Portland Social Amusement Club -
Federation University Art Collection
Painting - Oil, [The Green Vase] by David Strachan, c1948
David STRACHAN (1919–1970) Born 25 June 1919 at Salisbury, Wiltshire, England Arrived 1920 Adelaide, Australia: 1921 Creswick, Victoria David Strachan attended Creswick State School and Geelong Church of England Grammar school. By the age of 16 he wanted to be an artist. Accompanying his mother to London in 1936, he enrolled at the Slade School of Fine Art, where he met Godfrey Miller. In 1937 he attended the Académie de la Grande Chaumière, Paris, and painted at Cassis on the Mediterranean Sea. He returned to Australia in April 1938 and studied at the George Bell School, Melbourne. He had a growing interest in classicism blended with a fascination for the dream-state which was reinforced in his work after he moved to Sydney in 1941. There he was befriended by Jean Bellette and her husband Paul Haefliger, who were to be driving forces behind the Sydney Art Group (founded 1945). He lived on the top floor of the Haefligers' house at Double Bay, and together the three artists drew from models whom the Haefligers hired. In this period Strachan painted and exhibited some of his most poetic works—mainly figurative and landscape subjects, and still-lifes of haunting beauty. His flowers, bowls of fruit, birds, and angelic figures glimmered out of the darkness as things not of this world, evoked faintly, like mythological personages in a gently spoken narrative. He 'spent an erratic war' painting camouflage at Bankstown aerodrome with other artists, among them (Sir) William Dobell, and dancing minor roles with Hélène Kirsova's ballet company. In 1948 Strachan settled in Paris. His paintings, included by Peter Bellew in an exhibition at the Musée National d'Art Moderne, had been well-received by French critics two years earlier. In 1950 he began tentative experiments in etching. These led to the formation of the Stramur-Presse, a business venture which published etchings and lithographs of leading French and English artists. His most important project was a series of twenty-two colour etchings illustrating Alister Kershaw's book of poems, Accent & Hazard (Paris, 1951). Strachan continued to exhibit in Australia and maintained a lively social life with Australian friends. From Paris, he went for weekend painting trips with Moya Dyring in her car and, after 1957, visited the Haefligers on Majorca. He lived in London in 1955-57. His paintings became progressively less soft in effect, his palette brightened, and his forms, especially the still-lifes, became spikier. In the late 1950s his attention drifted towards the study of Hindu philosophers and Jungian psychology. For most of 1957-58 he was enrolled at the C. G. Jung-Institut, Zürich, Switzerland. In 1959 he worked in Silvio Daneo's silkworm factory at Bricherasio, Italy. In May 1960 Strachan returned to Sydney. He lived at Woolloomooloo before buying a house at Paddington in 1963. Over the ensuing years he involved himself energetically with the art scene, exhibiting, teaching (1960-65) at East Sydney Technical College, fund-raising for memorials for Thea Proctor and Dyring, and as the last president (1965) of the Society of Artists. His paintings were out of harmony with the prevailing fashion for abstraction, but he won the Wynne prize for landscape painting in 1961 and 1964 (shared). Perhaps the most moving works of Strachan's last ten years were the mining landscapes, including those he painted near Hill End, leading up to his vast canvas, 'Lewers Freehold Mine'. This was a history picture, depicting the mine as it might have appeared in 1874. He presented it to the Creswick Historical Museum in 1970 in memory of his father. (Barry Pearce, 'Strachan, David Edgar (1919–1970)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/strachan-david-edgar-11786/text21083, published first in hardcopy 2002, accessed online 6 January 2016.) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed still lifefeaturing fruit and flowers.art, artwork, strachan, david strachan, still life, flowers, flora, available -
Mission to Seafarers Victoria
Book (Item) - Scrapbook, Victoria Missions to Seamen, Spencer Street Railway Station, 1931-1943
The scrapbook, compiled by Edith E Hitchcock, displays a variety of newspaper clippings with photographs relating to ships, sailors, their hobbies, Padre Oliver. Page 1 - Map of the British Empire Page 3 - Newspaper clipping with photographs: "Happy Sailors Lads" onboard the CB Pedersen C.1935 Page 5 - Photograph depicting three children watching of a ship at sea Page 7 - 1937: article: with photograph"Sea Captain and Artist": Captain A.C.G. Dreillek, Swedish ship Yngaren (similar photo published in 1937 in the Courier Mail Brisbane) Page 9 - 1935: "Reunited": Dog Patsy with ship Pegasus crew members / "Sydney Harbour Bridge": Phillip Vanderhill, Cook of the Kota Inter and its sitar creation Page 11: Mr G. Gatty and Tim, the cat from the Esperance Bay / Herbert the hen, pet on the ship King Arthur / Frank Simpson, quartermaster and painter from the ship City of Dieppe. Page 13: Conway Seymour and shipmate aboard the Orford. Page 15: 3 photographs of French sailors from the cruiser Rigault de Grenouilly in 1936. Page 16: Photograph of A.J. Kramer working on a ship model aboard the Dutch ship, Kota Inten. Page 17: 1936: Photographs of sailors from the French ship Rigault de Grenouilly and the American ship: California State berthed in Prince's Pier. (plus two large loose clippings with portraits of same sailors). Page 18: 1934: Ball on the Manunda to raise funds for the Mission: photograph of Captain Robert Sunter, Padre Oliver, Moira Oliver, Mrs Harold Clapp. Page 19: Photograph of French sailors from the Rigault de Grenouilly in a bus en route to the Dandenong Ranges. Page 21: Photographs of a shipwreck (probably Kakariki in 1938, see next page). Page 23: Aerial photograph of the shipwreck Kakariki in Hobson's Bay in 1937 Page 25: Photograph of the shipwreck Kakariki in Hobson's Bay in 1937. Page 26: Photograph of the shipwreck Kakariki in Hobson's Bay in 1937. Page 27: Photograph of the survivors from the shipwreck Kakariki in the Mission in 1937: A. Bunyard, W. Fisk, J. Greene, L. Tarlington, J. McInnes, G. Coote, G. Sugar. Page 28: Photograph of the survivors from the shipwreck Kakariki in the Caradale in 1937: W. Fisk, T.W. White. Page 29: Missioneers talk to Firemen: Padre Oliver and his assistant, L.V. Owen talking to ship's firemen.(the Argus, 24 July 1931) Page 31: 3 articles with photographs: American cadets from the California State / Governor's Surprise Visit: Lord Huntingfield visiting Padre Oliver in the Mission (the Argus, 19 May 1936) / Sea Scouts on Liner: Padre Oliver on the P&O Cathay (the Argus, 16 June 1936) Page 33: Harbour Lights: padre Oliver, Lord Somers and Rev. R. Kerdell / Visit of the Duchess to the Mission (the Argus, 26 february 1945). Page 34: Photograph titled "An old salt still yearns for the sea- 369 miles away". Page 35: two clippings : Presentation of cheques for Merchant Navy: Betty Raymond giving a cheque to Padre L.L. Elliott / A cheque for the Seamen's Mission: Photograph of Padre Oliver with a cheque. Page 37: 4 clippings with photographs: Padre Oliver playing the piano for the cadets of the C.B. Pedersen / Miss Gladys Grant with parcels (from the Age 10 November 1943) / All Nations' Dance / Christmas at the Flinders Street mission, Padre Oliver cutting the cake (The Age, 15 December 1942) Page 39: Unveiling of the Memorial window to Captain Robert Sunter in 1936. Page 41: 2 clippings: At the Seamen's Mission: photographs of J. W. Neill and Padre Oliver / Married: Albert Robertson and Beryl Landrigan / Postcard of the St Peter Chapel. Page 43: 2 postcards: The Cloisters / The Mission view from Flinders Street. Page 45: Postcard of the windvane. / clipping of Sailors from the Zealandic. Page 46: 2 clippings: Virtually a Man without a country: Frans Nobel on the ship Milleeta / Seaman, Soldier, Waiter, Singer, Cook Finds Peace (Frans Nobel).(1939) Page 47: That Land Looks Good: two seamen from the tanker British Fame Page 48: large clipping of the C.B. Pedersen "Like a page from the past".(april-May 1935) Page 49: Photograph of Padre Oliver in his army uniform.This scrapbook is significant because it makes reference to contemporaneous events related to the Mission to Seafarers. On the inside cover is the name Edith E. Hitchcock.edith e. hitchcock, scrapbooks, c.b. pedersen, hobbies, ship models, painting, frank leslie oliver, mv manunda, captain robert sunter, windvane, rigault de genouilly, french, german, california, kakariki, ship pegasus, sydney harbour bridge, sugar, kota inten, philip vanderhill, lord somers, reverend r. kerdell, r.m.s. moldavia, victoria dock, ww2, pets, bird, dog, cat, gladys grant, alphonse polo, eugene emonin, raoul gannson, esperance bay, g. gatty, captain a. macwhirter, frank simpson, city of dieppe, conway seymour, orford, a.j. kramer, dutch, moira bird oliver (nee good), mrs harold clapp, caradale, 3uz radio, betty raymond, l.l. elliott, j.h. bustard, merchant navy patriotic fund, g.h. martin, j.w. neill, albert robertson, beryl landrigan, zealandic, frans nobel, milleeta, british fame -
Bendigo Historical Society Inc.
Document - BARBARA MAMOUNEY COLLECTION: GOLDEN SQUARE METHODIST CHURCH PHOTOS AND DOCUMENTS
Green plastic folder with black plastic binding labelled PHOTOS RE HISTORY, opens with a list of 41 photos with their respective sizes in (inches) and (unrelated) numbers; then an A4 stapled pages re- an up-coming (Feb 27-29 2004) Cornish Families celebration, listing activities such as attending a 'meet the Cornish Concert', Festival Celebration Dinner, the Cornish Floral Dance, research one's own family history, follow the Cornish trail, Picnic in Rosalind park, and Meet the Bards of Cornwall; and buy a CD-ROM; followed by a hand-written time line or diary and business card for Harrison Print; 8 printing drafts with four names and years of birth and death; An image of some of Miss James' Sunday School Young mens' class from 1915 (photo taken at Royal Melbourne Show grounds Military camp); 9 GSUC accounts with letter-head; then an A4 off-white with Compliments card enclosing a black and white image with some names of a Golden Square Methodist Church Augustinian Fair Work-force; x2 smaller 'With Compliments' cards (one of paper) enclosing a black and white image (Circa 1860) of mines along the new Chum Line of Reef with GS Methodist Church in background; A newspaper cutting of line advertisement re- Golden Square Uniting Church celebrating 150 years of Methodism on the Goldfields citing its address and times of services; a collage of 3 black and white images dated Nov 1960 titled Church Activities; another collage of 3 slightly larger images taken around the same time of similar activities and showing numerous people around the church, and one of the pulpit; a sepia image of unidentified members of the church; fading copy of photo of Golden Square Methodist Church Choir behind which is a list of names of those in the picture though the list is dated 1960 the image looks pre-1960; handwritten list of Sunday School Teachers from 1957, no image; an A4 copy of one of the previous collage photos of outside the Church with numerous members, no names given; A4 image of GS Methodist church members, no names but minister appears 2nd row, third from left; a second copy of that image; Image of Band of Hope Conference, Bendigo, William Irving identified but undated; opportunity for naming those in image; A4 image with names and faces of Young Ladies Class of G.S.M.S.S. undated; 1/2 A4 size 'With Compliments' card enclosing as per earlier image of of Mines along New Chum Reef circa 1860; handwritten list of trustees from 1957, no image; collage of 2 images, one of previous shot of outside the church with members gathered, the other of the choir in action; copies of line ads for Bendigo Advertiser beginning with 30 July 1859 and relating to the Begelhole family and a list of Descendants of Henry William Bugelhoal / Begelhole on 3 stapled A4 typed pages, back to 1791; Another almost A4 image of the mines along the New Chum Line of Reef, with GSMC in the background; a smaller image of an unidentified marriage and Minister behind which is a larger image of the same; two versions of 1/2 A4 size 'With Compliments' cards, one of card enclosing images re- Commemorative pavers and associated memorabilia, and two women one of whom looks to be Barbara Mamouney. And one (with Comps) of paper with no image inside; a typed list of names of those in an undisclosed photo.golden square uniting church, the cornish in bendigo, list of photos (images) -
Flagstaff Hill Maritime Museum and Village
Instrument - Optical, Binoculars, 1878 (estimated)
This pair of brass binoculars was presented to Tom Pearce in recognition of his heroic efforts at the wrecking of the Loch Ard and saving Eva Carmichael. They were presented to him by the Lady Mayoress of Sydney on 27th July 1878 on behalf of the colonists of New South Wales "In recognition of his gallant conduct on the occasion of the wreck of the Loch Ard". Tom (Thomas) Pearce was born in Ireland in 1859 and arrived in Melbourne two years later; he considered himself as Australian. Before sailing on the Loch Ard he had been at sea for three years as an apprentice sailor and had already experienced one shipwreck. Tom was on the deck of the Loch Ard with Captain Gibb throughout the night of May 31st 1878. It was mistakenly thought they were 150 miles (240 km) southwest of Cape Otway. By 2:00 am on June 1st, the wind was blowing "pretty fresh" but a thick haze remained and, when it eventually cleared, the land was so close the unsuccessful battle to save the Loch Ard began. After the ship struck Mutton Bird Island Tom and five others were sent to the lifeboats. Conditions were very dangerous as waves broke over the decks and they were all washed away. Tom found himself in the stormy waters and under a lifeboat, which had also been washed into the sea. After being swept into the gorge Tom left the boat and swam into shore; he was alone. Eva Carmichael, a passenger on the ship, had been snatched from her bed just before dawn and into the chaos, confusion and terror of the shipwreck, with rigging and rocks raining down. Thrown into the sea, she afterwards said: "God taught me to swim in my distressful plight, for I never swam before". Clinging to a spar, she was swept into the gorge and saw Tom Pearce walking along the beach. Upon hearing the cries of Eva, Tom swam out and with great difficulty brought her to the shore and placed her safely in a cave where he made a bed of grass and shrubs and gave her brandy to revive her. She sank into exhausted unconsciousness. Tom then scrambled to the top of the high cliff and after walking for some time he stumbled upon workers from Glenample Homestead. They rode back to the homestead for help but Tom insisted on returning to Eva. When Eva awoke she found herself alone, "cold, weak and terrified with the wild waves before me, and caves and cliffs around me" and upon hearing strange noises, which she imagined to be made by the local indigenous people, she hid. The noises were made by the rescue party from Glenample Homestead. After eventually discovering Eva they hauled her up the cliff in the darkness of night, “a work of great difficulty and danger” and took her to Glenample. Sadly, Tom and Eva were the only survivors of the 54 people on board the Loch Ard. Tom’s rewards for his bravery included the Gold Medal of the Humane Society, a gold watch and £1000 from the Victorian Government, a set of nautical instruments, (which included the binoculars) from the people of Sydney and £60 from the people of Warrnambool. He was also presented with a Bible by a “Friend of the Loyal Orange Institution of Victoria, Protestant Hall Melbourne” in August 1878. Coleman Jacobs composed the music "The Young Hero Schottische" and dedicated it, by permission, to Mr Thomas R. (Tom) Pearce. The sheet music was published in 1878 by Mr Roberts, professor of dancing and was on sale for 3/- (3 shillings) in aid of the "Loch Ard" fund. Tom Pearce went on to join the Loch Sunart on her return to England, only to be wrecked again off the Irish coast in January 1879. Tom left the Loch Line in 1883 and the following year married Edith Gurney Strasenbergh, the sister of his friend Robert who had died on the Loch Ard. They had three children, unfortunately, two of the male children were to die at sea. In 1895 Tom obtained his first command as Master of The Larne, a vessel with the Royal Mail Steam Packet Company. He remained with the company until he died in Southampton, England, on 14th December 1908. Tom Pearce never saw Eva Carmichael after he had fare welled her some 30 years before. Eveline Victoria Berta Carmichael was born in 1859 in Mountrath, Queens County, Ireland. After recovering from her ordeal in August 1878 Eva returned to Ireland and in 1884 married Thomas Achilles Townshend, a Civil Engineer. They had three sons, all of whom had successful military careers, and when Eva’s death notice appeared in the Melbourne Argus It read. "Townshend on 8th April 1934 aged 74 at her residence in Bedford, England, Evaline Victoria, widow of the late Thomas Archilles Townshend, C.E. of Co. Cork, Ireland. Mrs Townshend was the Eva Carmichael who, with the late Tom Pearce, were the only two survivors of the ship Loch Ard, which was wrecked near Port Campbell on June 1st 1878." The binoculars are significant for their association with the wreck of the Loch Ard and the only two surviving members of that wreck Tom Pearce and Eva Carmichael. Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The assemblage of items from the wreck is of historical significance in that they are associated with the worst and best-known shipwreck in Victoria's history. Pair of brass marine binoculars in a wooden box On the left hand eye piece, on the underside, is an engraved inscription and another engraved word. On the right hand eye piece there is another small inscription and on the underside there is a small green mark. The binoculars have a pattern of embossed tiny circles on the outside. Some of the patterning is very shiny due to wear and rubbing, there is a brass ring on the underside of the binoculars for the attachment of a lanyard. The wooden box has a hinged lid and on the front of the box in the centre is a lock, and at either end are two hooks and eyes. The box is split across the top for about 3/4 of the length. Marking on the left underside reads, 'Presented on behalf of the Colonists of New South Wales By the Mayoress of Sydney on 27th. July 1878 to Mr Thomas B Pearce. In recognition of his gallant conduct on the occasion of the wreck of the "Loch Ard"'. Underneath this inscription is engraved 'Sydney'. On the other eye piece is engraved what looks like 'Mac Donnell & Co' binoculars, flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, loch ard shipwreck, tom pearce, thomas r pearce, eva carmichael, mutton bird island, loch ard survivor, loch ard hero, coleman jacobs, the young hero schottische, photograph of tom pearce, glenample homestead -
Melbourne Legacy
Instrument - Violin, The Changi Violin
This violin was played by VX30301 Dvr Roy Arnel, as a member of the Australian Imperial Force Concert Party, in the Changi POW camp, Singapore from 1942-1945. It is claimed that the violin, in its case was thrown over the wall by a Chinese civilian. Roy Arnel, a South African by birth enlisted on 7 June 1940 at Royal Park, Melbourne and served with 2 AASC Company as a driver. He was captured by the Japanese Imperial Army at the fall of Singapore in February 1942. There was more than one concert party in Changi as indicated on the rear of the violin. The details of the Dutch, British and American Concert Parties scratched in to the varnish. There are the some well known names scratched into the violin including: The English author and cartoonist, Ronald Searle; Australian entertainer, Frank Rich; and Australian Author, Russell Braddon. Mr Arnel died in 1982 and the violin was presented to Melbourne Legacy for preservation, safe keeping and display. Further research found that one of the AIF comedians, Harry Smith, had a catch phrase, 'You'll never get off the Island' which became almost the watchword of the prisoners throughout the captivity. That ties with the phrase etched around the outside of the violin, "We'll never get off the island."A very valuable piece of equipment brought back from World War II now on display in Legacy House function room.Violin (00078.1): Violin case (00078.2): Bow (00078.3): Bag of violin parts (00078.4):Around the edge of the instrument's body: "We'll never get off the island" On the front body of the violin: "AIF concert party"; "P.O.W. camp Singapore" Names inscribed on the front body of the violin in columns from left to right: Ray Tullipan, Fred Stringer, Herb Almond, L Jacques, Keith Harris, Jack Garrett, Dave Goodwin, H Sabin, Fred F Brightfield, Jack Boardman, Ern Warne, Ern Banks, T Hoffman, Roy P Arnel, Harold W Reid, W Middleton, Douglas Matthews, Bob Picken, Harry Smith ('appy Harry), Ted Druitt "VIOLIN PLAYED BY" VX30301, (DVR) R S Arnel AIF Concert Party in POW Camp Selerang and Changi Gaol Singapore 1942-1945; T Mack O.C and Producer Harry Tennall; Jack Smith; Walter W Dains; Keith C Stephens; C E Trotter; W Sullivan, Syd Piddington; John Nibbs; Doug Peart; John Wood; Jack Geoghegan; Berry Barton; Barney Bolton; Tom Hussey; Kim De Grey; Clarrie Barker; Ron Caple; Russ Bradon; Bernard McCaffrey; Bart Galbraith; Charles Wiggins; Stan “ Judy” Garland. Rear of Violin has inscriptions top to bottom, left to right. Hans???en; Dutch Concert Party; H.S. Van der Linden; M Bark; B Freunbusch; F Horguine; H. J. Hurgarden; Lt H. J. Scholer (Violin); H.A.F. Pet; M Van Dyk; W J Witte; G H Fransen; E Ewig; M Ruwart (Hypnotist); A V Korem(Dancer) C N Rob (Violin) C H Kuipers (Guitar); W C Emmenes (Cellist) L H R???? (Violin) British Concert Party Alex????; P Holland ( “ Dutchy” Accordian); Wray Gibson :AH!; E J Bawer (Drums); Clem (Lofty) Relf(Clarinet); Bill Williams (Piano); Ken Luke; Ronald Searle; Charles Dobman “Good Luck”; Dan Harts(”Professor”); Gil Mitchell ( Violinist); John Fitzgerald; E Botor (Tenor Horn); Ronald Lewis; Ronnie Horner; Robin Wilbury; Jack M Wood ( Producer); Denis A S Houghton (Bass); C J Buckingham; Stan Mesurier; E B Dobson USA Concert Camberts Party Don Smith; Owen Baggett; Denis Roland; Stan Willner; Albert “ HAP” Kelley (Trombone); Joe Manella; Charles Kelleher. Internal manufactures tag “ “Excelsior” Brand Specally made for the Tropic and reputed for good ton and workmanship Made in Czechoslovakia”changi violin, pow -
Bendigo Historical Society Inc.
Document - ROYAL PRINCESS THEATRE COLLECTION: MAJORIE IN WONDERLAND, 12 Aug 1916
Royal Princess Theatre - Majorie in Wonderland. Saturday, 12 August, 1916. Price of Program, One Penny. Australian Children's Pantomime. Matinee Performance. In Aid of Fruit and Vegtable Fund For Our Soldiers in The Trenches. Produced by Miss Girlie Mackay. Children's Vocal Training by Madame Rossow. Dialogue by Miss Eileen O'Keefe. Musical Director, Mr Stanley Upton. Stage Manager, Mr J Dunphy. Lighting Effects Mr W Wenborn. Theatre kindly lent by W Crowley, Esq. Hon. Sec., Norman Howell. Prologue. The curtain rises showing the flowers asleep. The fairies, summoned by daylight, entre and sing, awakening the flowers, and leave. Then Puck entres, followed by the Blue Wrens, singing, and after them the Bunnies, who are all . . . Sale of Sweets supervised by Miss Nita Weller and Assistants. Novelties by Mrs Julius Cohn. Dresses designed and made by Mrs McQuie, Mrs Marc Cohn, Miss Lena Weller, and Miss Girlie Mackay, assisted by Mrs Balsillie, Mrs Ralph Ross. Mrs Robert Makayand the Misses Gladys McQuie, Norma Moorhead, Carola Iser, and Hilda Meurer. Program: Songs sung throught Performance. Act I. 1 Chorus-Fairy Song. 2 'Bunnies' Adventure' by the Bunnies. 3 Chorus-Holiday Song. 4 Bell Bird Duett-Jean & Jim Walker. 5 Sailor's Hornpipe-Crissie Cravino. 6 'Marjorie Sunbeam'-Myrtle Glanville. 7 'As I went o'er the Paddock'-Jean Walker. 8 Chorus'Billy Tea. 9 Song-'Possum'-Bertie Barkell. 10 'Bogie Man'-Stella Coghlan. 11 'Kookooburra'-Mel Wearne. 12 Chorus-'Winter Bells'. Act II. 1 Chorus-'Autumn Winds'. 2 'Stay Little Wave'-Jean Walker. 3 'Southern Cross'-Rose Murphy. 4 Song-'Kangaroo'-Brownies. 5 'Pixie Man'-Ruthie Murphy. 6 Chorus-'Wattle'. 7 'Grow Little Mushroom'-Stella Cook. 8 'Cooee'-Myrtle Glanville & Marie Hamilton. 9 Butterfly Dance-Sheila Shannon.10 'King Billy & Black Mary'-Ken McQuie. 11 Boomerang Song-Ken McQuie. 12 Final Chorus-'To the Fairies', 'Good Night'. God Bless Our Splendid Men. Cast of Characters:Marjorie & Jean Walker, Myrtle Glanville, Ruthie Murphy, Marie Hamilton, Thelma Thomas, Stella Coghlan, Jim Walker, Jim Long, Bertie Barkell. Fairies:-Mary Hunter, Lily Brown, Una Grelis, Biddie Bulley, Rosa Dyring, Ellie Colcough, Ida Collins. Puck:-Una Leggo. Butterfly:-Sheila Shannon. Brownies:-Tom Green, Douglas McQuie, Hunphrey, Gill, Mel Wearne, Laurence Skewes. Aboriginal:-Ken Mquie. Frog:-Sid Whitelaw. Native Bear:-Ken Moore. Blue Wrens:- Alma Jorgenson, Doris Reed, Geoff Schultz, Jean Cahill. Flowers. Orchids:- Joyce Ross, Margaret Long, Dorothy Thomas, Margaret McQuie, Mollie Roberts, Rose Murphy. Pink Gums:-Lorna Weddell, Minnie Hartley, Isola Woodward, Jean Moran, Decima Holtorf, Merle Nagel. Flannel Flowers: Gwen Hunter, Nancy Tatchell, Catherine Green, Mary Rymer, Thelma Cairns, Cecil Gleeson. Poppies:-Lorna Cattran, Alice Murphy, Maisie O'Grady, Eileen Coglan, Alma McWilliams, Jean Miller. Blue Bells:-Mavis Tozer, Vivian Reed, Monnie Fattorini, Gwennie Seely, Alice Evans, Lily O'Conner. Southern Cross:-Eileen Martin, Jean Murdoch, Effie Williams, Verna Mayne, Minnie Hartley, Mollie Martin.Cambridge Press, Print.program, theatre, royal princess theatre, royal princess theatre - majorie in wonderland. 12 august, 1916. program, one penny. australian children's pantomime. matinee performance. in aid of fruit and vegtable fund for our soldiers in the trenches. produced by miss girlie mackay. children's vocal training by madame rossow. dialogue by miss eileen o'keefe. musical director, mr stanley upton. stage manager, mr j dunphy. lighting effects mr w wenborn. theatre lent by w crowley, esq. hon. sec., norman howell. prologue. the curtain rises showing the flowers asleep. the fairies, summoned by daylight, entre and sing, awakening the flowers, and leave. then puck entres, followed by the blue. . . sale of sweets supervised by miss nita weller and assistants. novelties by mrs julius cohn. dresses designed and made by mrs mcquie, mrs marc cohn, miss lena weller, and miss girlie mackay, assisted by mrs balsillie, mrs ralph ross. mrs robert makayand the misses gladys mcquie, norma moorhead, carola iser, and hilda meurer. program: songs sung throught performance. act i. 1 chorus-fairy song. 2 'bunnies' adventure' by the bunnies. 3 chorus-holiday song. 4 bell bird duett-jean & jim walker. 5 sailor's hornpipe-crissie cravino. 6 'marjorie sunbeam'-myrtle glanville. 7 'as i went o'er the paddock'-jean walker. 8 chorus'billy tea. 9 song-'possum'-bertie barkell. 10 'bogie man'-stella coghlan. 11 'kookooburra'-mel wearne. 12 chorus-'winter bells'. act ii. 1 chorus-'autumn winds'. 2 'stay little wave'-jean walker. 3 'southern cross'-rose murphy. 4 song-'kangaroo'-brownies. 5 'pixie man'-ruthie murphy. 6 chorus-'wattle'. 7 'grow little mushroom'-stella cook. 8 'cooee'-myrtle glanville & marie hamilton. 9 butterfly dance-sheila shannon.10 'king billy & black mary'-ken mcquie. 11 boomerang song-ken mcquie. 12 final chorus-'to the fairies', 'good night'. god bless our splendid men. cast of characters:marjorie & jean walker, myrtle glanville, ruthie murphy, marie hamilton, thelma thomas, stella coghlan, jim walker, jim long, bertie barkell. fairies:-mary hunter, lily brown, una grelis, biddie bulley, rosa dyring, ellie colcough, ida collins. puck:-una leggo. butterfly:-sheila shannon. brownies:-tom green, douglas mcquie, hunphrey, gill, mel wearne, laurence skewes. aboriginal:-ken mquie. frog:-sid whitelaw. native bear:-ken moore. blue wrens:- alma jorgenson, doris reed, geoff schultz, jean cahill. flowers. orchids:- joyce ross, margaret long, dorothy thomas, margaret mcquie, mollie roberts, rose murphy. pink gums:-lorna weddell, minnie hartley, isola woodward, jean moran, decima holtorf, merle nagel. flannel flowers: gwen hunter, nancy tatchell, catherine green, mary rymer, thelma cairns, cecil gleeson. poppies:-lorna cattran, alice murphy, maisie o'grady, eileen coglan, alma mcwilliams, jean miller. blue bells:-mavis tozer, vivian reed, monnie fattorini, gwennie seely, alice evans, lily o'conner. southern cross:-eileen martin, jean murdoch, effie williams, verna mayne, minnie hartley, mollie martin. -
Lara RSL Sub Branch
Flag, Australian Flag (Union Jack) 1900
There is a Union Jack brought back from South Africa by 1229 Trooper Fredrick James Smith. Between 1899 and 1902, around 16,500 Australians served in South Africa during the Boer War. This was the largest international deployment of troops from the Australian Colonies before Australian Federation. Of the 16,500 men who served in South Africa, 606 were killed in action or died of diseases. The Australian War Memorial records that the fighting conditions in South Africa extremely hard on men and horses. Australians fighting in South Africa were doing so as part of Colony based Regiments such as the Victorian Mounted Rifles, New South Wales Lancers, Queensland Mounted Infantry as well as units from the other states. Australians were awarded six Victoria Crosses during the campaign along with many other decorations. In May of 1902 the treaty of Vereeniging was signed officially ending the Boer War. The Boer War is commemorated in many Towns and Cities around Australia. The Lara RSL Sub Branch holds some memorabilia from the Boer War. There is a Union Jack brought back from South Africa by 1229 Trooper Fredrick James Smith. He was a resident of Lara and was a member of the 5th Victorian Mounted Rifles. It was reported that he carried this flag into battle. The Lara RSL also holds the flag staff of the China, South African and Old Veterans Association. Both these items are of national significance. Both the flag and flag staff were used in marches in Geelong each year until 1916 when Anzac Day commenced. The flag and flag staff were donated to the Lara RSL sub Branch when he joined in 1928. Fredrick James Smith was born at Lara in 1879, the son of Mr/Mrs Smith from Lara. He was a farm hand from Horton Vale, Anakie when he joined F Company of the 5th Victorian Mounted Rifles at the beginning of February 1901. Two weeks later, he left for South Africa on the 15th February. Before leaving, he purchased the flag from W. Libby & Son Geelong. Frederick Left for South Africa on the 15 February 1901 on the Orient. He saw service between March 1901 - March 1902 in east Transvaal and Natal frontier under the British Major General S. Beatson then Pulteney, including the defeat at Wilmansrust where 18 soldiers were killed and 42 wounded (12th June 1901 - heaviest casualties of any Australian contingent,); and the successful intervention at Onverwacht on the 4th January 1902. The 5th Victorian Mounted Rifles suffered: 36 killed or died of wounds, 13 died of disease of a contingent of 46 Officers, 971 Other Ranks and 1099 horses. They returned to Australia on the 26th April 1902 on the Custodian after sailing from Point Natal in South Africa on the 5th April. On his return, Tropper Smith (Saddler Private) joined the South African Soldiers Association of Victoria – Geelong Branch, and after 1928, he joined the Lara RSL. He was buried in Western Cemetery on the 19th June 1968 at the age of 89. Enrolled February 1901 Departed for South Africa on 15 February 1901 Establishment: 46 Officers, 971 Other Ranks with 1099 horses Mobilised at Pretoria: 24 March -- 4 April 1901 Typical company: 1 Captain, 4 Lieutenants, 1 company sergeant-major, 1 company quartermaster-sergeant, 1 sergeant-farrier, 1 sergeant-saddler, 5 sergeants, 6 corporals, 3 shoeing-smiths, 3 saddlers, 1 bugler, 99 privates. Total in company: 126 with 131 horses. Engagements: Rhenoster Kop, Klippan, Kornfontein, Drivelfontein, Wilmansrust, Kambuladraai, H'Lobane, Luchiel's Nek, Loch's Kraal, Vryheid, Onverwacht, Johnston Hoek Killed in action (or died): six Officers, 48 Other Ranks VC Winner: Lieut. L. C. Maygar News article Leader (Melbourne) Saturday 31st May 1902, page 42 - Dear Cinderella. — This is the second time I have written to you. I was very sorry at not seeing my first letter in "The Leader". But I hope to say, that this one will be in. The last time I wrote to you I told you that my brother (Fredrick Smith) went to the Boer War in South Africa, and that he was supposed to be killed in the Wilmansrust disaster. But this time I am going to tell you about his return, and the grand welcome he got from the residents of Lara. Mother, Father, and my Brother, went down to Melbourne, to meet the boat. You can just imagine how rejoiced we all were to see him back again. The railway station was decorated some thing beautiful with flags of all description all the colours you could think of. He has bought a lot of Boer curios home and some Kaffir bracelets. They are such funny looking things. The residents of Lara, also gave my brother a grand social and ball there were over four hundred people present, They presented him with a hand some gold chain, and locket suitably inscribed, and a pair of gold sleeve links, they were magnificent. The ball was very nice. . I had a few dances. I enjoyed myself grand. I think this is all I can tell you this time. I must conclude with love. I remain yours sincerely - BESSIE SMITH. Age 14-years. This flag is of national significance as it was used in the Boer War by Private Fredrick James Smith (SN:1229) of the 5th Victorian Mounted Rifles, F Company in their deployment to South Africa between 1901 and 1902. The flag was taken into the Wilmansrust engagement in which 19 soldiers died and 41 were wounded. On return to Australia, the flag was used in marches by the South Africa, China Old Veterans Association - Geelong. This flag represents a unique part of Australian history from which the movie, Breaker Morant was taken. It is of spiritual significance as the Boer War was where the first Australian received the Imperial Victoria Cross, and the spirit of Anzac was conceived, giving birth in World War 1. The Flag represents the spirit of Australians who fought and died in South Africa.Cotton Union Jack flag approx 221cm wide by 109cm tall with small repair patches and center section cotton deteriorated.Has the word "Lara" inscribed in black on bottom part of the flag heading. Has the flag makers name "W.Libby & Son" on the top part of the flag heading.boer war, union jack flag, south africa, wilmansrust, 5th victorian mounted rifles, f coy, private fredrick james smith, service number 1229, february 1901, april 1902, south africa china old veterans association -
Bendigo Historical Society Inc.
Document - ROYAL PRINCESS THEATRE COLLECTION: A SEQUEL TO MARJORIE IN WONDERLAND, 1st September, 1917
Royal Princess Theatre - A Sequel to Marjorie in Wonderland. Saturday, 1st September, 1917. Australian Children's Pantomime. Price of Programme, One Penny. Matinee Performance. In aid of 'Fruit & Vegetables Fund For Our Soldiers In The Trenches.' Produced by Miss Girlie Mackay and Miss Norma Moorhead. Musical Director: Mr Stanley Upton. Stage Manager: Mr J Dunphy. Lighting Effects: Mr W Wenborn. Hon. Sec.: Mr Norman Howell. Inside cover Synopsis of Pantomime. The First act is Marjorie's Dream of Fairyland. The curtain rises showing Marjorie asleep in cot from which Brownies entice her away. The curtain is. . . . Sale of Sweets supervised by Miss Nita E Weller and Assistants Rose by Mrs A T Mackay. Dresses disigned and made by Mrs McQuie, Misses Lena Weller, Norma Moorhead, Girlie Mackay, assisted by Mrs Ralph Ross, Mrs Robert Mackay, and the Misses May Germann, Carola Iser and Hilda Meurer. Programme. Songs sung throughout Performance. Overture-'Marjorie in Wonderland; Specially arranged by Mr Upton. Overture Synopsis-This is descriptive of Marjorie's Dream of Fairyland; at first mystic and subdued, tending to convey the impression of the mysterious movements of the Spirits of the Night intermingled with the occasional calls of birds, a vision of elfland; from that the music develops in an expression of the coming of morn, and the stirrring of forest nature into the active life of day, with the distant sounds of the anvil and of bells; and as the day wears on, the chiming of the hours again denote the approach of eventide, the melody throughout being that of the song 'Marjorie Sunbeam.' Instrumental Soloists are Messrs. J Collins & H M Hall. Act 1. 'Moonstruck' Myrtle Glanville. 2 Moonboat, by the Fairies. 3 'Fairy Revel' by the Bunnies. 4 'Bunnies Adventure' by the Bunnies.5 'Catching Birds' by the Goblins. 7 'Fairyland' Ruthie Murphy. Act 2. 1 'Fairy Song'. 2 'Kookaburra Mel Wearne. 3 'Marjorie Sunbeam' the Brownies. 4 'Kangaroo' the brownies. 5 'Autumn Winds' 6 'As I went o'er the Paddocks' Jean Walker. 7 'Sea Serpent' Jim Walker & Jim Long. 8 Swing Song, The Playmates. 9 'Belle Bird' Jean & Jim Walker. 10 'Baby Bear' Stella Coghlan. 11 'Coo-ee' Myrtle Glanville & Marie Hamilton. 12 Butterfly Dance Sheila Shannon.13 'The Mushroom Affair' Ruthie Murphy & Jim Nabbs. 14 'Corroboree' by the Aboriginals. 15 'The Boomerang' Ken McQuie. 16 Chorus-Wattle. 17 'In Two's & Three's' Brownies & Goblins. 18 'Bull Frog & Coon Stella Cook & Sid Whitelaw. 19 In a Fairy Boat' Rose Murphy. 20 Chorus-'Good Night'. _God Bless Our Splendid Men_ Cast of Characters: Jean Walker, Myrtle Glanville, Marie Hamilton, Thelma Thomas, Stella Coghlan, Jim Long, Jim Walker, Enid Webster, Lily Brown, Una Grelis, Biddie Bulley, Ellie Colcough, Dorothy Fullerton, Maud Clark, Una Leggo, Sheila Shannon, Ken Skewes, Jack Long, Bruce Barnier, Roger Horbury, Douglas Pain, Tom Henderson, Ruthie Murphy, Jim Nabbs, Tom Green, Douglas McQuie, Mel Wearne, Laurence Skewes, Sid Whitelaw, Ken Moore, Alma Jorgenson, Geoff Schultz, Doris Reed, Nancy Cahill, Hugh Long, Edna Spencer, Don Walker, Jack Schultz, Ken McQuie, Jack Weddell, Berni and Allan Monaghan, Reg Trevean, Stella Cook, Joyce Ross, Margaret Long, Olive Thomas, Margaret Macqie, Rose Murphy, Molly Robertson, Lorna Weddell, Minnie Harley, Jean Moran, Merle Nagel, Decima Hotorf, Myra Greasley, Vera Arundel, Joyce Long, Elma Jordan, Gwen Morley, Emmie Arthur, Lorna Parker, Ziska Ross, Ena Wright, Mary Rymer, Cecil Gleeson, Thelma Cairns, Dorothy Batchelder, Maudie Ferguson, Marion Henderson, Lorna Cattran, Alice Murphy, Essie Whitelaw, Eileen Coghlin, Thelma Ross, Jean Miller, Mavis Tozer, Monnie Fattorini, Vivian Reed, Lily O'Connor, Alice Evans, Jean Barlow (Names of parts were included). Columbine Ballet: Alma Day, Kathleen Smithwick, Margery Greaves, Wilma Martin, Roma Cook, Dot Cravino, Alma Reardon, Jean Cairns.Cambridge Press, Print.program, theatre, royal princess theatre -
Bendigo Historical Society Inc.
Document - A SOUVENIR OF 'THE GLAMOUR GIRLS' REVUE 'THEN AND NOW' 1944, 1944
A Souvenir of 'The Glamour Girls' Revue 'Then and Now' 1944. From Mr & Mrs C Clark. Page 1, Bendigo presents 'The Glamour Girls' in Their Hit Revue 'Then & Now' a Pot Pourri of Dances and Fun, Produced and created by the Team Spirit of Peggy Hinsley, Elaine O'Shea, Joan Albert, Gladys Jordon, Amba Harrington, Moira Knowles. Doris Clow, Betty Angel, Cath Mc Queenie, Thelma Cochrane, Mona Roberts. Under Direction of C Clark. Musical Direction, Edward Thomas. Accompaniste, Leila Camp, Vida Roberts. Violinists, Honor Allfrey, Edgar Jarrett. Drums, Frank Kennedy, Andy Beattie. Costumes, Tivoli Theatres. Page 3/ In lending your personality, your charm and your talent to help raise Funds for the Returned Soldiers' Relief Appeal, you have given not only to the soldiers, but to the Nation a great service. As the producer and originator of the 'Glamour Girl Revue' I wish to place on record my personal thanks to the noble part you have played in making this show the financial success it has proved to be. You will appreciate that no remuneration has given by the Committee for your services, with this decision I am sure you fully concur. I would however, like you to accept this souvenir as a small token of gratitude for the great pleasure it has given my wife and I to have been associated with each and everyone of you as a team. May we have future successes in our services to those in need. Yours truly, (signed) C Clark. Page 5/ Photograph of Mr and Mrs C Clark signed; Sincerely M & C Clark. Extra page has been added here and a black and white photograph of the cast on stage attached using photograph corners. Page 5/ Photo of Peggy. Page 7. Page 9 photo of Elaine. Page 11 photo Joan. Page 13 Gladys. Page 15 Amba. Page 17 Moira. Page 19 Doris. Page 21 Betty. Page 23 Cath. Page 25 Thelma. Page 27 Mona. Page 29 Autographs: Betty Angell, Thelma Crochrane, S M Grossmann, Vida Roberts, Mona Roberts, G E Thomas, J Albert, H M Allfrey, J J Monte, Elaine O'Shea, Andrew Beattie, Moira Knowle, Teen Armstrong, C M McQueenie, Peg Hainsly, Doris Blow, Amba Harrington, J N Armstrong, M Clark, C Clark (autographs in copy A only.) Page 31. ''1940 - Never have so many owed so much to so few.'' - Winston Churchill. A Friend Who Understands. You've shared the joys and troubles The Laughter and the tears, And you've given loyal friendship Through the Changing Varied years, Your voice has been beside me Whispering courage for the day, And you've helped and blessed and cheered me Making glad the uphill way, And of all the many blessings That have reached me from God's hands, There's no gift more sweet and precious Than the Friend - who understands. 1944 ''Never have so few needed so much from so many'' - Returned Soldiers' Relief Appeal. Copy A/ Inscription on front cover To 'YACK'. Signed on page 3, C Clark. Signed on page 5 Sincerely M & C Clark. Page 29 Autographs: Betty Angell, Thelma Crochrane, S M Grossmann, Vida Roberts, Mona Roberts, G E Thomas, J Albert, H M Allfrey, J J Monte, Elaine O'Shea, Andrew Beattie, Moira Knowle, Teen Armstrong, C M McQueenie, Peg Hainsly, Doris Blow, Amba Harrington, J N Armstrong, M Clark, C Clark. Orange ribbon is faded. Copy B/ markings: front cover - Royal Historical Society of Victoria Bendigo Branch stamp, sticker - D1729. Cover and white sticker with D1729 on top right corner. First 2 sheets are torn at top hole punch. Orange ribbon is worn at the back.program, theatre, the glamour girls, a souvenir of 'the glamour girls' revue 'then and now' 1944. from mr & mrs c clark. their hit revue 'then & now' a pot pourri of dances and fun, produced and created peggy hinsley, elaine o'shea, joan albert, gladys jordon, amba harrington, moira knowles. doris clow, betty angel, cath mc queenie, thelma cochrane, mona roberts. under direction of c clark. musical direction, edward thomas. accompaniste, leila camp, vida roberts. violinists, honor allfrey, edgar jarrett. drums, frank kennedy, andy beattie. costumes, tivoli theatres. raise funds for the returned soldiers' relief appeal. as the producer and originator my personal thanks to the part you have this show a success. no remuneration has given by for your services. accept this souvenir as a token of. c clark. photograph of mr and mrs c clark signed; sincerely m & c clark. black and white photograph of the cast, peggy, elaine, joan, gladys, amba, moira, doris, betty, cath, thelma, mona, autographs: betty angell, thelma crochrane, s m grossmann, vida roberts, mona roberts, g e thomas, j albert, h m allfrey, j j monte, elaine o'shea, andrew beattie, moira knowle, teen armstrong, c m mcqueenie, peg hainsly, doris blow, amba harrington, j n armstrong, m clark, c clark. 'yack'. -
Bendigo Historical Society Inc.
Document - PETER ELLIS COLLECTION: BUSH MUSIC CLUB COLONIAL BALL, 1990
Small off white coloured booklet Bush Music Club Inc. Colonial Subscription Ball 1990 Dancers Companion (A guide to the Quadrilles) The Quadrille Figure 1 (Le Pantelon) (2x32) 8 Top couples R and L through. (without giving hands). 8 Set & turn Partners 8 Top ladies chain. 4 Top couples promenade across set. 4 Half R and L to place. 32 Side couples repeat Figure 2 (Le 'Ete) (4x24) 4 Top couples advance & retire. 4 Cross over (without changing places with partner). 8 Repeat back to place. 8 Set & turn partners. 24 Sides repeat. 48 Top and Sides repeat. Figure 3 (La Poule) (4x32) 4 Lady 1, Man 2 adv, tough RH, retire to opposite place. 4 Lady 1, Man 2 adv, join LH give RH to partner 4 Line of 4 balance fwd & back twice. 4 Men lead partners to opp. Place. 4 Lady 1, Man 2 adv. & ret. 4 Lady 1, Man 2 adv, honour & ret. 4 Top couples, advance & retire. 4 Half R & L to place. 32 Repeat with Lady 2, Man !. 32 Repeat with Lady 3, Man 4. 32 Repeat with Lady 4, Man 3. The Quadrille Figure 4. (La Pastourelle) (4x32) 4 1st couple advance & retire. 4 1st couple adv, lady join 2nd couple. 4 Line of 3 adv. & ret, 1st man retire. 4 Line of 3 adv. Ladies cross to 1st man. 4 Line of 3 adv. & ret, 2nd man retire. 4 Re-advance, form circle with 2nd man. 4 Circle L half way round. 4 Half R & L to place. 32 Repeat with 2nd couple leading. 32 Repeat with 3rd couple leading. 32 Repeat with 4th couple leading. Figure 5 (La Finale) (4 x 32 + 8) 4 All advance & retire. 4 Turn partners. 4 Ladies adv, curtsey & retire. 4 Men advance, bow & retire. 8 All set & turn corners. 8 Promenade with corner. (men to original place with corner) 96 Repeat 3 times to return to partner. 4 All advance & retire. Turn Partners. Notes: 1 Couples numbered 2 Set & turn is a 'balance' set and open hand turn. The Prince Imperial's Quadrille Figure 1. (4x24) 4 Top couples visit right, honour sides. 4 Top men retire with partner & side lady to opposite place, (ladies facing each other). 8 Ladies grand chain to places 8 All set and turn partners 24 Top couples repeat back to place. 48 Repeat with side couples. Figure 2 (4 x 24) 4 1st Lady, 2nd man adv & turn in centre finish facing 2nd lady. 2 2nd lady pass through to 1st man. 2 Both couples turn out to place. 4 top couples advance & retire. 4 Ladies chain back to place. (Nariel) 8 Chasse-croise. (4 steps past partner RH turn corner 4 steps back, LH turn with partner.) 24 Repeat wth 2nd lady, 1st man leading 24 Repeat wth 3rd lady, 4th man leading 24 Repeat wth 4th lady, 3rd man leading. Figure 3 (4x32) 4 1st lady to centre, curtsey to partner. (RH in RH, ACW turn in to centre) 4 2nd lady to centre, curtsey to partner. 4 3rd lady to centre, curtsey to partner.4 4th lady to centre, curtsey to partner. 8 ladies join hands, circle R, small steps after circle R, Men join circle, (giving RH to partner). 4 Balance for 4 (step lift x 4) 4 Turn partners to place, bow & curtsey. 32 Repeat, Lady 2, 1, 4 & 3 to centre 32 Repeat Lady 3, 4, 2 & 1 to centre 32 Repeat, Lady 4, 3, 1 & 2 to centre The Prince Imperial's Quadrille Figure 4 (4x32) 4 Top couples advance & retire. 4 Top couples adv, ladies move to R, as men retire to place. 8 Line of 3 adv & ret twice. 4 Single men adv, bow and retire. 4 Re-advance and turn to face partner. 4 Circle L half way round (with partner & side couple). 4 Half R & L to place. 32 Repeat with side couples leading. 32 Repeat with top couples leading (men moving to left as ladies retire) 32 Repeat with Side couple leading. (Men moving to left as ladies retire) Figure 5 (4x32 +32) 16 Ladies to the right, (RH turn with corner man then continue round to the right turning each man) 4 1st Lady, 2nd man advance & retire 4 re-advance & turn RH (finish facing partners) 8 set & turn partners (finishing in place) 32 Repeat with 2nd Lady, 1st man leading 32 repeat with 3rd lady, 4th man leading 32 Repeat with 4th Lady, 3rd man leading 16 Ladies to the right again. 4 Men turn partners to centre. 4 All bow and curtsey. 8 Promenade set ( hall) Note: Set & turn is a 'balance' set and open hand turn. The Parisienne Quadrille Figure 1 (1x32) 8 Couples R and L through. (without giving hands) 8 set & turn partners 8 Ladies chain. 4 Couples promenade across set. 4 Half R and L to place. Figure 2 (2x24) 4 Couples advance & retire. 4 Cross over (without changing places with partners) 8 Repeat back to place. 8 Set & turn partners. 24 Repeat. Figure 3 (2x32) 4 Lady 1, Man 2 adv, touch RH, retire to opposite place. 4 Lady 1, Man 2 adv, join LH, give RH to partner. 4 Line of 4 balance fwd & back twice 4 Men lead partners to opp. Place 4 Lady 1, Man 2 adv & retire 4 Lady 1, Man 2 adv, honour & ret. 4 Couples, advance & retire. 4 Half R & L to place. 32 Repeat with Lady 2, Man 1. The Parisienne Quadrille Figure 4. (2x32) 4 1st couple advance & retire. 4 1st couple adv, lady join 2nd couple. 4 Line of 3 adv. & ret, 1st man retire. 4 Line of 3 adv. Ladies cross to 1st man. 4 Line of 3 adv. & ret, 2nd man retire. 4 Re-advance, form circle with 2nd man. 4 Circle L half way round. 4 Half R & L to place. 32 Repeat with 2nd couple leading. Figure 5 (2x32) 4 Couples advance & retire 4 Cross over 8 Repeat back to place. 8 Ladies chain across & back.8 Set & turn partners. 32 Repeat Notes: 1 This 'quadrille' is similar to the first set (1st 4 figures) and is danced as two couple sets. 2 Set & turn is a 'balance' set and open hand turn. The Lancers Quadrille Figure 1 (4x24) 4 1st lady, 2nd man advance & retire, 4 Adv, turn two hands, return to place. 4 1st couple lead through across set 4 2nd couple lead through back 8 all set & turn corners. 24 Repeat, 2nd lady, 1st man leading 24 Repeat 3rd lady, 4th man leading 24 Repeat, 4th lady, 3rd man leading Figure 2 (4x24) 4 1st couple advance & retire. 2 1st lady adv to centre, turn to face partner 2 1st couple honour each other. 8 1st couple set and turn then sides form top & bottom lines 4 Lines advance & retire, 4 Advance and turn partners to place. 24 Repeat with 2nd couple leading 24 Repeat with 3rd couple leading 24 Repeat with 4th couple leading Figure 3. (2x32) 4 Ladies advance, curtsey & retire. 4 Men adv, bow, turn by left, bow to partners, then join RH in centre, (ladies RH on partners left elbow). 8 Promenade round set to place. 4 Ladies adv, curtsey & retire again. 4 Men adv, bow, turn by right, bow to partners, join LH in centre, right arm behind partner. 8 Promenade round to set in place. 32 Repeat. The Lancers Quadrille. Figure 4. (4x24) 8 Top couples visit R then L 4 Right Hands around with LH couple 4 then left hands around. 8 Circle left with that couple. 24 Repeat with side couples leading. 24 repeat, top couples visit L then R. 24 Repeat, side couples visit L then R. Figure 5. (4x48 +24) 8 All grand chain 1/2 way round and honour partners. 8 Continue grand chain to place and honour partners. 8 1st couple visit, return to place, facing out with sides in behind. 2 Change places with partner, 2 All rock fwd and back 2 change places again 2 All rock fwd and back 8 Cast out reform in lines 4 Lines advance & retire 4 Advance & turn partners to place 48 Repeat with 2nd couple leading 48 Repeat with 3rd couple leading 48 Repeat with 4th couple leading. 8 Grand chain 1/2 way round and honour partners. 8 continue grand chain to place and honour partners 8 swing partners (R arm round partner, LH in air) Note: All figures walked. Set & Turn is a 'balance' set and open two hand turn. The Caledonians Quadrille Figure 1. (2x32) 4 Top couples R.H. across, move CW (Ladies hands joined over Mens). 4 then L.H. across, move ACW. 8 Set & swing Partners 8 Top ladies chain. 4 Top couples promenade across set. 4 Half R and L to place. 32 Side couples repeat. Figure 2. (4x24) 8 1st Man advance & retire twice. 8 Set & swing corners. 8 Promenade with corners (to men's position.) 24 2nd man repeat. 48 3rd and 4th man repeat. Figure 3. (4x32) 4 Lady 1, Man 2 advance & retire. 4 Re-advance, 2 hand turn to place. 8 1st & 2nd couples lead through and back. (1st lead through across, 2nd back) 8 Set & swing corners. 4 All advance & retire. 4 Swing partners. 32 Repeat with Lady 2, Man 1. 32 Repeat with Lady 3, Man 4. 32 Repeat with Lady 4, Man 3. The Caledonians Quadrille Figure 4. (4x24) 2 Lady 1, Man 2 advance and stop. 2 Lady 2, Man 1 advance and stop. 4 Turn partners back to place. 2 All ladies to the right 4 steps. 2 All men to the left 4 steps. 2 All ladies to the right 4 steps. 2 All men to the left 4 steps. 4 Promenade to place. 4 Swing partners. 24 Repeat with Lady 2, Man 1 leading. 24 Repeat with Lady 3, Man 4 leading. 24 Repeat with Lady 4, Man 3 leading. Figure 5. (4x48 + 16) 8 1st couple visit. 4 Ladies advance, curtsey & retire. 4 Men advance, bow & retire. 8 All set & swing partners. 8 Grand chain 1/2 way round and honour partners. 4 Promenade to place 4 and swing partners. 8 Chasse-croise, (4 steps past partner, RH to corner balance fwd & back, then 4 steps back, LH to partner balance fwd & back). 48 Repeat with 2nd couple leading. 48 Repeat with 3rd couple leading. 48 Repeat with 4th couple leading. 8 All promenade set. 8 Swing partners. Note: Set & swing is 'normal' set and cross hand swing. The Royal Irish Quadrille Figure 1. (2x32) 8 Top couples to Right, R & L through 8 Set & swing Partners. 8 Ladies chain. 4 Couples promenade across (to the other couples position). 4 Half R & L to place. 32 Repeat with tops to the left. Figure 2. (4x24) 4 Top couples to Right, adv & ret. 4 Cross over (without changing places with partner). 8 Repeat back to place. 8 Set & swing partners. 24 Repeat with top couples to the Left. 48 Tops repeat with Right and Left sides. Figure 3. (4x32) 4 Lady 1,2 and Man on Right, advance, touch RH, retire to opposite place. 4 Advance again, join LH, give RH to partner. 4 Line of 4 balance fwd & back twice. 4 Men Lead partners to opp. Place. 4 Lady 1,2 and opp. Man adv & ret. 4 Advance, honour & retire. 4 Couples, advance & retire. 4 Half R & L to place. 32 Repeat with Ladies 3,4 leading. 64 Repeat with Tops facing left. The Royal Irish Quadrille Figure 4. (4x32) 4 Top couples to Right, adv & ret. 4 Re-adv, Top Ladies join opp. Couple. 4 Line of 3 adv & ret. Top men retire. 4 Line of 3 adv, ladies join other man. 4 Line of 3 adv & ret, Side men retire. 4 Re-advance, form circle with opp. Man. 4 Circle L half way round. 4 Half R & L to place. 32 Repeat with Side ladies leading. 64 Repeat with Top couples facing left. Figure 5. (4 x 32 + 8) 4 All advance & retire. 4 Swing partners. 4 Ladies advance, curtsey & retire. 4 Men advance, bow & retire. 8 All set & swing corners. 8 Promenade with corner. (Men to original place with corner). 96 Repeat 3 times to return to partner. 4 All advance & retire. 4 Swing partners. Notes: 1. This is The Quadrille danced diagonally, with Top couples dancing first with the side couple on their right, then the left. Ie. 1-3 and 2-4 then 1-4 and 2-3. 2. Set & swing is 'normal' set and irish swing.The Eightsome Reel Numbering: Clockwise 1-2-3-4 Part A (40 Bars) 4 All join hands, circle left 4 All circle right. 4 Grand Cross, Ladies join RH. 4 Grand Cross, Men join LH. 8 Set & turn Partners 16 Grand chain right round set. Part B ( 8x48 bars) 1st Lady advance to centre, Others join hands in circle. 8 Circle left and right 4 Set once and turn partner 1st Lady sets to partner then open hand turn once with partner. 4 Set once and turn opposite 1st Lady sets to opposite man, then open hand turn once. 8 Reel of 3, 1st Lady, partner and opposite man 1st Lady remains in centre. 8 Circle left and right again 4 Set once and turn side man 1st lady and man on right. 4 Set once and turn other side man 1st lady and man on left. 8 Reel of 3, 1st lady, and two side men. 48 2nd lady repeat. 96 3rd and 4th ladies repeat. 192 Men repeat same movement. The Eightsome Reel Part C (40 Bars) 8 All circle left and right. 4 Grand cross - Ladies join RH. 4 Grand Cross - Men join LH. 8 All set and turn partners. 16 Grand Chain round set. Note: Set is 'normal' set. Turn is open hand turn. NOTES 1. The Quadrille 2. The Prince Imperials 3. The Parisienne Quadrille 4. The Lancers Quadrille 5. The Caledonians Quadrille 6. The Royal Irish Quadrille 7. The Eightsome Reelperson, individual, peter ellis oam -
Federation University Historical Collection
Magazine - Emagazine, Fedpress Magazine, 2016-2019
Formerly known as Hotch Potch, FedPress is the student publication of Federation University Australia. FedPress is a space for students to showcase their written and visual talents. The editorial team aim to inform, inspire, and entertain. We are looking for a range of different creative individuals — journalists, reviewers, poets, designers, artists, and photographers — to submit content. FedPress Magazine prints four issues a year and is distributed across FedUni's Ballarat, Wimmera and Gippsland campuses. PDFs of the Federation University Magazine 'fedpress'. Hardcopy of the following years: Issue No 3, October 2014 (Rianh Silvertree, Mathew Lambrou, India McGee, Kayla Elizabeth Stone, Amber Dance, Australian University Games,Amphipipolis Tomb) Issue 4, February 2015 (Kayla Elizabeth Stone. Clubs and Societies, Monash University Gippsland Student Union, Federation University Football Club, Student Senate, Student Connect, Kaitlyn Ashmore, Issue 5, April 2015 (Ellen Sabo, Sexual Education, Gippsland Campus, Monash Campus, Sammy Desai, Zach Mullane, Feduni Living Kakoda Trek) Issue 6, 2015 (Southern University Games, Student Senate, Memories of War Project, Survivors of Suicide, Gippsland Campus, Lucinda Horrocks, Exam Information For Students, Tania McMullenNational Student Leadership Workshop, Mining Games, AUSIMM, The History of MMO, FEdUnied Soccer) Issue 7, July 2015 (PASS - Peer Assisted Study Sessions, Mad Swan Productions, Student Senate, Adam Bignold, Rainh Silvertree, Rebecca Fletcher, Pietro Angeli) Issue 9, October 2015 (Student Senate, Jeannie King, Australian Space Agency, S. Hooley, Rebecca Fletcher, Animal Rights, Breanna Alexander, Pietro Angeli, Jody Dontje, Amanda Mill, Frank Gartlan. Joel King) Issue No 10, 2016 (Unibar, Stone Cutters, Australian Hospitality, Jogy Dontje, Jess Kelly, Pietro Angeli, Getting Through Semester One, Online Student understanding, Liana Skewes, Brianna MacDonald, Student Services, Student Senate, S. Hooley, HECS Help, Ashleigh Dyer, Six things that can cost you easy marks, Laura McLachlan, Surviving grief, Theahna CoburnTenneill Pearl, Rochelle Jardine, Zach Mullane, Dakota Richards, Survival Guide, Scarlette Baum) Issue No 11, May 2016 (Rebecca Fletcher, Joshua Paddon, Hooliganism, Catherine Elliott, Fedpress School of Rock, Dakota Richards, Zach Mullane, Scalette Baum, Clubs, Societies, Sport, FedUni Ultimate Frisbie Club, Geolgoy, Dean DiQuinzio, FedUni Geology Society, Sebastian Wolfe) Issue No 12, 2016 (Crows, Joshua Paddon, Sarah McLean, Fandom, Learn Another Language, Laura McLachlan, Planes, Pietro Angel, Cover Co, mpetition, Megan Corder, Jess Kelly, The Secret Life of Post-Grad Students, Cale Hellyer, What I hate about Facebook, Damian Brown, National Student Vounteer Week, Premnath Chakarvarty, Selin Kasif, Brendan Caffrey, Senate Six, Fed United, Awards, Ultimate Frisbee, Ashleigh Dyer, Cassandra Lovett, Rochelle Jardine, Dakota Richards, Freya Fogliani) Issue No 13, 2016 Issue No. 14, February 2017 Issue No. 15, May 2017 (James Charlton, Rebecca Fletcher, Timothy Kirkham, Mohammad Sami Baardarani, Lajan Maharjan, Jennifer Pont, Kate Williams, Damian Brown, Matthew James, Zoe Ormiston, Freya Fogliani, Myles Hema, Jess Powell) Issue No. 17, October 2017 (Jack Barnes, Damian, Syed Zain Ali, Molly Irvine, Rebecca Fletcher) Issue No. 18, February 2018 (Submission Dates, Guidance for the Shell-Shocked Graduates, Pills, Shark, How to be a Writer, Climate Summit) Issue No. 21, October 2018 (Bianca Bedford, Kelsey Knight, Laura Benney, Rainbow Collective, Smartphone, Sarah McLean, Monique Stephens, Clare Hartigan, Liam Carter) Issue No. 22, March (2018) 2019 (Elizabeth McCracken, Troy Anthony Platt, Liam Carter, O.R. Brayne, Dakota Powell, Elizabeth McCracken, Dan Schweinzer, Jordyn Presley, Sarah McLean, Bianca Bedford, Bronwyn Nel, Beck Small, Tara Parada) Issue No. 23, July 2019 (Beck Small, Jasmyne Tziziras, Jodie Flower-Russell, Maxwell Waterhouse, Dhogaluxmi Chemen, Alisha Hendrick, Elizabeth McCraken, Trent Bowes, Will La Grue, Laura Benney, Sir Troy Anthony Platt, Harrod Boadie, Kathryn Drum, Jordyn Presley, Bianca Bedford, Bronwyn Nel, Olly Brayne, Cherise Oosthuizen, Chloe Waddell, Nyalat Pel Kun, Autism Issue No 25 (April 2021) (Jesse Noonan-Wade, Laura Wilson, Chloe Hopkins, Jordyn Presley, Ruby Sait, Lauren Johnson, Kymberley Loats, Darren Rout, Maddison Gill, Baklava, Covid-19 pandemic, exercisefedpress, brad paisley, selin kasif, dakota richards, emma gamble, damian brown, clare hartigan, tanya bird, freya fogliani, scarlett baum, amanda mill, jess powell, feduni quidditch, rebecca fletcher, bridget o'brien, lisa tops, jordyn presley, jack barnes, emma-lee winters, brook forrest, bianca bedford, jessica rae, laura wilson, laura benney, monique stephens, kelsey knight, sarah mclean, liam carter, bronwynn nel, olly brayne, cherise oosthuizen, chloe waddell, nyalet pel kun, trent bowes, elizabeth mccracken, beck small, jasmine tzaitziras, jodi flower-russell, will la grue, laura benny, maxwell waterhouse, sir troy anthony platt, dhogaluxmi chemen, jarrod boadle, alisha hendrick, autism -
Melton City Libraries
Photograph, Martha (Watson) Myers, 1907, c.1930 and 1953
Martha Watson was born on 17 October 1888 in Ballarat, Victoria, Australia as the first child of Robina (Ruby) WATSON. She died on 23 March 1976 in Geelong, Victoria, Australia. Memories of Martha by Valcia nee Twigg Lowrie, granddaughter of Arthur Watson. My memories and recollections as told to me my Grandmother ‘Mum’ Myers. As a child she had scarlet fever and did not attend school during the illness and missed a lot of school (Macarthur Street State School). When she was meant to return to school having fallen behind her classmates, confused and behind with the school work, she instead spent her time wandering around Lake Wendouree feeling too ashamed to attend school. Her uncle Arthur, born in 1874, whom she idealized, was a type of father/mentor figure who played and important part in her early life. He moved to Queensland in the early 1900’s and they did not meet again until he visited Melton in 1949, he died in 1954. He was a champion rower in Victoria and Queensland and a noted cyclist who rode in three Warrnambool to Melbourne races, and footballer. Her mother’s death certificate reveals her place of death as the Ballarat Hospital on 8th September 1903 aged 36. Martha was not told of the death of her mother, it was some time later when she found out her mother had died. She was greatly distressed when she eventually found out. The grief and the circumstance of her mothers death and her unfortunate life had a permanent effect on Martha’s life. Robina was buried in Open Ground at the New Cemetery Ballarat. Marjorie likened to this to the death of Mozart at the age of 35 who was also buried in a common grave. Martha also told me the stories about how as a child she played at the cemetery, taking the oranges placed as offerings on the Chinese graves and being chased away in fright when caught by a Chinese man. Her description left a vivid impression on my mind. The Burnbank street house was just across the road from the cemetery. The pieces of this story I had heard made sense when I visited the location in recent years. Martha’s described how Nanna would sing on the front verandah, and send her off to t get drink for her. This situation might help explain the reason for Martha’s strong aversion to alcohol. As a young girl it had been distressing to her. Nanna was a colourful and theatrical personality and danced with the Duke when he visited Ballarat. She was also known to have stated that she would marry a man who could give her a bucket of gold, possibly around the time after her first husband, Charles death, she had her young boy Edward to bring up. Martha was about 13 years old when Nanna Watson left Ballarat going to Queensland to visit her son Arthur. Martha slept that night afraid and alone in the empty house. The person who was meant to collect her did not come until the next day. She went to work for a family, a woman with children, they took most of the money that Nanna had left with Martha. There was a new baby in the house and the Scottish man in the house behaved suspiciously towards Martha. She was afraid of him and would hide from him under the bed. At this young age she managed to survive on her wits and sense of self preservation. It is not known how long she worked with this family. The place was from my impression, away from the town of Ballarat. Her very difficult formative years are testament to her strength of character and determination to succeed in life and ambition to provide the best opportunities for her own children. In 1905 Martha received a post card from Uncle Arthur in Brisbane addressed – c/o Mrs Styles 14 High Street Ballarat. Dolly Styles was a Ballarat friend and she kept in contact with her for many years. A letter reveals her living in Minyip in her older years. Martha is thought to have spent a few years working before she arrived in Melton. Miss Shebler hired Martha to help her in the care of her father and to assist with work in the Golden Fleece Hotel. Mr Shebler was a nice old man and mostly confined to his room and somewhat childlike as described by Martha. [The elderly Mr August Shebler died in February 1908]. Martha’s exact arrival in Melton is not known, but could be estimated as late 1906 to early 1907. In her room at the hotel she could hear the spring cart of Mr Minns going on the milk delivery rounds in the very early hours of the morning after coming across the creek from his house When she was 19, she married Frederick Thomas MYERS, son of Henri MIERS and Ann DOWLING, on 30 April 1908 ( Fitzroy, Victoria, Australia). Frederick Thomas MYERS and Martha Mary WATSON had the following children: 1. Frederick John Watson MYERS was born on 01 October 1908 in Melton, Victoria, Australia.He died on 07 February 2001.He married Mary June BATTYE on 18 September 1948 in Victoria, Australia. 2. Marjorie Gretchen MYERS was born on 21 February 1912 in Melton, Victoria, Australia.She died on 10 September 2004 in Frankston, Victoria, Australia.She married Herbert Vivian BUTLER on 07 January 1939 in Victoria, Australia. 3. Eva Edna MYERS was born on 15 October 1918 in Melton, Victoria, Australia.She died on 31 January 2008 in Bacchus Marsh, Victoria, Australia.She married Ernest Wesley BARRIE on 25 October 1941 in Melton, Victoria, Australia. 4. Arthur Bruce MYERS was born on 29 April 1925 in Melton, Victoria, Australia.He died on 26 March 2015 in Melbourne, Victoria, Australia.He married Olive Irene NORTON in April 1953 in Balliang, Victoria, Australia (or Church of Christ Footscray? (WB)). 5. Maxwell Douglas MYERS was born on 10 August 1927 in Melton, Victoria, Australia.He died on 03 May 2005 in Geelong, Victoria, Australia.He married Rosemary Rebecca BARRIE on 31 August 1951 in Melton, Victoria, Australia. Valcia nee Twigg Lowrie granddaughter of Arthur Watson, daughter of Mercia and Val Twigg did extensive research on the Marshall family of Lerwick Shetland Isle obtaining birth information of the Scottish forebears. She also got the birth/marriage and death certificates of the Ballarat connection of Robina’s husbands and children. Copies were sent to Edna and Wendy during the early 1990’s. Bruce and Irene also obtained certificates and Myers family information. Wendy applied for certificates at this time.Photographs of Martha (Watson) Myers taken at different times of her life -
Melton City Libraries
Photograph, Mrs Knox and Beryl Gillespie at the First Hundred Years Celebration of Melton State School 430, 1970
Beryl Knox speaking about early life in Melton. Page 1 1949 – 64 years ago. We began our married life at Melton Sth. The house on the corner of the Exford Rd and Staughton St-- dusty gravel roads, box thorns and noxious weeds everywhere and a sprinkling of houses and vacant land. It was a friendly community consisting of old family names. McDonalds, Blacks, Dodemaide, Cahill, Coopers, Minns, Tinklers, Nesbitts, Cochranes, Wickhams, Exells. Mavis Butler. The home owned by Mr. Robinson and Miss Robinson had been shifted in two parts transported from Diggers Rest and it is still standing 2013. Bruce’s father purchased the house and two adjoining blocks, the Conways built on one and the Rawlinson family on the other block. Eileen still resides there, she was only a baby in a pram and the family had not long arrived from England. The railway line was close to the house and the contents would rattle when heavy steams trains went through, and on a clear frosty night the 1am paper train would echo roar through very loudly when labouring towards the Exford Bridge. Then the two carriage motor train was introduced, this was great for the workers and schoolies who travelled to Melbourne. The train pulled up at the crossing or riding to pick up or drop off. Melva Gillespie (nee Hirt) Bill Cahill delivered the milk by the billy and then in bottles. Len Kennedy (Paul Kennedy’s father, Norma Murrays son) delivered Jongebloeds bread, he always had a sweep going for the Melbourne Cup and raffles for the footy club. Mr. Woodgate owned an old bus and pick up point was the Post Office when there was a Saturday film on a Melton. There were no doctors or dentists in the district. If we need a Doctor we had to travel to Bacchus Marsh or discuss problems over the phone. In later years a Bacchus Marsh Doctor rented the Bluestone building in McKenzie St a couple of days a week. If we needed the Dentist we had to travel to West Footscray or Footscray. We did our banking at “State Savings” then the Miss Minns had the agency and then Bardsleys Store. We travelled to Bacchus Marsh to the National and Commercial banks. Station Rd to Western Highway, now (High Street) was a narrow stretch of bitumen and gravel farmland either side and a couple of farm houses and large gum trees on the properties. Page 2 North of the Railway line Mrs Bessie Jones, mother of Chas and Betty Jones managed the Post Office, next door to her Chas and Betty had the Shell Centre, and later moved the business to Melton. Hughie Nesbitt and mother owned the grocery and hardware store, and I bought my first set of saucepans there. On the opposite side of Station road Mr Coombe owned the fruit shop, and also provided soft drinks and lollies for children. The Chaff Mill was on the corner of Station Rd and Brooklyn Rd. Mr Lumsden was manager and later years Bernie Trethowan and Jack Butler were partners. It finally burnt down and is a Service Station now. Along Brooklyn Rd there were a few houses and Victoria Hall, not a very big hall, but catered for lots of functions, Balls, Fancy Dress, Bazaars, Square Dancing and meetings. The Bacchus Marsh Baptists held Sunday School in the hall. A group of shops were built south of the railway line Molly and Len Skinner managed the Post Office and handled a few essential groceries. Tom McDonald and Ron Lunsberg were the butchers. Mary and Syd Cooper lived next door to us and often in turn would run out of something when we had a baking spree we would borrow or exchange, sugar flour etc over the fence. Mavis and Jack Butler lived there before the Coopers. Bernie and Iris Trethowan lived two doors up. Neighbours were invited into their home to view the first black and white television in Melton Sth. Bill Exell was one of the first Melton Sth farmers to sell his land to developers, the land was idle for years before housing developed. I joined the Melton Valley Golf Club in 1960. The Gun Club as our Club House, an old tin shed consisting a water tank, trestle table and forms and dirt floor. It was a 9 hole course with sand scraps and landscape putting before greens. The Common or parkland was part of the Golf Course. It was open for every ones recreation. Roy Norton an old identity trained his trotters on the Common and wouldn’t clear the track for the golfers. The golfers had to avoid him to continue to play. We had to keep clear when the young youths came in their paddock cars and motorbikes. Over the years the Toolern Creek flooded its banks, water and debri covered the course on one year our first Club house was flooded out. It took several working bees to clean it up. We lived at Melton Sth for 15 years and moved to Melton on the farm “Croxton Park.” The Nixon family farm “Mowbray” adjoined the farm. Bruce worked the land cropping the farm when Mrs Nixon died. Page 3 (page 4 on the handwritten script) Bruce had the first offer to buy, in those days it wasn’t easy to get good bank loans. Part of the land is the Golf Course now and Mr O’Shea purchased the bulk. Moving to Melton was totally different – I became involved with Committees, Scouts, Guides, Mothers Clubs, CWA, Church Op shop (8 years). Melton Amateurs players produced and tutored by Mabel Rogers exerts from Pyjama Game, South Pacific, Carousel - later years a group of ladies did gentle water exercise at Essendon and Station Road swimming pool. I was 20 or so years in Probus. The local followed the football, there was always a Gymkhana on the long weekend in June. The tennis always created a lot of interest during the finals. It didn’t matter which team played the supporters were treated to a cup of tea and leftovers from their afternoon tea. In 1978 were the first residents to move into the Jennings Estate Kurunjang and lived there 31 years and retired 4 years ago into Unit. The amazing changes I have experienced. Merrimu supplied our water, after depending on tanks. The landscape changed completely when developers came in, no more dusty plains \ typed web Sept 2013 McFarlane, Mrs Knox and Beryl Gillespie at the First Hundred Years Celebration of Melton State School 430. The event was held at Mechanics Hall, Melton.local identities, local significant events, education -
Melton City Libraries
Postcard, Postcards from Fred and Mattie Myers, 1909-1914
Post Card: Melton Railway Station 1909 Mattie to Fred My Dear Fred I received your letter and the L2 10/- I was very pleased to hear that I could write again. You say you will come home after the last shead. I should think so. I had a letter from E Jenkins so I am going down to see her next week we call the baby Fernie now I hope you will agree. Dear Fern has got the whooping cough. Written on the side: I suppose you will be away four weeks yet. Love from Mattie will write on Sunday. This letter appears to be connected with the post card Barwonleigh Saturday October 1908 handwriting My Dear Mattie I received your letter and was sorry to hear of our dear little babys misfortune how did it happen do you know what was the cause of it Mrs Watts must be a blind old fool not to have known what it was when you took him to her the first time poor dear you must be worried to death with all this trouble tell me what the doctor thinks of the rupture. I do hope dear he will get over this all right you must be nearly dead going without sleep for so long I had a bit of misfortune myself on Thursday the machine locked and jumped out of my hand and stuck in my bone I kept on working but it was very painful as all the holding is done with the..next page ..knee the boss also has been chipping a good deal this week he says the next time he has occasion to speak to me I will have to go he is very particular. I would like to go through if possible even if I do a lot less. I have about sixteen hundred done up to now and would get another nine hundred if I was let alone but I suppose we will live lovie even if I go do you know if they are full handed at Eynesbury if I thought I could get a week there I would cut myself out here quick. Well dear lovie I am sending you a couple of pounds as I suppose you will want it to get a truss. I don’t think they are very expensive and hope things will find this better with you. Well my dear love I must close with fond love for you and baby from your loving Husband Fred Post Card: 16 Aug 1909 - Mathoura The card depicts a small sailing boat laden with blue flowers. Well Dear Wife you see I have kept my promise. I rode all the way up here and also carried all my luggage with me it came in handy as I had to camp on the road last night between Rochester and Echuca surrounded by water. I had to walk all the way pretty well from Rochester to Echuca. I am now waiting for the train to Deniliquin. Love to you and my little son Fred. From you loving Husband Fred Written along the top and side of the card. what do you think if the card comes in all right as I have been wading through water all day yesterday and this might be …? will write when I get to the Station, don’t forget to look after the little Freddie and remember me to mother. Post Card: 1909 - view across the Flat from the Creek looking to the Presbyterian Church in the distance with some small dwellings in the foreground. To Mr Fred Myers Wandook Stn Denniliquin NSW Dear Fred, received your letter I am sorry to hear you are having such wet weather I will write a letter tomorrow baby is better With Love from M Post Card: 1910 Postmark Stamp 1d Aug 12 1910 Moama NSW Melton postmark stamped Aug 25? Hare Street, looking south Echuca Mrs F Myers, Melton P O Vic Dear Mattie, Just a line to let you know I got here all right I go to Pericotta tonight and to Cobran to morrow best love to all from yours Fred Letter Cobran Stn Via Deniliquin N.S.W. Sunday 21st Aug extract I am having a good time here, a good cook and the best of everything no fires to light or kettles to boil just get up and wire in… plenty hard work the sheep are pretty tough but much better than Wandook. I am well among them here we had a little rain on Friday but not enough to stop us so we have got one full week in .. the weather is lovely. I have been basking in the sunshine mainly in the morning and feel strong and fit a as fiddle, they are a grand lot of men here I only knew one out of the lots but know them all pretty well now, we have a bit of a concert here every nights almost there are a few good singers here and we also had a phonograph up from the station with all the latest records we have two dancers among ourselves very boisterous affairs indeed thy do make the dust fly. I have not ventured to take part in it and don’t think I will either. I get enough dancing all day long and besides I have to furnish the music you ought to see them going when I rattle up the concertina. Letter Cobran Stn via Deniliquin Thursday Sept 1st 1910 [abbreviated] My Dear Mattie, I received your welcome letter today. I though I was never going to get one as it was Sunday fortnight when I wrote to you but we only the mail here twice a week so it takes a long time to write and get an answer. I also got a reply from Eynesbury and a favourable reply it starts on the 13th Oct. …. I have 800 sheep shorn up to date and am fifth among about 30 men. I am sending two more [Ls] this time which I drew on Saturday. I don’t like sending too much more this time as there is a chance of it going astray and it is not very easily earned…. Things must be humming in Melton with all them babies coming and people getting married… I suppose we will be having new neighbours soon. If Mr Watts is selling out he was getting more property then he could keep. I hope you will soon have rain…. you will have to watch our little boy the dear little rascal he must be getting very cute opening the gates he will be tumbling into the tank …. I love to think of the happy times we have had together and hope that we will love one another to the end .. the mail will not leave here until Monday Love to you dear wife and baby Fred Post Card: – I Cling to you like Ivy Cobran September 18th 1910 Fred awaits a letter from Mattie I still have three weeks here yet.. I am sending L2 tell if you got the other 1L 1911 Letters Fred to Mattie October Spring Plains Oct 1911 Mia Mia Post Office I had a great job to catch the train at Diggers Rest as after I turned off the Keilor Rd it was very way and muddy and I had to walk a lot of the way and got there just in time. I came right into Redesdale by the train and stopped there last night… they had heavy rain on thursday up here and a tremendous fall of hail which covered the ground over a foot deep. There are only 4 shearers here yet.. I saw some of the sheep they look very rough and big so there will be no big tallies done, the men are saying he is giving 2s per hundred extra, so that will help a little. We are going to start Cobran via Deniliquin. Post Card: three scenes of Mathoura 10/9/1914 EB on a photo copy 10/9/12 ? Mathoura Thursday Dear Mattie, Just a line to let you know I got up here all right. I rode the seat out of my trousers. I have done 100 miles on the bike. I met none of the old hands this time so will go out on my own… Your loving husband Fred, did Marjie miss me at all. Post Card: Cobran 15th Sept 1912 Hearts and intertwined flowers and little envelope he has written Marjorie …just a line to let you know I will cut out here Friday next in find, we have had two falls of rain since I wrote and it has bean blowing a hurricane for couple of days and may blow up again however if we are delayed I will send you a card Wednesday I am longing to see you and the two little kiddies again…. Fred Copy only Golf Hill Sep 26th Cut out 31 Oct Total 2332 1913 Post Card: Scene View Street, Bendigo August 1913 Mathoura Tuesday My Dear Mattie Just a line to let you know I got up here all right. Teddy Ginger and another couple of chaps on the way ……. Letter Cobran Sunday Aug 7th 1913 My Dear Mattie Just a line to let you know that weather permitting we will cut out here about Thursday morning….I have not got any more shearing here. I have not heard from the other place…. Expect me about Friday …. I suppose Freddie and Marjie will be glad to see me, Marjie will climb all over me. I will be glad to se you all again you will have a fortnight before Golf Hill starts. I see in the Express you sent that Annie McPherson of (Dunvegan) is engaged to Len Farrell, she appears to be going to take no risks with him she wont let him slip through her hands like the banker did…… Fred Post Card: 1914 Garland of roses Warrambeen Stn Shelford PO October 14th 1914 Birthday wishes. Post Card: Love’s Golden Chain Golf Hill Tuesday Oct 17 1914 Birthday wishes [ this one might be a different year] Letter Cobran Wed 2nd Sept 1914 My Dear Mattie, I received your welcome letter today and also the papers which were very acceptable as we don’t get many papers here we only get see one at odd times as we get none for the hut this year.. I have not seen a bit of butter since I left home as it is too dear for us for sinners here. Poor Marjie had a cold.. so the little kid wants to go to the war, she must think it is good like a picnic. We had light rain on Monday as usual only half a day’s shearing in the shed so that is all we done this week, we took a vote 9 to 6 no shearing so nothing till to morrow morning Thursday so there is still a good fortnights shearing to do, will do nothing Saturday polling day as we have to go 13 miles is near Services where I was last year so we will want the full day 50 men to vote and some will probably have to walk to get there, all solid for Labour. I have just had an interval for lunch, pudding, yeast buns and rock cakes… We are doing nothing but eating and sleeping this week. Fred I am sending L1 in this which will do you till I come back if I keep drawing up I will have none when I finish so make the most of it. Post Card: Two doves with violets 1915 Cobran Wed 18th Sept [could be 1912] Sorry to tell you we are delayed with rain so will not be home till next week… only 3 days of shearing to do…. expect me about the middle of next week….I wish I was with you now and the dear little ones Fred Post Card: Iris Flowers Barwonleigh Stn Tuesday Oct 14th 1918 Happy birthday greetings from Fred Post Card: Irrigation channel Swan Hill 5 Year not shown Swan Hill Tuesday night Just a few lines to let you know I got this far all right. I had to walk nearly all the way to Gisborne and got there last night and took the train here today. It has been raining all the way between Gisborne and here. Moulamein tomorrow. I think it will be another case of walking as it is wet here no metal roads all mud. best love to yourself and the little ones and also mother. will write Sunday Post Card: The White Man’s Burden.The writing on the back rubbed out Mattie has written, I was weighed and I am 8 stone 10 pounds. 14 Post Cards, some have the original dates, others have the date added later by Martha. Two envelopes, one with addressed to Melton postmark Moule, stamp torn off, the other Cards from my dear Fred. The letters and the notebooks can be cross checked according the their contents. Italics show the dates added by Mattie local identities -
Bendigo Historical Society Inc.
Document - CASTLEMAINE STATE FESTIVAL, CASTLEMAINE, 2 November 1990
Castlemaine State Festival, Castlemaine. 2 November 1990. Programme. From the Chairmen - Mr Bereck Segan. Melbourne Committee: B R Segan, O.B.E. (Chairman), M Besen, A.O. (Deputy Chairman), Mrs H Dore (Hon. Sec.), C Anzarut, N Bourke, Ms M Coillet, Prof. C Duckworth, G Fairfax, A.M., K MacKenzie-Forbes, A.M., Mrs B Margetts, Dr F R Moulds, I.S.O., R Nordlinger, J Parker, M.B.E., A Porter, Ms M Prendergast, C Pyett, Ms D Reilly, Mrs, Ms L Schiftan, P M Schiftan, D Segan, B J Stewart, Ms S Walker, Dr R Wlikie. Melbourne Committee: I O'Halloran, (Chairman), Mrs M Rilen (Hon.Sec.), Miss R Wood (Treas), Mrs L Bennet, Mrs M Bock, S Cox, Cr T Daniell, Mrs H Griffiths, B Heydon, N Jennings, Mrs C McKellar, Miss M Oliver, L O'Toole, F Ransome-Smith, J Shortal, Dr D Silver, Mrs V Victor-Gordon, Mes E Warren, Miss L Waters. Welcome to the 1990 Castlemaine State Festival. As one festival closes, planning for the next commences immediately.. . Mr Ian O'Halloran, Chairman, Castlemaine. Castlemaine State Festival Administration, Festival Manager: Phee Broadway, Manager's Assistant: Mary Harris, Technical Manager: Lis Pain, Drawing Prize Co-ordinator: Bev Singleton, Farnham Concert Co-Ordinator: Noel Jennings with Victorian Rock Foundation. Event Listings: Opening by Hon. Jim Kennan M.P., Deputy Premier and Minister for the Arts Castlemaine Stadium. Melbourne Symphony Orchestra, Conductor - Hiroyuki Iwaki, Soloist - Dong -Suk Kang. Royal Variety Club Grand Final Theatre Royal, Town Crier Mr Neville Stonehouse. Kilmna Wildflower Walk. 'Melbourne: Architecture Today and the year 2000' Professor Peter McIntyre, A.O. Wine tasting. Selected Antique Fair. Organ Recital, organist Michael Bottomly. Mickleford Tour. A Closer Look at Castlemaine, Castlemaine Historical Society. 'Local Brew' Love Letters by A R Gurney, Starring Julia Blake and Terry Norris Directed by George Fairfax A.M. The Noel Watson Show. John Pringle and Miriam Gormley sing Operatic Gems with the Rantos Collegium and conductor Nicholas Braithwaite. The Incredible Shrinking Mortgage Show', Pat Wilson and Adrian Barnes. Festival Nightcap, Mr P P an acrobatic delight. Breakfast with Potts in the Park. A Stroll Around Town, Historical Society guide. Gardens Open. Selected Antique Fair. Festive Family Fun, musician Natasha Moszenin, Fratellini Brothers, Tim Hurley, Wally Fair Ground Organ, Foundry Band, Megan Jones, Mr P P. A guided Tour, Mrs Marjorie Rilen. Goetz Richter - Violin, Jeanett Carrigan - Piano. 'King Lear', Berenice Kavanagh and Suzanne Kersten. The Chagell Ensemble, Rita Reichman, Piano, Semmy Stalhammer, Violin. Trevor Jones, Viola. David Pereira, Cello. Steven Reeves, Double Bass. 'The Incredible Shrinking Mortagage Show' Pat Wilson and Adrian Barnes. Festival Hymns. 'Recital' Hellen Noonan, Douglas Horton, David Chesworth, Jacqui Everett, Jude Gunson. Music for Flute and Piano, Dereck Jones - Flute, Jeanell Carrigan - Piano. 'Brass With Class' William Evans - trumpet, David Farrend - trumpet, Russell Davis - french horn, Ken McClimont - trombone, Eric Klay - bass trombone. Piano Recital - Richard Mapp. Chris Ludwick's Society Synocopators - Cup Eve Cabaret, Chris Ludowyk - trombone, Peter Gaudion- Trumpet, Richard Miller - reeds, Pip Avent - tuba, Cal Duffy's - drums. 'Cup Eve Comedy' Rachel Berger and Richard Stubbs. Festival Nightcap Mr P P. Botanical Gardens Tour Kevin Walsh. Alice's Adventures in Wonderland Glenn Elston. By arrangement with Feipp and Park Projects and Elston, Hocking and Woods Pty Ltd. Family Concert, Piano for 4 hands Jocelyn Abbott and Richard Mapp, actor Justin Shortal. Cup Day Sports Carnival. Fashion Parade, luncheon available at Georgians in George Clark Place. The Melba Trio, Carolyn Hayes - Oboe, Jane Stacvy - cor anglais, Seng Tong - Oboe. 'Images' Prudence Davis - flute, Jeffrey Crellin - oboe, Peter Lynch - guitar. 'Sounds in Time' Andree Cozens - soprano, Berenice Kavanagh - words, Dudley - Simons - piano, John Snowden - Guitar, Peter Taylor - Set design & lighting. 'Music for Celestial Voices' Laurence - Jenkins - organ, Mary Anderson - harp, Margot Anderson - harp, Margot Cory - soprano. 'Proms for Preps' Nehama Patkin. Organ Recital Keeith Bottomley. Kaweka Walk, Kaweka Reserve Committee. 'Camille Claudel'. The Tudor Choristers Musical Director - John O'Donnell. 'Something for Everyone' Nehama Patkin - piano, guitar and voice, Peter Clinch - saxaphone and clarinet, major Australian Orchastras. 'The Dock Brief' & 'What Shall We Tell Caroline' Neville Stonehouse, Kay Barker, David Bickart, Angela Walter. 'Bluebeard' The Rag & Bone Theatre Company. Poedijono and the Javanese Gamelan, Poedijono (Teacher), musician, dancer and puppeteer. Botanical Gardens Tour, Kevin Walsh, horticulturist and garden writer. 'Music through the Ages' 'Pizzicato' - classical guitar ensemble, Castlemaine Courthouse, Bruce Millar, Meryl Wilkinson, Greg Wilkinson, Greg James, Joan Maher, Danny Silver. Bach and Vivaldi - Elysium Ensemble Greg Dikmans - Art Director, flute & recorder, Julie Hewison - violin, Lucinda Moon - violin, Janet Ferandez - viola, Miriam Morris - cello, Rosemanry Westbrook - double bass, John O'Donnell - harpsichord. 'Handle by Candle' Laurence Jenkins. Sarah Grunstein at the Piano, Sarah Grunstein. 'Let the Children Sing' Castlemaine Children's Choir, director Michael Bottomley, soloist Peter Bottomley. 'Made in Australia' Phillip Day, Bruce Waston, & 'Twankydillo'. The Dancers Company of the Australian Ballet, Les Sylphides, Dame Peggy van Praagh, Sir John Betjeman, Robert Ray. 'The Wooden Child' Handspan Theatre, Douglass Horton, Ken Evans, Andre Greenwell, Peter J Wilson, Philip Lethean. Botanic Gardens Tour Kevin Walsh. Divine Accidents and Heavenly Venues' William (Bill) Akers, A.M., Director of Productions, Australian Ballet. Jazz at the Jail. Another Stroll round Castlemaine, Historical Society. Muckleford Tour, Naturalists Club. 'Sketches' The Argus Guitar Quartet, Jochen Sxhubert, Tania Ravbar, Samantha Tout, Chi Ly.Scores for Instruments and Voices, Phylis Bachelor. Fred Shade, flute; Mara Miller, Violin; Len Vorster, piano; Loris Synan, soprano; and the students of the Faculty of Music, Melbourne University. Music for Four Hands at One Keyboard, Jocelyn Abbot and Richard Mapp. Paul Grabowsky and the Groovematics, Paul Graboesky, piano. Andrew Gander, Drums. Doug de Vries, guitar. Bob Venier, Trumpet, Flugelhorn. Ian Chaplin, saxophone. Garry Costello, double bass. Shelley Scown, vocals. 'My Most Loved Songs' David Bickart - Basso. Chapliapin, McEachern, Pinza, Robeson, Dawson. A Stroll Around Town, Historical Society. Breakfast at Buda. Garden Open. Festival Eucharist, choir and orchestra Directed by Kevin Bottomley. Music, Madness, Magic. Itchy Feet Pep Band, 'Sound Steppers', 'Legs on the Wall', Andrew Elliot, Antebodies. A Guided Tour of Angligan Parish Church. John Farnham in Concert, The Chain Reaction Tour. John Farnham. Exhibitions: Aspects of France: The Australian Artist's View. Artsits include John Russell, Lloyd Rees, David Davies, John Dent, Eric Wilson, E Phillips Fox, Ethal Carrick, Rupert Bunny, Max Meldrum, Will Ashton, George Bell and others. Annemieke Mein: Embroidery and Applique. Castlemaine Artists Incorporated 6th Biennial Exhibition. Dominique Segan Castlemaine State Festival Drawing Prize 1990. 'Provocative Pieces'. 'Feathered Friends' Barbara Muir. Through the Looking Glass. Handmade - For Pleasure, Julie Cook - dolls and puppets; Traude Beilharz - hats; Gwen Cook - embroidery; Erika Beilharz - woven pieces. 'High Art' students of Castlemaine. 'Works in Wood' Laurie Vella. Old Telegraph Station, Pioneers and Old Residents Association, Jubilee booklet on sale. Studio Exhibition, Juliana Hilton: Prints, paintings decorated screens and furniture. Val Restarick: Pottery and outdoor planters. 2nd Biennial Ernest Leviny Commemorative Silver Exhibition, leading contemporary silversmiths; Hendrick Foster, Tony Kean, Mike Wilson, Flynn Bros, Andrew Last, Mark Edgoose, Peter Gerter, Beatrice Schlabowsly, Marian Hoskings, Karyn Kirby, Chris Sherwin, Peter McBride, Fran Allison. Ray Stanyer - Ceramic Paintings. Norman Anderson - Water Colour Studies. 'Australian & Baroque' David Terry. 'Mediterranean Images' Val Restarick. Framing Shop, Brian Harding. Exhibition of Women Artists, Liz Caffin, Mary Quinlton, Debra Watkins, Lorraine Le Plastrier. Maine Images, Jacki Bickart, Valarie Blake, Sue Breeney, Kate Burtchell, Janet Chapman, Diana Davidson, Betty Hall, Deidre Hull, Molly Maddox, Norma McKenzie, Beth Oag, Rhyll Plant, Michell Phillipson, Diane Thompson. Ceramics, Ian Drumond. 'The Esplanade of Palms' (Brickworks Exhibition), John Wilkins. Han Built Pottery, George Butcher. Hollis Gallery, Richard Hollis, Kathy Hollis. 'End of an Era', Castlemaine Technical College Student Exhibition. 'Building A Country', Commissioned by the Latrobe Library, the Australian State Library of Victoria. The Festival Exhibition. 'Colour - Three Way's, Alice Clague, Geoffrey Clague, Howard Tozer. Tonal Oil Painters and Tapestry Exhibition by a group of local artists, Albert Pollard, Shirley Anderson, Valerie Blake, Ivy Brown, Marjorie Byrne, Janet Chapman, Frances Cree, Colleen Hall, Loretta Harris, Phyllis McClure, Lorraine McDowell, Norma McLean, Margaret Maher, Winsome Morrat, Jean Perry, Martha Phillips, Alison Ross, Norma Sneddon, Val Story, Irene Szabo, Jean Wells, and Alan Winzor. Roma Dodson.'BarleyTwist Cottage', Bill Davies, Linda Long, Fred Kuhnl. Photography Exhibition: Faces and Souls. Children's Books and Illustrations, Meet the authors and illustrators. Burnett Gallery and Garden, Drew Lawson, photographer of Eaglehawk. Decorated Cakes & Sugar Craft Exhibition, Barbara Porter. Sponsored by Marong Hotel. The Central Victorian Unique Design & Restoration Centre, historical photographs, sketches, etc. Badger's Keep Nursery & Mr Badger's Shop, Margaret Lees, Bill Jackson. Carriage Builders & Restorers. 'Harmonious Inspirations X Four' Kristina Browning, Catherine Tait, Rod Pitt, Lindy McAboy, Castle Mice by Sonia. Historic Cottage, 'Orvil Dean Stud', John and Anne Murdock, Judy Dean. The Heritage of Maldon, Geoffery Stocks. Stanyer's Pottery, Dragon Magic, Annett Annand, Ellan Hansa. 2(two) copies of this program.event, entertainment, castemaine state festival, castlemaine state festival, castlemaine 1990. programme. chairmen - mr bereck segan. committee:b r segan, o.b.e. (chairman), m besen, a.o. (deputy chairman), mrs h dore (hon. sec.), c anzarut, n bourke, ms m coillet, prof. c duckworth, g fairfax, a.m., k mackenzie-forbes, a.m., mrs b margetts, dr f r moulds, i.s.o., r nordlinger, j parker, m.b.e., a porter, ms m prendergast, c pyett, ms d reilly, mrs, ms l schiftan, p m schiftan, d segan, b j stewart, ms s walker, dr r wlikie. melbourne committee: i o'halloran, (chairman), mrs m rilen (hon.sec.), miss r wood (treas), mrs l bennet, mrs m bock, s cox, cr t daniell, mrs h griffiths, b heydon, n jennings, mrs c mckellar, miss m oliver, l o'toole, f ransome-smith, j shortal, dr d silver, mrs v victor-gordon, mes e warren, miss l waters. mr ian o'halloran, chairman, castlemaine. castlemaine state festival administration, festival manager: phee broadway, manager's assistant: mary harris, technical manager: lis pain, drawing prize co-ordinator: bev singleton, farnham concert co-ordinator: noel jennings with victorian rock foundation. event listings: opening by hon. jim kennan m.p., deputy premier and minister for the arts castlemaine stadium. melbourne symphony orchestra, condustor - hiroyuki iwaki, soloist - dong -suk kang. royal variety club grand final theatre royal, town crier mr neville stonehouse. kilmna 'melbourne: professor peter mcintyre, a.o. organist michael bottomly. mickleford tour. castlemaine historical society. love letters by a r gurney, starring julia blake terry norris directed by george fairfax a.m. the noel watson show.john pringle and miriam gormley operatic rantos collegium and conductor nicholas braithwaite. the incredible shrinking mortgage show', pat wilson and adrian barnes., mr p p an acrobatic delight. potts in the park. a stroll around town, historical society guide. selected antique fair. festive family fun, musician natasha moszenin, fratellini brothers, tim hurley, wally fair ground organ, foundry band, megan jones, . a guided tour, mrs marjorie rilen. goetz richter - violin, jeanell carrigan - piano. 'king lear', berenice kavanagh and suzanne kersten. the chagell ensemble, rita reichman, piano, semmy stalhammer, violin. trevor jones, viola. david pereira, cello.steven reeves, double bass. pat wilson and adrian barnes. festival hymns. 'recital' hellen noonan, douglas horton, david chesworth, jacqui everett, jude gunson. music for flute and piano, dereck jones - flute, jeanell carrigan - piano. 'brass with class' william evans - trumpet, david farrend - trumpet, russell davis - french horn, ken mcclimont - trombone, eric klay - bass trombone. piano recital - richard mapp. chris ludwick's society synocopators - cabaret, chris ludowyk - trombone, peter gaudion- trumpet, richard miller - reeds, pip avent - tuba, cal duffy's - drums. 'cup eve comedy' rachel berger and richard stubbs. festival nightcap mr p p. botanicla gardens tour kevin walsh. alice's adventures in wonderland glenn elston. by arrangemnent with feipp and park projects and elston, hocking and woods pty ltd. family concert, piano for 4 hands jocelyn abbott richard mapp, actor justin shortal. cup day sports carnival. fashion parade, lucheon available ar georgians in george clark place. the melba trio, carolyn hayes - oboe, jane stacvy - cor anglais, seng tong - oboe. 'images' prudence davis - flute, jeffrey crellin - oboe, peter lynch - guitar. 'sounds in time' andree cozens - soprano, berenice kavanagh - words, dudley - simons - piano, john snowden - guitar, peter taylor - set design & lighting. 'music for celestial voices' laurence - jenkins - organ, mary anderson - harp, margot anderson - harp, margot cory - soprano. 'proms for preps' nehama patkin. organ recital keeith bottomley. kaweka walk, kaweka reserve committee. 'camille claudel'. the tudor choristers musical director - john o'donnell. 'something for everyone' nehama patkin - piano, guitar and voice, peter clinch - saxophone and clarinet, major australian orchastras.'the dock brief' & 'what shall we tell caroline' neville stonehouse, kay barker, david bickart, angela walter. 'bluebeard' the rag & bone theatre company. poedijono and the javanese gamelan, poedijono (teacher), musician, dancer and puppeteer. botanical gardens tour, kevin walsh, horticulturist and garden writer. 'music through the ages' 'pizzicato' - classical guitar ensemble, courthouse, bruce millar, meryl wilkinson, greg wilkinson, greg james, joan maher, danny silver. bach and vivaldi - elysium ensemble greg dikmans - art director, flute & recorder, julie hewison - violin, lucinda moon - violin, janet ferandez - viola, miriam morris - cello, rosemanry westbrook - double bass, john o'donnell - harpsichord. 'handle by candle' laurence jenkins. sarah grunstein at the piano, sarah grunstein. 'let the children sing' castlemaine children's choir, director michael bottomley, soloist peter bottomley. 'made in australia' phillip day, bruce waston, & 'twankydillo'. the dancers company of the australian ballet, les sylphides, dame peggy van praagh, sir john betjeman, robert ray. 'the wooden child' handspan theatre, douglass horton, ken evans, andre greenwell, peter j wilson, philip lethlean. botanic gardens tour kevin walsh. divine accidents and heavenly venues' william (bill) akers, a.m., director of productions, australian ballet. jazz at the jail. stroll round castlemaine, historical society. muckleford tour, naturalists club. 'sketches' the argus guitar quartet, jochen sxhubert, tania ravbar, samantha tout, chi ly.scores for instruments and voices, phylis bachelor. fred shade, flute; mara miller, violin; len vorster, piano; loris synan, soprano; students of the faculty of music, melbourne university. music for four hands at one keyboard, jocelyn abbot and richard mapp. paul grabowsky and the groovematics, paul graboesky, piano. andrew gander, drums. doug de vries, guitar. bob venier, trumpet, flugelhorn. ian chaplin, saxophone. garry costello, double bass. shelley scown, vocals. 'my most loved songs' david bickart - basso. chapliapin, mceachern, pinza, robeson, dawson. stroll around town, historical society. breakfast at buda. garden open. festival eucharist, choir and orchestra directed by kevin bottomley. music, madness, magic. itchy feet pep band, 'sound steppers', 'legs on the wall', andrew elliot, antebodies. a guided tour of angligan parish church. john farnham in concert. exhibitions: aspects of france: the australian artist's view. artsits include john russell, lloyd rees, david davies, john dent, eric wilson, e phillips fox, ethal carrick, rupert bunny, max meldrum, will ashton, george bell and others. annemieke mein: embroidery and applique. castlemaine artists incorportated 6th biennieal exibition. dominique segan castlemaine state festival drawing prize 1990. 'provocative pieces'.'feathered friends' barbara muir. through the looking glass. handmade - for pleasure, julie cook - dolls and puppets; traude beilharz - hats; gwen cook - embroidery; erika beilharz - woven pieces. 'high art' students of castlemaine. 'works in wood' laurie vella. old telegraph station, pioneers and old residents association, jubilee booklet on sale. studio exhibition, juliana hilton: prints, paintings decorated screens and furniture. val restarick: pottery and outdoor planters. 2nd biennial ernest leviny commemorative silver exhibition, leading contemporary silversmiths; hendrick foster, tony kean, mike wilson, flynn bros, andrew last, mark edgoose, peter gerter, beatrice schlabowsly, marian hoskings, karyn kirby, chris sherwin, peter mcbride, fran allison. ray stanyer - ceramic paintings. norman anderson - water colour studies. 'australian & baroque' david terry. 'mediterranean images' val restarick. framing shop, brian harding. exhibition of women artists, liz caffin, mary quinlton, debra watkins, lorraine le plastrier. maine images, jacki bickart, valarie blake, sue breeney, kate burtchell, janet chapman, diana davidson, betty hall, deidre hull, molly maddox, norma mckenzie, beth oag, rhyll plant, michell phillipson, diane thompson. ceramics, ian drumond. 'the esplanade of palms' (brickworks exhibition), john wilkins.han built pottery, george butcher. hollis gallery, richard hollis, kathy hollis. 'end of an era', castlemaine technical college student exhibition. 'building a country', commissioned by the latrobe library, the australian state library of victoria. the festival exhibition. 'colour - three way's, alice clague, geoffery clague, howard tozer. tonal oil painters and taperstry exhibition by a group of local artists, albert pollard, shirley anderson, valerie blake, ivy brown, marjorie byrne, janet chapman, frances cree, colleen hall, loretta harris, phyllis mcclure, lorraine mcdowell, norma mclean, margaret maher, winsome morrat, jean perry, martha phillips, alison ross, norma sneddon, val story, irene szabo, jean wells, and alan winzor. roma dodson.'barleytwist cottage', bill davies, linda long, fred kuhnl. photogralhy exhibition: faces and souls. children's books and illustrations, meet the authors and illustrators. burnett gallery and garden, drew lawson, photographer of eaglehawk. decorated cakes & sugar craft exhibition, barbara porter. sponsored by marong hotel. the central victorian unique design & restoration centre, historical photographs, sketches, etc. badger's keep nursery & mr badger's shop, margaret lees, bill jackson. carriage builders & restorers. 'harmonious inspirations x four' kristina browning, catherine tait, rod pitt, lindy mcaboy, castle mice by sonia. historic cottage, 'orvil dean stud', john and anne murdock, judy dean. the heritage of maldon, geoffery stocks. stanyer's pottery, dragon magic, annett annand, ellan hansa. -
Federation University Historical Collection
Book - Copies of newspaper articles, Ballarat Academy of Performing Arts Press Releases 1997, 1997
Reports published in The Courier newspaper of performances by Ballarat Academy of Performing Arts, including items naming students past and present of the University of Ballarat during 1997 plus articles of people and events connected to the Arts Academy. Also contains information about Ballarat University courses for performing arts. Articles are mostly from the Ballarat Courier newspaper in chronology year (1997) order with no page numbers. Two items are from December 1996 and three articles in October 2001. PRODUCTIONS : *' Pericles' performed by Ballarat's Ozact Theatre Company at Port Fairy's Battery Point. *'Maelstrom' written by Chris Dickens and directed by Peter Tulloch performed by BAPA third year students.(Oct. 28th - Nov 1st) Some cast members were: James McLaverty, Melissa Casey, Linda Judd, Angela Coad, Sarah Griffin, Kathy Lucas, Melissa Casey, Laura Hill, Grant Hickey, Jamie Robertson, Jon Catanzariti, Steve Kerr, Jeff Parker Natalie Zappulla. Performed at Ballarat University Studio Theatre (Nov 4th -8th) and also at Melbourne's CUB Malthouse (Nov. 25th-29th) *"7 Deadly" directed by Chris Dickens and performed in The Chapel at the Academy's Victoria Street campus by 1st year Ballarat University students. Some cast members were: Ash Abdou, Niniane Le Page, Alex Meerbach, Adam Davies and Elicia Bolger. *"Sounds of Broadway and Off' (Oct 9th - 11th) directed and choreographed by Judith Roberts and performed at the Studio Theatre , University of Ballarat, by 1st year students of Musical Theatre at BAPA. Some cast members were Paul Thomas, Shannon Palmer, Aakash Andrews, Justine Schnellbeck, Erica Chestnut,, Rebecca McGuinness, Matthew Heyward, Kellie Rode. Tickets cost $5.00 *'Bewitched" "a parody of the original television series" directed and produced by Ballarat performing arts graduates Adam Turnbull and Claire O'Sullivan. Most of the cast and crew were graduates from the University of Ballarat. Some cast members were: Katherine Evans as Samantha and Martin Cole as Darren. Simon Buckle was responsible for his original music, songs and special effects. *Concert: Featuring pianist Slavomir Zumis and cellist Robert Ekselman (Oct. 3rd) *"Charley's Aunt" by Brandon Thomas, directed by Belinda Lees and performed by 2nd year Ballarat Academy of the Arts 2nd Year Company at The Venue Studio Theatre, University of Ballarat (Sept. 23rd-27th). Cast members: Derren Jackson, Ross Larkin, Kevin Dee, Adelle Gregory, Colette Bruggeman, Luke Doxey, Gavin Fenech, Dennis Marinovic, Nadia Andary, Narelle Werner. Cost: Adults $10, Concession $7.50, Bookings at Majestix. *'The Importance of Being Ernest' (by Oscar Wilde), performed by second year theatre company of the University of Ballarat, directed by Maureen Edwards, designed by Andrew Arney. Cast members included Narrell Werner as Gwendolen, Tim Haymes as Jack, Mark Gambino as Algermon, Adelle Gregory as Cecily and Heather Kent as Lady Bracknell. The production was at the Studio Theatre, University of Ballarat, September 16th-20th , 8pm. Ticket costs: $10 Adult, $7.50 Pensioners/students. Double bill tickets for The Importance of Being Ernest and Charley's Aunt (Sept.23-27) costs: $15 Adults,$10 Concession. *"The Man From Muckinupin' (by Dorothy Hewett), directed by Chris Dickens and performed by University of Ballarat 3rd Year Performing Arts at Studio Theatre, University of Ballarat from Aug 26th - Aug 30th 1997. Cast members: Lisa Judd as Polly, James McLaverty as Jack, Jamie Robertson, Natalia Rose, Steven Kerr, Jon Catanzariti, Melissa Casey, Grant Hickey, Sarah Griffin, Laura Hill, Kathy Lucas, Angela Coad, and Jeff Parker. Ticket costs: $10 Adults, $7.50 Concession from MajesTix *'The Inspector' (by John Cousins) director Bruce Widdop, performed by the Third Year Graduating Company, University of Ballarat, Ballarat Academy of Performing Arts; at Studio Theatre, University of Ballarat, Aug 19th-23rd, 1997. Cast: Jamie Robertson as the mayor, Jeff Parker as the supposed government inspector, Grant Hickey as Sidney, Melissa Carey as Rose, and Sarah Griffin as Rose's daughter, Laura Hill as the postmaster and Linda Judd as the headmistress. Some 1st year students had cameo roles - Adam Parsons and Adam Davies. *'Cosi' directed by Andrew Seeary and performed by Theatre Movement at the Grainery Lane Theatre, Doveton Street, Balarat. The story has a young, nervous director Lewis, played by Brett Edginton, arrive in a mental home to produce a play with the inmates. Other cast members are Karl Hatton (Roy), Miranda Crellin (Cherry), Rob MacLeod (Henry), Ray Craven (Zac), Narrell Werner (Julie), Nadia Andary (Ruth), Mark Gambino (Doug), Elizabet Stewart and Michael Cooper (Lewis' unsympathetic friends) and Bob House (the Social Worker). Nadia, Mark and Narelle are Ballarat University performing arts students. Season: July 24th,25th 26th and 31st and August 1st and 2nd, 1997. Tickets at the door or through Majestix. Cost: Adults $16; Concession $11. Reviewer: Barry Breen, a Ballarat author, poet and performance artist. *'New Works' involves two plays - 'The Inside Out', director Melissa Casey and 'Secrets'. director Jeff Parker, presented by Ballarat Academy of Performing Arts Third Year Company, both written and directed by third year students. All production areas handled by students of BAPA. Cast members: 'The Inside Out' - Jamie Robertson, Laura Hill. 'Secrets' - Sarah Griffin, Linda Jude, Steven Kerr, Angela Coad, Natalie Zappulla. Staged at University of Ballarat's Studio Theatre. Bookings MajesTix - $10 or $7.5 *Euripide's, 'The Bacchae', a tale of revenge, directed by Bruce Widdop and performed by 2nd year students from the University of Ballarat Performing Arts Department and the BAPA. Assistant directors' Tim Haymes and Derren Jackson. Cast members: Richard DiGregorio (Dionysus), Chris Stipic (Cadmus), Colette Brugman (Agaue), Denis Marinovic (Pentheus), Mark Gambino (Teiresias) and Ross Larkin as the messenger. Other supporting performers are Luke Doxey, Brendan Mayne, Heather Kent, Kevin Dee, Gavin Fenech, Nadia Andary, Karissa Clarke, Adelle Gregory and Narrell Werner. The play was performed at the Studio Theatre, Ballarat University, June 3rd-6th, 1997.Tickets MajesTix or at the door - $10 Adult, $7.50 Concession. *'Back to the Tivoli' School of Performing Arts - June 10th -14th. Venue: Academy of Performing Arts, Victoria Street, 8pm *Aristophane's 'Lysistrata', an anti-war comedy directed by Belinda Lees who has moved the action of the play forward in time from the Peloponnesian to the Vietnam war. Performed by first year drama students from the University of Ballarat and BAPA at the Studio Theatre, University of Ballarat, Mount Helen, on May 27th-30th, 1997. Cast members: Niniane Le Page (Lysistrata), Fiona Russell (Calonice), Anne Winter (Myhrrine), Dominic Phelan (Cinesias), Alex Meerbach (Stratyllis), Michael Rafferty (Leader), Melissa Lowndes (Lampito), Renee Francis (Ismenia), Kathryn Martin (Corinthian), Geoffrey Spink (doorman), Adam Parsons (magistrate), Adrian Dart (policeman), David Kambouris (policeman two), Max Grarock (negotiator), Phol Crompton (ambassador) and Ross Farrell (herald). Male chorus members: Paul Thomas, Adam Davies, Ashraf Abdou, Karan Khanna. Female chorus members: Lauren Oliver, Suzie, Lewis and Lindy Kerr. Tickets MajesTix - $10 Adults, $7.50 Concession; or $12 special double bill price including The Bacchae. *Roger Woodward Recital - a piano recital by the internationally acclaimed Australian pianist to launch the Ballarat Academy of the Arts asset drive. He performed on the University's historic Erard Grand Concert piano on stage in Founders Hall, describing it as "absolutely amazing.' The instrument was 93 years old and hadn't been played for more than eighty years. An audience of 500 were entertained with pieces by Schubert and Bach for the first half of the program and Waltzes, Mazurkas, and Polonaises by Chopin after the interval. Fittingly an encore of the Minuet in G by Paderewski was played on the very piano the composer had brought from England for his Australian tour in 1906. *'The Merry Wives of Windsor' by William Shakespeare; directed by Beth Child; designer Damian Muller; Production by Third Year Graduating Company, University of Ballarat Performing Arts Department. This play is a comedy not performed very frequently. Cast members: Angela Coad (Mistress Page), Laura Hil (Mistress Quickly), Gavin Fenech (Falstaff), Kathy Lucus (Justice Shallow), Melissa Casey (Mistress Ford), Jeff Parker (Mr Ford), Jamie Robertson ( Mr Page) and Karrissa Clarke (Simple). Staged at the Studio Theatre, University of Ballarat, May 6th-10th 1997 at 8pm. Tickets $10. Concession $7.50. *"Ship of Fools" SMB Performing Arts. Grainery Lane Theatre, 9th-10th May 1997 Cast members: Chris Lytas (Mac & Convinso), Kate Edwards (Mayor & Rachel), Ruth Sheridan (numerous characters) *'Lola Montez - The Musical' author Alan Burke; director Peter Tulloch; choreographer Fred Fargher; designer Damian Muller, musical director Graeme Vendy. Performed by twenty-eight second year Performing Arts students with Nadia Andary in the lead role of Lola,, Grant Hickey as Henry Seekamp the Ballarat Times editor who receives a whipping from Lola for his criticism of her. Tim Haymes is the character Smith, Karissa Clarke plays nurse Jane Oliver and Ross Larkin plays soldier Daniel Brady. Other cast members were Luke Doxey, Richard Di Gregorio, Chris Stipic and Brendan Mayne. A feature of the show is Lola's celebrated Spider Dance which was acknowledged many years ago by the crowd throwing gold nuggets onto the stage. Presented by the Hugh Williamson Foundation in association with the Begonia Festival organizers the performance was at Her Majesty's Theatre, Ballarat nightly from 12th-15th March at 8pm with a matinee at 2pm on the 15th. Tickets at Majestic: Adult $18.50, Concession $13.50, Group Adult $15.50, Group Concession $10.50, Culture Vulture $12.00 Family $46 Season 97. *' 2001- 'On The Town' a musical comedy performed by graduating Ballarat Academy of Performing Arts and directed by course coordinator Kim Durban from the Victorian Theatre Company; and BAPA assistant production manager Jo Pearson. It features a cast of 30 and music from a 15 piece band. Photo depicts three cast members: Keith Miles, Adam Lubicz and Glenn Quinn. It was performed in America in 1944 and tells the story of three sailors who arrive in New York on 24-hour shore leave. It was performed at Founder's Hall, University of Ballarat, Mount Helen campus. Tickets $15 adults, $10 concession and $7 for children and students. Family tickets were available. Bookings MajesTix. *'Play With Your Food' a new theatre restaurant show performed by SMB Performing Arts students at Craig's Cellar, Lydiard Street, Ballarat. It was an original show devised and written by Second Year SMB Performing Arts students. following their sold-out touring show 'unplugged' and Book Week play 'SapceDust'. There are also articles about people involved with the University of Ballarat Performing Arts course and the courses in the Arts. Lady Lush's world of unusual characters presented jokes, songs, music whisked together into a bizarre story for audiences to enjoy and even be tie up. Cast members: Melissa Porritt, Loenne Whitecross, Jess Matthews, Kristie Glab and Julia McNamee. It was performed over five nights, 7th-8th-9th-15th and 16th November, 2001. Cost $20. NEWSPAPER ARTICLES: Directors for University of Ballarat 2nd Year Performing Arts - Belinda Lees and Maureen Edwards (photo) An advertisement for BA Visual Arts - Studio Studies available for Ceramics / Drawing / Graphic Design / Print Making /Painting / Multi-Discipline - Undergraduate and Post Graduate Studies. Also for BA Performing Arts - Major Studies available: Performance Acting, Theatre Production, Performance Music Theatre. Ballarat Academy of Performing Arts - New lecturers 1997: Lecturer in Design and theatre crafts - Damian Muller; lecturer in production and stage management - Leonard Bauska; and lecturer in theatre technology - Matthew Heenan. Ballarat Academy of Performing Arts - 1 st article in 'The Flag' Alumni Newsletter, University of Ballarat, Issue June, 1997 re 1st intake of students in February, 1997. 2nd article 'Where Are They Now' - Amanda Sandwith. Event - 'Lydiard Street Alive' : firebreathing act 'David and Goliath' performed by David Patullo. Article with information (includes advertisment for course) about the 3 year performing arts degree at Ballarat consisting of performance acting, theatre production and performance music theatre which are part of Ballarat Academy of Performi8ng Arts which resources from three institutions - University of Ballarat, Australian Catholic University and the School of Mines. BAPA launch: Photos of some attendees - June 3rd 1997 Ballarat Courier. Performers featured Erica Chestnut and Sue-Ann Thomas. Amy Young - Up Close and Personal article - Ballarat Courier - Saturday June 14 1997. Amy Young was the director and conductress of Ballarat 'Y" Choir for 45 years. In 1996 she donated her husband's (Dr Keith Young) Steinway grand piano and musical collection to BAPA. This article is about her life. Events calendar for the Month of May, 1997. Peter Tulloch ( University of Ballarat Performing Arts Co-ordinator 1997) Newspaper article - interview by Elise Sullivan that appeared in The Ballarat Courier Saturday May 3rd 1997 Weekend Edition . Many articles on Roger Woodward and a $3 million asset drive for the Ballarat Academy of Performing Arts. Advertisement for 3 Arts positions at the University of Ballarat - Lecturers in Theatre for Movement/Dance; Design, Theory and Craft; and Theatre Technology Article: 'Who's Who at the Academy' - A list of First Year, Second Year, Third Year, Performing Arts Staff (University of Ballarat and Australian Catholic University). Article about the Erard Concert Grande piano and its acquisition by the University of Ballarat. There are several articles linked to the production of "Lola Montez the Musical' including: *Lola Montez's life in a timeline -1818 to 1861 compiled by Peter Freund, Her Majesty's Theatre historian on behalf of Ballarat Begonia Festival. * A radio show in 1952 performed by Ballarat's "Y" Drama Group featuring 16 year old Joy Brehaut as Lola Montez and directed by 3BA's Ted Furling *Ballarat's Most Famous Scandal Advertising Poster for Lola Montez *Lola Whips In * Lola to Tread the Boards Again * Lola to Return to Ballarat - The "Minister for Purity, The Reverend John Potter" - (actor Jamie Robertson) * Veteran Takes His First Look at Lola * First Stage Lola meets the New Lola - Nadia Andary meets 1967 Lola, Nancy Brauer. * Lola Returns Home An article listing the 12th Annual Encore Awards held at Ballarat Village on Wednesday 5th March 1997. * Article 3/12/1996: Amy Young donates her husband Dr. W. H. Keith Young's Steinway grand piano and studio stacked with historic documents to the jointly run Performing Arts Academy following his death. The book consists of A4 paper sheets, heat bound with blue card front and back cover with a plastic overlay. The pages contain photocopied articles printed in the Ballarat Courier during 1997. Two articles are from December 1996.bapa, pericles, ozact theatre company, ozact, maelstrom, chris dickens, joan petering, peter tulloch, 7 deadly, ballarat academy of performing arts, bpca, ballarat college of performing arts, sounds of broadway and off, judith roberts, graeme vendy, bewitched, adam turnbull, claire o'sullivan, katherine evans, martin cole, simon buckle, belinda lees, charley's aunt, brandon thomas, derren jackson, ross larkin, kevin dee, adelle gregory, colette bruggeman, luke doxey, gavin fenech, dennis marinovic, nadia andary, narelle werner, the importance of being ernest, maureen edwards, andrew arney, tim haymes, mark gambino, heather kent, performing arts courses 1997, the man from muckinupin, dorothy hewett, chris dickins, linda judd, james mclaverty, jamie robertson, natalia rose, steven kerr, jon catanzariti, grant hickory, sarah griffin, laura hill, kathy lucas, angela coad, jeff parker, john cousins, bruce widdop, melissa carey, adam parsons, adam davies, damian muller, leonard bauska, matthew heenan, cosi, grainery lane theatre, andrew seeary, brett edginton, karl hatton, miranda crellin, rob macleod, ray craven, elizabeth stewart, michael cooper, bob house, barry breen, the flag, performing arts academy - ballarat, bert labont'e, lydiard stree alive, david and goliath, david patullo, amanda sandwith, bapa launch, erica chestnut, sue-ann thomas, amy young, dr keith young, ballarat "y" choir, the bacchae, richard digregorio, chris stipic, colette brugman, denis marinovic, brendan mayne, karissa clarke, narrell werner, niniane le page, fiona russell, anne winters, melissa lownds, renee francis, kathryn martin, michael rafferty, dominic phelan, geoffrey spink, paul thomas, ashraf abdou, karan khanna, alex meerbach, lauren oliver, suzie lewis, lindy kerr, adrian dart, david kambouris, max grarock, phil crompton, ross farrell, roger woodward, erard grand concert piano, karrissa clarke, beth child, chris lytas, kate edwards, ruth sheridan, ballarat academy of performing arts asset drive, positions - school of arts, erard concert grande piano, ignace paderewski, professor david james, david james, robert allen, bapa opening, gabrielle mcmullen, dr ron wild, graham clarke, michael faulkner, sacred heart convent of mercy ballarat, lola montez the musical, spider dance, lola montez, grant hickey, fred fargher, peter freund, ballarat begonia festival, nancy brauer, james robertson, jo pearson, on the town, keith miles, adam lubicz, glenn quinn, play with your food, melissa porritt, loenne whitecross, jess matthews, kristie glab, julia mcnamee, smb performing arts students -
Bendigo Historical Society Inc.
Document - PETER ELLIS COLLECTION: PETER ELLIS OBITUARY
3 A4 pages stapled together. Peter's Eulogy. We have lost a giant from the folklore scene. The huge crowd here today shows how much Peter meant to so many people. He has been my friend and band leader for the past twenty five years. Peter was the glue for our band. He planned the musical program in conjunction with the MCs. He listed all the tunes to be played and where to find them for those who read the dots. Peter was great fun to be around and I'd like to mention just a few things to show that. Peter was always an exuberant player. He would bounce around on his seat. This caused a near disaster at a drought relief benefit we were playing. The band was on a platform but our pianist Olive was at ground level as the piano could not fit. Peter bounced around so much his chair leg slipped and Peter ended up on top of poor Olive. Peter loved to entertain. He would play bones or swanee whistle at the drop of a hat. He would demonstrate the Charleston, can can or bunny hop for groups. For a big man he was very light on his feet. He loved to stand and circle his concertina, a memory I won't forget. I have to confess I have slept with Peter. Twice. The first time was at Port Fairy Folk Festival when the band slept in the nunnery at Koroit. Peter, Dean Swift and I shared a room. Peter's snoring was so bad Dean grabbed a blanket and a pillow and went to sleep in the mini bus. I went into another room but even with two closed doors found it difficult to sleep. As recently as this year's Illawarra Folk Festival Peter was in a tent in the performer's area. I noticed the tents either side quickly became vacant. The next time was in Canberra when Peter and I were at one end of a caravan and Mary Smith was at the other. I don't think poor Mary got much sleep that night. On another occasion in Canberra Peter was Half asleep in his van when another well known female performer (not from the band) came in and stripped off. She realised she was in the wrong van and grabbed her stuff and took off. She returned very red faced the next morning to collect her shoes. Peter maintained he saw nothing. One freezing cold night in Canberra Peter ad I had been at a terrific session in the bar. We had to support each other across the oval towards our caravan. Peter tried to straddle the fence and got stuck. There was a real Canberra frost on the fence and a sensitive part of Peter's anatomy was in grave danger of frost bite. Peter took an eternity to extricate himself. I couldn’t help him as I was laughing so much. We'll never forget making Harry McQueen's bull boar sausages at Nariel. Peter had already organised the meat and intestine casings from the butcher in Corryong. He was such an organiser and the sausages were brilliant. Peter was quirky. He always made a morning cuppa complete with tea cosy. It even left Martin Pearson speechless in the breakfast tent at Illawarra this year. Another example was when he sold his beloved FJ which is parked out the front today. As the new buyer drove off down the road Peter stood there playing 'Now is the hour' and 'wish me luck as you wave me goodbye' on his concertina. Peter loved a joke. He knew Shirley Andrews loathed the tune Danny boy so he played it in her hearing any chance he go. He even gave her a cd with a dozen different performers doing their versions of the song. We once played at the Rifle Brigade Oktoberfest and Peter was just a bit under the weather after being there for two days (the band got free drinks). The late night crowd was getting restless so Peter tried to shut them up by holding his finger up. They got more restless. Peter couldn’t understand it. 'it worked for Grummy Ross,' he wailed. It was the only time we ever over rode him and started playing without him. He wasn’t happy but disaster was averted. The dance club once had a reverse deb ball. Peter shave his beard, got his sister Robyn to make up his face and came to the ball in a lovely gown. It took ages for people to realise who it was.Margaret Hogan said the other night 'Peter let me see and do things I never would have done otherwise.' I think that is true of all of us in the band. We performed in major festivals regularly, travelled widely and had experiences such as playing at the opening of Melbourne Museum or State Parliament. Experience we'd never have had without Peter. I'm glad Peter didn’t suffer. He told me last Monday morning on my last visit he was in no pain. For that I am grateful. He passed away that night. He was taken far too young and has left a huge hole in all our lives. Personally I have lost a great mate, but then we can all say that. We'll miss you Dirty Pierre. John Williams.person, individual, peter ellis oam -
Eltham District Historical Society Inc
Photograph, Joy Chapman, Miss Eltham, April 1965, Apr 1965
My Recollections of Eltham Past by Margaret Joy Harding (nee Joy Chapman.) My family of Elizabeth and Alec Chapman moved to Eltham in 1946 into a cottage on the opposite side of the Diamond Creek from where the little train now operates in the Lower Park. At that time Eltham truly was a country town and the Pub was the main meeting place for most inhabitants on a Saturday afternoon in the beer garden. I attended Eltham Primary School where I started as a 4-year-old (my birthday being slightly after the mid-year intake) that happened then. My mother spent a lot of days taking me back to school when I had dismissed myself and walked the one kilomtre home alone. Bremner's Common (now Wingrove Park) was a big attraction with its dam and tad poling which I found much more entertaining than school. (Mrs Bremner ran a Service Station on the site of the current one). Another attraction at this site was the circus that came a couple of times a year. Watching them put up the circus tent was very interesting and even more of an attraction was the feeding of the Lions in cages and the monkeys and elephants among the other animals that are not found in a circus these days. At school then we were provided with hot chocolate at morning recess where the mothers would prepare it in the shelter shed. The only form of classroom heating was an open fire. Worse was the warm milk given in the summer months. By the time I was near finishing at Primary school we used to be able to walk along the Main Road at lunchtime to Mrs. Mitchell's shop to a delicious hot pie. As I recall there was no supervision for this departure from the school grounds. It is interesting that some of the other children I started school with I still have contact with, in fact one is a very good friend although now living in Perth. That is the other thing about Eltham; many who grew up here continue to live in the area. Following primary school, the natural progression was to Eltham High School. There was only the main building at that time and I can remember our first assembly at the front entrance. During the time I was at High School several new class rooms were added and the school hall. I remember the musical plays such as HMS Pinafore and other classical musicals being performed. I also remember countless hours doing marching practice. The main street shops when I was young consisted of the Blue Gum milk bar at the far end, a Grocery store and a shoe maker where Coles currently stands. Opposite there was Lyon's Garage. They also provided a bus service and when we got off the train this little bus would tour the back streets taking each individual to their home, sometimes this could take quite considerable time. There was also a Black Smith next to the Chiropractic Practice opposite Alistair Knox Park, another Milk Bar/General Store on the comer of Bridge Street/Main Road where a shop currently still operates. There was also a Butcher's shop down from the pub opposite Franklin Street. The only doctor was next to the courthouse on the other side of Brougham Street. On Saturday afternoon I was occasionally allowed to go the movies in the Town Hall which also stood on the site of the Coles centre. Often the Fire Alarm would sound and everyone would run outside to watch the fire truck leave with the volunteers clutching on the back. The other attraction during summer of course was the swimming pool which was a small concrete pool filled with water pumped from the Diamond Creek, sometimes it was like a mud puddle so for me the nearer to home Yarra/Diamond Creek junction was a much better option. We swam in the water hole which was quite deep and with fallen trees and sometimes carcasses of cows and kangaroos floating past. As recreation, the churches were another attraction for the Sunday school picnics to Mordialloc in the back of the moving van with benches tied into the back for us to "sit" on. Too bad when we went around a corner! In the early days we had an Ice Man deliver the ice once a week for "refrigeration". The green grocer came around in a horse and cart as did the milkman and the bread was delivered but I constantly got into trouble for eating the middle out on the way from the box it was delivered to in Mt Pleasant road across the paddock. The milkman finally would not come down our street after his horse bolted one morning and took off across the paddock. We also had the "Pan Man" come weekly and whose visit I would avoid. Our nearest shop was where the flower stall is located opposite the Lower Park. It consisted of a Tea Room and Milk Bar. There was a Public Telephone there which was the only contact to anyone else. We were a one car family so my mother’s movements were very limited as the Eltham Station was a couple of kilometres away and a trip to the city was an event. Being an only child growing up was a little lonely however rambling along the creek with my Mum, picking mushrooms and picking cherry plums for jam and the dogs catching rabbits which we ate if we could get them away from the dogs. We also liked to go into the Lower Park during school holidays when the Greek people came to camp and they would sing and dance around the camp fire and it all seemed so different to us as this was early days of immigration. Childhood was relatively simple and carefree and I wish the kids of today had the freedom of my youth and the healthy outdoor lifestyle of the "olden days". SHOW GIRL COMPETITION In 1965 Eltham was more like a country town than the suburb it has become today. People knew each other, if not personally then certainly of the family name. The big event for the year was a Gymkhana or show at Lower Eltham Park. I can remember marching as a teenager from the town centre to the park in the marching girls with the decorated floats. In 1965, just on a whim on the day, I decided to enter the Miss Eltham Show Girl which was a part of the festivities at the park. I seem to remember that the show mainly consisted of horse events, cattle judging and dog show. As I had not given any serious thought to entering the competition, I wore a suit that I had for work which was brown wool, with a coffee coloured shirt under, black shoes, bag, and gloves but no hat. I duly paraded for the judges and much to my surprise I was announced the winner. I eventually went on to compete at the Miss Victoria Show Girl competition which was held at the Royal Melbourne Show. There I met many country girls who were representing their rural Victoria home. I made it into a final round of judging but I think justice prevailed when someone from a country background was crowned. It was fun to go into the show as I had not really been before and to see the displays of handcraft, cooking and wood chopping events was great as well as the judging of farm animals interesting. It is hard to remember the Eltham I grew up in. The Lyons Garage company bus that actually drove you home (or close to it) when we got off the train at night. The Eltham Hotel on a Saturday afternoon a usual social meeting place where people just sat and chatted. The pictures held in the Town Hall and when the fire alarm sounded all the men just jumped up and ran to help. Suburbia has now swallowed most of that life but thankfully we at least do have the trestle bridge and parkland. Digital file only - Black and white photo print on loan for scanning by EDHSalec chapman, annie bremner, blacksmith, bremner's flat, brougham steet, bus services, circus, diamond creek, dianne bell, doctor bradbury, easter gymkhana, elizabeth chapman, eltham high school, eltham hotel, eltham lower park, eltham public hall, eltham state school, eltham trestle bridge, general store, grace mitchell, ice man, joy chapman, lyons garage, margaret harding, milk bar, miss eltham 1965, miss victoria show girl, mount pleasant road, pan man, rodda parade, shops, show girl competition, swimming pool, water hole, yarra river -
Eltham District Historical Society Inc
Photograph, Joy Chapman parading before the judges, Miss Eltham 1965, Apr 1965
My Recollections of Eltham Past by Margaret Joy Harding (nee Joy Chapman.) My family of Elizabeth and Alec Chapman moved to Eltham in 1946 into a cottage on the opposite side of the Diamond Creek from where the little train now operates in the Lower Park. At that time Eltham truly was a country town and the Pub was the main meeting place for most inhabitants on a Saturday afternoon in the beer garden. I attended Eltham Primary School where I started as a 4-year-old (my birthday being slightly after the mid-year intake) that happened then. My mother spent a lot of days taking me back to school when I had dismissed myself and walked the one kilomtre home alone. Bremner's Common (now Wingrove Park) was a big attraction with its dam and tad poling which I found much more entertaining than school. (Mrs Bremner ran a Service Station on the site of the current one). Another attraction at this site was the circus that came a couple of times a year. Watching them put up the circus tent was very interesting and even more of an attraction was the feeding of the Lions in cages and the monkeys and elephants among the other animals that are not found in a circus these days. At school then we were provided with hot chocolate at morning recess where the mothers would prepare it in the shelter shed. The only form of classroom heating was an open fire. Worse was the warm milk given in the summer months. By the time I was near finishing at Primary school we used to be able to walk along the Main Road at lunchtime to Mrs. Mitchell's shop to a delicious hot pie. As I recall there was no supervision for this departure from the school grounds. It is interesting that some of the other children I started school with I still have contact with, in fact one is a very good friend although now living in Perth. That is the other thing about Eltham; many who grew up here continue to live in the area. Following primary school, the natural progression was to Eltham High School. There was only the main building at that time and I can remember our first assembly at the front entrance. During the time I was at High School several new class rooms were added and the school hall. I remember the musical plays such as HMS Pinafore and other classical musicals being performed. I also remember countless hours doing marching practice. The main street shops when I was young consisted of the Blue Gum milk bar at the far end, a Grocery store and a shoe maker where Coles currently stands. Opposite there was Lyon's Garage. They also provided a bus service and when we got off the train this little bus would tour the back streets taking each individual to their home, sometimes this could take quite considerable time. There was also a Black Smith next to the Chiropractic Practice opposite Alistair Knox Park, another Milk Bar/General Store on the comer of Bridge Street/Main Road where a shop currently still operates. There was also a Butcher's shop down from the pub opposite Franklin Street. The only doctor was next to the courthouse on the other side of Brougham Street. On Saturday afternoon I was occasionally allowed to go the movies in the Town Hall which also stood on the site of the Coles centre. Often the Fire Alarm would sound and everyone would run outside to watch the fire truck leave with the volunteers clutching on the back. The other attraction during summer of course was the swimming pool which was a small concrete pool filled with water pumped from the Diamond Creek, sometimes it was like a mud puddle so for me the nearer to home Yarra/Diamond Creek junction was a much better option. We swam in the water hole which was quite deep and with fallen trees and sometimes carcasses of cows and kangaroos floating past. As recreation, the churches were another attraction for the Sunday school picnics to Mordialloc in the back of the moving van with benches tied into the back for us to "sit" on. Too bad when we went around a corner! In the early days we had an Ice Man deliver the ice once a week for "refrigeration". The green grocer came around in a horse and cart as did the milkman and the bread was delivered but I constantly got into trouble for eating the middle out on the way from the box it was delivered to in Mt Pleasant road across the paddock. The milkman finally would not come down our street after his horse bolted one morning and took off across the paddock. We also had the "Pan Man" come weekly and whose visit I would avoid. Our nearest shop was where the flower stall is located opposite the Lower Park. It consisted of a Tea Room and Milk Bar. There was a Public Telephone there which was the only contact to anyone else. We were a one car family so my mother’s movements were very limited as the Eltham Station was a couple of kilometres away and a trip to the city was an event. Being an only child growing up was a little lonely however rambling along the creek with my Mum, picking mushrooms and picking cherry plums for jam and the dogs catching rabbits which we ate if we could get them away from the dogs. We also liked to go into the Lower Park during school holidays when the Greek people came to camp and they would sing and dance around the camp fire and it all seemed so different to us as this was early days of immigration. Childhood was relatively simple and carefree and I wish the kids of today had the freedom of my youth and the healthy outdoor lifestyle of the "olden days". SHOW GIRL COMPETITION In 1965 Eltham was more like a country town than the suburb it has become today. People knew each other, if not personally then certainly of the family name. The big event for the year was a Gymkhana or show at Lower Eltham Park. I can remember marching as a teenager from the town centre to the park in the marching girls with the decorated floats. In 1965, just on a whim on the day, I decided to enter the Miss Eltham Show Girl which was a part of the festivities at the park. I seem to remember that the show mainly consisted of horse events, cattle judging and dog show. As I had not given any serious thought to entering the competition, I wore a suit that I had for work which was brown wool, with a coffee coloured shirt under, black shoes, bag, and gloves but no hat. I duly paraded for the judges and much to my surprise I was announced the winner. I eventually went on to compete at the Miss Victoria Show Girl competition which was held at the Royal Melbourne Show. There I met many country girls who were representing their rural Victoria home. I made it into a final round of judging but I think justice prevailed when someone from a country background was crowned. It was fun to go into the show as I had not really been before and to see the displays of handcraft, cooking and wood chopping events was great as well as the judging of farm animals interesting. It is hard to remember the Eltham I grew up in. The Lyons Garage company bus that actually drove you home (or close to it) when we got off the train at night. The Eltham Hotel on a Saturday afternoon a usual social meeting place where people just sat and chatted. The pictures held in the Town Hall and when the fire alarm sounded all the men just jumped up and ran to help. Suburbia has now swallowed most of that life but thankfully we at least do have the trestle bridge and parkland. Digital file only - Black and white photo print on loan for scanning by EDHSalec chapman, annie bremner, blacksmith, bremner's flat, brougham steet, bus services, circus, diamond creek, dianne bell, doctor bradbury, easter gymkhana, elizabeth chapman, eltham high school, eltham hotel, eltham lower park, eltham public hall, eltham state school, eltham trestle bridge, general store, grace mitchell, ice man, joy chapman, lyons garage, margaret harding, milk bar, miss eltham 1965, miss victoria show girl, mount pleasant road, pan man, rodda parade, shops, show girl competition, swimming pool, water hole, yarra river -
Eltham District Historical Society Inc
Photograph, Joy Chapman, Miss Eltham 1965 with other contestants, Apr 1965
My Recollections of Eltham Past by Margaret Joy Harding (nee Joy Chapman.) My family of Elizabeth and Alec Chapman moved to Eltham in 1946 into a cottage on the opposite side of the Diamond Creek from where the little train now operates in the Lower Park. At that time Eltham truly was a country town and the Pub was the main meeting place for most inhabitants on a Saturday afternoon in the beer garden. I attended Eltham Primary School where I started as a 4-year-old (my birthday being slightly after the mid-year intake) that happened then. My mother spent a lot of days taking me back to school when I had dismissed myself and walked the one kilomtre home alone. Bremner's Common (now Wingrove Park) was a big attraction with its dam and tad poling which I found much more entertaining than school. (Mrs Bremner ran a Service Station on the site of the current one). Another attraction at this site was the circus that came a couple of times a year. Watching them put up the circus tent was very interesting and even more of an attraction was the feeding of the Lions in cages and the monkeys and elephants among the other animals that are not found in a circus these days. At school then we were provided with hot chocolate at morning recess where the mothers would prepare it in the shelter shed. The only form of classroom heating was an open fire. Worse was the warm milk given in the summer months. By the time I was near finishing at Primary school we used to be able to walk along the Main Road at lunchtime to Mrs. Mitchell's shop to a delicious hot pie. As I recall there was no supervision for this departure from the school grounds. It is interesting that some of the other children I started school with I still have contact with, in fact one is a very good friend although now living in Perth. That is the other thing about Eltham; many who grew up here continue to live in the area. Following primary school, the natural progression was to Eltham High School. There was only the main building at that time and I can remember our first assembly at the front entrance. During the time I was at High School several new class rooms were added and the school hall. I remember the musical plays such as HMS Pinafore and other classical musicals being performed. I also remember countless hours doing marching practice. The main street shops when I was young consisted of the Blue Gum milk bar at the far end, a Grocery store and a shoe maker where Coles currently stands. Opposite there was Lyon's Garage. They also provided a bus service and when we got off the train this little bus would tour the back streets taking each individual to their home, sometimes this could take quite considerable time. There was also a Black Smith next to the Chiropractic Practice opposite Alistair Knox Park, another Milk Bar/General Store on the comer of Bridge Street/Main Road where a shop currently still operates. There was also a Butcher's shop down from the pub opposite Franklin Street. The only doctor was next to the courthouse on the other side of Brougham Street. On Saturday afternoon I was occasionally allowed to go the movies in the Town Hall which also stood on the site of the Coles centre. Often the Fire Alarm would sound and everyone would run outside to watch the fire truck leave with the volunteers clutching on the back. The other attraction during summer of course was the swimming pool which was a small concrete pool filled with water pumped from the Diamond Creek, sometimes it was like a mud puddle so for me the nearer to home Yarra/Diamond Creek junction was a much better option. We swam in the water hole which was quite deep and with fallen trees and sometimes carcasses of cows and kangaroos floating past. As recreation, the churches were another attraction for the Sunday school picnics to Mordialloc in the back of the moving van with benches tied into the back for us to "sit" on. Too bad when we went around a corner! In the early days we had an Ice Man deliver the ice once a week for "refrigeration". The green grocer came around in a horse and cart as did the milkman and the bread was delivered but I constantly got into trouble for eating the middle out on the way from the box it was delivered to in Mt Pleasant road across the paddock. The milkman finally would not come down our street after his horse bolted one morning and took off across the paddock. We also had the "Pan Man" come weekly and whose visit I would avoid. Our nearest shop was where the flower stall is located opposite the Lower Park. It consisted of a Tea Room and Milk Bar. There was a Public Telephone there which was the only contact to anyone else. We were a one car family so my mother’s movements were very limited as the Eltham Station was a couple of kilometres away and a trip to the city was an event. Being an only child growing up was a little lonely however rambling along the creek with my Mum, picking mushrooms and picking cherry plums for jam and the dogs catching rabbits which we ate if we could get them away from the dogs. We also liked to go into the Lower Park during school holidays when the Greek people came to camp and they would sing and dance around the camp fire and it all seemed so different to us as this was early days of immigration. Childhood was relatively simple and carefree and I wish the kids of today had the freedom of my youth and the healthy outdoor lifestyle of the "olden days". SHOW GIRL COMPETITION In 1965 Eltham was more like a country town than the suburb it has become today. People knew each other, if not personally then certainly of the family name. The big event for the year was a Gymkhana or show at Lower Eltham Park. I can remember marching as a teenager from the town centre to the park in the marching girls with the decorated floats. In 1965, just on a whim on the day, I decided to enter the Miss Eltham Show Girl which was a part of the festivities at the park. I seem to remember that the show mainly consisted of horse events, cattle judging and dog show. As I had not given any serious thought to entering the competition, I wore a suit that I had for work which was brown wool, with a coffee coloured shirt under, black shoes, bag, and gloves but no hat. I duly paraded for the judges and much to my surprise I was announced the winner. I eventually went on to compete at the Miss Victoria Show Girl competition which was held at the Royal Melbourne Show. There I met many country girls who were representing their rural Victoria home. I made it into a final round of judging but I think justice prevailed when someone from a country background was crowned. It was fun to go into the show as I had not really been before and to see the displays of handcraft, cooking and wood chopping events was great as well as the judging of farm animals interesting. It is hard to remember the Eltham I grew up in. The Lyons Garage company bus that actually drove you home (or close to it) when we got off the train at night. The Eltham Hotel on a Saturday afternoon a usual social meeting place where people just sat and chatted. The pictures held in the Town Hall and when the fire alarm sounded all the men just jumped up and ran to help. Suburbia has now swallowed most of that life but thankfully we at least do have the trestle bridge and parkland. Digital file only - Black and white photo print on loan for scanning by EDHSalec chapman, annie bremner, blacksmith, bremner's flat, brougham steet, bus services, circus, diamond creek, dianne bell, doctor bradbury, easter gymkhana, elizabeth chapman, eltham high school, eltham hotel, eltham lower park, eltham public hall, eltham state school, eltham trestle bridge, general store, grace mitchell, ice man, joy chapman, lyons garage, margaret harding, milk bar, miss eltham 1965, miss victoria show girl, mount pleasant road, pan man, rodda parade, shops, show girl competition, swimming pool, water hole, yarra river -
Eltham District Historical Society Inc
Photograph, The original Miss Eltham 1965 sash, 17 May 2019
My Recollections of Eltham Past by Margaret Joy Harding (nee Joy Chapman.) My family of Elizabeth and Alec Chapman moved to Eltham in 1946 into a cottage on the opposite side of the Diamond Creek from where the little train now operates in the Lower Park. At that time Eltham truly was a country town and the Pub was the main meeting place for most inhabitants on a Saturday afternoon in the beer garden. I attended Eltham Primary School where I started as a 4-year-old (my birthday being slightly after the mid-year intake) that happened then. My mother spent a lot of days taking me back to school when I had dismissed myself and walked the one kilomtre home alone. Bremner's Common (now Wingrove Park) was a big attraction with its dam and tad poling which I found much more entertaining than school. (Mrs Bremner ran a Service Station on the site of the current one). Another attraction at this site was the circus that came a couple of times a year. Watching them put up the circus tent was very interesting and even more of an attraction was the feeding of the Lions in cages and the monkeys and elephants among the other animals that are not found in a circus these days. At school then we were provided with hot chocolate at morning recess where the mothers would prepare it in the shelter shed. The only form of classroom heating was an open fire. Worse was the warm milk given in the summer months. By the time I was near finishing at Primary school we used to be able to walk along the Main Road at lunchtime to Mrs. Mitchell's shop to a delicious hot pie. As I recall there was no supervision for this departure from the school grounds. It is interesting that some of the other children I started school with I still have contact with, in fact one is a very good friend although now living in Perth. That is the other thing about Eltham; many who grew up here continue to live in the area. Following primary school, the natural progression was to Eltham High School. There was only the main building at that time and I can remember our first assembly at the front entrance. During the time I was at High School several new class rooms were added and the school hall. I remember the musical plays such as HMS Pinafore and other classical musicals being performed. I also remember countless hours doing marching practice. The main street shops when I was young consisted of the Blue Gum milk bar at the far end, a Grocery store and a shoe maker where Coles currently stands. Opposite there was Lyon's Garage. They also provided a bus service and when we got off the train this little bus would tour the back streets taking each individual to their home, sometimes this could take quite considerable time. There was also a Black Smith next to the Chiropractic Practice opposite Alistair Knox Park, another Milk Bar/General Store on the comer of Bridge Street/Main Road where a shop currently still operates. There was also a Butcher's shop down from the pub opposite Franklin Street. The only doctor was next to the courthouse on the other side of Brougham Street. On Saturday afternoon I was occasionally allowed to go the movies in the Town Hall which also stood on the site of the Coles centre. Often the Fire Alarm would sound and everyone would run outside to watch the fire truck leave with the volunteers clutching on the back. The other attraction during summer of course was the swimming pool which was a small concrete pool filled with water pumped from the Diamond Creek, sometimes it was like a mud puddle so for me the nearer to home Yarra/Diamond Creek junction was a much better option. We swam in the water hole which was quite deep and with fallen trees and sometimes carcasses of cows and kangaroos floating past. As recreation, the churches were another attraction for the Sunday school picnics to Mordialloc in the back of the moving van with benches tied into the back for us to "sit" on. Too bad when we went around a corner! In the early days we had an Ice Man deliver the ice once a week for "refrigeration". The green grocer came around in a horse and cart as did the milkman and the bread was delivered but I constantly got into trouble for eating the middle out on the way from the box it was delivered to in Mt Pleasant road across the paddock. The milkman finally would not come down our street after his horse bolted one morning and took off across the paddock. We also had the "Pan Man" come weekly and whose visit I would avoid. Our nearest shop was where the flower stall is located opposite the Lower Park. It consisted of a Tea Room and Milk Bar. There was a Public Telephone there which was the only contact to anyone else. We were a one car family so my mother’s movements were very limited as the Eltham Station was a couple of kilometres away and a trip to the city was an event. Being an only child growing up was a little lonely however rambling along the creek with my Mum, picking mushrooms and picking cherry plums for jam and the dogs catching rabbits which we ate if we could get them away from the dogs. We also liked to go into the Lower Park during school holidays when the Greek people came to camp and they would sing and dance around the camp fire and it all seemed so different to us as this was early days of immigration. Childhood was relatively simple and carefree and I wish the kids of today had the freedom of my youth and the healthy outdoor lifestyle of the "olden days". SHOW GIRL COMPETITION In 1965 Eltham was more like a country town than the suburb it has become today. People knew each other, if not personally then certainly of the family name. The big event for the year was a Gymkhana or show at Lower Eltham Park. I can remember marching as a teenager from the town centre to the park in the marching girls with the decorated floats. In 1965, just on a whim on the day, I decided to enter the Miss Eltham Show Girl which was a part of the festivities at the park. I seem to remember that the show mainly consisted of horse events, cattle judging and dog show. As I had not given any serious thought to entering the competition, I wore a suit that I had for work which was brown wool, with a coffee coloured shirt under, black shoes, bag, and gloves but no hat. I duly paraded for the judges and much to my surprise I was announced the winner. I eventually went on to compete at the Miss Victoria Show Girl competition which was held at the Royal Melbourne Show. There I met many country girls who were representing their rural Victoria home. I made it into a final round of judging but I think justice prevailed when someone from a country background was crowned. It was fun to go into the show as I had not really been before and to see the displays of handcraft, cooking and wood chopping events was great as well as the judging of farm animals interesting. It is hard to remember the Eltham I grew up in. The Lyons Garage company bus that actually drove you home (or close to it) when we got off the train at night. The Eltham Hotel on a Saturday afternoon a usual social meeting place where people just sat and chatted. The pictures held in the Town Hall and when the fire alarm sounded all the men just jumped up and ran to help. Suburbia has now swallowed most of that life but thankfully we at least do have the trestle bridge and parkland. Born digitalalec chapman, annie bremner, blacksmith, bremner's flat, brougham steet, bus services, circus, diamond creek, dianne bell, doctor bradbury, easter gymkhana, elizabeth chapman, eltham high school, eltham hotel, eltham lower park, eltham public hall, eltham state school, eltham trestle bridge, general store, grace mitchell, ice man, joy chapman, lyons garage, margaret harding, milk bar, miss eltham 1965, miss victoria show girl, mount pleasant road, pan man, rodda parade, shops, show girl competition, swimming pool, water hole, yarra river -
Eltham District Historical Society Inc
Photograph, Joy Chapman in rear playground of Eltham High School, 1959, 1959
My Recollections of Eltham Past by Margaret Joy Harding (nee Joy Chapman.) My family of Elizabeth and Alec Chapman moved to Eltham in 1946 into a cottage on the opposite side of the Diamond Creek from where the little train now operates in the Lower Park. At that time Eltham truly was a country town and the Pub was the main meeting place for most inhabitants on a Saturday afternoon in the beer garden. I attended Eltham Primary School where I started as a 4-year-old (my birthday being slightly after the mid-year intake) that happened then. My mother spent a lot of days taking me back to school when I had dismissed myself and walked the one kilomtre home alone. Bremner's Common (now Wingrove Park) was a big attraction with its dam and tad poling which I found much more entertaining than school. (Mrs Bremner ran a Service Station on the site of the current one). Another attraction at this site was the circus that came a couple of times a year. Watching them put up the circus tent was very interesting and even more of an attraction was the feeding of the Lions in cages and the monkeys and elephants among the other animals that are not found in a circus these days. At school then we were provided with hot chocolate at morning recess where the mothers would prepare it in the shelter shed. The only form of classroom heating was an open fire. Worse was the warm milk given in the summer months. By the time I was near finishing at Primary school we used to be able to walk along the Main Road at lunchtime to Mrs. Mitchell's shop to a delicious hot pie. As I recall there was no supervision for this departure from the school grounds. It is interesting that some of the other children I started school with I still have contact with, in fact one is a very good friend although now living in Perth. That is the other thing about Eltham; many who grew up here continue to live in the area. Following primary school, the natural progression was to Eltham High School. There was only the main building at that time and I can remember our first assembly at the front entrance. During the time I was at High School several new class rooms were added and the school hall. I remember the musical plays such as HMS Pinafore and other classical musicals being performed. I also remember countless hours doing marching practice. The main street shops when I was young consisted of the Blue Gum milk bar at the far end, a Grocery store and a shoe maker where Coles currently stands. Opposite there was Lyon's Garage. They also provided a bus service and when we got off the train this little bus would tour the back streets taking each individual to their home, sometimes this could take quite considerable time. There was also a Black Smith next to the Chiropractic Practice opposite Alistair Knox Park, another Milk Bar/General Store on the comer of Bridge Street/Main Road where a shop currently still operates. There was also a Butcher's shop down from the pub opposite Franklin Street. The only doctor was next to the courthouse on the other side of Brougham Street. On Saturday afternoon I was occasionally allowed to go the movies in the Town Hall which also stood on the site of the Coles centre. Often the Fire Alarm would sound and everyone would run outside to watch the fire truck leave with the volunteers clutching on the back. The other attraction during summer of course was the swimming pool which was a small concrete pool filled with water pumped from the Diamond Creek, sometimes it was like a mud puddle so for me the nearer to home Yarra/Diamond Creek junction was a much better option. We swam in the water hole which was quite deep and with fallen trees and sometimes carcasses of cows and kangaroos floating past. As recreation, the churches were another attraction for the Sunday school picnics to Mordialloc in the back of the moving van with benches tied into the back for us to "sit" on. Too bad when we went around a corner! In the early days we had an Ice Man deliver the ice once a week for "refrigeration". The green grocer came around in a horse and cart as did the milkman and the bread was delivered but I constantly got into trouble for eating the middle out on the way from the box it was delivered to in Mt Pleasant road across the paddock. The milkman finally would not come down our street after his horse bolted one morning and took off across the paddock. We also had the "Pan Man" come weekly and whose visit I would avoid. Our nearest shop was where the flower stall is located opposite the Lower Park. It consisted of a Tea Room and Milk Bar. There was a Public Telephone there which was the only contact to anyone else. We were a one car family so my mother’s movements were very limited as the Eltham Station was a couple of kilometres away and a trip to the city was an event. Being an only child growing up was a little lonely however rambling along the creek with my Mum, picking mushrooms and picking cherry plums for jam and the dogs catching rabbits which we ate if we could get them away from the dogs. We also liked to go into the Lower Park during school holidays when the Greek people came to camp and they would sing and dance around the camp fire and it all seemed so different to us as this was early days of immigration. Childhood was relatively simple and carefree and I wish the kids of today had the freedom of my youth and the healthy outdoor lifestyle of the "olden days". SHOW GIRL COMPETITION In 1965 Eltham was more like a country town than the suburb it has become today. People knew each other, if not personally then certainly of the family name. The big event for the year was a Gymkhana or show at Lower Eltham Park. I can remember marching as a teenager from the town centre to the park in the marching girls with the decorated floats. In 1965, just on a whim on the day, I decided to enter the Miss Eltham Show Girl which was a part of the festivities at the park. I seem to remember that the show mainly consisted of horse events, cattle judging and dog show. As I had not given any serious thought to entering the competition, I wore a suit that I had for work which was brown wool, with a coffee coloured shirt under, black shoes, bag, and gloves but no hat. I duly paraded for the judges and much to my surprise I was announced the winner. I eventually went on to compete at the Miss Victoria Show Girl competition which was held at the Royal Melbourne Show. There I met many country girls who were representing their rural Victoria home. I made it into a final round of judging but I think justice prevailed when someone from a country background was crowned. It was fun to go into the show as I had not really been before and to see the displays of handcraft, cooking and wood chopping events was great as well as the judging of farm animals interesting. It is hard to remember the Eltham I grew up in. The Lyons Garage company bus that actually drove you home (or close to it) when we got off the train at night. The Eltham Hotel on a Saturday afternoon a usual social meeting place where people just sat and chatted. The pictures held in the Town Hall and when the fire alarm sounded all the men just jumped up and ran to help. Suburbia has now swallowed most of that life but thankfully we at least do have the trestle bridge and parkland. Digital file only - Black and white photo print on loan for scanning by EDHSalec chapman, annie bremner, blacksmith, bremner's flat, brougham steet, bus services, circus, diamond creek, dianne bell, doctor bradbury, easter gymkhana, elizabeth chapman, eltham high school, eltham hotel, eltham lower park, eltham public hall, eltham state school, eltham trestle bridge, general store, grace mitchell, ice man, joy chapman, lyons garage, margaret harding, milk bar, miss eltham 1965, miss victoria show girl, mount pleasant road, pan man, rodda parade, shops, show girl competition, swimming pool, water hole, yarra river -
Eltham District Historical Society Inc
Photograph, Joy Chapman (left) with Dianne Bell in HMS Pinafore, 1960, 1960
My Recollections of Eltham Past by Margaret Joy Harding (nee Joy Chapman.) My family of Elizabeth and Alec Chapman moved to Eltham in 1946 into a cottage on the opposite side of the Diamond Creek from where the little train now operates in the Lower Park. At that time Eltham truly was a country town and the Pub was the main meeting place for most inhabitants on a Saturday afternoon in the beer garden. I attended Eltham Primary School where I started as a 4-year-old (my birthday being slightly after the mid-year intake) that happened then. My mother spent a lot of days taking me back to school when I had dismissed myself and walked the one kilomtre home alone. Bremner's Common (now Wingrove Park) was a big attraction with its dam and tad poling which I found much more entertaining than school. (Mrs Bremner ran a Service Station on the site of the current one). Another attraction at this site was the circus that came a couple of times a year. Watching them put up the circus tent was very interesting and even more of an attraction was the feeding of the Lions in cages and the monkeys and elephants among the other animals that are not found in a circus these days. At school then we were provided with hot chocolate at morning recess where the mothers would prepare it in the shelter shed. The only form of classroom heating was an open fire. Worse was the warm milk given in the summer months. By the time I was near finishing at Primary school we used to be able to walk along the Main Road at lunchtime to Mrs. Mitchell's shop to a delicious hot pie. As I recall there was no supervision for this departure from the school grounds. It is interesting that some of the other children I started school with I still have contact with, in fact one is a very good friend although now living in Perth. That is the other thing about Eltham; many who grew up here continue to live in the area. Following primary school, the natural progression was to Eltham High School. There was only the main building at that time and I can remember our first assembly at the front entrance. During the time I was at High School several new class rooms were added and the school hall. I remember the musical plays such as HMS Pinafore and other classical musicals being performed. I also remember countless hours doing marching practice. The main street shops when I was young consisted of the Blue Gum milk bar at the far end, a Grocery store and a shoe maker where Coles currently stands. Opposite there was Lyon's Garage. They also provided a bus service and when we got off the train this little bus would tour the back streets taking each individual to their home, sometimes this could take quite considerable time. There was also a Black Smith next to the Chiropractic Practice opposite Alistair Knox Park, another Milk Bar/General Store on the comer of Bridge Street/Main Road where a shop currently still operates. There was also a Butcher's shop down from the pub opposite Franklin Street. The only doctor was next to the courthouse on the other side of Brougham Street. On Saturday afternoon I was occasionally allowed to go the movies in the Town Hall which also stood on the site of the Coles centre. Often the Fire Alarm would sound and everyone would run outside to watch the fire truck leave with the volunteers clutching on the back. The other attraction during summer of course was the swimming pool which was a small concrete pool filled with water pumped from the Diamond Creek, sometimes it was like a mud puddle so for me the nearer to home Yarra/Diamond Creek junction was a much better option. We swam in the water hole which was quite deep and with fallen trees and sometimes carcasses of cows and kangaroos floating past. As recreation, the churches were another attraction for the Sunday school picnics to Mordialloc in the back of the moving van with benches tied into the back for us to "sit" on. Too bad when we went around a corner! In the early days we had an Ice Man deliver the ice once a week for "refrigeration". The green grocer came around in a horse and cart as did the milkman and the bread was delivered but I constantly got into trouble for eating the middle out on the way from the box it was delivered to in Mt Pleasant road across the paddock. The milkman finally would not come down our street after his horse bolted one morning and took off across the paddock. We also had the "Pan Man" come weekly and whose visit I would avoid. Our nearest shop was where the flower stall is located opposite the Lower Park. It consisted of a Tea Room and Milk Bar. There was a Public Telephone there which was the only contact to anyone else. We were a one car family so my mother’s movements were very limited as the Eltham Station was a couple of kilometres away and a trip to the city was an event. Being an only child growing up was a little lonely however rambling along the creek with my Mum, picking mushrooms and picking cherry plums for jam and the dogs catching rabbits which we ate if we could get them away from the dogs. We also liked to go into the Lower Park during school holidays when the Greek people came to camp and they would sing and dance around the camp fire and it all seemed so different to us as this was early days of immigration. Childhood was relatively simple and carefree and I wish the kids of today had the freedom of my youth and the healthy outdoor lifestyle of the "olden days". SHOW GIRL COMPETITION In 1965 Eltham was more like a country town than the suburb it has become today. People knew each other, if not personally then certainly of the family name. The big event for the year was a Gymkhana or show at Lower Eltham Park. I can remember marching as a teenager from the town centre to the park in the marching girls with the decorated floats. In 1965, just on a whim on the day, I decided to enter the Miss Eltham Show Girl which was a part of the festivities at the park. I seem to remember that the show mainly consisted of horse events, cattle judging and dog show. As I had not given any serious thought to entering the competition, I wore a suit that I had for work which was brown wool, with a coffee coloured shirt under, black shoes, bag, and gloves but no hat. I duly paraded for the judges and much to my surprise I was announced the winner. I eventually went on to compete at the Miss Victoria Show Girl competition which was held at the Royal Melbourne Show. There I met many country girls who were representing their rural Victoria home. I made it into a final round of judging but I think justice prevailed when someone from a country background was crowned. It was fun to go into the show as I had not really been before and to see the displays of handcraft, cooking and wood chopping events was great as well as the judging of farm animals interesting. It is hard to remember the Eltham I grew up in. The Lyons Garage company bus that actually drove you home (or close to it) when we got off the train at night. The Eltham Hotel on a Saturday afternoon a usual social meeting place where people just sat and chatted. The pictures held in the Town Hall and when the fire alarm sounded all the men just jumped up and ran to help. Suburbia has now swallowed most of that life but thankfully we at least do have the trestle bridge and parkland. Digital file only - Black and white photo print on loan for scanning by EDHSalec chapman, annie bremner, blacksmith, bremner's flat, brougham steet, bus services, circus, diamond creek, dianne bell, doctor bradbury, easter gymkhana, elizabeth chapman, eltham high school, eltham hotel, eltham lower park, eltham public hall, eltham state school, eltham trestle bridge, general store, grace mitchell, ice man, joy chapman, lyons garage, margaret harding, milk bar, miss eltham 1965, miss victoria show girl, mount pleasant road, pan man, rodda parade, shops, show girl competition, swimming pool, water hole, yarra river -
Eltham District Historical Society Inc
Photograph, Rodda Parade looking towards the creek, 1960. Chapman home to the right, 1960
My Recollections of Eltham Past by Margaret Joy Harding (nee Joy Chapman.) My family of Elizabeth and Alec Chapman moved to Eltham in 1946 into a cottage on the opposite side of the Diamond Creek from where the little train now operates in the Lower Park. At that time Eltham truly was a country town and the Pub was the main meeting place for most inhabitants on a Saturday afternoon in the beer garden. I attended Eltham Primary School where I started as a 4-year-old (my birthday being slightly after the mid-year intake) that happened then. My mother spent a lot of days taking me back to school when I had dismissed myself and walked the one kilomtre home alone. Bremner's Common (now Wingrove Park) was a big attraction with its dam and tad poling which I found much more entertaining than school. (Mrs Bremner ran a Service Station on the site of the current one). Another attraction at this site was the circus that came a couple of times a year. Watching them put up the circus tent was very interesting and even more of an attraction was the feeding of the Lions in cages and the monkeys and elephants among the other animals that are not found in a circus these days. At school then we were provided with hot chocolate at morning recess where the mothers would prepare it in the shelter shed. The only form of classroom heating was an open fire. Worse was the warm milk given in the summer months. By the time I was near finishing at Primary school we used to be able to walk along the Main Road at lunchtime to Mrs. Mitchell's shop to a delicious hot pie. As I recall there was no supervision for this departure from the school grounds. It is interesting that some of the other children I started school with I still have contact with, in fact one is a very good friend although now living in Perth. That is the other thing about Eltham; many who grew up here continue to live in the area. Following primary school, the natural progression was to Eltham High School. There was only the main building at that time and I can remember our first assembly at the front entrance. During the time I was at High School several new class rooms were added and the school hall. I remember the musical plays such as HMS Pinafore and other classical musicals being performed. I also remember countless hours doing marching practice. The main street shops when I was young consisted of the Blue Gum milk bar at the far end, a Grocery store and a shoe maker where Coles currently stands. Opposite there was Lyon's Garage. They also provided a bus service and when we got off the train this little bus would tour the back streets taking each individual to their home, sometimes this could take quite considerable time. There was also a Black Smith next to the Chiropractic Practice opposite Alistair Knox Park, another Milk Bar/General Store on the comer of Bridge Street/Main Road where a shop currently still operates. There was also a Butcher's shop down from the pub opposite Franklin Street. The only doctor was next to the courthouse on the other side of Brougham Street. On Saturday afternoon I was occasionally allowed to go the movies in the Town Hall which also stood on the site of the Coles centre. Often the Fire Alarm would sound and everyone would run outside to watch the fire truck leave with the volunteers clutching on the back. The other attraction during summer of course was the swimming pool which was a small concrete pool filled with water pumped from the Diamond Creek, sometimes it was like a mud puddle so for me the nearer to home Yarra/Diamond Creek junction was a much better option. We swam in the water hole which was quite deep and with fallen trees and sometimes carcasses of cows and kangaroos floating past. As recreation, the churches were another attraction for the Sunday school picnics to Mordialloc in the back of the moving van with benches tied into the back for us to "sit" on. Too bad when we went around a corner! In the early days we had an Ice Man deliver the ice once a week for "refrigeration". The green grocer came around in a horse and cart as did the milkman and the bread was delivered but I constantly got into trouble for eating the middle out on the way from the box it was delivered to in Mt Pleasant road across the paddock. The milkman finally would not come down our street after his horse bolted one morning and took off across the paddock. We also had the "Pan Man" come weekly and whose visit I would avoid. Our nearest shop was where the flower stall is located opposite the Lower Park. It consisted of a Tea Room and Milk Bar. There was a Public Telephone there which was the only contact to anyone else. We were a one car family so my mother’s movements were very limited as the Eltham Station was a couple of kilometres away and a trip to the city was an event. Being an only child growing up was a little lonely however rambling along the creek with my Mum, picking mushrooms and picking cherry plums for jam and the dogs catching rabbits which we ate if we could get them away from the dogs. We also liked to go into the Lower Park during school holidays when the Greek people came to camp and they would sing and dance around the camp fire and it all seemed so different to us as this was early days of immigration. Childhood was relatively simple and carefree and I wish the kids of today had the freedom of my youth and the healthy outdoor lifestyle of the "olden days". SHOW GIRL COMPETITION In 1965 Eltham was more like a country town than the suburb it has become today. People knew each other, if not personally then certainly of the family name. The big event for the year was a Gymkhana or show at Lower Eltham Park. I can remember marching as a teenager from the town centre to the park in the marching girls with the decorated floats. In 1965, just on a whim on the day, I decided to enter the Miss Eltham Show Girl which was a part of the festivities at the park. I seem to remember that the show mainly consisted of horse events, cattle judging and dog show. As I had not given any serious thought to entering the competition, I wore a suit that I had for work which was brown wool, with a coffee coloured shirt under, black shoes, bag, and gloves but no hat. I duly paraded for the judges and much to my surprise I was announced the winner. I eventually went on to compete at the Miss Victoria Show Girl competition which was held at the Royal Melbourne Show. There I met many country girls who were representing their rural Victoria home. I made it into a final round of judging but I think justice prevailed when someone from a country background was crowned. It was fun to go into the show as I had not really been before and to see the displays of handcraft, cooking and wood chopping events was great as well as the judging of farm animals interesting. It is hard to remember the Eltham I grew up in. The Lyons Garage company bus that actually drove you home (or close to it) when we got off the train at night. The Eltham Hotel on a Saturday afternoon a usual social meeting place where people just sat and chatted. The pictures held in the Town Hall and when the fire alarm sounded all the men just jumped up and ran to help. Suburbia has now swallowed most of that life but thankfully we at least do have the trestle bridge and parkland. Digital file only - Black and white photo print on loan for scanning by EDHSalec chapman, annie bremner, blacksmith, bremner's flat, brougham steet, bus services, circus, diamond creek, dianne bell, doctor bradbury, easter gymkhana, elizabeth chapman, eltham high school, eltham hotel, eltham lower park, eltham public hall, eltham state school, eltham trestle bridge, general store, grace mitchell, ice man, joy chapman, lyons garage, margaret harding, milk bar, miss eltham 1965, miss victoria show girl, mount pleasant road, pan man, rodda parade, shops, show girl competition, swimming pool, water hole, yarra river -
Eltham District Historical Society Inc
Photograph, Joy Chapman at the river junction, February 1962, Feb 1962
My Recollections of Eltham Past by Margaret Joy Harding (nee Joy Chapman.) My family of Elizabeth and Alec Chapman moved to Eltham in 1946 into a cottage on the opposite side of the Diamond Creek from where the little train now operates in the Lower Park. At that time Eltham truly was a country town and the Pub was the main meeting place for most inhabitants on a Saturday afternoon in the beer garden. I attended Eltham Primary School where I started as a 4-year-old (my birthday being slightly after the mid-year intake) that happened then. My mother spent a lot of days taking me back to school when I had dismissed myself and walked the one kilomtre home alone. Bremner's Common (now Wingrove Park) was a big attraction with its dam and tad poling which I found much more entertaining than school. (Mrs Bremner ran a Service Station on the site of the current one). Another attraction at this site was the circus that came a couple of times a year. Watching them put up the circus tent was very interesting and even more of an attraction was the feeding of the Lions in cages and the monkeys and elephants among the other animals that are not found in a circus these days. At school then we were provided with hot chocolate at morning recess where the mothers would prepare it in the shelter shed. The only form of classroom heating was an open fire. Worse was the warm milk given in the summer months. By the time I was near finishing at Primary school we used to be able to walk along the Main Road at lunchtime to Mrs. Mitchell's shop to a delicious hot pie. As I recall there was no supervision for this departure from the school grounds. It is interesting that some of the other children I started school with I still have contact with, in fact one is a very good friend although now living in Perth. That is the other thing about Eltham; many who grew up here continue to live in the area. Following primary school, the natural progression was to Eltham High School. There was only the main building at that time and I can remember our first assembly at the front entrance. During the time I was at High School several new class rooms were added and the school hall. I remember the musical plays such as HMS Pinafore and other classical musicals being performed. I also remember countless hours doing marching practice. The main street shops when I was young consisted of the Blue Gum milk bar at the far end, a Grocery store and a shoe maker where Coles currently stands. Opposite there was Lyon's Garage. They also provided a bus service and when we got off the train this little bus would tour the back streets taking each individual to their home, sometimes this could take quite considerable time. There was also a Black Smith next to the Chiropractic Practice opposite Alistair Knox Park, another Milk Bar/General Store on the comer of Bridge Street/Main Road where a shop currently still operates. There was also a Butcher's shop down from the pub opposite Franklin Street. The only doctor was next to the courthouse on the other side of Brougham Street. On Saturday afternoon I was occasionally allowed to go the movies in the Town Hall which also stood on the site of the Coles centre. Often the Fire Alarm would sound and everyone would run outside to watch the fire truck leave with the volunteers clutching on the back. The other attraction during summer of course was the swimming pool which was a small concrete pool filled with water pumped from the Diamond Creek, sometimes it was like a mud puddle so for me the nearer to home Yarra/Diamond Creek junction was a much better option. We swam in the water hole which was quite deep and with fallen trees and sometimes carcasses of cows and kangaroos floating past. As recreation, the churches were another attraction for the Sunday school picnics to Mordialloc in the back of the moving van with benches tied into the back for us to "sit" on. Too bad when we went around a corner! In the early days we had an Ice Man deliver the ice once a week for "refrigeration". The green grocer came around in a horse and cart as did the milkman and the bread was delivered but I constantly got into trouble for eating the middle out on the way from the box it was delivered to in Mt Pleasant road across the paddock. The milkman finally would not come down our street after his horse bolted one morning and took off across the paddock. We also had the "Pan Man" come weekly and whose visit I would avoid. Our nearest shop was where the flower stall is located opposite the Lower Park. It consisted of a Tea Room and Milk Bar. There was a Public Telephone there which was the only contact to anyone else. We were a one car family so my mother’s movements were very limited as the Eltham Station was a couple of kilometres away and a trip to the city was an event. Being an only child growing up was a little lonely however rambling along the creek with my Mum, picking mushrooms and picking cherry plums for jam and the dogs catching rabbits which we ate if we could get them away from the dogs. We also liked to go into the Lower Park during school holidays when the Greek people came to camp and they would sing and dance around the camp fire and it all seemed so different to us as this was early days of immigration. Childhood was relatively simple and carefree and I wish the kids of today had the freedom of my youth and the healthy outdoor lifestyle of the "olden days". SHOW GIRL COMPETITION In 1965 Eltham was more like a country town than the suburb it has become today. People knew each other, if not personally then certainly of the family name. The big event for the year was a Gymkhana or show at Lower Eltham Park. I can remember marching as a teenager from the town centre to the park in the marching girls with the decorated floats. In 1965, just on a whim on the day, I decided to enter the Miss Eltham Show Girl which was a part of the festivities at the park. I seem to remember that the show mainly consisted of horse events, cattle judging and dog show. As I had not given any serious thought to entering the competition, I wore a suit that I had for work which was brown wool, with a coffee coloured shirt under, black shoes, bag, and gloves but no hat. I duly paraded for the judges and much to my surprise I was announced the winner. I eventually went on to compete at the Miss Victoria Show Girl competition which was held at the Royal Melbourne Show. There I met many country girls who were representing their rural Victoria home. I made it into a final round of judging but I think justice prevailed when someone from a country background was crowned. It was fun to go into the show as I had not really been before and to see the displays of handcraft, cooking and wood chopping events was great as well as the judging of farm animals interesting. It is hard to remember the Eltham I grew up in. The Lyons Garage company bus that actually drove you home (or close to it) when we got off the train at night. The Eltham Hotel on a Saturday afternoon a usual social meeting place where people just sat and chatted. The pictures held in the Town Hall and when the fire alarm sounded all the men just jumped up and ran to help. Suburbia has now swallowed most of that life but thankfully we at least do have the trestle bridge and parkland. Digital file only - Black and white photo print on loan for scanning by EDHSalec chapman, annie bremner, blacksmith, bremner's flat, brougham steet, bus services, circus, diamond creek, dianne bell, doctor bradbury, easter gymkhana, elizabeth chapman, eltham high school, eltham hotel, eltham lower park, eltham public hall, eltham state school, eltham trestle bridge, general store, grace mitchell, ice man, joy chapman, lyons garage, margaret harding, milk bar, miss eltham 1965, miss victoria show girl, mount pleasant road, pan man, rodda parade, shops, show girl competition, swimming pool, water hole, yarra river