Displayed at History House. Original presented by Edward Henty Smallpage to Stokesley in around 1934Black and white photograph of a standing woman in 19th century dress. Her dress is a dark colour and she is wearing a white cap with trailing lace/fabric back. She is posed in a room with floral wallpaper, standing behind a chair with her hands clasped in front of her. At bottom of frame are the details of the donation of this item. Framed under glass in wooden frame.Front: PRESENTED TO THE TOWN OF PORTLAND BY THE PARISH COUNCIL OF STOKESLEY, ENGLAND 1984 (typed, upper case). Mrs. Jane Henty, wife of the Hon. Stephen George henty, M.L.C. The first white woman in Portland, the earliest permanent settlement in the State of Cictoria, Australia. Born at Stokesley, 8th February 1817, daughter of Captain Walter Pace. Landed at Portland, June 1836. Died at Hamilton, Victoria, 3rd February 1906. This portrait is presented on the Centenary Anniversary of the foundation of Victoria, 19th November 1934, by her Great Grandson, EDWARD HENTY SMALLPAGE, M.B., Ch.M. (Syd), F.R.C.S. (Eng).henty, jane henty, portrait photography

Yields information about Ballarat 's 23, then 69, ex Adelaide when decorated for the 1938 state celebrations.Digital image from the Wal Jack Ballarat Album of a postcard featuring the 1938 Floral Tram, coloured postcard at the Sturt St City stop, March 1938. Tram decorated with waxed flowers. For the centenary of settlement in the Ballarat district in 1938. No details of who made the postcard, has space for correspondence, address and a stamp. See image i2 for rear of photograph.In pencil on rear of the postcard - "Ballarat electric tramcar / Ballarat Centenary March 1938".trams, tramways, floral tram, decorated trams, centenary, tram 69, tram 23

Purchased by donor in Kashmir for his wife who was a member, now deceased.Cream fine wool twill. Border pattern both ends. Aqua and pink silk embroidery, outlined in fine brown wool. Motifs - floral and boteh in lozenge shapes. Hemstitched and tied fringe both ends. End border patterns approx. 230 mms deep. Cross stitched all around in blue silk with pink seeding stitch.embroidery, surface stitchery, stole, 1960-80, kashmir

Part of the Hopetoun Brass Band Photo Collage. Band Member D.J. O'Sullivan V. P. dressed in a Drum Majors uniform with four chevrons on the arms and a tall hat with a brush decoration on the top and a tassel hanging down. He's holding a Drum Majors Mace. Surrounded by a grey oval mount with some floral decoration and his name underneath. entertainment, hopetoun brass band, kalma pall mall, bendigo, d. j. sullivan drum major

Part of the Hopetoun Brass Band Photo Collage. Band Member A. Brown dressed in a band uniform with gold scrolls embraided on the cuffs. He's holding drumsticks and has a drum strapped to him; a military style hat with a H B B badge is on a table next to him. Surrounded by a grey oval mount with some floral decoration and his name underneath. entertainment, hopetoun brass band, kalma pall mall, bendigo, a. brown, drum

Part of the Hopetoun Brass Band Photo Collage. Band Member J Michell Ass. Sec. dressed in a band uniform with gold scrolls embraided on the cuffs. He's holding a brass instrument; a military style hat with a H B B badge is on a table next to him. Surrounded by a grey oval mount with some floral decoration and his name underneath. entertainment, hopetoun brass band, kalma pall mall, bendigo, j michell ass. sec., brass instrument

A silk scarf souvenir from Egypt. It was embroidered with military symbols and a personal message from someone called William to Nellie. The connection with Legacy is not known. The founders of Legacy were all returned servicemen who returned from overseas service in World War One so would be familiar with similar sentimental souvenirs that were purchased in Egypt and sent home to loved ones.Founding Legatees would have been familiar with Egyptian souvenirs from World War 1.Purple and yellow fabric scarf with machine embroidered text, decorative flag and floral motifs and decorative brocade edging. Scarf is made from two panels of fabric (possibly silk) machine stitched together with '14th Inf. Batt / Souvenir / of Egypt / 1916 / From William to Nellie with best love' on front face. Similar items see 00182, 00179.Embroidered '14th Inf. Batt/ Souvenir of Egypt 1916. From William to Nellie with best love'.souvenir scarf, 14th infantry battalion, egypt, world war one

This trophy was awarded to William Kermode of Mona Vale for the best pair of Merino ewes exhibited at the Southern Tasmanian Agricultural and Pastoral Society in October, 1879. William Kermode formed the Mona Vale flock in 1829 with VDL C. Saxons. In the early 1870s under Kermode, Ercildoun rams were tried, as was a St Johnstone ram. It is well documented that the famous Steiger-blood ram, Sir Robert (out of a Mona Vale ewe), had considerable impact on a number of Tasmania's influential studs. At its height in the late nineteenth century, Mona Vale was regarded as "... one of Tasmania's leading and parent studs, producing robust fine-wool sheep with quality, long-stapled and dense wool." (Massy 1990: p.406). The first agricultural society in Australia was formed in Hobart on 1 Jan. 1822. The trophy was retailed by Walsh Brothers, Melbourne in c.1875. The cup has no makers marks, but has been attributed by Christie's to Edward Fischer, a local Geelong silversmith. This attribution is based upon stylistic criteria. However, Ms Veronica Filmer of the Geelong Art Gallery (curator of "Geelong's Colonial Silversmiths", Geelong Art Gallery, 1988), has suggested that the lack of stamps is unusual (most of Fishcher's work was stamped) and also that it is somewhat heavy for Fischer's work. The trophy originated from the collection of Edward Clark, an antique dealer. Prior ownership of the trophy is uncertain, but it is believed that Clark purchased it in the mid 1990s from descendants of the original prize recipients.Trophy, sterling silver. Circular, stepped base and tapering stem decorated with cartouches of leaves on a matt background. The bowl of the trophy has an applied belt cartouche with an inscription. Within the belt cartouche is an engraved and embossed panel of two sheep with a cottage in the background. There are ribbon tied floral swags on either side of the cartouche, and a presentation inscription with a beaded border on the reverse of the bowl.SOUTHERN TASMANIAN AGRICULTURAL & PASTORAL SOCIETY Presented / to / Joseph Clarke Esq / and awarded to / W.A. Kermode Esq / of Mona Vale / for Best Pair Merino Ewes, / October 1879southern tasmanian agricultural and pastoral society, logo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001), fischer, mr edward - silversmiths and jewellers kermode, mr william - mona vale stud clarke, mr joseph, mona vale stud, tasmania, awards, trophy

Louisa Vine nee Weir with her brother Richard Vine who was killed in France 1918 WW1 seated in Studio portrait with fern fronds. Information in folder from Digger - Death index. Victoria 1921-1985 (page 1) 10 May 2013 Vine Mary Ellen Vine Richd Hy Louisa T Weir 1876 Stawell 70 1946 19413 D Warren Florence Maud Vine Richard H Thurga Weir 1874 Staw 83 1957 18511 D n. William Johnathan Warren b. 1864 d. 25.10.39 (75) Studio photograph of a woman and child. The woman is seated and the child standing on a platform. The woman has she arm around the child's waist. The child outfit has buttons down the front with a bow around his collar. The woman's dress is heavily frilled at the base with a lace collar. Fern frons and floral reefs decorate either side of the seated pair.E. Askew Southmolton Paradise on the back - Auntie = Louise Vine, V = Uncle Richard Vine Brother killed in France 1914 -1918 Lilar. Sister - died ?? date in the Family Bible. Brother & Sister of Florence Maud Warren (nee Vine) V = Mary Ellen Vinestawell portrait

Tin box printed with scenes depicting playing card characters and domino charactes. Scenes include characters playing tennis, boules, croquet & soccer. Inside of lid printed floral border containing words: 'HOUSE OF QUALITY/GREEN'S/OF/BRIGHTON/MANUFACTURERS OF/GREEN'S SPONGE MIXTURE, "NEWSTYLE" JELLIES/CHOCOLATE MOULD. ETC ETC'. Materials: Metal, Inktennis

A Masterbuilt 500 tennis racquet, with ribbon whipping on shoulders and shaft, and featuring leather handle grip with floral perforations. Throat features model name. Masterbuilt logo features along shaft. Masterbuilt 'M' trademark features on butt cover. Materials: Wood, Nylon, Plastic, Paint, Ink, Leather, Glue, Lacquer, Metal, Adhesive tape, Ribbontennis

A Wilson Jimmy Connors American Star tennis racquet. Base of head features Wilson logo. Throat and shaft features model name. Lower shaft and butt cap feature 'W' trademark. Leather handle grip features floral perforations. Materials: Wood, Nylon, Leather, Glue, Metal, Lacquer, Paint, Adhesive tape, Ribbon, Plastictennis

A Wilson Jimmy Connors American Star tennis racquet. Base of head features Wilson logo. Throat and shaft features model name. Lower shaft and butt cap feature 'W' trademark. Leather handle grip features floral perforations. Materials: Wood, Nylon, Leather, Glue, Metal, Lacquer, Paint, Adhesive tape, Ribbon, Plastictennis

A Wilson Chris Evert American Star tennis racquet. Shaft features Wilson logo and model name. Butt cap features 'W' trademark. Leather handle grip features floral perforations. Sticker featuring details of former owner features on right side of shaft. Materials: Wood, Nylon, Leather, Glue, Metal, Lacquer, Paint, Plastic, Ribbontennis

A Wilson Sport tennis racquet. Wilson logo features across base of head. Model name features along shaft, and, 'W' trademark features on lower shaft and butt cap. Black leather handle grip features floral perforations. Materials: Wood, Paint, Nylon, Leather, Adhesive tape, Plastic, Plastic, Glue, Lacquer, Metal, Inktennis

A Wilson Pro-100 tennis racquet. Wilson logo features across base of head. Model name features across throat. 'W' trademark features on lower shaft and butt cap. Leather handle grip features floral perforations. Materials: Wood, Nylon, Leather, Adhesive tape, Ribbon, Plastic, Glue, Lacquer, Metal, Ink, Painttennis

A Wilson Pointmaker tennis racquet. Wilson logo features across base of head. Model name features along length of shaft. 'W' trademark features on lower shaft and butt cap. Leather handle grip features floral perforations. Materials: Wood, Nylon, Ribbon, Plastic, Glue, Lacquer, Metal, Ink, Paint, Vinyl, Adhesive tapetennis

Blue hardcover fiction book, Shadowed Lives by Annie S Swan. Has white vertical stripes on front cover with gold lettering for title and author - same details plus publisher on spine. Indented floral pattern around title and author on front cover. Has a black and white illustration opposite the title page of a woman leaning out of a window.fictionA romance novel by Annie S. Swan.romance, teenage fiction, fiction, children's books

Faded purple hardcover book, A Handbook of the Destructive Insects of Victoria by C. French, F.L.S., F.R.H.S., with gold lettering for title and author. Delicate brown and white floral endpapers. Describes pest insects of Victoria. Coloured illustrated plates throughout as well as black and white illustrations.. Has an added yellow flap to title page - With the Compliments of the Secretary for Agriculture. non-fictionA non fiction handbook describing pest insects of Victoria published by the Victorian Department of Agriculture.insects, pest control, entomology victoria

Red fabric hardcover book of three short stories, The Cheery Chime of Garth and Other Stories by Mrs Sophie Amelia Prosser, with a floral design in black on front cover with gold lettering for title. And Other Stories and author printed in black. Ornate Illumination style lettering for the first letter of each new chapter with some black and white illustrations throughout.fictionThree Short Stories with strong religious themes, the Cheery Chimes of Garth set in a small village in England where a new vicar has been appointed. Mrs S. A. Prosser was known for her sentimental morality tales and fables.religion fiction, morals fiction, young people's fiction

Were used by Mr and Mrs Chapple Snr.Square white, fine cotton tablecloth with embroidered flowers and butterflies in the central square. This has a border of drawn thread work, creating a floral pattern all the way around. There are embroidered flowers in the subsequent section of the cloth, edged by a 9.5 cm. hemmed border. Square white or cream-coloured, fine cotton doily with an embroidered, appliqued and crocheted corners and edges.table linen., tablecloths

Part of a collection of historic wallpapers collected by Phyllis Murphy, most of whose wallpapers were donated to the collection of Historic Houses Sydney. This wallpaper sample, annotated and encased in mylar was used by Phyllis for educational purposes, and donated by her son to Villa Alba Museum's collection in 2025.c1905 Filling made by Janeway & Co, New Brunswick, New Jersey, USA; hung in domestic dining rooms in Kyneton and Parkville, Victoria. A large, ornate gold damask medallion with intricate scrolling and floral elements. Fine, alternating vertical stripes in deep red and a lighter shimmering gold. Similar design was also later used in dado borders.P.W10(n.f)heritage interiors, wallpapers, 20th century interior design

Group of seven postcards addressed to Mrs. A. Stephens. Five of them depict actresses and two have floral design Christmas themes. (a) Miss Gabrielle Ray, (b) and (c) Miss Carrie Moore, (d) Miss Tittell Brune in 'Parsifal' (e) Gabrielle Ray (Christmas theme) (f) Christmas theme with Roses, (g) Christmas theme (flowers).postcard, photograph, actresses, gabrielle ray, carrie moore, tittell brune, actresses, theatre, christmas

Textiles. A war time souvenir from Palestine. Pale gold silk, embroidered with a depiction of the''Mosque of Aman (?) Souvenir of Palestine, 1942, floral emblems and a bow. A 4cm long silk fringe in gold and reddish colours borders the cushion. Back of the cushion is gold coloured cotton. Machine and hand stitching. Possibly machine embroidery, in a ''chain-stitch'' pattern.Souvenir of palestine 1942. Mosque of Aman (?) (Omar).textiles, domestic, pale gold cushion from palestine.

School copies unused Unused Report Cards - 5 in total. Printed on folded over card 4 faces. All in the "old" format - one has markings by a teacher of improvements that could be made to the naming of subjects, and another has the words handwritten on the front (Old form of Report) Department of Agriculture Victoria BSH School of Primary Agriculture and Horticulture at the Burnley Gardens, Burnley 19.... Name..... This form is to be returned to the shcool at the beginning of Terms II and III and to be retained by the student at the end of the year. 7238/40 1/ Handwritten 'Old Form of Report.' 2/ Handwritten suggestions for updates "Class.... Year..... MARKS (%) " Crossed out "Possible". Listed in Subjects... Bee Keeping to Apiculture, Florists Work to Floral Art, Out door Work to Practical Exam. 3-5/ Blank of hand writingbsh, burnley school of horticulture, report cards

Part of the Grinton collection which included hundreds of negatives and developed photos taken by Jack Grinton during WW1. Refer Cat No 1280 for service details. Refer 1317P, 1320P.Black fabric covered exercise book with graph printed pages. Contains colour hand drawings, writing in ink relating to bombing, gas warfare, weapons, tactics etc. heading on page 4 with floral decoration "Bombing notes from the 2nd ANZAC B & JM School Morbecque 17/10/17, No 1043 L/Cpl JW Grinton 38th"On inside cover in ink: "No 1043 L/Cpl JW Grinton, C Company. 38th battalion 10th INF Brigade, 3rd Division AIF. C Coy Bombing and Gas NCO"military, war fare, pen and ink

Sepia photograph. Group of young men all clean shaven and in suits and ties some in bow ties. All have a floral decoration on lapel. Markings/Inscriptions: Kalma Bendigo (Kalma Studios operated from 59 Pall Mall, Bendigo). In pencil from W Cramer Rose St. Per Alec Craig. Ham? Reg Harris Father. Wes who are they?person, group, unknown, kalma studio

Cream silk fabric dress with floral pattern of pink flowers and green leaves,Short set in sleeves, gathered at the top edge of hem. Round neckline with box pleat at centre front (9cm) with folded inserts on either side of centre seam front and back. Side zipper fastener (23cm). Fabric belt at waist secured by two cotton loops at side seams.costume, female, dress

Pink sleeveless nightgown - waltz length. Fine lawn fabric. Round neckline edged with cream coloured cotton lace with zigzag pattern. Hem lined with cream coloured zig zag pattern lace. Gathered at hips with decorative embroidered stitching. Pink and blue embroidered floral pattern on front of bodice. Decorative stitching around neckline, arm holes and hemline.costume, female, night gown

This Great Britain one shilling coin is dated 1896, which is during the reign of Queen Victoria. There were over 9 million of these coins minted. Queen Victoria succeeded King William IV to the British Throne in 1837 – she was only 18 years old at the time – and she ruled until 1901. British coins such as this one shilling were in circulation in the colony of Australia until 1910, when the Commonwealth of Australia began producing its own coinage. This one shilling coin was minted by the Royal Mint at Royal Mint Court, in Little Tower Hill, London, England. Coins for circulation in the Kingdom of England, Great Britain and most of the British Empire were produced here until the 1960’s when the Royal Mint shifted location to Wales. There are three main groups of shillings produced during Queen Victoria’s reign:- - The Young Head; 1837-1887, in 8 different versions, on the obverse showing the Queen’s maturing face over 50 years. - The Junior Head; 1887-1892, minted when Queen Victoria had been reigning for 50 years. Her head was smaller on the coins minted 1887-1889 than on those shillings minted 1889-1892. - The Old Head; 1893-1901, shows the veiled head of Queen Victoria. The obverse side of the coin was designed by Thomas Brock. The inscription’s translation is “Victoria by the Grace of God, Queen of the British territories, Defender of the Faith, Empress of India”. The reverse side of the coin was designed by Edward Paynter. The inscription "HONI SOIT QUI MAL Y PENSE" translates as "Evil be to him who evil thinks". AUSTRALIAN CURRENCY The early settlers of Australia brought their own currency with them so a wide variety of coins, tokens and even ‘promissory’ notes (often called IOU’s) were used in the exchange of goods and services. In 1813 Spanish dollars were imported and converted for use by punching a hole in the centre of the coin. Both the outer ring, called the holey dollar, and the punched out ‘hole’, called the dump, were then used as the official currency. In 1825 the British Government passed the Sterling Silver Currency Act, making the British Pound the only legal form of currency in the Australian colonies. Not enough British currency was imported into the colony so other forms of currency were still used. In the mid 1800’s Australia entered the Gold Rush period when many made their fortunes. Gold was used for trading, often shaped into ingots, stamped with their weight and purity, and one pound tokens. In 1852 the Adelaide Assay Office, without British approval, made Australia’s first gold coin to meet the need for currency in South Australia after the Gold Rush began. In 1855 the official Australian Mint opened in Sydney, operating as a branch of the Royal Mint in London, and the gold was turned into coins called ‘sovereigns’. Other branches also opened in Melbourne and Perth. Up to the time of Australia becoming a federation in 1901 its currency included British copper and silver coins, Australian gold sovereigns, locally minted copper trade tokens, private banknotes, New South Wales and Queensland government treasury notes and Queensland government banknotes. After Federation the Australian government began to overwrite privately issued notes and prepared for the introduction of its own currency. In 1910 a National Australian Currency was formed, based on the British currency of ‘pounds, shillings and pence’ and the first Commonwealth coining was produced. In 1966, on February 14th, Australia changed over to the decimal currency system of dollars and cents. Australia did not have its own currency in the colonial times. Settlers brought money from other countries and they also traded goods such as grain when currency was scarce. For a long time there was no standardised value for the different currencies. In 1825 British currency became the only official currency in the colony of Australia and coins such as this silver shilling were imported into Australia to replace the mixture of foreign currency. Australia became a Federated nation on 1st January 1901. In 1910 National Australian Currency was formed and Australia produced its own currency, based on the British ‘pounds, shillings and pence’. The British currency was no longer valid. This silver shilling is of national significance as it represents the British currency used in Australia from 1825-1910. This silver shilling is also of significance to Australia as part one of the British Colonies ruled by Queen Victoria. It is part of the special silver and gold coins minted 1887-1893 to celebrate the 50 years Jubilee of Queen Victoria’s reign 1837-1887.Coin, Great Britain Shilling, 1896. Silver coin, round. Obverse; Queen Victoria head, ‘Old Head’, looking left. Reverse; 3 shields (each crowned) - 3 passant lions (England), 1 rampant lion (Scotland), golden harp (Northern Ireland) - floral symbols between them – 1 rose, 2 thistles. Inscriptions on both sides of coin.Obverse “VICTORIA . DEI . GRA . BRITT . REGINA . FID . DEF . IND . IMP” Reverse “ONE SHILLING, 1896, Inner band, some letters hidden - HONI SO VI Y PENSE” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, coin, currency, money, legal tender, australian currency history, royal mint, british shilling 1896, thomas brock, edward paynter, great britain shilling, queen victoria currency, queen victoria 50 years golden jubilee shilling, colonial australia currency, numismatics