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Port Melbourne Historical & Preservation Society
Document - Insurance Policy, CML Fire and General Insurance Co Ltd, 1963
House owner's insurance policy, taken out with CML Fire and General Insurance Co Ltd by George Simpson (father of donor) in 1963, for his bank house at 2 Tucker Avenue Garden City. Large, cream coloured.Signaturesdomestic life, garden city, george simpson, insurance -
Port Melbourne Historical & Preservation Society
Document, Port Melbourne Football Club Ltd.131st Annual General Report 2006, 2006
From the collection of Terry KEENAN.Port Melbourne Football Club Ltd.131st Annual General Report Season 2006, A4 28 pp plus cover with colour photograph of PMFC 2006 team Captain, Chris OBST. Includes Income Statement 2006sport - australian rules football, port melbourne football club, pmfc -
Port Melbourne Historical & Preservation Society
Photograph - John Kirby, Phil King and Nicholas Cree, PMHPS AGM, Suzy Milburn, 26 Aug 2013
One of 14 colour photographs taken at the PMHPS Annual General Meeting (AGM) August 26, 2013; celebrating 20 years of the Society. Celebration cake made by Marilyn Allport John Kirby, Phil King, Nicholas Creecelebrations fetes and exhibitions, societies clubs unions and other organisations, port melbourne historical & preservation society, pmhps, john kirby, phil king, nicholas cree -
Port Melbourne Historical & Preservation Society
Photograph - Suzy Milburn, Ron Stranks and Marilyn Allport, PMHPS AGM, Suzy Milburn, 26 Aug 2013
One of 14 colour photographs taken at the PMHPS Annual General Meeting (AGM) August 26, 2013; celebrating 20 years of the Society. Celebration cake made by Marilyn Allport Suzy Milburn, Ron Stranks, Marilyn Allportcelebrations fetes and exhibitions, societies clubs unions and other organisations, port melbourne historical & preservation society, pmhps, suzy milburn, ron stranks, marilyn allport -
Port Melbourne Historical & Preservation Society
Photograph - Susan Reidy, David Thompson and Margaret Bride, PMHPS AGM, Suzy Milburn, 26 Aug 2013
One of 14 colour photographs taken at the PMHPS Annual General Meeting (AGM) August 26, 2013; celebrating 20 years of the Society. Celebration cake made by Marilyn Allport Susan Reidy, David Thompson, Margaret Bridecelebrations fetes and exhibitions, societies clubs unions and other organisations, port melbourne historical & preservation society, pmhps, susan reidy, david thompson, margaret bride -
Bendigo Historical Society Inc.
Document - MCCOLL, RANKIN AND STANISTREET COLLECTION: RED WHITE AND BLUE EXTENDED G.M. COMPANY N\L. - GENERAL CORRESPONDENCE
Documents: General correspondence, Red White and Blue Extended G.M. Co. N.L. - loose leaf attached in Manilla folder(pink) - card enclosed 'We Can Take It' address by Winston Churchill, Manchester 29/1/1940.MCCOLL RANKIN AND STANISTREETorganization, business, gold mining, mccoll rankin and stanistreet -
Bendigo Historical Society Inc.
Document - BALLARAT AND DISTRICT BOWLING ASSOCIATION - RULES AND BY-LAWS, 1940
Document : 16 page red covered booklet on the general rules, by-laws, and rules for competition, for the Ballarat and District Bowling Association. Revised and amended, 25 Sept 1940. L. Lederman (President) and T. H. Shattock (Hon Sec)Printed by Tulloch and King, Ballaratorganization, club/society, bowling, ballarat, bowls, rules and by-laws, l. lederman, t. h. shattock -
National Vietnam Veterans Museum (NVVM)
Document, Telegram of Condolence
A copy of a telegram sent to Mr Walter Noack (Errol's father) from W.C. Westmoreland, General, United States Army Commanding expressing his sympathy and heartfelt condolences of all personnel of the United States military Assistance Command.telegram, pte errol wayne noack, 5 rar, united states army, w.c. westmoreland, killed in action, gen westmoreland -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Motor Boating (General) Regulations, 1962
An extract from the Victoria Government Gazette No.48, dated 10th. May 1962, being the Motor Boating (General) Regulations, Includes Marine Act 1958, Port Rule 59A and Motor Boating (Flame Arrestors) Regulations 1964.legislation, boats and boating -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Mitchell, Elyne, Hazards of the Sea, 1983
A history of the Chauvel family including references to the author's heroic father General Sir Harry Chauvel of the Desert Mounted Corps, Australian politics, the second World War, all woven around her remarkable personal story. Indexed.genealogy, settlers, defence services -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Baxter Carol J, General Return of Convicts in New South Wales 1837, 1987
A list of convicts and residents of New South Wales, Norfolk Island, and Van Diemens Land taken from General Musters showing name, whether convict or ree ship of arrival, and other information of value to researchers and family historians.convicts, settlers, statistics -
Clunes Museum
Plan, 23RD SEPTEMBER,1854
GEOLOGICAL SKETCH PLAN AND LETTER FOR TWO RIGHTS CLAIMED BY DONALD CAMERON AT "CLUNES" - 320 ACRES IN THE WEST SIDE OF "CRESWICK CREEK" AND 160 ACRES IN EAST SIDE.1 .2 HANDWRITTEN GEOLOGICAL SKETCH/PLAN COMBINED WITH CORRESPONDENCE DATED 23 SEPTEMBER 1854 - FROM THOMAS BURR, SURVEYOR, 1854 AND PROVIDED TO THE SURVEYOR GENERAL. IT RELATED TO TWO RIGHTS CLAIMS BY PRESCRIPTION OF DONALD CAMERON ESQ.local history, plan, donald cameron, thomas burr, gold mining -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Unique collection of photographs showing the first years of an armoured regiment of the post-Second World War era Citizen Military Forces showing equipment, uniforms, training and social activity and some personalities.Black anf white photograph of soldier sitting on a General Grant tank, wearing khaki drill uniform, boots, web anklets and beret.One of a collection of photographs of 8th/13th Victorian Mounted Rifles Regiment between 1948 and 1951." Alan Cunningham. " -
8th/13th Victorian Mounted Rifles Regimental Collection
Uniform - Victorian Mounted Rifles battledress
This uniform probably was worn by a cadre staff member posted to 8/13 Victorian Mounted Rifles to provide training to reserve soldiers. The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Battledress jacket, trousers, shirt and tie with Warrant Officer Class Two rank insignia, Parachute qualification insignia, ribbon bar: General Service medal with Borneo bar, Vietnam medal, National medal and Vietnamese Campaign medal.military, vmr, uniform -
Australian Army Museum of Western Australia
Photograph
June 1917. HM The King at the 5th Division Sports Day, Hennecourt, Somme , France. Infantry soldiers negotiating a palisade in full marching order. Digital copy of photograph from a personal album of Lieutenant General JJT Hobbs.hennecourt, somme, 5th division, world war 1 -
Bendigo Historical Society Inc.
Administrative record - Australian red Cross - Kangaroo Flat Branch Meeting Minutes
BHS CollectionDark Blue Diary 1987 IG Supply logo on bottom right hand corner . Ribbed binding. Australian Red Cross Kangaroo Flat Branch meeting Minutes. Annual and General Meetings September 1987 to October 2005.meeting minutes, annual meeting, general meeting -
Bendigo Historical Society Inc.
Document - MERLE HALL COLLECTION: ROSALIND PARK CREATIVE VILLAGE BENDIGO MOSAIC NEWS ISSUE 3 APRIL 1995, 1993
MERLE HALL COLLECTION: ROSALIND PARK CREATIVE VILLAGE BENDIGO Mosaic News Issue Number 3 April 1995 3858.15.pdf contains six pages, feature article on the artist Maery Hall and notice of general meeting. -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, Waterfall Scene Near the Buchan River, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Waterfall scene near the Buchan River’ : Views of Victoria (General Series), No.39 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The Buchan River is a tributary of the great Snowy River, which extends itself from Port Ricardo, on the Gipps Land coast, to considerably beyond Mt. Kosciusko, in New South Wales. It is comparatively but a stream, but, like most of the smaller rivers in Victoria, it contains some beautiful scenery, peculiar to itself. Our present illustration is characteristic of its scenery, and is taken from a creek close to the River.’nicholas caire (1837-1918), buchan river, landscape photography - victoria -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, Aboriginal Natives of Victoria Hop Gathering, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Aboriginal Natives of Victoria hop gathering’ : Views of Victoria (General Series) No.50 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The growth of Hops has of late years occupied the attention of farmers in most of the colonies, and with the most encouraging results. It has been introduced with considerable success on most of the Aboriginal Stations in Victoria. Our illustration represents a group of natives gathering Hops on the Station at Bairnsdale, in Gipps Land.’nicholas caire (1837-1918), bairnsdale, aborigines, landscape photography, first peoples, aboriginal and torres straight islander -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, Crystal Brook, in the Cape Otway Ranges, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Crystal Brook, in the Cape Otway Ranges’ : Views of Victoria (General Series) No.53 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: 'The subject of the present illustration was discovered by one of our operators exploring the Cape in search of scenery. It is situated about four miles from the coast, and is surrounded by dense foliage on the one side, and rocky boulders on the other. This spot being unknown to the settlers, the title we have given to it is highly suggestive of such a romantic and secluded spot.'nicholas caire (1837-1918), landscape photography -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, Sylvan Dell, near Loutitt Bay, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.'Sylvan Dell, near Loutitt Bay’ : Views of Victoria (General Series) No.54 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘Sylvan Dell is one of the favourite resorts for visitors who are in search of the romantic. The peculiarly slender and upright foliage which is seen near the foreground is that of the myrtle tree. Dogwood, brush, staghorn, ferns, and wattle make up the background. Considerable difficulty is experienced in reaching the Dell, in consequence of the precipitous hills and dense scrub which surround it.’nicholas caire (1837-1918), lorne (vic), landscape photography -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, Straus’ Falls, Cape Otway Ranges, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Straus’ Falls, Cape Otway Ranges’ : Views of Victoria (General Series) No.55 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘These Falls were discovered some time since by a gentleman named Straus, and were so named in memory of him. They comprise a succession of falls, rapids, and cataracts varying from 10 feet to 60 feet, making a total of 250 feet from the fall to the bed of the stream. These waters probably form a tributary to one of the adjacent rivers.’nicholas caire (1837-1918), landscape photography -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, Mount St. George, Addis Bay, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Mount St. George, Addis Bay’ : Views of Victoria (General Series) No.56 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘Addis Bay is situated to the north-east of Appollo Bay, and very near Cape Patten. This mountain is 6,000 feet high, and commands one of the finest views on the Cape Otway Ranges. The ascent is a somewhat difficult one, but visitors to this locality not unfrequently make this a favourite outing.’nicholas caire (1837-1918), landscape photography -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, Cumberland Creek, near Point Sturt, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Cumberland Creek, near Point Sturt’ : Views of Victoria (General Series) No.59 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The Cumberland Creek is so named from the close resemblance it bears to the place bearing that name in the mother country. The present illustration represents the precipices and hills which surround the Cumberland Creek. The soil around the hills is mostly sandstone rubble, hence the only vegetation identical with the spot is the inevitable sword grass and salt scrub, which frequently exist where no other vegetation can be found.’nicholas caire (1837-1918), landscape photography -
8th/13th Victorian Mounted Rifles Regimental Collection
Newspaper - Benalla Ensign
Lord and Lady Gowrie attended the Melbourne Cup 1 November 1938. Their escort on that occasion was drawn from 8th (Indi) Light Horse Regiment and commanded by Lieutenant FC Trickey with soldiers drawn from Benalla, Euroa, Wangaratta, Tallangatta, Wahgunyah, Wodonga and Rutherglen Troops. The 8th Light Horse (Indi) Regiment superseded the 16th Light Horse in 1919. It had its headquarters at Benalla with sub-units throughout the Upper Murray and Northeast Victoria. In December 1941, the regiment converted from horse to mechanised, initially as 8th Reconnaissance Battalion then in July 1942 it became 8th Cavalry Regiment and served in Northern Territory. As Japanese threat to the mainland declined the regiment was disbanded. Well prepared memento of vice-regal visit to regional centre and escort duty by the local regiment.Framed photograph of an extract from "The Benalla Ensign" of Friday November 4 1938 reporting on the Governor General's escort to the Melbourne Cup drawn from the 8th Light Horse Regiment. The frame is black painted wood with gold trim.8th light horse regiment, benalla ensign, governor general, gowrie, flemington, cup -
University of Melbourne, Burnley Campus Archives
Photograph - Newspaper Cutting, The Australian Rose Annual, Pruning Demonstration, 1910-1936
Newspaper cutting. Outside Pavilion entrance. Observors appear to be the general public, the 2 young women seated on the ground may be students. Pasted on inside cover of, "The Australian Rose Annual 1930, " on the outside of which is written, "George Russ."pavilion, general public, women, students, the australian rose annual, 1930, george russ, pruning demonstration, rose pruning -
Canterbury History Group
Photograph - D.Staig General Blacksmith
Copy of black and white photograph of D Staig. Horse Shoer and general blacksmith Canterbury Road, just east of Wattle Valley Road. Entrance to business, showing 3 adults, 1 child, 1 horse and 2 dogs.canterbury, canterbury road, blacksmiths, horses, staig> d -
Beaufort Historical Society
Book - Back to Beaufort Homecomers Register, Easter 1927
Register of people retuning to Beaufort for 1927 Back to Beaufort celebrationsGreen, bound A4 book with red spine. Includes loose sheets, letter from G Ellingsen, invoices, general balance sheets. Lists name, current address and date left Beaufort of attendees at the 1927 Back to Beaufortbeaufort, back to beaufort, -
Uniting Church Archives - Synod of Victoria
Photograph, Undated c.1900
Rev John G. Wheen born 1858 in England. Local preacher in Yorkshire in 1885. Candidate for the ministry. Methodist Minister: Prahran, Charlton, 1890 - 1897 Tasmania. Elected to the General Conference 1894. President General in 1926. General Secretary of the Foreign Mission Board in 1913. His daughter Agnes was headmistress of Annesley Girls College. Died in 1929.Sepia toned photographic print on cabinet card mount. Waist length studio portrait of the Rev. John Gladwell Wheen.rev john wheen, local preacher, methodist, minister, foreign mission board, general conference, president general, annesley girls' college -
Kiewa Valley Historical Society
Book - Maths, C.V.DURELL & R.M.WRIGHT, Elementary Trigonometry - Part 1, April 1938
This text-book is divided into three parts: I. The Right-Angled Triangle; II. The General Triangle and Mensuration; III. The General Angle and Compound Angles. This corresponds to the Matriculation and School Certificate stage.This text-book is significant as it was the book used by Mount Beauty High School students in the mid 1900's. It is also significant as it was used by I.Davies a member of a local family. And it also has good interpretive capacity.Red cover, black lettering, embossed around a triangle, CAMBRIDGE MATHEMATICAL SERIES, with trademark in centre of triangle.Pencilled name inside front cover looks like I.Davies.book, maths, trigonometry, mount-beauty-high-school, school, students, elementary, c.v.-durell, r.m.-wright