Wool was dyed in dyeing workshop at Warrnambool TAFE College. (unconfirmed)Wool dyed with walnut shells / Alum -mordant Walnut shells / Alum -mordanthandicrafts, south west college of tafe - textiles department, dyeing

Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. The decoration on this garment was embroidered by hand by a skilled worker at the Kathryn Knitwear factory. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Wool has been renowned for its excellent properties for thousands of years, by people from all over the world. Not only good for thick winter woollens, it can help keep you cool in summer, as well as being durable and resistant to water, fire, ultraviolet light, stains and odour. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Grey children’s cardigan with embroidered flowers and human figures in folk costume, and crocheted design around neck in green, yellow and red. Left panel has embroidered figure of man with blue lederhosen and yellow shirt, black shoes and hat, hat has red accent. Right front panel depicts woman wearing red skirt with white stripe, white shirt, and green headscarf with black stockings and shoes. Flowers are embroidered in pink, white and blue with green and yellow accents for stems and flower centres. Cardigan closes in front with five marbled grey plastic buttons[Label at back neck with blue lettering woven into label] KATHRYN REGD / 22 ALL WOOL CREATED BY ROBERT BLAKEchildren's knitwear, knitwear, clothing, children's clothing, cardigan, manufacturing, fashion textile production, machine knitting, embroidery, embroiderer, folk art, folk embroidery

Bottle Greeg US Army Service dress jacket wioth cloth badge of USA Armour Centre on upper left sleeve. Two red medal ribbons above left breast pocket. gold bomb insignia on lapels with gold US badge on collar. gold retangles on epaulettesName of Tschappat is on the name tag.USA Armor Centre. 8405 99 1615. AG-344. Class 3. Coat Mans olyester/wool tropical.uniform, united states. army

The sketch was drawn byartist Hans von Gruenewaldt. The pilot is Peter Mueller, a Luftwaffe navigator/bomber in North Africa in WW2. Both men were POW's in Camp 13 during WW2. Colour photograph copy of a sketch (on foam backing) of a grey haired man wearing a brown wool lined flight jacket with wool collar. He is holding a pipe in his mouth. 3 stripes (sergeant) on his sleeve.hans von gruenewaldt, camp 13 artists, camp 13 internees, peter mueller

This carpet design sample is the first handmade test sample of the “Manor House” pattern carpet prepared for Geelong Wool Museum. Carpet design sample and wool yarn colour samples in card presentation folder. Folder is blue with gold printed text. Front [printed]: Brintons carpets / woven for two centuries / COLOUR AND DESIGN / PRESENTATIONweaving, carpet, manor house carpet, national wool museum, design, loom, brintons, geelong

This ram is one of two, especially made for the National Wool Museum's exhibition, "Logo Merino", by Gepetto - The Art of Toys (a local, Geelong toymaker).Rocking ram, large Rocking ram, large - detailJuly 2000 / Custom made for / National Wool Museum / by GEPETTOlogo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001)

Photo depicts a Dennys Lascelles auction on 27 Nov. 1946 in Geelong, where 8371 bales of wool were sold at an average price per bale of 36-15-2. The auctioneer was Mr P.F. White. This photo hung for a number of years in the Dennys Lascelles office in Cobden.Dennys Lascelles Ltd (Geelong) wool auction in progress, 27-11-1946.DENNYS LASCELLES LIMITED / GEELONG. / SALE BY AUCTION 27th NOVEMBER 1946. / 8371 BALES - AVERAGE PRICE PER BALE 36-15-2 / AVERAGE PRICE PER LB. 29.66d. / Auctioneer Mr. P.F. WHITE. SILENCEwool sales, dennys, lascelles limited

Suit pants, cream, natural, wool. Part of the three piece suit which set the "Sheep to suit" record by Melbourne College of Textiles in 1982Part of the 'Sheep to Suit' event outfit.A product of the Clothing School, MELBOURNE COLLEGE OF TEXTILES/ PURE WOOLtextile production fashion shearing weaving sewing, melbourne college of textiles australian wool corporation sunbeam corporation limited, spinning, highlights of the national wool museum: from sheep to suit - exhibition (22/09/2001 - 02/12/2001), textile production, fashion, shearing, weaving, sewing

Commercially made quilt, c.1930s. Maker unknown, found in Ballarat. The Country Women's Association of Victoria had been active during the Depression in promoting the use of wool in domestic items and handcrafts in its "Handcrafts and Home Industries Committee". In 1933 during "Wool Week", a train jointly sponsored by the Wool Board, toured the state demonstrating amongst other crafts, the making of wool quilts and mattresses. Commercially made quilts much like this one marketed as 'Kosy Quilts', were used in these demonstrations.Quilt, plain light blue cotton cover with lambs wool filler. Machine sewn. Evidence of a label can be seen at one corner, however it has been removed.quilting history, textile mills, running stitch group, running stitch collection, ballarat, quilting - history

Conference folder, Apparel Conference 1985. Part of a collection of Australian Wool Corporation promotional memorabilia believed to have used in the era of Sir William Gunn.APPAREL CONFERENCE 1985/ INTERNATIONAL WOOL SECRETARIAT DEVELOPMENT CENTRE...wool marketing textile industry, australian wool corporation, gunn, sir william, wool marketing, textile industry

Part of Woolbroker's office equipment. Used for keeping wool clear from aisles on show floor.Part of Woolbroker's office equipment. Used for keeping wool clear from aisles on show floor. Group of five, individually numbered and catalogued.wool stores

Part of Woolbroker's office equipment. Used for keeping wool clear from aisles on show floor.Part of Woolbroker's office equipment. Used for keeping wool clear from aisles on show floor. Group of five, individually numbered and catalogued.wool stores

Part of Woolbroker's office equipment. Used for keeping wool clear from aisles on show floor.Part of Woolbroker's office equipment. Used for keeping wool clear from aisles on show floor. Group of five, individually numbered and catalogued.wool stores

Part of Woolbroker's office equipment. Used for keeping wool clear from aisles on show floor.Part of Woolbroker's office equipment. Used for keeping wool clear from aisles on show floor. Group of five, individually numbered and catalogued.wool stores

The co-operative was registered in 1919 as the Graziers Co-op Shearing Company Limited. It changed its name in September 1948 to Grazcos Co-operative Ltd. In 1981 the co-operative merged with Farmers & Graziers Co-op Ltd to form Farmers Grazcos Co-op Ltd. This item is part of a collection of Annual Reports from Grazcos dated from 1949 - 1980.Booklet featuring a black and white image showing an internal view of a factory with working processing wool , with printed black text on blue background below image.front: A GENERAL VIEW OF WOOL POOLING OPERATIONS IN A GRAZCOS STORE / THIRTY-FOURTH / ANNUAL REPORT / 1953 / GRAZCOS / CO-OPERATIVE LIMITEDagricultural co-operative, agricultural wholesaling, annual reports, rural life, rural industry, business, corporate body

CSIRO Division of Textile Physics: Annual Report 1975-76. Amongst items collected in Australian Wool Corporation folder (W6052).CSIRO Division of Textile Physics: Annual Report 1975-76. Amongst items collected in Australian Wool Corporation folder (W6052).textile research, csiro division of textile physics

Suit jacket, cream, natural, wool and cream silk lining. Part of the three piece suit which set the "Sheep to suit" record by Melbourne College of Textiles in 1982Part of the 'Sheep to Suit' event outfit.A product of the Clothing School, MELBOURNE COLLEGE OF TEXTILES/ PURE WOOLtextile production fashion shearing weaving sewing, melbourne college of textiles australian wool corporation sunbeam corporation limited, spinning, highlights of the national wool museum: from sheep to suit - exhibition (22/09/2001 - 02/12/2001), textile production, fashion, shearing, weaving, sewing

Founded by Frederick Gonnerman Dalgety in 1846 in Melbourne as a stock and station agency with major interest in Victorian wool, much of which was exported to England for sale through their London agency.Dalgety & Co Wool Limited Melbourne Wool Waybills booklet. Grey Light cardboard cover contains 3 pages missing 6 torn out along the perforations. The second page has handwritng detailing the 3 bales of wool received by R H Abbott. It also contains three sheets of carbon paper in special shiny pages at the back. The booklet also contains advertising for sheep related products and a Tobacco Ad Printed by T & H Hunter printers Melbourne

In 1984 the Scottish the Scottish Australian Heritage Council held a national competition to design an Australian tartan. The winner, Melbourne architect John Reid, designed a tartan using the colours of the Australian landscape: ochre, terracotta, black, white and cobalt blue. These were superimposed on the pattern of the Macquarie tartan sett, appropriately, as Lachlan Macquarie was the first Scottish and civil governer of the of Australia, from 1810 to 1821. In 1996 a vest was designed and made using the Australian tartan, as a uniform for the National Wool Museum's honorary staff. Name tags are inserted into the upper left button hole.National Wool Museum vest worn by honorary staff.SMALLtextile design, national wool museum, tartan

The Bendigo Woollen Mills were initially designed as a mail order company that sold its wool both domestically and internationally. The mill uses first cross merino wool from Australia that is then sent to China for scouring before returning to Bendigo for grading, dying and spinning. It now includes factory shop sales to the public.Bendigo Woolen Mills Shade Card (With samples of different coloured wool, pattern selections which were available at the Factory Shop Order Form.history, bendigo, merle lummis collection, bendigo woolen mills

Original Rawleigh's Antiseptic Healing Salve for Man & Beast (noted for family use and for animals); tin and ointment, from 1930s or1940s. Packed and notated from Albert E. Pittock. Stored in Pittock Coachbuilder's box, reference 1300.1. Rawleigh's original 1930s / 1940s Antiseptic Healing Salve for Man & Beast

Matches and match boxes were common and essential household items in the 19th century and early to mid 20th century. Today matches are used only irregularly. This match box holder was an advertising tool for Roy Pearson who had a motor service station at 100 Kepler Street, Warrnambool in the 1930s. The business was called the Super Service Station and Pearson was the agent for Triumph and Citroen cars. He sold petrol and used cars and did car repairs. In 1937 the business was run by Chorlton and GrahamThis item is of considerable interest showing the type of advertising used in Warrnambool in 1935. Apart from its utilitarian use of holding a match box, it is an advertising tool containing a 1935 calendar and it also uses humour as its main appeal. The holder features a face which shows a happy man when held one way (“This man calls at Pearson’s Service Station for satisfaction’) and a grumpy man when it is turned around (‘This man wishes he did call’). This is a metal match box holder, painted blue with yellow printing and an image of a man’s face. It has a 1935 calendar. It is much rusted on the inside and a little blotched on the outside. ‘Roy H. Pearson, Super Service Station, Ye Auto Fille Here, Phone 511, 100 Kepler Street, Warrnambool. This man calls at Pearson’s Service Station for satisfaction, This man wishes he did call’ pearson service station, warrnambool, match box holder

1981 Wool Serge Officers Pants.Pants to Officers UniformKhaki Wool Serge Pants. Zip Fly. Buttons for Bracers. Two front and One Fob Pocket. One Rear Pocket R.H. Lable has attached a mending patch. AGCF VIC 1981 8405.66 025 6193 SIZE 86 L. MACQUARIE 80 BATCH A DRY CLEAN ONLY Mending Patch Attached

Edwin Parr Hood cam to heathcote in 1891. at the age of twenty he had already leaned the tailors trade.He set up his business in High Street opposide the Mt. Ida Hotel. he advertised his stocks of mens clothing in the McIvor Times.2 suits made by E. P. Hood donated to the Museum by a local family whose father had purchased the suits in Heathcote. Worn on several occasions in and around the district of Heathcote.3piece man's suit, navy blue with pale blue and grey pin stripe,wool woosted material fully lined with silk tafeta. has label on back of inside jacket collar E P Hood /Heathcotenavy blue pinstripe mans suit

Product label in tones of red, green, yellow and white showing printed text and a graphic of a woman, lion, ship, wool bale, shield and pitch fork. front: [printed] ALBION MILLS, GEELONG / THE GEELONG / PURE WOOL RUG / MANUFACTURED BY / THE ALBION WOOLLEN MILL CO. / GEELONG, VICTORIA. / No. / WEIGHT / SIZEalbion mills, archives, wool industry, blankets, rugs, products, advertising, geelong, packaging, label, graphic design

Envelope contains three photographs of delagates to the 1955 Wool Textile Conference in Australia.1955 Conference/ INTERNATIONAL/ WOOL TEXTILE RESEARCH/ CONFERENCE/ IN AUSTRALIA/ W R Langwool - research textile mills textile mills, gordon institute of technology, lang, dr w. roy, wool - research, textile mills

Book was given to Mr Robert 'Bob' Edward Mitchell in 1938. Mr Mitchell trained as a wool classer in the 1930's and was awarded this book as the senior prize. Mr. Mitchell grew up on the Moorabinda sheep property and is on the honour roll as a past student who served in World War II from Wharparilla West State School.Large black bound book containing 12 double-sided pages, each with several wool samples mounted to a blue paper with the name of sheep breed which the wool came from. Each page also has a loose sheet of wax paper over the wool. Book can be closed and secured with a length of black material which can be tied up.

Digital images of a wooden plaque commemorating soldiers who were blinded in World War 1. An elderly blind man sits beneath the plaque, however no information on either the man or the plaque has been recorded.For Empire This porch is erected in honour of Australian citizen soldiers, who lost their sight during the war 1914-1918. They went at Duty's callblind hostels, plaques

Pure wool, fawn in colour, men’s cardigan. Five button, V neck front. One pocket on either side of front. Front band is 3.5cms wide and lined with cotton fabric, from the V opening to the hem to support buttons and button holes. Overlocked seams. A fine rib pattern, one cm wide is separated by a narrow one stitch gap. A finer rib, two stitches wide forms the cuffs, and lower band. Set-in sleeves.QUALITY KNITWEAR BY HANRO PURE WOOL 38costume, male, cardigan