Showing 5207 items
matching art - australia
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Women's Art Register
Book, Judy Horacek, Life on the Edge. Cartoons by Judy Horacek, 1992
Collected cartoons by Melbourne cartoonist and writer Judy Horacek, who believes "humour is a fantastic way of changing the world." ( from biographical noes). The introduction was written by Dale Spender.booknon-fictionCollected cartoons by Melbourne cartoonist and writer Judy Horacek, who believes "humour is a fantastic way of changing the world." ( from biographical noes). The introduction was written by Dale Spender.political art, community art, indigenous rights, racism, discrimination -
Women's Art Register
Book, Joan Kerr, Heritage. The National Women's Art Book, 1995
... art museology 500 works of art by 500 Australian women from ...500 works of art by 500 Australian women from colonial times to 1955 with images and commentaries on each work prepared by by 200 curators, critics, family member or the artists herself. Includes images of many works which may never have been reproduced. A biographical section comprises concise entries on these artists.Booknon-fiction500 works of art by 500 Australian women from colonial times to 1955 with images and commentaries on each work prepared by by 200 curators, critics, family member or the artists herself. Includes images of many works which may never have been reproduced. A biographical section comprises concise entries on these artists.colonial art, craft, competitions, portraiture, furniture, sculpture, indigenous art, museology -
Women's Art Register
Book, Gillian Swanson & Patricia Wise, Going for Broke. Women's Participation in the Arts and Cultural Industries, N/A
Study commissioned by Arts Queensland and the Australia Council in 1994 to address the lack of published information on women's involvement in the arts.BookStudy commissioned by Arts Queensland and the Australia Council in 1994 to address the lack of published information on women's involvement in the arts.regionalism, cultural industraies, equity, professional recognition, indigenous women, multiculturalism -
Women's Art Register
Book, Perth Institute of Contemporary Arts, In the Company of Women. 100 Years of Australian Women's Art from the Cruthers Collection, 1995
... . 100 Years of Australian Women's Art from the Cruthers ...Book -
Women's Art Register
Book, Barbara Hall and Jenni Mather, Australian Women Photographers 1840 - 1960, 1986
Arising from research for an exhibition of the same name, which toured Australia 1981- 1982 the book covers the work of 45 amateur and professional photographers and their lives as innovators and travellers. Many of the works come from private collections and have not been previously published.Booknon-fictionArising from research for an exhibition of the same name, which toured Australia 1981- 1982 the book covers the work of 45 amateur and professional photographers and their lives as innovators and travellers. Many of the works come from private collections and have not been previously published.self portraiture, self-portraiture, pictorialism, home magazine, studio photography, melbourne society of women painters and sculptors, olive cotton, ruth hollick -
Women's Art Register
Book - Anthology, Joan Kerr and Jo Holder, Past Present. The National Women's Art Anthology, N/A
Essays on feminist art, art history, criticism and museum practices in 1990s Australia by writers, academics, artists.non-fictionEssays on feminist art, art history, criticism and museum practices in 1990s Australia by writers, academics, artists.indigenous art, political art, gender, represenation, museology, photography, installation, graphic design, collaborative practices -
Women's Art Register
Book, Sandy Kirby, Sight Lines. Women's Art and Feminist Perspectives in Australia, 1992
Charts the intersection of the women's art movement with women's art, and the increased visibility of women artists from the 1960s into the 1970s in Australia.Booknon-fictionCharts the intersection of the women's art movement with women's art, and the increased visibility of women artists from the 1960s into the 1970s in Australia.portraiture, feminist art practice, performance art, political art, art and craft, thancoupie, jill orr, vivienne binns, collective art, erica mcgilchrist, mickey allan, ann newmarch -
Women's Art Register
Book, David Humphries et al, The Mural Manual. A guide to community murals in Australia, 1982
An illustrated survey of public mural projects during the 1970's and 1980's in metropolitan and regional communities including feminist, Trade Union, and Indigenous projects.non-fictionAn illustrated survey of public mural projects during the 1970's and 1980's in metropolitan and regional communities including feminist, Trade Union, and Indigenous projects.murals, trade unions, women's murals, indigenous, urban art, political art, community arts, community arts network, eve glen, carol ruff, sarah macnamarra, barbary o'brien, community arts board, geoff hogg, ann newmarch, merilyn fairskye, catriona moore -
Women's Art Register
Book, Gay Hawkins, From Nimbin to Mardi Gras. Constructing Community Arts, 1993
A study of the field of Community Arts in Australia and the history of the Community Arts Board.non-fictionA study of the field of Community Arts in Australia and the history of the Community Arts Board.community arts, art and working life, community arts board, community arts network, australia council, trade unions, murals, posters, activism, arts funding -
Women's Art Register
Book, Fiona Foley et al, The Art of Politics, The Politics of Art: The Place of Indigenous Contemporary Art, 2006
... Indigenous Australia and Contemporary Art Practice... Richmond melbourne Indigenous Australia and Contemporary Art ...A collection of essays on Indigenous art in mainstream Australia by international Indigenous and non-Indigenous academics, arts administrators and practising artists.non-fictionA collection of essays on Indigenous art in mainstream Australia by international Indigenous and non-Indigenous academics, arts administrators and practising artists. fiona foley, fiona nicoll, regina ganter, ole maiava, louise martin-chew, anna haebich, franca tamisari, aboriginal art, indigenous architecture -
Women's Art Register
Book, Helen Ennis, Photography and Australia, 2007
Visual and written documentation on photography in Australia and its importance.non-fictionVisual and written documentation on photography in Australia and its importance.racial, political, social, brenda l. croft, leah king-smith, tracey moffat, brook andrew, destiny deacon, rosemary laing, olive cotton, margaret michaelis, ruth maddison, carol jerrems, fiona hall, patricia piccinni, jacky redgate, anne zahalka, pat brassington, anne ferran -
Port Melbourne Historical & Preservation Society
Document - Sticker, "We travelled Searoad by Empress of Australia", Art Colour Transfer Co Pty Ltd, 1960s
... transport - ferries transport - shipping empress of australia piers ...Self adhesive sticker, unused: 'We travelled Searoad by Empress of Australia', with separate application instructionstransport - ferries, transport - shipping, empress of australia, piers and wharves -
Mount Evelyn History Group
Photo (framed) L Morrison, Seated portrait of Mrs Louisa Morrison nee Haag (?), c. 1940
This item was donated as a photograph of Louisa Morrison. Louisa (or Luisa) Rosanna Morrison nee Haag came from an early settler family in the farming community of Wandin. The woman photographed is in her old age. If this is indeed Louisa Morrison, the photograph would date from the early 1940s, since she died in 1946 at the age of 70. However the costume and the style of the photo suggest an earlier date, possibly the early 1900s. This could be Louisa's mother, Emma Martha Haynes, or mother-in-law Margaret (McNeil) Morrison. The woman is shown in a garden, probably because the family were farmers/orchardists. Louisa married Daniel McNeil Morrison, who was nine years her senior , in 1900. They had four children and farmed Morrisons' Orchard in Old Hereford Road, Mt Evelyn. The Morrison home was to become the important community house in Mt Evelyn, Morrison House. Morrison Reserve is part of their land, as was Yarra Hills Secondary College, Mt Evelyn Special Developmental School and the Reserve and Athletics facilities, including a tennis club. In 1981 the land title was changed to the Shire of Lillydale, who purchased the land and established the Morrison House Community House from 1976 (ie before they legally owned the land).This picture is of social significance as it is the only reputed picture of Louisa Morrison nee Haag.Brown round cornered frame with gold colour on inner frame. Painted plaster on frame chipped on top right. Coloured (painted) photograph of seated woman in upholstered chair with large brown cushion behind her. Garden setting. Black floor length dress, high necked, long sleeved. White cap on head. White cloth showing at neck.Bottom right hand corner, signature "F. RAPHAEL". Reverse: four inscriptions, one on each straight side, stamped in ink. Top: "MADE IN / AUSTRALIA". Right side: "THIS MOUNTING IS SPECIALLY DESIGNED AND / SELECTED WORKMANSHIP AND MATERIALS / GUARANTEED". Bottom: Table, 1 row, 2 columns. 1st cell: "STYLE / 1". 2ND CELL: "PRICE / 3 GNS". Left: box with 2 columns, 1 row. Left most column is divided horizontally into two, as is the 2nd column, but at a lower level. This creates four cells. Top left: "STYLE 1". Bottom left "PRICE 2 GNS". Top right: "TO BE SOLD AT PRICE MARKED OPPOSITE ONLY ON CONDITION THAT SAME IS MOUNTED ON ONE OF OUR SAMPLE STUDIES". Bottom left: "EMPIRE ART COMPANY LIMITED".louisa, morrison, haag, morrison house, farming, orchard, mt evelyn, photograph, wandin -
Mount Evelyn History Group
Book Blamire Young, Golden Press, The Art of Blamire Young, 1983
Watercolourist William Blamire Young (1862-1935) was a local artist. His property Mutamaro was on the corner of Swansea and Edinburgh Roads Montrose, diagonally opposite the Mt Evelyn side. He lived there from 1923 till his death in 1935. Young is perhaps best known as the designer of the first Australian-themed stamp (kangaroo on map of Australia, issued 1913). Biography of the artist and a representative collection of his work.Hard cover book, glossy white dust jacket with painting of the Sydney Harbor Bridge by Blamire Young.Noneblamire young, artist, watercolour, montrose, australian stamp -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Mantle clock given to Professor F J Browne, 1934, c1934
Donated by Professor F.J. Browne's widow, Dr Grace Cuthbert Browne. This clock used to be in the President's room, but stopped working in 1992.Art Deco mantlepiece clock that belonged to F.J. Browne. Attached brass plate reads "To Professor F.J. Browne /In Remembrance of many kindnesses/ Christmas 1934/ J.G.M"' Clock has an electric lead, but there is a 'not working'l tied to lead. -
Australian Gliding Museum
Machine - Glider – Sailplane, 2001
This glider type was designed by Jim Maupin in United States in the 1970s. The prototype first flew in 1978. It is a design intended as suitable for amateur construction using wood (principally Douglas Fir and Birch plywood). It is understood that hundreds of sets of plans have been sold. It is not known how many Woodstocks have been built but there are at least 3 flyable examples in existence in Australia. Over time the design has been altered increasing the wingspan from 11.9 metres to 12.6 metres and then to 13.1 metres for Types 1, 2 and 3 respectively. Some builders of Woodstock gliders have also made their own changes to the Jim Maupin design. The construction of the Museum’s Woodstock (a “Woodstock 1”) was commenced by Ken Davies who, due to age related health difficulties, was unable to finish the project. The project was taken over by James Garay and was completed in 2001. It is registered with the Gliding Federation of Australia as GFA/HB123 and allocated letters VH-IKL. It is practically a new aircraft with very few flying hours logged. VH-IKL differs from the original Woodstock 1 design in one respect in that the rear fuselage has been modified to enable the tailplane to be removed for de-rigging. The Museum holds technical drawings prepared by Ken Davies in relation to this feature of the glider. James Garay kindly donated VH-IKL to the Australian Gliding Museum in March 2013. An example of a successful glider-sailplane design for amateur construction from the 1970s.Home built single seat sailplane of wooden construction finished in a light desert sand colour with aboriginal art theme markings.Marked with registration – VH-IKLaustralian gliding, glider, sailplane, woodstock, maupin, davies, garay, woody roo -
Australian Gliding Museum
Machine - Glider – Sailplane, 1963
The Skylark 4, the final in the Slingsby Skylark series, dates from 1961. The design heralded a trend towards the use of plastics in the construction of gliders. Slingsby incorporated GRP (glass reinforced plastic) panels to achieve a streamlined fuselage nose and cockpit area while retaining the more traditional wood techniques for the rest of the aircraft. Another notable feature was the smooth wing surface that was obtained using a Gaboon ply skin across the ribs. Best glide performance of 1:33 was found to be comparable with the early full GRP glider designs. The Museum’s example (VH-GTB – C/N 1382) was built in 1963 and originally owned by Chuck Bentson of the UK. It was brought to Australia in 1967 by Jeremy Picket-Heaps and flown at various places including Benalla, Cooma and Gundaroo. In 1970 the glider was transferred to the New England Soaring Club. Many flights were made from Armidale and Bellata in Northern New South Wales. On one occasion, the glider was kept aloft for 8 hours 45 minutes and on another the pilot took it around a 500 kilometre triangle in nearly 8 hours. In 1980 it was sold to Ralph (“Feathers”) Crompton and was flown extensively in South Australia until 1988. The final owner before the glider was given to the Museum in 2004 was Ross Dutton of Melbourne. The last recorded flight occurred in 1992. The glider at that point had logged over 2000 hours flying time from about 2000 launches. The airframe is currently being restored to flying condition. Technically this aircraft represents the state of the art at the stage that sailplane design was changing from traditional wood construction to composites (GRP) The Slingsby Skylark 4 is high wing single seat sailplane of mainly wooden construction with plywood and fabric covering. However, the cockpit and forward part of the fuselage consists of glass reinforced plastic which was innovative at the time that the type was designed. The cockpit provides for a semi reclining position for the pilot protected with a full Perspex canopy. The wings are made up of a centre section with constant chord and tapered wing tips. The aircraft has a conventional arrangement for the tail stabiliser / control surfaces. The sailplane bears construction number 1382 and is registered in Australia as VH-GTBaustralian gliding, glider, sailplane, skylark, slingsby, bentson, picket-heaps, crompton, new england soaring club, dutton -
Churchill Island Heritage Farm
Photograph - Photograph of small art exhibition with people
Churchill Island Heritage Farm has a large photograph collection.Colour photograph of displayed landscape photographs of different aspects of Churchill Island with three people gathered around the stand. In the background, there are multiple other paintings of Australian scenery.MPAINT 4 VOLS 100 Catalogue number written on reverse in pencil churchill island, photograph -
Port Melbourne Historical & Preservation Society
Photograph - Exterior views, J Kitchen & Sons, Port Melbourne, 2011 - 2014
External views of the J Kitchen & Sons site. Some taken October 2011 when manufacturing still occurred on site and some in May 2014 after demoltion work had begun to clear the site for future development; (.01) The Australian Academy of design building at 220 Ingles St (October 2011) (.02) The building which housed the factory outlet shop. Admin building in background. (October 2011) (.03) Part of the Iindustrial complex surrounded by fence in preparation for demolition. (May 2014) (.04) View of the art-deco admin building taken from Ingles St (May 2014) (.05) Corner of the complex already cleared (former shop outlet) (May 2014)built environment - industrial, business and traders - soaps/candles, j kitchen & sons pty ltd, australian academy of design, ingles street -
Coal Creek Community Park & Museum
Cardboard box, Semco Art Needlework Pty Ltd
... , Silkette machine Twist, Semco A.T.C. No.40, 80 yards. Semco Art ...White rectangular box with blue and gold advertisement, 'Silkette Machine Twist' with map of Australia.Silkette Machine Twist, Silk Substitute, Silkette machine Twist, Semco A.T.C. No.40, 80 yards. Semco Art Needlework Pty. Ltd. "Semco Park" Black Rock, Victoria. Trade Mark. -
Bendigo Historical Society Inc.
Postcard - GLADYS DEAN COLLECTION: POSTCARD, 1906 - 1908
Postcard with raised 8.5cm x 8.5cm coloured image of Crystal Palace London. Image has printed words 'Patent' and 'Fab Card' either side of a printed coat of arms at the top and letters W.N.S.B. bottom left corner and 'Series V No 51' bottom right corner. Image is attached to printed 14cm x 9cm black and white printed card. The words 'Fab Card' and 'The Art Patchwork Series' appear on the card either side of the image. Printed drawings of a woman seated sewing and standing placing a cloth on a table appear either side of the image. On reverse card is addressed to Miss Dean McKenzie Street Golden Square Victoria Australia. 1 penny stamp attached.W.N. Sharpe Sole Publisher Bradfordpostcard -
Bendigo Historical Society Inc.
Postcard - GLADYS DEAN COLLECTION: POSTCARD, 1906 - 1908
Postcard with raised 8.5cm x 8.5cm coloured image of Royal Exchange London. Image has printed words 'Patent' and 'Fab Card' either side of a printed coat of arms at the top and letters W.N.S.B. bottom left corner and 'Series V No 52' bottom right corner. Image is attached to printed 14cm x 9cm black and white printed card. The words 'Fab Card' and 'The Art Patchwork Series' appear on the card either side of the image. Printed drawings of a woman seated sewing and standing placing a cloth on a table appear either side of the image. On reverse card is addressed to Miss Dean Golden Square Victoria Australia. 1 penny stamp attached and postmarked Johannesburg.W.N. Sharpe Sole Publisher Bradfordpostcard -
Bendigo Historical Society Inc.
Postcard - GLADYS DEAN COLLECTION: POSTCARD, 1906 - 1908
Postcard with raised 8.5cm x 8.5cm coloured silk image of Tower Bridge London. Image has printed words 'Patent' and 'Fab Card' either side of a printed coat of arms at the top and letters W.N.S.B. bottom left corner and 'Series V No 40' bottom right corner. Image is attached to printed 14cm x 9cm black and white printed card. The words 'Fab Card' and 'The Art Patchwork Series' appear on the card either side of the image. Printed drawings of 1. two women, one seated sewing and one standing sewing and 2. two women standing examining a cloth, appear either side of the image. On reverse card is addressed to Miss G Dean McKenzie St Golden Square Victoria Australia.W N Sharpe Sole Publisher Bradfordpostcard -
Bendigo Historical Society Inc.
Postcard - GLADYS DEAN COLLECTION: POSTCARD, 1906 - 1908
Postcard with raised 8.5cm x 8.5cm coloured image of Trafalgar Square and entrance to The Strand 4521 London L.S. & P. Co. Image has printed words 'Patent' and 'Fab Card' either side of a printed coat of arms at the top and letters W.N.S.B. bottom left corner and 'Series V No 21' bottom right corner. Image is attached to printed 14cm x 9cm black and white printed card. The words 'Fab Card' and 'The Art Patchwork Series' appear on the card either side of the image. Printed drawings of a woman seated in a chair and seted with a fan appear either side of the image. On reverse card is addressed to Miss Dean Golden Square Victoria Australia. 1 penny stamp attached.W.N. Sharpe Sole Publisher Bradfordpostcard -
Bendigo Historical Society Inc.
Postcard - GLADYS DEAN COLLECTION: POSTCARD, 1906 - 1908
Postcard with raised 8.5cm x 8.5cm coloured image of Buckingham Palace. Image has printed words 'Patent' and 'Fab Card' either side of a printed coat of arms at the top and letters W.N.S.B. bottom left corner and 'Series V No 43' bottom right corner. Image is attached to printed 14cm x 9cm black and white printed card. The words 'Fab Card' and 'The Art Patchwork Series' appear on the card either side of the image. Printed drawings of a woman seated sewing and standing placing a cloth on a table appear either side of the image. On reverse card is addressed to Miss G Dean Golden Square Victoria Australia. 1 penny stamp attached.W.N. Sharpe Sole Publisher Bradfordpostcard -
Monbulk RSL Sub Branch
Book, Time Lofe books et al, Modern military towards 2000, 1989
A summary of Australian defence capability in the late 20th centuryIndex, bibliography, ill, map, p.168.non-fictionA summary of Australian defence capability in the late 20th centuryaustralia - armed forces - equipment, military art and science - technological innovation -
Monbulk RSL Sub Branch
Book, Casuala Powerhouse Arts Centre, Vietnam voices : Australians & the Vietnam war, 2000
This book brings the personal stories of the Vietnam war to AustraliansIll, p.160.non-fictionThis book brings the personal stories of the Vietnam war to Australiansvietnam war - 1961-1975 - australian participation, vietnam war - 1961-1975 - works of art -
Monbulk RSL Sub Branch
Book, Red coat dreaming : how colonial Australia embraced the British Army, 2009
History, artifact and art combine to evoke a time in colonial Australia when the Motherland, and the British Army in particular, loomed large. Challenges our understanding of Australia's military history and the primacy of the Anzac legend.Index, bibliography, notes, ill, p.179.non-fictionHistory, artifact and art combine to evoke a time in colonial Australia when the Motherland, and the British Army in particular, loomed large. Challenges our understanding of Australia's military history and the primacy of the Anzac legend.australia - history - military, australia - relations - great britain -
Bendigo Historical Society Inc.
Document - LYDIA CHANCELLOR COLLECTION: BRIGHTON HISTORICAL SOCIETY NEWSLETTERS AND EVENTS
... Society Sidney Nolan Adam Lindsay Gordon poetry Australian ...A collection of Brighton Historical Society newsletters and events dated 1964 - 1968. Includes information on Adam Lindsay Gordon and Sidney Nolan. With compliments from Rosalind Landells for Brighton Historical Society. This collection is in a decorated box.clubs and associations, history, brighton historical society, lydia chancellor collection, collection, lydia chancellor, brighton historical society, sidney nolan, adam lindsay gordon, poetry, australian literature, literature, paintings, art, societies, historical society, civic momentoes, organisation, newsletters -
Bendigo Historical Society Inc.
Document - LA TROBE UNIVERSITY BENDIGO COLLECTION: MR. FRED COURTIS
... education art collection Australian art Bendigo art gallery ...A 'Bendigo Advertiser' article titled 'Courtis still revered in educational circles.' This article contains a photograph of Mr. Courtis and an outline of his life and career. He was praised for his contribution to the art course as an art lecturer at Bendigo Teachers' College and particularly praised for his contribution to the development of the F.M. Courtis Art Collection at the university. Mr. Courtis also had a long association with the Bendigo Art Gallery for which he received a life governorship of the gallery for his service to the gallery. See 3320.100bendigo, education, mr. fred courtis, la trobe university bendigo collection, collection, education, bendigo teachers' college, bendigo teachers' college staff, tertiary education, teacher trainining, bendigo advertiser, photo, photos, photograph, photographs, history, mr. fred courtis, miss j.c. burnett, mr. geoff pryor, art, art education, art collection, australian art, bendigo art gallery, individual, male, person, state college of victoria bendigo, bendigo college of advanced education