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Melbourne Legacy
Album, A photographic record of events of Commemoration of Legacy Week 1985, 1985
Photos of a procession of widows and legatees to the Shrine in 1985 also of the church service in St Paul's before hand. The Legacy President Bannister is behind Legatee Geoff Swan holding the Legacy flag. The University of Melbourne choir is shown behind the Dean of St Paul's. The Melbourne Legacy Widow's Club president, Mrs Alma Sumner, spoke and also laid a wreath at the Shrine. One photo is of Pilgrimage Marshall Legatee Frank Burton. The pilgrimage was lead by a bag piper, Ian McKenzie and Standard bearer from Legacy Leadership Group (an older junior Legatee). Inside the Shrine the Shrine Trustee, Sir Alfred Kemsley stands with President Bannister and Widow President Mrs Alma Sumner and Legatees Conor MacGillycuddy and Alf Argent. Sometimes referred to as Widows' Sunday it is an annual event for Legacy widows, usually at the start of Legacy Week, which is the first week in September. The church used for the service varies. These photos were in an album of photos from 1993. The album was not archive quality, with self adhesive pages, so photos have been transferred and album discarded.A record of the Widows' Sunday events for the Legacy Week in 1985.Colour photo album x 10 leaves of self adhesive cardboard with 17 photos of a pilgrimage to the Shrine in 1985.Caption on title page; 'A photographic record of events of Commemoration. From Sunday, 1st September - First day of Legacy Week, 1985. Commencing with the Morning Service at St. Paul's Cathedral, and then onto the Pilgrimage to the Shrine.'pilgrimage, wreath laying ceremony, widows' sunday -
Melbourne Legacy
Photograph, St Pauls' Service and Pilgrimage to the Shrine 1985, 1985
Photos of a procession of widows and legatees to the Shrine in 1985 also of the church service in St Paul's before hand. The Legacy President Bannister is behind Legatee Geoff Swan holding the Legacy flag. The University of Melbourne choir is shown behind the Dean of St Paul's. The Melbourne Legacy Widow's Club president, Mrs Alma Sumner, spoke and also laid a wreath at the Shrine. One photo is of Pilgrimage Marshall Legatee Frank Burton. The pilgrimage was lead by a bag piper, Ian McKenzie and Standard bearer from Legacy Leadership Group (an older junior Legatee). Inside the Shrine the Shrine Trustee, Sir Alfred Kemsley stands with President Bannister and Widow President Mrs Alma Sumner and Legatees Conor MacGillycuddy and Alf Argent. Sometimes referred to as Widows' Sunday it is an annual event for Legacy widows, usually at the start of Legacy Week, which is the first week in September. The church used for the service varies. These photos were in an album of photos from 1993. The album was not archive quality, with self adhesive pages, so photos have been transferred and album discarded.A record of the Widows' Sunday events for Legacy Week in 1985.Colour photo x 14 of a pilgrimage to the Shrine in 1985 and white paper labels.Title page is paper with black type, 'A photographic record of events of Commemoration. From Sunday 1st September - First day of Legacy Week, 1985. / Commencing with the Morning Service at St. Paul's Cathedral, and then onto the Pilgrimage to the Shrine.'pilgrimage, wreath laying ceremony, widows, widows' sunday, colin bannister, alf argent -
Ringwood RSL Sub-Branch
Equipment First aid/medical kit, Sanax First Aid Company, 1939
Khaki Canvas Bag designed for First Aid Kit. Contains 25 items including 2 x tweezers, 1 x eye bath, 1 x metal syringe, 1 x bottle gauze strip, 1 x snaake bite kit, 1 x pocahontas inhaler, 1 x water sterilizing kit, 1 x cat gut in glass tube, 1 x blade in container, 1 x splint set, 1 x first field dressing 1939 Smith and Nephew, 4 x large field dressingss, 2 x splint holders ?, 1 x First Aid book, 1 x Sanax First Aid card.Receipt from Red Cross Victorian Division South Melbourne Branch dated 14th April 1942. -
Bendigo Historical Society Inc.
Ceremonial object - Ceremonial collar
Ceremonial purple velvet collar with gold metallic bullion fringe to outside edge and gold metallic ribbon and ribbon lace to all edges. At each end is a five point star in gold zardozi work in sequins and metallic thread with central couched button. Above the stars on the LHS is couched zardozi work initial G and on RHS couched zardozi work initial M and above these are two identical five point stars as lower ones with the addition to each of two metallic thread tassles. At the bottom centre of the collar are two small rings. In a separate bag is a purple velvet rosette with central sequined button and braided surround with large tassle all in gold metallic thread.ceremonial collar, grand master -
Melbourne Tram Museum
Photograph - Black & White Photograph/s, 1954
Set of three Black and white photographs of floats for the 1954 Royal Visit floral parade - 8 March 1954. Date from The Age 6/3/1954 - see trove references below. .1 - MMTB float featuring the title - "The Bag of Service" with MMTB name on the side. .2 - the SEC float - featuring a house and power lines .3 - RAAF float with a crown and a jet (sabre?) aircraft. Trove references found by Noelle Jones 27/6/2019 are: https://trove.nla.gov.au/newspaper/page/26680643 https://trove.nla.gov.au/newspaper/article/205702896 https://trove.nla.gov.au/newspaper/article/26595420 https://trove.nla.gov.au/newspaper/article/26595420 https://trove.nla.gov.au/newspaper/page/26680653On each photo in pencil: .1 - "MMTB floral float royal visit 1954" .2 - "SEC(?) floral float royal visit 1954" .3 - "Air force (?) - float royal visit 1954"trams, tramways, events, royal visit, parades, mmtb, secv, raaf, parades, conductors -
Upper Yarra Museum
Lamp, Tilley Lamp Company
http://en.wikipedia.org/wiki/File:Tilley-storm-lantern-X246-May- Tilley storm lantern, this model has been in production since 1964 The Tilley Lamp derives from John Tilley’s invention of the hydro-pneumatic blowpipe in 1813 in England. http://en.wikipedia.org/wiki/Kerosene_lamp#Pressure_lamp Pressure lamps are far more sophisticated than wick lamps and produce a much brighter light, although they can be quite complicated and fiddly to use. This type of lamp is commonly known in the UK as a "Tilley lamp", after a manufacturer of the same name, and in North America as a "Coleman lantern" for similar reasons. A kerosene blowtorch displaying the various aspects of the kerosene burnerA pressure lamp has a fuel tank at the bottom with a small pump to pressurise the kerosene. There is a narrow gap up to the top of the lamp, called a flue, and at the top of the lamp there is a burner (gas outlet). Directly underneath the burner is the mantle, a fabric bag coated with chemicals that incandesce when heated by the gas flame. The burner lamp is known for its brightness. It is so bright because of the amount of pressure that is placed onto the wick. This pressure allows a steady flow of the gasoline and a constant light Tilley Storm Pressure Lantern, model no x246 has a stainless steel base which is filled with kerosene, with a pump used to pressurize the kerosene vapor. Under the base is a sticker.On top is a black hood with vents which sits on the glass heat resistant shade. The glass shade has an etched label. It has a white and pink mantle on the central rod with a long shaped stainless steel handle, this folds down when not in use.Base - Sticker Tilley Lamp Model X246 Etched on glass shade Tilley, Durosil, ITI, Heat Resistant. Made in Englandlantern tilley pump pressure mantle kerosene methylated spirits stainless steel lamp kerosene lamp round glass cylinder -
Kiewa Valley Historical Society
Medical - Portable Inhaler
The inhaler can be used in hospitals in the labour ward for the patient to absorb trichloroethylene. The inhaler can be mounted on the bracket which can be secured to the leg of a labour bed. The inhaler contains a wick which absorbs trichloroethylene and will function for several hours.This inhaler was used in the Tawonga District Hospital.Wooden box with corners strengthened with steel plate and lid on 2 hinges. Lid has 3 rectangular lengths of wood attached to enhance packing and a yellow piece of paper with red writing stapled on. Box contains 2 metal clamps, a light metal stand/bracket with screw and holder and a hard black plastic mask. In the other side: 2 sheets including Instructions, a small paper bag with spare washers, a light brown extendable hose with metal attachment at one end and a light brown oval rubber bladder with a hole at one end to fit over the hose. Light metal Inhaler - 3 cylinders of different diameters attached to a plate. Red markings / writing and plate incl. serial no. Yellow paper on lid explains "...packing box is supplied free with the Tecota mark 6 Inhaler..." Mask: Cyprene Ltd / Keighley /Made in England Instructions / for the preparation of / Tecota / Mark 6 / Trichloroethylene B.P. / Inhaler Bladder: A Cig Product / 4 litre / Made in England to Inhaler: Cyprane Ltd. / Max Min / Pat No 646680 / Patents Pending / Tecota Mark 6 / Charge with / Trichloroethylene B.P. / Cyprane Ltd. / Serial No. / Keighley / Yorks.medical. hospital. inhaler. trichloroethylene. childbirth.tawonga district hospital -
Geoffrey Kaye Museum of Anaesthetic History
Inhaler, Probyn Williams, Mayer & Meltzer, c. 1900
Hurley, Sir Thomas Ernest Victor (1888-1958) was gifted this Probyn Williams inhaler in 1914. After studying at Melbourne University, Victorian-born Hurley was a Medical Officer at the Royal Melbourne Hospital until he commenced private practice in Collins Street. He was appointed Captain Australian Army Medical Corps, AIF and served in Gallipoli with the 2nd Field Ambulance. He served in Enypt, London, and the Western Front during World War 1. He gained a Companion of the Order of St George and St Michael in 1917. Upon return to Melbourne he held positions such as surgeon to Victoria Police (1928-1956), elected to Council of the Victorian branch of the British Medical Association, member of the Charities Board of Victoria and foundation member of the Royal Australasian College of Surgeons and chaired the Flying Personnel Research Committee m a consulting surgeon at the Royal Melbourne Hospital. This apparatus is transitional between Clover's and Hewitt's having Clover's narrow "ways" and compact size, but using Hewitt's ether-control lever.Black round topped box with brass hooks [missing] at front and brass hinges at rear. The initials T.E.V.H. are printed in gold leaf on the front. There is a black fabric handle on the top. Inside the box is black padding with the manufacturer's logo printed in gold leaf. There is a square section in the base of the box for holding the square clear glass bottle for ether. The pear-shaped mask is made of metal. There is also a metal ether measure for pouring the ether. The metal inhaler is ovoid shaped. The rotating gauge has a series of numbers engraved onto the inhaler for measurement. There is an elbow joint attaching a re-breather bag, with a small amount of waxy paper remaining attached with a thin ribbon. There is a small glass bulb encased in a metal housing. Printed in gold leaf on front of box: T.E.V.H. •Printed in gold leaf on inside lid of box: MAYER & MELTZER / LONDON / MELBOURNE & CAPE TOWN •Engraved on side of inhaler: PRESENTED / TO / T.E.V. Hurley Esq.,M.D.M.S. / by / THE M.S.S. / 15.6.14. •Engraved on reverse side of inhaler: PROBYN WILLIAMS / ETHER INHALER •Moulded into connector on elbow joint: MAYER & MELTZER •Stamped into base of metal pourer: MAYER & MELTZER / LONDON •Blue sticker with white printed text on front of inhaler: O.2.21.hurley, thomas ernest victor, probyn williams, university of melbourne, world war 1, wwi, gallipoli, australian army medical corps, medical student society, mayer & meltzer, clover, joseph, hewitt, fredrick william -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Dave Macartney, 25/07/1961 12:00:00 AM
Yields information about the Grey St. loop and the street scene on a wet day with a milk car and bicycle in the view.Black and white photograph of No. 14 entering the Grey / Gray St. Loop, Albert St, Sebastopol. Taken during a rainy day with a horse drawn milk cart in the background and a cyclist crossing the road. The tram has the destination of Lydiard St. North, is running one man, the motorman / driver has a conductors bag around his neck. The tram also has dash canopy advertisements for "The Age" and Briquettes. Photo taken 25/7/1961 by Dave Macartney. Printed on stipple paper. Two copies held - 2nd in poor order - for temporary display only. Copy 3 - in good condition - added 26/7/2007, ex Alan Bradley 5/2007 - 203H x 252W.tramways, trams, sebastopol, albert st, grey st loop, horse drawn vehicle, milk cart, tram 14 -
Bendigo Historical Society Inc.
Photograph - GERTRUDE PERRY COLLECTION: PHOTOGRAPHS - PLAYS, 1961 (4 photos)
Photographs. Gertrude Perry Collection. Eleven black & white photographs of people in various plays. Named photographs: k) - Final Rehearsal 'Show Boat' 1961. a) - Scene, 'You're in Love'. d) - Final Rehearsal 'Oaklahoma'. e) - Final Rehearsal 'Oaklahoma'. h) - Alf Annison & Me 'Rose Marie'. i & j) - Alf Annison Lutz, Grand Duchess Me. f) - Katinka. b & g) - Alf Annison, Me Aunt Ella. One has Oklahoma 1961. c) - Alf Annison, Me 'Aunt Ella' Dawn Beckwith Oklahoma 1961. Photos enclosed in a Powneys paper bag. It is red, white, blue and yellow. It has the address Hargreaves Mall Bendigo Phone 43 4738 and 42 2061 printed on it.gertrude perry collection, show boat, katinka, oaklahoma, rose marie, you're in love, alf annison, dawn beckwith -
Melbourne Tram Museum
Sign, Melbourne & Metropolitan Tramways Board (MMTB), Set of six tramcar signs, c1940
Set of six tramcar signs as listed, wrapped in brown paper and marked in Keith Kings handwriting: "Spare Interior Notice Plates (ex Preston W/s 1/9/72)" Package had not been open. The adhesive tape was loose when opened. Contains items: Reg Item - short description and condition: 2418 - To stop car pull left hand.... - tarnished 2419 - Wait until car stops - tarnished, paint marks and remnants of tape. 2421 - No Smoking - tarnished 2423 - Entering or leaving - 56H x 254W (different to that collected) - dirt marks 2427 - Passengers must not stand - heavily tarnished and dirty 2429 - Passengers are not allowed - has been partly bent - tarnished. Retain in paper bag.trams, tramways, signs, tramcars, tramcar bodies, mmtb, new trams -
Federation University Historical Collection
Photograph - Photograph - Colour, VIOSH: Man carrying heavy sack - method used. Taken by Derek Viner in June 1994
Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders in the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Photographs taken by Derek Viner and sent to VIOSH in 1994. He asked for people who had suitable photos taken while overseas on projects, send them to VIOSH so they become a display collection relating to OHS. These show how a heavy bag/sack is picked up and carried.Three colour photograpsviosh, victorian institute of occupational safety and health, university of ballarat, derek viner, overseas projects, photograph display, carrying method, 1994 -
National Wool Museum
Blanket, Standard issue army blanket
Maker unknown. This blanket was part of the standard army issue kit and belonged to Lois Denshams father, who served at Gallipoli during the first world war. Before donating the blanket to the Running stitch collection, it was kept by Lois' Aunty Nita. Lois remembers that it was kept in her fathers original kit bag and kept at her aunts place because of sad memories about the war which her mother found difficult. The humble army blanket had many uses during war times. Issued with two blankets, it was all a soldier had as a bed to keep warm or without a tent, all they had to provide shelter from the sun, rain or wind. (They were supplemented with a woollen army 'great coat', but soldiers still had to huddle together as keeping warm and dry was a desperate game.) The Lighthorsemen used them under their standard leather saddles for extra padding and in the hospitals they were sometimes the only bedding for the wounded. This blanket belonged to Lois Denshams' father who served in the Australian Army in the First World War, landing at Gallipoli. Since the war, army blankets have come to be regarded as the basic type of blanket -no frills. This blanket was used in the Densham family since that time for camping trips.Grey woollen army blanket with stripes near either ends.world war i, running stitch group, running stitch collection -
Port Fairy Historical Society Museum and Archives
Award - cigar case, c. 1901
On 30th August 1901 The Chronicle, an Adelaide newspaper, announced that J.W.Hosking was leaving Terowie to establish a business in Port Fairy. He had lived in Terowie for 25 years and had been chairman of the District Council, a member of the school board and a Justice of the Peace. He was also a keen supporter of the cricket and other sporting teams. On leaving Treowie he was presented with a Gladstone bag and an illuminated address signed by 47 residents. Hosking had a wife and daughter and it was reported that with his brother, he had bought the drapery and furnishing business of W.T.Hattam in Port Fairy. Trading as G.E.Hosking &Co., the brothers already had branches in N.S.W. South Australia and Western Australia. By 1905 J.W.Hosking was President of the Port Fairy Hospital and, although in July of that year he announced that he was resigning because of pressure of business, he was obviously persuaded to stay on. Indeed, he remained President until 1907. In September 1907, the brothers were bought out by D.E.MacLellan, late of MacLellan & Craig of Mount Gambier. So when the silver cigar/cigarette case was presented to Hosking, he was not only ceasing to be President of the Hospital but was almost certainly leaving the town. On February 1908 he resigned as a JP for the Western Bailiwick of the State of Victoria.Typical of the type of item given to express gratitude for voluntary work especially in positions such as Presidents and Secretaries.silver cigar case, chased hall marked, interior gold washto J W Hosking Esq/ from the Committee/Port Fairy Hospital/14/11/07civic mementoes, presentations, hospital, hosking, g.e.hosking&co, port fairy, president, jp, western bailiwick, state of victoria, demaclellan, wthattam -
Falls Creek Historical Society
Functional object - Peacock Hand Warmers
These mid-1960s Peacock and Gold brand lighter fuel hand warmers were used in Falls Creek to keep out the cold. The concept behind the hand warmer is that through combustion (ignition) of lighter fluid (light petrol distillate) it becomes a catalytic heater, relying on a catalysed chemical reaction to break down molecules and create heat. The devices could get quite hot, not hot enough to set paper on fire, but hot enough to give a nasty burn if sustained contact against your skin occurred. The construction of the device is very simple. There is very fine rolled wire mesh which fits on top of the reservoir body. After you fill the reservoir with lighter fluid, vapor pressure builds up. The device ignites by heating the grill with a match or lighter until it glows red. There is no open flame. The hand warmer also had a velvet bag to place it in after igniting to prevent direct skin contact. They were able to generate heat for up to a whole day. The Japanese company Yamato Shokai Ltd was founded in 1923 in the city of Osaka. Destroyed during air raids in 1945, the factory was rebuilt in 1946. They manufactured the Peacock brand pocket-warmer and sold it internationally.These items are significant because they were commonly used at Falls Creek.The pocket warmer is a small, relatively flat device with a tank at the bottom and a burner mechanism a t the top. "PEACOCK/MADE IN JAPAN" is engraved near the burner. The warmer fits into a metal case which features a series of ventilation holes in the shape of a peacock's tail. JAPANESE PAT. 237413.483177 MADE IN JAPANhand warmers, ski equipment 1960s -
Bendigo Historical Society Inc.
Textile - FLOUR BAG COLLECTION: ROBERT HARPER AND COMPANY, 1900-1950
Textiles. Calico flour bag printed on one side in red and blue''EMPIRE SELF RAISING FLOUR 25 lbs nett weight. Contains phosphate Baking Powder. Robert Harper & Company Incorporated Victoria, Australia''. In the background is a lighthouse with three beams of light extending from each side. Printed on the light beams- ''LIGHT BREAD, LIGHT PASTRY, LIGHT PUDDINGS, LIGHT LABOUR, LIGHT HEARTS, LIGHT HOMES''. Robert Harper (1842-1919), businessman and politician, was born in Scotland. He migrated to Melbourne with his family in August 1856. He worked for J.F.McKenzie & Co., roasting and grinding millers. In 1865 he established Robert Harper & Co., trading in tea, coffee and spices from the East Indies and later in oatmeal and flour.textiles, domestic, robert harper & co flour bag -
Clunes Museum
Card - CLUNES GIRL GUIDES
.1 HANDWRITTEN BLUE INVITATION CARD TO MISS STEART FOR CLUNES DIVISION GUIDE RALLY AT AVOCA RACECOURSE 23/3/86 .2 PRINTED INVITATION FRFROM GOVERNOR AND LADY BROOKS TO ENID STEART TO A GARDEN PARTY AT GOVERMENT HOUSE 11/3/1960. THE INVITATION IS IN AN ENVELOPE .3 INVITATION FOR ENID STEART TO A GARDEN PARTY TO MEET PRINCESS ALEXANDRA OF KENT AND THE GOVERNOR OF VICTORIA AND LADY BROOKS ON 19/9/1959 (WEATHER PERMITTING) INVITATION IS IN AN ENVELOPE .4 HAND DRAWN INVITATION ON YELLOW PAPER WITH A ROCKET. INVITE FROM 1ST CARISBROOK BROWNIE GUIDES FOR OUTER SPACE REVELS 17/3/90 . THE INVITATION IS IN AN ENVELOPE .5 WHITE PLASTIC BAG WITH YELLOW AND BLUE EMBLEM OF GIRL GUIDES AUSTRALIA AND GUIDE SHOP PRINTED ON BOTTOM IN BLUE.3 IN INK UNDER (WEATHER PERMITTING) "DID NOT"enid steart, clunes girl guides, governor and lady brooks, princess alexandra of kent -
National Wool Museum
Textile - Quilt, Mrs Beryl Andersen, Chicken Feed Wagga, 1995-2001
Norma Dessent (the donor) was cleaning out her Mother-in-law Amy Dessent’s home, after she passed away in 1995. She came across a collection of gunny sacks for chicken feed, potatoes, and flour. Norma gave the bags to her good friend Beryl Andersen, thinking she might be able to make use of the material in her quilting. Many years later in 2001, Beryl gave Norma this quilt made in a wagga style out of the bags. This was both a great surprise and a great delight for Norma. Amy Dessent was a housewife. Her chickens were her friends, keeping her company as she worked in her renowned garden and while she cooked and maintained a beautiful home. Typically, Amy would have a dozen chickens clucking around at a time. In the style of the time, everything was kept for a possible repurposing later in life, such as these gunny sacks. The Chicken Feed Wagga was created in Ballarat by Mrs Beryl Andersen. Beryl was the inaugural president of the Hamilton Quilters Guild and is a well-known quilter. Perhaps her best-known work was the “Quilt for Hope”, a living memorial for victims of institutional church-related sexual abuse. More information about this quilt can be found on the following link. https://www.nationalquiltregister.org.au/quilts/quilt-of-hope/). The wool blanket used as a backing belonged to Beryl’s mother. Beryl’s mother married in 1930 and the blanket is thought to have been a present from this wedding, making the blanket close to a century old. Norma donated the quilt to the National Wool Museum in 2021 as a result of downsizing. She no longer had room for the quilt to hang on her wall. Before downsizing, the quilt had hung in the entryway to her home for the last two decades.Wagga style quilt made with a appliqué top layer of gunny sacks that once held chicken feed, flour, and potatoes. The insulating internal material is not known. The backing fabric is made from a cream woollen blanket. The edges are bound with a material of a red and white plaid. The gunny sacks are quilted together with a machine stitch of red thread. The sacks contain imagery pertaining to their previous use. Some sacks have an image of a chicken applied with blue, red, or green ink. Other sacks contain imagery of potatoes. While other sacks contain information “Minimum Crude Protein 14%, Minimum Crude Fat 3%, Maximum Crude Fibre 7%”. One of the sacks shows a handwritten price for a bag of chicken feed in a red ink.Numerous. See multimediaquilts, wagga, gunny sacks, upcycle -
City of Greater Bendigo - Civic Collection
Souvenir - Bendigo Post Office Centenary Ephemera, Ted Rankins, 1987
When the Commonwealth Post and Telegraph Act was passed in June 1902, and a national Postmaster General's Department (the PMG) was established the responsibility the nation's mail and telephone services fell on local Post Offices. The Bendigo Post Office was designed by Public Works architect George W Watson and constructed between 1883 and 1887. The two story brick structure with basement has unpainted rendered facades and a 43m high clock tower complete with 6 bell carillon. The facades are elaborately decorated with Corinthian pilasters, balustrading, lions' heads and the state mansard roof with cast iron ridging and finials. (VHR #4739). Situated on Pall Mall it has always been called the Bendigo Post Office even though it was not until 1891 that the name Bendigo was given to the town. The Bendigo Post Office housed much more than just postal services and the building contained many early government departments and services needed for a growing district. The building celebrated its centenary on the 30th September 1987 to much fan fare with Ted Rankins, the then Postal Manager planning many of the week long events including tours of the post office, a grand parade with cake and staff in period costume, a ball at the Shamrock and a barbeque in Rosalind Park. The Post Office ceased providing postal services in 1997 after the privitisation Australia Post and Telstra but continues to play a central role for the community, providing important services to visitors and locals alike. Currently it is occupied by Bendigo Tourism and includes two exhibition spaces including the Living Arts Space and Djaa Djuwima a dedicated and permanent First Nations Gallery. Activities at the Post Office are supported by City of Greater Bendigo staff and a dedicated group of volunteers. These items are part of the postal collection donated by the Rankins family in memory of the last postal manager at the Bendigo Post Office, Ted Rankins. 0364.1: Single sided printed 'Order of Proceedings' flyer; Outlines the running of events for the celebrations on Wednesday 30 September, 1987 at the Post Office with the centenary logo centre top in crimson ink. 0364.2: Single sided, four-colour printed, DL size invitation for celebrations marking the centenary of the Post Office on Wednesday 30 September, 1987. 0364.3,.4,.5,.6,.7: Printed cake bag with centenary logo and image of Bendigo Post Office printed on front in crimson ink. 0364.8,.9,.10,.11: Square note paper with centenary logo and border printed in crimson ink. 0364.12 Envelope: Australia Post envelope with Bendigo 100th anniversary images. Date stamped and addressed to Mr Edmondston Postmaster, Elmore. bendigo post office, bendigo tourism, city of greater bendigo tourism, post office collection, ted rankins collection, city of greater bendigo volunteers -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, 15 05 1967
RDNS Sister, Betty. McDonald, is about to enter the home of a patient to administer nursing care.The Trained nurses of the Melbourne District Nursing Society (MDNS), later known as Royal District Nursing Service (RDNS), visited patients in their home and gave best practice care in many fields of nursing, and to people of many cultures, throughout its 130 years of expansion. Initial visits not only assessed the specific nursing situation but the situation as a whole. Their patients ranged in age from babes, children, adults to the elderly and referrals were taken from Hospitals, General Practitioners and allied Health facilities. Some of the care the Sisters provided is as follows: – Post-Natal care given to mother and babe, Wound Care following various types of surgery, accidents, burns, cancer, leg ulcers etc. Supervising and teaching Diabetic Care, including teaching and supervising people with Diabetes to administer their own Insulin, and administering Insulin to those unable to give their own injections. Administering other injections and setting up weekly medication boxes. The Sisters performed Catheterizations on adults suffering from conditions such as Quadriplegia, Paraplegia, Multiple Sclerosis (MS), Motor Neurone Disease (MND) and Guillan-Barre Syndrome, and when required at school on children for e.g. those with Spina Bifida. The Sisters visited those requiring Cystic Fibrosis support and care; those requiring Haemo-Oncology care, including visiting children at school; those requiring Home Enteral Feeding care, and those requiring IV therapy at home and home Dialysis. Palliative Care was given including pain relief with the use of syringe drivers, personal care as needed, and advice and support to both patient and family. The Sisters provided Stoma management to those needing Urostomy, Ileostomy and Colostomy care and those requiring Continence care. HIV/AIDS nursing care was provided; visits to Homeless Persons were made. Personal care was given to patients ranging in age and with varying mobility problems, such as those with MS, MND, Guillan-Barre Syndrome, Poliomyelistis, Quadriplegia, Paraplegia, Acquired Brain Injury, to those following a Cerebrovascular Accident (Stroke), those with severe Arthritis and those with a form of Dementia. When necessary the elderly were assisted with personal care and advice given on safety factors with the use of hand rails, bath or shower seats, and hand showers. Rehabilitation with an aim towards independence remained at the forefront of the Sister’s minds and when possible using aids and instruction on safe techniques enabled the person to become fully independent. All care included giving advice and support to the patient and their Carers. The Sisters liaised with the persons Doctor, Hospital and allied Health personal when necessary.Black and white photograph of Royal District Nursing Service, (RDNS), Sister B. McDonald, who is wearing her grey uniform coat, with RDNS insignia on the upper sleeve, and her peaked grey hat over her dark short hair. She is holding her rectangular nursing case in her left hand. Her right arm is through the long handles of a black bag which is hanging under it, and her hand is on the top of the gate; Number '39' is attached to the top of the gate post. A tall broken paling fence, with many gaps between the palings, can be seen running along the edge of the footpath to the left and right of the gate. The fence is leaning over in places. Bushes can be seen behind the fence and part of a white building is seen in the background.Photographers stamp. Quote No. GE 5rdns, royal district nursing service, rdns uniform, rdns patient care, sister betty mcdonald -
Melbourne Tram Museum
Film - Compact Diskette with video, Yarra Trams, "Tram it day", Oct. 2006
Compact Diskette with video (DVD), titled "Tram it Day", celebrating "100 Years of Electric Trams" and "Celebrating 100 years of continuous service", with a printed front, logos contained within a clear plastic bag. Features images and video from the "Tram it day" - 8/10/2006 - interviews with Dennis Cliche, tramways band, held at Docklands on , a celebration and function at Melbourne Zoo as part of the Good Friday appeal. An ABC news story about the launch of centenary art tram, including interviews with Peter Batchelor and Craig Tooke. A production featuring historic images and film clips interwoven with short film clips of various tram crews speaking about the job and how they enjoy it, or groups of employees saying "Happy Birthday" - includes Ron Scholten, Two copies held.trams, tramways, yarra trams, 100 years of electric trams, docklands, tram crews, displays -
Mt Dandenong & District Historical Society Inc.
Photograph, Looking Down Falls Road
Edward John Price was a son of early settler Edward Joseph Price. Edward Joseph was the first settler in the Village Settlement when he took out Lot 1, Section 1. He built a small home of slabs and brought his family up in 1896. From the outset the Price family ran a store from their home.This picture, taken 1914, shows Edward John Price on his pony delivering papers from his parent's newsagency that was opposite 'Mountjoy' guesthouse on Ridge Road. He was taking them to Lily Badenhop's post office in Blythe's Road. The section of road he is on was called Main Road and is now Falls Road.Black and white photograph showing a man on horseback in the centre of an unmade road that is running into the distance.Trees, a fence and houses can be seen with hills in the background. Reverse of photograph has handwritten description by John Lundy-Clarke.On Front MAIN ROAD On Reverse Looking down Falls Road then the main road in 1914. Before Frank Craig built The Fron (1918). Dunbar’s house Halcyon on left of road. The hall on its right with Keogh’s sheds showing further in the trees. The horseman is Edward John Price who delivered the daily papers to Lil Badenhop’s shop. The bag he carried them in can be seen hanging from the saddle pommel. The first road formation can be seen on the bank to the right. The road seen was constructed 1905 by Bill McGivern.edward john price, edward joseph price, lily badenhop, post office, falls road, main road, mountjoy, frank craig, bill mcgivern, dunbar, halcyon, keogh, farndons hall -
Bendigo Historical Society Inc.
Photograph - HILDA HILL COLLECTION: BLACK AND WHITE PHOTOS, 1923-1925
Series of Black & White Photos Hill Family & Friends. Hanging Rock Victoria Australia News Years Day 1925 Doreen, wearing all white dress and hat and holding dark coloured bag in right hand, Nora, also in all white outfit with large pockets and hat with dark coloured handbag held by her right hand and hat, Wal, dressed in grey suit white shirt and dark tie and dark hat, Jonah wearing white outfit with bands around the bottom and dark hat, & Elma skirt with circular bands and white blouse dark hat and paper in her left hand. Gentleman standing to the right wearing a dark suit and hat. Nora in white outfit and hat with dark bag in her left hand, Bill trench coat and light coloured hat, Elma wears a white dress with circular pattern and dark hat, Rob white trench coat over a dark suit white shirt and dark tie & Mev (not very clear) is wearing a white dress with a multi coloured jacket and dark hat, standing in front of a wooden tree enclosure, trees in distant background, January 1, 1923 Unknown Location. Kyneton Mineral Springs, five men and five women picnicking at Springs, fifth girls is taking the photo, January 1, 1923. girl sitting on the beach, wearing white clothing and a white hat, Down The Coast. Bunt and friend both dressed in dark trousers and white shirts, one with a striped tie, tree and house in background, rectangular open top tin also in background, 1924..australia, history, post war life -
Flagstaff Hill Maritime Museum and Village
Education kit - Display Board of Knots, Tom Long, DSM (Member of International Guild of Knot Tyers), Before Sept 1986
The Display Board of Konts was handmade in Kings Lynn, Devon, England, by Tom Long DSM, who is a member of the International Guild of Knot Tyers. This display board shows the knots and joins used in ropework performed by a sailmaker and other skilled ropeworkers. It demonstrates the uses of some of the knots, such as for knobs and handles, suspending lengths of wood, reinforcing spliced rope and even for decorative work. The sailmakers travelling as part of the ship’s crew stored their tool kit in a canvas ditty bag. It contained needles, awls, a sailmaker’s leather palmed glove with a heavily reinforced palm - a shuttle to mend and make nets, fids, knives, mallets, brushes, rulers, and rope gauges. Sailmakers used their ropework and knot-making skills for various purposes and chose the type of rope fibre for its particular properties. For example, Italian hemp rope was preferred for the light line used in shore-to-ship rescues because it was lightweight, not easily knotted, and absorbed less water. A supply of various types of rope was a commodity on board a ship and on land in the new colonies. It was flexible, easily stored, and could be worked to create an endless variety of objects on its own or with other materials like wood. An example is a simple rope ladder. Lengths could be combined to make various thicknesses and pieces could be skilfully joined together by splicing. The importance of knots in seafaring cannot be overestimated. When ships relied on only the wind for power and speed, there were a huge number of various ropes in use, particularly with regard to the sails and rigging. Seafarers would be judged on their ability to tie knots speedily and correctly. A mounted display of authentic seaman's knots is on a board covered in blue fabric. Various rope grades and fibres were used to work numerous knots and splices. Some of the uses are familiar, such as the toggle, the pineapple knot, and the Turk’s head. A selection of rope grades and fibres were used to work numerous knots and splices. Some of the uses are familiar, such as the toggle, the pineapple knot, and the Turk’s head. The name or purpose of the knot is on the label below it. Labels below each knot give its name or use.flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, knot display, knot making, ropework, marine technology, sailmaker's work, sailor's knots, ship's rigging, seamen's knots, handmade, rope craft, knots, splices -
Warrnambool and District Historical Society Inc.
Clothing - Man's suit, tie, carry bag, coat hanger, Fletcher Jones and Staff Company, 1975
This suit was made to order in 1975 for Ted Henry at a Fletcher Jones factory, probably the one in Warrnambool. The other items were obtained at the same time. David Fletcher Jones began his business by opening shops in Liebig Street Warrnambool in the 1920s. His Man's Shop sold suits and overcoats and manufactured men's clothing on site. In 1946 a Fletcher Jones shop was opened in Melbourne and a factory was opened in Warrnambool in 1948. The Fletcher Jones and Staff Company expanded and became well known throughout Australia for the quality of its men's and women's clothing. The Company ceased business in 2011. The surname "Henry" is well known in Warrnambool and district. These items are important mementoes of Fletcher Jones and Staff one of the most significant Australian businesses originating in Warrnambool..1 Carry bag, oblong shaped made of pale orange cloth with full length white zip and dark brown edging and stitching It has a maker's label on the interior. .2 Black plastic clothes hanger with suit maker's name and logo .3 Silk and cotton tie in black, beige and tan broad stripes. It has two labels attached. .4 Man's trousers. The trousers are made of wool and polyester woven pattern in brown. grey and tan. There is a metal zip, The pockets have cream cloth lining . There are two labels. There are loops for a belt. .5 Man's suit coat made of the same material as the trousers (above). It has three butttons on each sleeve and two on the front. It is fully lined with brown cloth and cream lining on the sleeves. It has a maker's label. There is some padding in the shoulders. There are two internal pockets and three on the exterior.Celsius 30 A woolblendmark fabric developed for summer 80% new wool 20% polyester Henry L. 30.6.75 654 silk 35% cotton MADE IN ENGLAND.ted henry, fletcher jones and staff company, fletcher jones factory warrnambool, men's clothing -
Bendigo Historical Society Inc.
Photograph - E.W. HANDS, BUTCHER, 1902-04
Black and white photograph on green mount. Two storey brick building with verandahs, parapet. Eight men wearing striped aprons standing at front. Six children at bottom left. Meat carcasses hanging in doorway. Electricity pole. Pole on corner. Tree at L. Tram wires. Inscriptions: in image - on building 'EST. 1859, EW Hands, Butcher, Poulterer', Refrigerating Chamber on the premises'. On back - hand written in ball point pen 'EW Hands Butcher Shop, Crn Barnard and Forest Sts., Bendigo. Period about 1902-04. 'Note carcasses of meat hanging in open doorway on the footpath'. 'Hands 1204 fsp' IN BALL POINT PEN. 'Hands' in lead pencil. (2), 'Royal Historical society of Victoria, Bendigo Branch' Circular stamp on back of photo. 71% reduction copy in plastic bag.buildings, commercial, ew hands, butcher -
Bendigo Historical Society Inc.
Textile - FLOUR BAG COLLECTION: JONES, MILLER & CO BENDIGO, 1900-1950
Textiles. Calico flour bag printed on both sides in black ink. 1. ''Jones, Miller & Co's Royal Self Raising Flour, 5 lbs Net. Factory Bendigo, Victoria. Coat of Arms printed in centre JM&C. Illegible signature in brown ink in one corner. 2. JONES, MILLER & CO.Self Raising Flour Factory Manufactures of Jams, Jellies, Canned Fruits, Pickles, Tomato Sauce, Chutneys, Custard Powders, Essences, Etc. Williamson & Myers Streets, Bendigo, Victoria. Telephone 73 and 19 Box 50. Collection has another in linen fabric which has been unstitched on side and bottom seams. Uncatalogued. The Bendigonian reported in 1933 that Jones, Miller and Company had an up-to-date factory that had already gained a standard of excellence for Bendigo pure food products.textiles, domestic, jones, miller & co flour bags -
Flagstaff Hill Maritime Museum and Village
Instrument - Scale, 1900-1930
The basic balance scale has been around for thousands of years and its accuracy has improved dramatically over the last several centuries, the principle behind this tool remains unchanged. Its parts include a fulcrum, a beam that balances on it, a pan at the end of the beam to hold the materials to be weighed, and a flat platform at the other for the counter-balancing weights. Balance scales that require equal weights on each side of the fulcrum have been used by everyone from apothecaries and assayers to jewellers and postal workers. Known as an unequal arm balance scale, this variety builds the counterweight into the device. Counter scales used in dry-goods stores and domestic kitchens often featured Japanned or (blackened) cast iron with bronze trims. Made by companies such as Howe and Fairbanks, the footed tin pans of these scales were often oblong, some encircled at one end so bulk items could be easily poured into a bag. Seamless pans were typically stamped from brass and given style names like Snuff (the smallest) and Birmingham (the largest). Some counter scales were designed for measuring spices, others for weighing slices of cake. In the 18th century, spring scales began to appear and would use the resistance of spring to calculate weights, which are read automatically on the scale’s face. The ease of use of spring scales over balance scales. These scales are significant as they identify one of the basic preparation items for the weighing of foodstuff in the family kitchen to prepare everyday meals. This item is significant as it gives a snapshot into domestic life within the average home in Australia around the turn of the twentieth century and is, therefore, an item with social relevance. Black cast iron, medium weighing scales, with a fulcrum which the beam that balances on, there is a scoop or large bowl at one end for the material to be weighted and a flat platform at the other end that holds the weights. Around the cast iron base is an embossed strip weight and bowl missing.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
National Wool Museum
Text panel, Elders Limited, "The Fleece that would not die"
Text panel produced by Elders to accompany display of coat. In 1928 Mr Mal Groves took over the Dutchman Station near Port Augusta in South Australia. Whilst out riding in some rough country he came across a sheep that had been left by the previous owner of the station. As he carried shears with him, he sheared the sheep and left the fleece rolled up and partially covered by rocks and wood, as he had no bag to carry it back with him. He intended to come back for the fleece, but forgot about it until he came across it some forty years later. It was still in good condition (despite having experienced extreme temperatures and rainfall whilst in the open), so he showed it to Elders who arranged to display it at agricultural shows in Adelaide, Melbourne and Geelong. The Gordon Institute of Technology, Geelong, offered to spin the fleece into a fabric and make a coat for Mrs Groves. The fabric was tailored into a coat by Lindsay and McKenzie of Geelong and presented to Mrs Groves in July 1968 by the SA manager of Elder Smith Goldsbrough Mort Ltd. It is not know how the coat came to Elders from the Groves family, but Elders displayed the coat under the heading "The Fleece That Would Not Die" before donating it to the National Wool Museum in 1997. A video giving the history of the coat as well as this text panel used by Elders were also donated at the same time.Text panel with black and red text on cream paper, framed in wooden frame and glass, with hanging wire.shearing, elders limited, groves, mr mal groves, dutchman station, south australia -
National Wool Museum
Video recording, Elders Limited, "The Fleece that would not die"
Video recording, produced to accompany display of coat. In 1928 Mr Mal Groves took over the Dutchman Station near Port Augusta in South Australia. Whilst out riding in some rough country he came across a sheep that had been left by the previous owner of the station. As he carried shears with him, he sheared the sheep and left the fleece rolled up and partially covered by rocks and wood, as he had no bag to carry it back with him. He intended to come back for the fleece, but forgot about it until he came across it some forty years later. It was still in good condition (despite having experienced extreme temperatures and rainfall whilst in the open), so he showed it to Elders who arranged to display it at agricultural shows in Adelaide, Melbourne and Geelong. The Gordon Institute of Technology, Geelong, offered to spin the fleece into a fabric and make a coat for Mrs Groves. The fabric was tailored into a coat by Lindsay and McKenzie of Geelong and presented to Mrs Groves in July 1968 by the SA manager of Elder Smith Goldsbrough Mort Ltd. It is not know how the coat came to Elders from the Groves family, but Elders displayed the coat under the heading "The Fleece That Would Not Die" before donating it to the National Wool Museum in 1997. A text panel giving the history of the coat as well as this video was also donated at the same time.Video recording, in a white case with Tasmanian Trades and Labour Council with compliments slip printed on yellow paper inserted into back sleeve.shearing wool - history, elders limited, groves, mr mal groves, shearing, wool - history