Extract from scrapbook of Mrs Jesse Williams. Celebration of the diamond wedding of Fred and Gene Ballantyne. Fred, an architect, was indentured to Walter Burley Griffin. Later buildings included Tintern CEGGS and St Luke's original vicarage. Gene taught mainly at Melbourne CEGGS and Tintern CEGGS and was also District Commissioner for Girl Guides in Boronia.williams, jessie, ballantyne, fred, gene, griffin, walter burley, 'plumstead' terrara road, vermont, st lukes anglican church

Sergeant Payne was selected as one of three representatives from the 8th Light Horse to a review of the King's Banners presented to Australian regiments following the South African campaign. The review was held 14 November 1904. The Banner is now on display in the History Room of the 8/13th Victorian Mounted rifles, Simpson Barracks , Melbourne.Strong connections to other objects in the 8/13 VMR collection.Black and white photograph of soldier wearing helmet and holding mace. He is wearing both Queens South African medal and King's South African medal. Soldier is thought to be Sergeant Walter Edward Payne who served as Private No 1116 with the 5th Victorian Mounted Rifles contingent and following Federation with the 8th Light Horse (VMR).payne w e, 8th australian light horse, south africa, king's banner, uniform

TimboonSepia photograph of students and teacher. Names of students included in folder. Surnames include - Martin, McVilly, Wilkinson, Lia, Couch, Maynard, Barlow, Walters, Howard, McKenzie, Karlinski, Delany, Hickey, Smit, Roslin, Anderson, Hall, Baxter, McKinnon, Finch, O'Keffe, Tregea, Riordan, Hunter, Russell, Joiner, McMeel, Hovendon, Deppeler, Duynhoven, Savage. education, schools

This bottle was found under a building some years ago (Hand’s tobacconist shop, Liebig Street, Warrnambool). It is believed to be a beer bottle from the Warrnambool brewery of Sheldrick and Co. In 1868 Walter Sheldrick formed a company and established the New Brewery at the corner of Timor and Fairy Streets, Warrnambool. Two of the original directors, Walter Sheldrick and Thomas Price, took over the business under the title of Sheldrick and Co. When Walter Sheldrick died in 1876 Richard Sheldrick succeeded his father in the business. In the early 1890s Richard Sheldrick sold out and by 1892 a group of Warrnambool businessmen was operating the brewery. In 1894 it was sold to William McGee and Company and in 1922 the brewery closed when the Ballarat, Melbourne Co-operative and Carlton and United Breweries took over the business.This bottle is of interest as an example of a beer bottle from Sheldrick’s New Brewery. This brewery was prominent in Warrnambool for over 50 years. This is a green glass beer bottle with a rounded body and a heavily indented base producing an inverted hump inside the bottom of the bottle. The neck is rounded with a moulded glass top. There is no stopper. There are no markings on the bottle.walter and richard sheldrick, warrnambool, sheldrick’s new brewery. warrnambool, breweries in warrnambool, history of warrnambool

Around 1885 Mr James Nixon started a sawmill in the paddock below Mr Harry Cameron's dairy. It was in Snaggers Lane on the east side of the present highway. The photo is of James Nixon's sawmill with Percy Nixon in the centre foreground. Orbost has historically been based on the timber industry, but that industry has declined considerably over the last 20 years. The number of locals involved in the timber industry has declined and many of the mills have closed. This item reflects a time when that industry was a significant contributor to the economy of the district.A very yellowed photograph of five men, probably workers, at a mill site. The photograph is on a grey buff card.on front - "Nixon's Sawmill" on back - "Toby Nixon's Sawmill"timber-industry-orbost sawmill-nixon

This photograph was taken at the 1937 Back to Orbost celebrations. Some of the family names recorded are: Boucher; Farquhar; Nixon; Richardson; Gilbert; Henderson; Rodwell; Herbert; Cameron; Reynolds; MacDonald; Cowell; Lyons; Warren; Pleydell; Ralston and Perry.This is a useful research tool. It is a contemporary pictorial record of Orbost residents in 1937.Two long black / white photographs of a large group of people standing or sitting outside a building. 983.1 has some names written underneath it. Both are on grey buff cards.on front - "Orbost Celebrations 1937 Back To School'orbost-back-to-celebrations-1937

This cape comes from the estate of James Cameron who was one of the first Snowy River councillors for the Tambo Shire. He selected land at Lochiel in 1892. From 1902-1920 he was the Assembly member for East Gippsland.A black shoulder cape made of crepe silk. It has scalloped edges and is probably hand-made. It fastens with press studs and the hems have been machined.cape silk clothing

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. This book was produced by Patons and Baldwins and contains knitting patterns for womens dressing gowns, bed jackets and under garments.Patons / KNITTING BOOK / NO. 189 / "JANICE" / See page 10 / "CAMILLA" / See page 12 / 6d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for craft items such as toys, tea cosies, socks, rugs, and cushions.PATONS / BOOK / C.14 / GIFTS TO KNIT / Tea Cosies . Toys . Afghans / T.V. Socks Cushion / PATONS / BOOK / C.14 / Patons / CRAFT BOOK / No. C.14 / P&B / WOOLS / 2'-knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting and embroidery patterns for craft items such as tea cosies, dolls clothes etc.Gifts and / Crafts / "P&B" / BRAND / PATONS & BALDWINS' / SPECIALTY / BOOK / No. 43 / "P&B" / BRAND / PATONS & BALDWINS LTD. / SIXPENCEknitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. This knitting book was given away with the English magazine, "Housewife" and contains knitting patterns for mens, womens and childrens garments.HOUSE / wife / BOOK OF INSTRUCTIONS / KNITTING FOR / THE FAMILY / 25 EXCLUSIVE DESIGNS FOR YOU / YOUR HUSBAND AND THE CHILDREN / PRESENTED WITH THE OCTOBER ISSUE OF HOUSEWIFEknitting handicrafts - history, housewife, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by English Vogue in 1958 and was part of a twice yearly sereies. It contains knitting patterns for mens and womens garments.VOGUE KNITTING / BOOK / Make this a / KNITTED / summer / Instructions inside / No. 52 PRICE 3'10knitting fashion, vogue - english, knitting, fashion

In 1848, Francis Rogerson form Dumfriesshire, Scotland purchased 80 acres of land at Kangaroo Ground on which he built a two-roomed bark hut. He named the property afterr the many Bronzewings and Wonga Pigeons in the area. Ewen Hugh Cameron moved to Pigeon Bank the same year he was elected to Parliament as the Member for Evelyn. At the time he moved in, Pigeon Bank had six rooms and the present water well. He made further extensive additions and lived there until his death in 1915. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p27 Pigeon Bank, on the Kangaroo Ground – Warrandyte Road, Kangaroo Ground, is one of the Shire’s oldest farm dwellings, and has been home to some of the district’s earliest and most distinguished families. Although close to the road, the white weatherboard Victorian farmhouse is ensured privacy by the trees and hedges around it. On 4.8 hectares of farmland, Pigeon Bank is surrounded by rolling hills, farmland and bush, the peace of which is punctuated by an occasional birdcall. Pigeon Bank’s first owner was Francis Rogerson, from Dumfriesshire, Scotland, who bought 80 acres (32.4ha) of land in 1848 on which he built a two-roomed bark hut. Today this is the centre piece of the 14-room home.1 Rogerson lined the rooms with tongue-and-groove boards and roofed them with wooden shingles and sapling frames, which remain under the present green corrugated iron roof. He named Pigeon Bank after the many forest bronzewing and Wonga Pigeons in the area at the time, and the name Bank was commonly used in Scotland. Rogerson was united with one of the oldest families in the area when his sister Janet married John Bell, son of William, the original Bell settler. When Ewen Cameron moved to Pigeon Bank in 1874 it had six rooms and the present water well. He made extensive additions to the house and farm buildings and lived at Pigeon Bank until his death in 1915. Cameron, who had arrived in Melbourne from Scotland in 1853, contributed an enormous amount to the community. He worked as a builder, as a miner at Andersons Creek, a storekeeper at Queenstown2 and as the first postmaster at Warrandyte. In 1867 he married Agnes Bell, daughter of local farmer, John Bell. Cameron was a member of the Eltham Road Board (which preceded the Shire Council) and for more than 50 years, from 1863, he was an Eltham Shire Councillor, being President three times. Cameron was the Member for Evelyn for 40 years from 1874. In the 1880s he became the Government Whip, in 1902 the Minister for Mines and Water Supply, and in 1904, the Minister for Health, Cameron was also an outstanding farmer, whose farm won the Agricultural Department prize for the finest in the district, three consecutive times. Not surprisingly Pigeon Bank became the centre of district life. Every New Year’s Eve, Cameron hired a highland piper, who marched from the Kangaroo Ground school house to Pigeon Bank playing his pipes.3 Distinguished visitors included opera singer, Dame Nellie Melba, Victorian Premier, Thomas Bent, Governor, Lord Hopetoun and artist, Longstaff. Following Cameron’s death, the property changed hands several times, then returned to the family in 1919 when bought by Gordon Cameron. As the car took over from the horse, Pigeon Bank entered difficult times because the farm had produced chaff and oats and bred Clydesdales and harness ponies. In 1926 Mr Matthews bought the property and made many alterations including pulling down the kitchen, which had been separate from the main house. The property again changed hands several times. One owner was Senator James F Guthrie, who added a sunroom. In 1968 the house again returned to the Cameron family, when Vera Jackson, a grand-daughter of Ewen Cameron, and her husband, bought the property. The Bishop family, who were sixth and seventh generation Bells and also descended from the Camerons, restored the house in the 1980s. Today tongue-and-groove boards still line part of the hall (which retains two fine arches), the breakfast room, and Ewen Cameron’s former room. Five original fireplaces in the bed and living rooms are still in working order. The wide veranda with a curved iron roof and ornate iron lace work bounds three sides of the house, and nearby a windmill stands beside the water well. Sue and Ron James, who bought the property in 2001, made extensive improvements to the homestead and meticulously restored the grounds to their original state.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, ewen hugh cameron, francis rogerson, kangaroo ground, kangaroo ground-warrandyte road, pigeon bank

"The first Presbyterian Church service was conducted at the Orbost Station Homestead in 1885, during a visit by Sir William Clarke, who was accompanied by two ministers. The organist was resident Grace Jennings Carmichael. Services were later held in Mr J. W. Borland’s shop and the Mechanics Hall. In 1887, the land on which the church now stands was purchased from Mr James Hossack snr, for £50 ($100). The trustees were Mr John, Peter and Hugh Cameron, Mr John A Watt and Mr James Hossack Jnr. Timber from Richardson’s Tabbara Mill was used by builder Mr R. P. Cameron and at a cost of £311.3.7 ($622) the church was opened January 9th 1898." (from Newsletter 90 Margaret Smith) In 1928 the Sunday School hall was added to the church. Mr R.P. Cameron was the contractor for both the manse and the church. The first communion service was held on July 17 1892. the Presbyterian Church was commenced in Orbost in 1855 when the Reverend Chas Attwood was settled in pastoral charge.This is a pictorial record of the Presbyterian Church in Orbost as it was in the mid 20th century. It is now the Orbost Uniting Church hall, known as St Andrews Hall,A black /white postcard photograph of the Orbost Presbyterian Church, a wooden structure with a wooden picket fence at the front and trees on right and left sides. on back - " H Gap, Presbyterian Church Orbost"presbyterian-church-orbost religion

Walter Sheldrick, a butcher and publican, established the Warrnambool New Brewery at the corner of Timor and Fairy Streets in 1868 as a company. The business was known as Sheldrick and Co. and after Walter Sheldrick’s death his son, Richard, managed the company until his death in 1893. In 1894 the business was sold to John McGee and Company until this firm sold to the Ballarat, Melbourne, Co-operative and Carlton and United Breweries in 1922. This Pale Ale bottle, therefore, was bottled before 1922.This bottle is of considerable significance as it is one of the last products of a prominent brewery in Warrnambool and is now nearly 100 years oldThis is a brown-coloured glass beer bottle with a long neck and no stopperOn oval shaped paper label ‘Sparkling Pale Ale, Sheldrick and Co. Brewers, Sheldrick’s Warrnambool, Vic. Aus. Bottled at the Brewery, Timor St. Keep in a cold place’. Monogram, ‘S.C.O.’ ‘M.B.C.V’ embedded in glass in clover leaf motif and underneath ‘The Property of the Manufacturers, Bottle Company of Victoria Pty Ltd’ warrnambool, sheldrick ales, sheldrick brewery, walter sheldrick

Set of two reports regarding the difficulties of leasing the former MMTB head office building at 673 Bourke St following the move into the Little Collins Street building in 1936. .1 - Six page typed, part carbon copy, report (note the fist page has the carbon copy of another page in the report on the rear) Notes the extensive discussions with the Post Masters General Department, problems with discussions with the Board's agent, Mr. J. G. Membrey, possible sale of the building, issues within the PMG over leasing buildings, discussions with Bushell's Tea Company, lease to the RSL, then the RSSILA, through a Mr Bett, who then was in talks with the PMG to sub-lease the building, discussions with the Chairman, Mr. Cameron, which occurred. What a mess! .2 - two page carbon copy of report from Mr. J. G. Membrey to the MMTB discussion the issues with the lease, PMG, Mr. Bell and part occupied by the Radio Times. Also involves discussions with Mr. McGrath Deputy Chairmen when Mr. Bell was overseas. Report dated 19/10/1940. Two copies held.trams, tramways, mmtb, head office, bourke st, lease agreement, real estate, pmg

Copy photograph of a small photograph contained within item Reg. No. 587. Photograph of the opening scene at Gregory St for the opening of the line to Lydiard St. North. Has policeman on left side of photograph, ribbon on tram 37 and an inspector on the right hand side. Caption from 587 is "OFFICIAL OPENING DAY 28.9.37 (corrected to 30.8.37) Official Car arrives from city driven by Mayor J.Pryor (SEC Ballarat accountant W.J.K.Dunstan running)." Walter Dunstan. copy 3 by John Phillips, 9/97, laminated 10/97. - in 01-01-54 See also Reg Item 2521 for another image of this event - newspaper cutting. For some details on Walter Dunstan see Reg. Item 3231 worksheet. Hi Res scan of the negative added 8/5/2020.trams, tramways, ballarat, lydiard st. nth, opening , tram 32

Second wife of August Schwerkolt. Wilhelmina had four husbands and died 1903, age 59, in Pittsburgh in U.S.A.Information supplied by Walter Jack, grandson of August SchwerkoltBlack and white copy of Wilhelmina Schwerkolt, taken in Pittsburgh, U.S.A.schwerkolt, maria catherina wilhelmine, pittsburgh, u.s.a.

Mary Pitt Withers was the fourth child and third daughter of artist Walter Herbert Withers and Fanny (nee Flinn), born December 4, 1895 at Heidelberg, Victoria. Many items in this collection have suffered from significant water damage and black mouldjohn withers collection, heidelberg, 1898, mary pitt withers

Edwina Green is a Trawlwoolway First Nations multidisciplinary artist based in Naarm (Melbourne, Australia) that works across painting, film, design, installation and sculpture to investigate narratives of perception, historical re-framing, cultural reclamation and the post- colonial paradigm and its impact on people and place. Graduating from The University of Melbourne with a Bachelor of Fine Arts, she has since been exhibited extensively across Australia and internationally. Her research influenced practice, connection to culture, and ties to reclaiming intergenerational disconnection, inform her practice and it’s aims to challenge understandings and interactions of Indigeneity through dynamic and poetic works. She has exhibited in respected galleries and festivals such as Firstdraft, Pari Ari, Incinerator Gallery, The Granville Centre, SEVENTH Gallery, TCB Gallery, Collarworks (New York), Yirramboi, Gertrude St Projection Festival, Brunswick Music Festival, and EFFA (Environmental Film Festival.) She has also worked as an art director, producer and programmer for RISING Melbourne, Samsung, Arts Centre Melbourne, Next Wave, and Darebin City Council. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art

Dr Deanne Gilson is a proud Wadawurrung woman living on her ancestral Country of Ballarat. Her award-winning multidisciplinary art practice has spanned forty years full time creating through painting, clay (sculptural installation), fashion & textile design, photography, drawing and recently being recognised at the Koorie Heritage Trust for her work as a Blak Jewellery Designer. Celebrating her continued living culture through art and design that revives traditional marks used by Wadawurrung family, contemporary ceremonial business and including oral stories like her Creation Story. She depicts many indigenous plants, trees, birds, often painting endangered species to highlight the importance of taking care of the land and all living things. Working with the notion that time is traversed and all is connected through layers of Dja (Country), from the Cosmos, to Sky to Under Country. Alongside the issues faced by Aboriginal women stemming from the white male and female colonial gaze. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art

Dr Deanne Gilson is a proud Wadawurrung woman living on her ancestral Country of Ballarat. Her award-winning multidisciplinary art practice has spanned forty years full time creating through painting, clay (sculptural installation), fashion & textile design, photography, drawing and recently being recognised at the Koorie Heritage Trust for her work as a Blak Jewellery Designer. Celebrating her continued living culture through art and design that revives traditional marks used by Wadawurrung family, contemporary ceremonial business and including oral stories like her Creation Story. She depicts many indigenous plants, trees, birds, often painting endangered species to highlight the importance of taking care of the land and all living things. Working with the notion that time is traversed and all is connected through layers of Dja (Country), from the Cosmos, to Sky to Under Country. Alongside the issues faced by Aboriginal women stemming from the white male and female colonial gaze. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art

Marlene is a proud Wadawurrung artist, who currently lives in regional Victoria. Gilson’s multi-figure paintings work to overturn the colonial grasp on the past by reclaiming and re-contextualising the representation of historical events. Learning her Wathaurung history from her grandmother, Gilson began painting while recovering from an illness. The artist's meticulously rendered works display a narrative richness and theatrical quality akin to the traditional genre of history painting. Gilson, however, privileges those stories relating to her ancestral land, which covers Ballarat, Werribee, Geelong, Skipton and the Otway Ranges in Victoria. Often including her two totems, Bunjil the Eagle and Waa the Crow, Gilson’s paintings not only reconfigure historical narratives, but display her spiritual connection to Country. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art

Marlene is a proud Wadawurrung artist, who currently lives in regional Victoria. Gilson’s multi-figure paintings work to overturn the colonial grasp on the past by reclaiming and re-contextualising the representation of historical events. Learning her Wathaurung history from her grandmother, Gilson began painting while recovering from an illness. The artist's meticulously rendered works display a narrative richness and theatrical quality akin to the traditional genre of history painting. Gilson, however, privileges those stories relating to her ancestral land, which covers Ballarat, Werribee, Geelong, Skipton and the Otway Ranges in Victoria. Often including her two totems, Bunjil the Eagle and Waa the Crow, Gilson’s paintings not only reconfigure historical narratives, but display her spiritual connection to Country. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art

Ellie Franks is a proud Gubbi Gubbi woman, living and working in Naarm. Her practice is print informed and utilises print techniques to talk to concepts of identity, belonging and connection. She focuses on the malleability of materials and leans into the fluid nature of various mediums, mistakes and chance. Ellie graduated from RMIT University in 2020 with a Bachelor of Fine Arts and is currently participating in the 2023 Koorie Heritage Trust Blak Design Program. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art

Ellie Franks is a proud Gubbi Gubbi woman, living and working in Naarm. Her practice is print informed and utilises print techniques to talk to concepts of identity, belonging and connection. She focuses on the malleability of materials and leans into the fluid nature of various mediums, mistakes and chance. Ellie graduated from RMIT University in 2020 with a Bachelor of Fine Arts and is currently participating in the 2023 Koorie Heritage Trust Blak Design Program. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art

These articles were collated by Mary Gilbert. Mary Isabelle Gilbert was born in 1905 in Orbost, Australia. She was born to John Gilbert and Annie Cameron Gilbert. She was a teacher historian loved and respected by her family and the wider community.These articles are contemporary records of significant events in the history of Orbost and as such are useful reference tools.A cardboard folder of black and white newspaper cuttings relating to the 1934 floods in Orbost, war photographs and local events and residents. 747.1 is from the February 3, 1934 Weekly Times and is titled, " FLOOD PHOTOS ORBOST". 747.2 is from the Weekly Times, 9 June 1917 and contains war photos and photographs of Orbost - 11 May, 1929.orbost-floods-1934 ww1-photgraphs-orbost-weekly-times

This dress and petticoat come from the estate of James Cameron who was one of the first Snowy River councillors for the Tambo Shire. He selected land at Lochiel in 1892. From 1902-1920 he was the Assembly member for East Gippsland.A white voile dress with a white cotton petticoat underneath. It is not attached. The dress has a lace frill at the hem. It has lace inserts - two at the bodice and along the three-quarter length sleeves. There are several lace inserts on the skirt. It has been machine embroidered.dress costume cameron-james

Tour to outback regions of Australia - Innamincka and Cameron Corner. This is where the Queensland, New South Wales and South Australia borders meet. Photos show the floods, dryness of the land and the regeneration of plant life. Elizabeth Chatham is with family memberschatham-holmes collection, elizabeth chatham, outback, cameron corner, innamincka, queensland, new south wales, south australia, floods, desert plants

BESSIE WAS A DAUGHTER OF HARRY AND ELIZABETH ROBBINS. ELIZABETH (NEE McINTOSH) EMIGRATED FROM INVERNESS, SCOTLAND IN 1849 WITH HER BROTHER THOMAS AND THEIR COUSIN DONALD CAMERON. HARRY ROBBINS EMIGRATED FROM SOMERSET, ENGLAND IN LATE 1840'SBLACK AND WHITE COPY OF A PHOTOGRAPH OF BESSIE PICKFORD NEE ROBBINSlocal history, photography, photographs, mcintosh, robbins, pickford, donald cameron