An identity card issued for civilian registration of British Subjects during World War II. This card was issued to Maisie Elizabeth Morgan of 48 Foam Street, Elwood.Brown card printed in black on both sidesPostmarked 7 April 1942 St Kilda. Card number 22915. Handwritten name, address and signatures of cardholder and witness. Handwritten additional reference numbers for official purposes.wwii, world war ii, civilian identification, id cards

An identity card issued for civilian registration of British Subjects during World War II. This card was issued to Emma Sara Morgan of 48 Foam Street, Elwood.Brown card printed in black on both sidesPostmarked 7 April 1942 St Kilda. Card number 22914. Handwritten name, address and signatures of cardholder and witness. Handwritten additional reference numbers for official purposes.wwii, world war ii, civilian identification, id cards

An identity card issued for civilian registration of British Subjects during World War II. This card was issued to Olive Blanche Appelton, 15 Morrie Street, Caulfield North.Brown card printed in black on both sidesPostmarked 8 April 1942 St Kilda. Card number 18003. Handwritten name, address and signatures of cardholder and witness. Handwritten additional reference numbers for official purposes.wwii, world war ii, civilian identification, id cards

This is one of eight embroidered panels, completed during the 1988 Australian Bi-Centennial, and carried out under the auspices of City of Kew Council and the Kew Historical Society. Nearly 600 residents, including many children, participated in their production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart / Co-ordinator: Dorothy Benyei.3. East Kew State School. A framed embroidery created by adults and children of the City of Kew as a Bicentennial project, based on a design by the artist Joy Stewart. Five of the six completed embroideries created in the project are/were displayed in the Kew Library. [The five embroidered panels have now been temporarily removed for conservation reasons].Inscription: "EAST KEW STATE SCHOOL / Typical country school attended by children from surrounding farms and market gardens." Embroidered signature of the artist: "(c) JStewart, 1988"bicentennial project (kew), joy stewart, charles grimes expedition, australian bicentennial

A watercolour portrait of an unknown prisoner of war. Presumed to be from Changi Prison as it was stored with sheet music believed to be come with the 'Changi violin' donated by the family of Roy Arnel. It was on display in 2nd floor function room with hand written sheet music until 2024. The reverse of the portrait is text of page 5 from a prisoner of war rule book. It has holes that appear to have made been by a pest.A record of life in a POW camp.A watercolour of the head of a man from Changi prison.Handwritten in pencil, top right is a partial date '31st Ja__'; bottom left 'The Mummy : PA van Dijk' and an indistinct signature. On reverse handwritten pencil notations to the text.changi prison, pow

This photograph and a matching earlier photograph are the images of a painting of the British steamship SS Warrnambool at Dover Strait in the English Channel. The photographs were donated by the painting’s owner, who acquired the 30” x 56” (76 x 142.5 cm) oil on canvas painting in 1998. Both photographs were accompanied by a letter, one written in 2001, and the other in 2003. The letters confirm that the artist of the painting was Charles Keith Miller, signed with the initials “CKM” and dated “1893”. The painting shown in the photographs was a gift to the Town Council of Warrnambool, presented to Warrnambool folks in Melbourne on December 1, 1892, by the Captain of William Lund’s ship SS Warrnambool. The painting was given by Lund in appreciation of the Ladies of Warrnambool who had presented the ship with a ‘house’ flag bearing the Blue Anchor Line’s symbol of a diagonal blue anchor on a white background; the ladies had made the decision to present the flag only a month earlier. A few days later, December 6th, the SS Warrnambool was on its homeward journey to Britain, sailing via Adelaide. It anchored for a short time off the Port of Warrnambool. A boat was launched from Lady Bay to take a group of friends to the ship with a delivery of gifts. After cheers were roused for both the ship and the Captain, the ship continued on its way. The photograph shows the gifted white flag with a diagonal blue anchor flying from the masthead. The same symbol is painted on the ship’s black funnel. The signal flags on the foremast display ‘M’ ‘R’ ‘V’ ‘B’. These letters are most likely the ship’s call number ‘MRVB’. Although the painting was given as a gift in December 1892, it is post-dated “1893”. Perhaps the painting was given earlier than anticipated; or the date added later, but whatever the reason, the provenance of the painting was confirmed at auctions of this painting and other works by the same artist. CHARLES KEITH MILLER 1836-1907:- Captain Charles Miller left his home in Scotland at the age of 15 years for a life at sea. He earned his Master’s Certificate ten years later. After being the captain of sailing ships he moved over to the steamships because they were faster. In 1866 he married and settled in Glasgow. Over the following eleven years he and his wife had five children, then sadly his wife passed away. Captain Miller returned to the sea for a while but in 1888 he gave up his sea life to spend his time as a marine artist. His understanding of seafaring life and vessels, combined with his artistic skills, gave him the ability to produce fine art and several galleries and museums have collections of his sought-after works. S.S. WARRNAMBOOL 1892-1925:- The steamship SS Warrnambool was built in 1892 by the Sunderland Ship Building Company for the Lund Line of London, founded by William Lund in 1869. It efficiently carried both passengers and cargo across the world to Australia, under the command of her master Captain Joshua Edward Iibery, who had many years of experience with the Blue Anchor Line. The company, referred to as the Blue Anchor Line or BAL, owned a fleet of both sail and steamships. The funnels of all of the steamships were painted black, with a white band around the top bearing a diagonal blue anchor and chain. The company’s house flag was also white with a diagonal blue anchor. The SS Warrnambool carried passengers and cargo in a ‘no frills’ service to and from Europe around the Cape of Good Hope, stopping at some ports in between. The ship was involved in bringing home returned solders in 1895. At one time it carried a doctor from Victoria, Australia, to assist at the war front in South Africa. The ship had a very good reputation for its cargo arriving ‘almost always in excellent condition.’ Exported goods from Australia included iron safes, flour, wool, apples, frozen rabbits, butter, cheese, pork, cattle, poultry and sheep. One remarkable delivery contained Ostriches for Queen Victoria and they survived the journey well. The SS Warrnambool was sold in 1900 to the British and South American Steam Navigation Co. Ltd of Liverpool and was renamed ‘Harmodius’. The company was managed by R.P. Houston & Company of London and its Houston Line funnels were red with a black top. The Harmodius was sold in 1919 to K.S.S. Co. Ltd, managed by Kaye Son & Co. Ltd. of Liverpool, and was renamed ‘Kut’. The line had black funnels with a white ‘K’ in a diamond or between white stripes. In 1926 it was purchased by T.W. Ward Ltd. and broken up. NOTE- other vessels named “Warrnambool” Two other vessels carried the name “Warrnambool” (1)- HMAS Warrnambool J202 (1941-1947), a Bathurst Class corvette vessel owned by the Royal Australian Navy, destroyed by a mine. The photograph is significant for its association with the painting "SS Warrnambool" by well-known early 20th century marine artist Charles Keith Miller, whose paintings are well valued. The painting and the photograph of it are namesakes of Warrnambool and are connected through the gifts exchanged between the ship company owner, the City of Warrnambool and the Ladies of Warrnambool; the House Flag and the painting by C K Miller. The image is a good likeness to original photographs of the late-19th to early-20th century steam and sale vessel. Coloured photograph of a painting, the steamship S.S. Warrnambool. The three-masted ship has lowered sails. It is in calm water, land on one side, and other vessels in the water. The ship has four raised signal flags, a house flag and a blue ensign. The funnel also bears the house flags symbol. Smoke emits from the funnel. Figures are visible onboard. There is a signature and a title on the lower edge of the photograph. (Artist of the painting in the photograph was Charles Keith Miller)House flag symbol, [diagonal blue anchor on white background] Text "CKM" and "1893" Text "S. S. WARRNAMBOOL."flagstaff hill, warrnambool, photograph, steam ship warrnambool, flagstaff hill maritime village, shipwreck coast, ss warrnambool, captain, charles keith miller, ckm, 1893, william lund, warrnambool town council, blue anchor line, lund line, ladies of warrnambool, house flag, diagonal blue anchor, captain miller, sunderland ship building company, migrant ship, 1892 ship, home flag, bal, australian export, s.s.warrnambool, dover strait, english chanel, port of warrnambool, lady bay, mrvb, captain charles miller, captain joshua edward iibery, ostriches, queen victoria, british and south american steam navigation co., harmodius, r.p. houston & company, houston line, k.s.s. co. ltd, kaye son & co. ltd, kut, t.w. ward ltd

The Ballarat School of Mines had a model mine used by students, and to conduct assays for a fee. The Register of Gold Entry Book had to be kept by the Licensed Gold Buyer or Assayer under the Gold Buyers Act.Brown half leather bound register registering receipt of gold. Columns include date, nature of transaction (eg assaying/purchase), age, where employed, business (eg mining, fossicking, assayer, etc), Abode, Signature, Witness, Claim, Mining Division, District, Where Obtained, Character of Gold (eg alluvial, smelted, quartz, etc), Weight, Value, How Gold Treated, To whom delivered after assay or smelting, Date of Assayer's Certificate. ballarat school of mines, model mine, battery, assay, smelting, gold, robinson, frederick martell, r. callister, a. garrard, peter tong, lee sue, ah lung, chinese, f.w. calaby, ah kit, charlie ah lung, ah sung, ah chee, dep choon, charlie ah hing, frederick greaves, peter fong, george ah ki, ah hing, william mong, thomas bell and party, brown hill, dentist, amalgam, albert sydney sergeant, plumber, plumbing, george spence, plumber, commonwealth bank, j. hutton-jones, golden duke mining syndicate, blackwood, d.e.j. grant, eganstown, linton gold mining company, mining, d. bernard, g. peron, john page, david bernard, harry webb, ah fou, w.d. thompson, a.b. tolliday, m. webb

Bennett's Arcade Stores Receipt: Mustard in colour with Bennett's Arcade Stores (GEO BENNETTS, Prop) Crockery, Glassware, Ironmongery, Stationery. Toys. Hargreaves Street, Bendigo. Box 3 Phone 295. It was a Cash sale on August 23rd 1949 of one Spitfire two pounds one shilling and fine cents. There is a 2d mustard Stamp Duty stamp with Rec Cash 23.8.49 and a signature hand written in pencil on the front. Receipt no 4. Box 625.business, retail, general, bennett's arcade stores. bendigo. hargreaves street

Book. ALEC H CHISHOLM COLLECTION. 147 page hardcover book on the pronunciation of Australian place names. Compiled by the A.B.C. Standing Committee on Spoken English for the Australian Broadcasting Commission. Published in 1957 by Angus & Robertson and printed by Halstead Press, Sydney. Catalogue sticker ''2228 ABC'' on spine. The signature of A. H. Chisholm inside front cover in green ink. Newspaper cutting from The Sun, 26-6-57, book review, pasted on flyleaf.ABCbooks, collections, place names, alec h chisholm collection, australian place names, pronunciation, australian broadcasting commission

Telegram with coloured scene of trees,hills and water at the top of page with AWA in a circle at the top centre. Beam Wireless printed underneath. Stamped Telegraphic Office Bendigo Vic, dated 23 De 38. Telegram is from Baillie, 4 Ovington Gardens. London to Abbott, Bendigo Electric Company, Market Square, Bendigo. Message reads Scalebuoys having sold Italian Patent Want your signature to transfer stop May I sign.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, awa, beam wireless, abbott, bendigo electric company, telegraph office bendigo, baillie

Yields information about the possible source of a similar document in Ballarat, a MMTB form for enabling ticket checking on trams, very similar in style.Single sheet of paper titled "Supplementary Running Journal", form No. 134, for filling in ticket starting numbers, for various value tickets. Also allows for transfer tickets, tramcar no, trip details examiner, inspector and punch marks. Has line for filling in date and signature at base of ticket. Used in Melbourne, max fare 6d, 1950's . Used as the model in Ballarat - See Reg Item 68, very similar in design. Item from Peter Winspur.On rear in pencil is a faded address and details - event or a passenger name who did not have a ticket?trams, tramways, mmtb, by laws, tickets, fares

John S Wearne First Manager of the Specimen Hill Co. W.H. Thomas Manager from September 1873. OBITUARY. Residents of the Borough of Eaglehawk will regret to learn of the death of Mr. John Wearne, a former well-known member of that community. The late Mr. Wearne, who was 68 years of age, came to Victoria in 1857. He was the first manager of the Specimen Hill mine and was also largely interested in several other mines in the district. Some considerable time ago he retired from active pursuits, and went to reside at Strathfieldsaye, whence he removed to Ascot Vale some years ago, where he lived until his death, his remains were brought to Eaglehawk by the mid-day train yesterday and conveyed to the family vault in the Eaglehawk Cemetery, many friends joining the cortege. Six members of the family survive — two sons and four daughters — Mrs. Wearne having pre-deceased her husband some time ago. OBITUARY. Article - Bendigo Advertiser (Vic. : 1855 - 1918)Saturday 22 September 1906 - Page 5 Mining Company Pay book for a mining company. Dated from January 7, 1871 - February 12, 1876. Ledger format with six Columns - Name, Occupation. No. of Days, Rate, Amount, Signature on Receipt of Wages. First page lists J.S. Wearne as Manager, C. Palmer as Underground Manager, Miners - Rodda, Johns, Wearne, Kneebone, Trengove, Duncalf, Tresize. The ledger is in very poor condition and has been used by a child for drawing and writing practice.wages, mining, specimen hill mine

A wooden racquet, painted white from shoulders to handle, featuring a decal of a heraldic shield with a caduceus, on both sides of throat. Inscription, from crown to stem, on obverse: SLAZENGER/KEN ROSEWALL/SIGNATURE/FIBRE/ARMOURED/SLAZENGER. Faint autograph of Rosewall features along stem of obverse. Blue 'Dymo' adhesive tape on throat on reverse: J.M.C. Materials: Wood, Paint, Adhesive tape, Nylon, Metal, Glue, Lacquer, Leather, Ink, Ribbon, Adhesive labeltennis

A Seamless Bobby Riggs Signature tennis racquet, with ribbon whipping around shoulders and bevelled shaft, and, leathwer handle grip with quatrefoil perforations. Seamless logo features across base of head. Model name features across the throat. Inscription: FOR CHAMPIONSHIP PLAY features along the shaft. Seamless trademark symbol features on plastic butt cap. Materials: Wood, Nylon, Leather, Plastic, Ink, Adhesive tape, Glue, Lacquer, Metal, Paint, Ribbontennis

A Spalding 'W. T. Tilden' Top-Flite model tennis racquet, featuring whipping around shoulders and shaft, an open throat, fine-grooved handle and leather end wrap. Model name features across base of head, on obverse. Manufacturer name features across base of head on reverse. Image of endorser appears on shaft on obverse, and decal signature appears on shaft on reverse. Materials: Wood, Metal, Lacquer, Glue, Leather, Vinyl, Ink, Stringtennis

A Wilson "Butch" Buchholz Signature tennis racquet. Base of head features Wilson logo. Throat features model name, with a wreathed 'S'. Lower shaft and butt cap feature 'W' trademark. Leather handle grip features triangular perforations. Inscription along left side of shaft: MADE EXCLUSIVELY FOR SEARS ROEBUCK & CO./BY WILSON SPORTING GOODS. Materials: Wood, Nylon, Leather, Glue, Metal, Lacquer, Paint, Adhesive tape, Ribbon, Plastictennis

By referring to Cat No 7237.2 will bring all items associated with Thompsons.1. Single sheet of paper. From Thompson's Engineering & Pipe Co Ltd to Ordnance Factory Maribyrnong. A/c Ministry of Munitions. Titled - mechanical tests - Test on 25 PDR Breech rings. Rings NR (1790-1793). Dated 26 March 1943. 2. Tensile tests on material for 95 (loose) Barrel forgings for 25 PDR Gun Howitzers. From Thompson's to Commonwealth of Australia - Ministry of Munitions. Barrel 14236/1 (Y2) - Barrel 635/3 - Dated 18 Feb 1942.1. Top has name "Mr. Johnson" written. In the middle is an unidentifiable signature dated 26-3-1943. Bottom has (??) Martin. 2. At bottom signed off by (??) Martin.25 pdr, thompson's castlemaine, ordnance factory maribyrnong.

This framed print of the famous clipper ship “Schomberg” is associated with Flagstaff Hill’s collection of artefacts from the wreck of the “Schomberg”. The original was painted in 1992 by maritime artist Philip J. Gray. This limited edition print is number 9/1000. ABOUTH THE SUBJECT – “Schomberg” The Schomberg was a luxury ship built in 1855 to bring immigrants from the UK to Australia in superior comfort. The voyage could take three months or longer but Captain ‘Bully’ Forbes thought that he could sail the Schomberg from Liverpool to Melbourne in a record time of 60 days. On October 6th 1855 the Schomberg left Liverpool on its maiden voyage. She carried 430 passengers plus 3000 tons cargo including rail lines for Geelong and iron for a bridge in Melbourne. After 78 days at sea, on December 27th, Schomberg ran aground near Peterborough, Victoria. All on board were rescued the next day by the passing steamer SS Queen. Gray is well known for his depiction of maritime history. His meticulous attention to detail shows the enormity of the immigrant clipper with its huge billowing sails compared to the tiny figures at work on the deck. The busy crew can be seen attending to the rigging, as can a group of sailors working on the bow under supervision. He identifies the company logo of the Black Ball Ship Line by the flapping white flag with its black circle. Divers from Flagstaff Hill including Peter Ronald (former director) salvaged artefacts and personal effects from the wreck, to be preserved and displayed. Amongst these is the famous Schomberg Diamond ring. ABOUT THE ARTIST – Philip James Gray “Philip is one of Australia’s leading maritime artists and his meticulous research and social commentary paintings of ships, such as, the Loch Ard and Schomberg form an important part of Warrnambool’s Flagstaff Hill Maritime Museum.” [ref. Dr Marion Manifold, Artist and Art Historian, 2014] Philip James Gray was born in London but has lived most of his life in Australia. He graduated from a London school of art as an illustrator, specialising in technical and scientific illustration as well as other commercial and applied art. He was also a student for a time of Fyffe Christie - British figurative artist, mural painter and humanitarian – who had a great influence on his career. Philip has always worked as a professional artist and illustrator. Many publications on maritime history have featured his work. His paintings have been released and sold all over the world as limited edition prints. The State Library of Victoria’s ‘Latrobe Collection’ holds two of his paintings. His street painting of ‘The Ashes Contest’ decorates the brick wall of Old Bakery Laneway in Sunbury and a Sunbury café owner commissioned him to paint the ‘Sunbury Pop Festival’ as a remembrance of local history. [ref. Sunbury Leader, Nov 15 2013] Philip has been an active member of the Sunbury Art Society in Victoria for several years, serving on the committee for some of that time and being involved in exhibitions. He enjoys helping new artists and sharing his skills and experience. The subject of the sailing ship “Schomberg” is significant for is connection with the 1800s vessel “Schomberg” and the historic role the ship, and other similar ships, played to transport migrants and goods into Australia. The print is significant as it is a limited edition of an Australian maritime artist. Print in gilt timber frame. "The Colonial Clipper Schomberg" by Australian maritime artist Philip J Gray, 1992. Signed and numbered, Limited Edition print 9/1000. Depicts clipper ship “Schomberg”, in full sail at sea with land in background. Backing of frame has illegible adhesive label and pencilled text. Stamp In pencil “FLAGSTAFF HILL” and “FLAGSTAFF C”. Illegible text on adhesive label. Signature [Philip J Gray] Stamped as a limited edition of SCHOMBERG Handwritten edition "9/1000"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, sailing ships, schomberg, clipper ship, colonial clipper, limited edition print, 9/1000, philip j gray, marine artist

The booklet was published at the end of the 1953 school year by Eltham High School.In the early 1950's Eltham High School was the nearest secondary school to Greensborough.A 36 page black and white booklet issued in 1953 by Eltham High School. It has a stiffened paper cover with blue printing and is stapled.Some blue biro words on front cover, a number of annotations throught the booklet, a collection of signatures on the inside rear cover and 2 hand written addresses on the outer rear cover.eltham high school, secondary education, 1953

This art work is an example of an Art Deco print created through lithoprint / lithograph techniques. As a print it would have been more affordable than an original artwork and hence could be purchased by a wider cliental. Little is known about the artist, but Jean Lasalle is listed as producing another print used by Tuck & Sons in their Oilette postcard series.This item is significant socially as an example of artwork that may have been displayed in homes around the 1910s- 1930s. The Oilette logo carries significance, linking the print to a business that was influential in the early production of postcards.Unframed print on board with some framing tacks still attached to the back of the board. Print area is in fair condition. The print has been stuck to a ‘paper frame' which has been attached to the backing board. The subject of the print is a lake view, with steep mountains in the background and two female figures on a bench in the foreground in the Art Deco style. Colours are muted. The print has the artist's signature 'Jean Lasalle' (looking at the print bottom left) and the words 'Oilette' (looking at the print bottom right) with a small logo composed of an oval and square underneath.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, lithoprint, lithograph, oilette, golden dawn, art deco, jean lasalle, print, day dream

Membership card of the Royal Automotive Club of Victoria, for Mr J Ashman, with an expiry date of 28 February 1950.Cream coloured card printed and annotated in blue and stamped in blackStamped: 2936. Handwritten signature on face: J. E. Ashman. Handwritten annotation on back: Phone LF3849 Mrs J. N. Ashman 83 Spray St Elwood S3racv

A gift made for Brian Armstrong in recognition of his service to Legacy. It was signed by many Melbourne Legatees of the time.Made and signed by members of Melbourne Legacy in recognition of the service of Brian Armstrong.Varnished sketch on two boards hinged with leather strapping.Sketch of Brian Armstrong ( Melbourne Legacy President 1937). Signatures of many Legatees including Harry Chauvel, General WW1, Charge of Beersheba, Stanley Savige, founder of Melbourne Legacy.souvenir, brian armstrong

CEMA Art Collection Previously located in History HouseThe painting illustrates a bush scene with a large gum tree in the foreground. To the left of the tree is a sunny track with long shadows formed by surrounding trees. On the track heading towards the viewer is a covered wagon drawn by a white horse. Behind the wagon is dense bush with tall trees and thick shrubs. Extending from the trees is a band of white clouds followed by light blue sky. The work is framed in a heavy, moulded, ornate, gilded frame with exposed canvas.Front: A.S.Murray (painted signature lower right) A Bush Track (plaque - lower centre on frame) Back: W.Hamer sticker Electoral Post Office sticker Hamilton Victoria stickerbush, landscape, australian

It is understood that this receipt book came into the LDHS collection via PROV-Place of Deposit arrangements, but it is not clear when this happened. Two other Library receipt books were donated by Golden Plains Shire in 2017 as part of PROV-POD arrangements. See Registration nos. 2019-302 and 2019-303."Ritewell" carbon-copy cash receipt book (No. 298), used at Linton Free Library between 1946 and 1948. Receipts numbered 1-27 record monies collected by the librarian, Mrs. Howard (for subscriptions etc) paid over to the Library honorary secretary, R. W. Leask. Receipts numbered 28-39 record monies collected by Mrs. Howard and paid into a bank account. Receipts after this are blank.On back of receipt number 27: "Examined to date" with ( illegible) signature. On back of receipt number 39: "Audited to date" "9/12/48", signed "--(name or letters illegible) Smith".linton free library, receipt books, prov-pod item

This card belonged to the president of thde Lara RSL for 25 yearsMade of card, two pieces with a plastic cover Kenneth George Simons, Cpl. No 1753,There is a picture attached to first card, with number 37228. Personal Description, change of rank Australian Military Forces Identity Card with rising sun emblem in between, with 4 points Second card, card no name, MIL Service Noor 1173 Card No. N8 240 284,UNIT and APO AUST ARMY,, next line NA, Signature of authorising signature identity, card

This jar comes from the Sharpe Brothers Warrnambool factory. John Sharpe founded the soft drinks business in 1903 and it existed until 1972. At one stage the company had 35 factories in Australia and New Zealand. It specialized in the home deliveries of ginger beer and other brewed beverages in one gallon earthenware jars. The Warrnambool factory opened in 1919 at the site of the Rowley cordial factory at the corner of Banyan and Timor Streets. It continued until 1951. John H. Sharpe, the former manager of the Sydney factories, put his signature on the base of this jar when he visited the Warrnambool and District Historical Society headquarters at History House in the mid 1980s. This jar is of considerable importance as it is a fine memento of the Sharpe Bros soft drinks factory that operated in Warrnambool in the 20th century for over 30 years.This is a stone jar in beige/brown colouring with a cylindrical base with a bulbous-shaped piece above the base and a dome-shaped top above that. A metal handle is attached to the neck and there is a composite material screw top. The maker’s information is printed on both sides of the jar. Keep this stopper tight This jar is the absolute property of, and must be returned to, Sharpe Bros Australia & New Zealand Original and largest hygiene brewers Caution. Persons Damaging, Willfully Retaining, Trading with or Misappropriating the use of this jar WILL BE PROSECUTED John H. Sharpe. Jar made prior to 1914 sharpe bros factory, john h. sharpe, history of warrnambool

These documents relate to the sale of land in Merri Street Warrnambool in 1959 by Swintons Pty Ltd of Warrnambool. The buyer of the land was George O’Grady, a Warrnambool baker. The land sold for £4000 and there was a shed on the land (called the ‘Office’) which George O’Grady indicated he wished to be included in the sale. William and Ann Swinton migrated to Australia in 1854 and for a decade William Swinton worked as a builder and carpenter in the Warrnambool area, erecting many buildings, including the Wangoom Presbyterian Church. In 1865 he opened a store in Timor Street Warrnambool, selling groceries, hardware, china and glassware. By 1888 the business was known as William Swinton and Sons. Branch stores were opened in Wangoom, Cudgee, Nullawarre, South Warrnambool and West Warrnambool. After William Swinton died his son Robert became the first managing director of Swintons Pty Ltd. In 1934 the business split with George Swinton and Sons selling clothing, furnishings and glassware and Swintons Pty Ltd selling seeds, produce and hardware. Today the Swinton family still operates a furniture and bedding shop in Timor St Warrnambool.These items are of some interest as being connected to the Warrnambool business of Swintons Pty Ltd. They will be of interest to researchers. The current Swinton business in Timor Street is the oldest family business in Warrnambool and, with the name Swinton associated with businesses in Timor Street Warrnambool for 152 years it is amongst the oldest family businesses in Australia.The items here relate to the sale of land by Swintons Pty Ltd., Warrnambool. .1 These are three pages of white paper with typed material, a lawyer’s signature in blue ink, one green stamp and a sketch of the land location. .2 This is a sheet of thick paper containing a plan of the land sold. The paper has printed material and a sketch of the land with part of it coloured in pink. .3 This is a small piece of paper torn at the bottom right edge. It has handwritten material (a letter) in blue ink..2 ‘Plan of Survey of Part of Crown Allotment 18 Section 3 Township of .2 ‘Plan of Survey of Part of Crown Allotment 18 Section 3 Township of Warrnambool Parish of Wangoom County of Villiers’ .3 ‘Tuesday Dear Mr Swinton I am writing to say that I would like to have the ‘Office’ Thanking You George O’Grady’swinton family,, warrnambool

This letter book was used by George Barber to produce letters to send to clients and to retain a copy of this correspondence. Barber was a prominent Warrnambool lawyer in the 19th century. English-born George Barber (1814-1897) came to Warrnambool from Port Fairy in 1853, making him one of the earliest lawyers in the town. In 1867 he formed a partnership with William Ardlie, and this partnership continued until Barber retired in1879. Barber was active in community affairs, being involved with such institutions as the Warrnambool Cricket Club, the Warrnambool Hospital, the Warrnambool Gas Company and the local Horticultural Society. This letter has a connection to one of Warrnambool's important early lawyers and will be useful to researchers if the handwriting can be read.This is a letter book of 750 pages with a hard grey-coloured cover and black taping on the spine. The front cover has a paper label with a handwritten title on the outside and a signature on the inside cover The cover is partly detached from the spine. The pages contain an alphabetical index at the front and copies of handwritten letters. There are many pages unused and there are three loose paper items seemingly not connected to the contents of the letter book. The cover and some of the pages are stained and tattered and the contents are very difficult to read.George Barber Warrnamboolgeorge barber warrnambool lawyer, early copying devices