Medieaval and 17th century Dutch paintings show winterscapes with children from the Low Countries skating on skates of similar pattern.The Dutch love of skating is exemplified by the fact that so many brought their skates with them to their new country.4649 (a) and (b) Wooden upper, pointed at both ends; steel blade fastened with central rivet; leather ankle and toe straps. Front straps have eyelets through which very strong crossgrain strap was threaded to tie skate onto shoe, rear strap has hole either side to thread the strap through for tying under shoe instep and around top of shoe and around ankle.R 21 (on right skate) 21 (on left skate)skates, dutch winter sport

Cylindrical but slightly bulging in middle; white with blue flowers - mainly roses; not usual Delft pattern. Above central crown Delft 1103, crown has letters KRONACH inside crown, under crown Bavaria 309/0, at right angles Echt Kobalt Unterglasur

Cheap suitcase for one-way tripSuitcase body made of fibre covered with striped brown and cream plasticised cloth; pink plastic skintone handle with label strings, two key locks and central latch for padlock. Edges covered with pink stitched plastic Corners of lid reinforced with metal, two metal hinges, studs five metal studs underneath. Leather straps to hold lid open/. Interior covered with grey and black patterned paper. Marks of a label on left side, removed.Torn paper custom sticker, PASSED, Australia, 3869. Embossed on rear of lower part ES 20 FIBRE 26 Cheney (on lock); Cheney England on central lock

A fully decorated Boch Delfts wall plate depicting a scene with water, sailing boats, a small dinghy, distant land with village and a glimpse of shore in the foreground. The whole is encircled by a ribbon of blue. The broad outer edge is decorated with leaf and flower patterns.The marks "Boch" and "Delfts" encircled by flower patterns cover a small central area on the back.

A number of these fans were ordered from Indonesia by Lia Kellener, the founder of Tempo Doeloe in Melbourne.The item relates to the move of many Dutch to The Netherlands or Australia from post-WWII Dutch East Indies. After a 4year struggle immediately following the ousting of the Japanese in 1945, Indonesia officially gained independence from The Netherlands in 1949. Small Indonesian fan produced for the 50th anniversary of Tempo Doeloe in Australia. The fan is made in a similar manner to the so-called Wayang dolls and is reminiscent of this aspect of traditional Indonesian culture.An orange central patch bears the words: Tempo Doeloe 1945-1995 Indonesia - Australia.

Max Havelaar: Or the Coffee Auctions of the Dutch Trading Company (Dutch: Max Havelaar, of de koffi-veilingen der Nederlandsche Handel-Maatschappy) is an 1860 novel by Multatuli (the pen name of Eduard Douwes Dekker), which played a key role in shaping and modifying Dutch colonial policy in the Dutch East Indies in the nineteenth and early twentieth century. In the novel, the protagonist, Max Havelaar, tries to battle against a corrupt government system in Java, which was then a Dutch colony.The novel was central to the growing public awareness of corruption and exploitation by the Dutch colonial master in the East Indies. Published in 1860 it is considered the highpoint of Dutch literature in the 19th century. Hard cover book by Dr.J.van den Bergh published in 1920 containing a newly selected collection of extracts of the publication "Ideen" (Ideas) by Multatuli. The book is in 2 parts and contains about 600 pages. There are a number of drawings as illustrations.The illustrator is Anton van der Valk.

Montagnard Dagger, C 1964, souvenired by Major Ian McKeown, Australian Army Training Team Vietnam (AATTV). The Central Highlands emerged as a strategically important area during the Vietnam War, because it included the Ho Chi Minh trail, the North Vietnamese supply line for Viet Cong forces in the south. communists passing through the highlands had, however, to contend with the Montagnards who they called Thurong (highlanders). The Montagnards were a formidable opponent in their home terrain and were not adverse to using their traditional weapons when dispatching their enemies, particularly when maintaining silence was critical. On loan courtesy the collection of Ian McKeownWooden handle. Metal reinforcement both ends of handle. Metal curved blade with concaved tip.maj mckeown, aattv, australian army training team vietnam (aattv), montagnard dagger, montagnards

Framed black and white photograph of Australian Army Training Team Advisor Capt Peter Shilston and Capt Ngae South Vietnamese Army question a Montagnard Village Chief in Central South Vietnam 1970AWM: Fai/70/590/VNphotograph, aattv, captain, montagnard

Object was gifted to Dr Lennard Travers upon his retirement from the Royal Melbourne Hospital, 1964. It was later donated to ANZCA. Lennard Travers, born in Melbourne in 1906, completed his MBBS at the University of Melbourne in 1930. After working for a brief period at the Royal Melbourne Hospital, Travers travelled to the United Kingdom achieving his Fellowship at the Royal College of Surgeons in Edinburgh. He returned to Australia prior to the outbreak of World War II serving as the honorary anaesthetist at the Royal Melbourne Hospital. In 1950, Travers joined the Australian Society of Anaesthetists overseeing the development of the Faculty of Anaesthetists, Royal Australasian College of Surgeons. He was appointed Dean of the Faculty in 1959. Silver plate tray, presented to Dr Lennard Travers on his retirement from Royal Melbourne Hospital, 1964. Embellishments and decorations around the edge of the tray also in silver. The middle of the tray has an inscription confirming the tray was presented to Dr Travers. Around the middle inscription are the signatures of other employees at the Royal Melbourne Hospital. Manufacturer's mark on the reverse of the tray. No other distinguishing features. Inscribed in centre of plate "Lennard G Travers, Anaesthetist, The Royal Melbourne Hospital, 1946 - 1964" •Inscribed around the central inscription are 24 signatures of anaesthetists and surgeons of the Royal Melbourne Hospital •Inscribed on back of tray "Old Sheffield Reproduction, Strachan"travers, lennard, royal melbourne hospital, wilson, patricia, bell, james, cass, noel, newman, herbert, nathan, alf, spinks, betty, russell, irene, cole, russell, houseman, helen, webb, arthur, edwards, n.

This is a portrait of Professor Michael Cousins in his role as Dean of the Faculty of Pain Medicine at ANZCA (1999 - 2002). The portrait was unveiled at a College ceremony/meeting on 30 July 2003. The portrait was commissioned by FPM to mark the Deanship of Prof Cousins. Gary Lee Gaston is an Australian visual artist who was born in 1938. He is a painter, teacher and sculptor. He has exhibited in Adelaide and is a fellow of the Royal South Australian Art Society.Professor Michael Cousins was instrumental in the establishment of the faculty of pain medicine and was its first Dean from 1999 - 2002.Oil on canvas painting of the Faculty of Pain Medicine Dean, Professor Michael Cousins set in a plain gold wooden frame.hand written on the reverse in black ink - 762 x 632 / VM24 OIL liNen •stamped on reverse in black ink: CENTRAL ARTISTS SUPPLIES / 45 Osmond Terrace / Norwood SA 5067 / Phone/Fax: 8364 2088 •hand written on reverse in black ink: GARY LEE-GASTON / O.A.M F.R.S.A.S.A. •hand written on reverse in balck ink: PROFESSOR COUSINS 2003 / A.M. MB BS MD (SYD.) FFPMANZCA. FANZCA. FRCA. •engraved onto brass plaque on front of frame: Professor Michael J. Cousins / Inaugural Dean / 1999 - 2002 •inscribed on lower right hand side of painting: artist's signatureprofessor michael cousins, faculty of pain medicine, gary lee gaston, royal south australian art society., commissioned portrait

Presented to the ANZCA president David A Scott during the ANZCA ASM held in Brisbane, May 2017 by the College of Anaesthetists of Ireland. Silver plated, medium size plate with central inscription. Displayed on a wooden stand and presented in a blue wooden box[Presented to the / Australia and New Zealand College of Anaesthetists / on the occasion of their Silver Jubilee / from the / College of Anaesthetists of Ireland / May 2017]college of anaesthetists of ireland, asm, swatkins

This hat was probably used in both China and Australia during the 1940s as a procession garment. It is linked to the Young Chinese League.This hat is significant for its links to the Chinese Young League. The League was formally established on 4 October 1932 to to promote free social intercourse and goodwill among its members and their mutual improvement. Membership was open to all persons, with one or both parents or grandparents born in China. Wives of Chinese members were permitted as members with the same privileges. It was a significant social organisation for Chinese-Australians in Melbourne in the mid to late twentieth century.A red, purple and blue silk, six paneled hat embroidered with gold braid and adorned with mirrors. Tip of hat has red, silk bobble sewn into place. Each panel is embroidered with gold and orange thread. Among the threads are eight circles of metal around one central, circle. There is a blue band around the bottom and a ribbon tie attached to one panel and it is lined with pale blue cotton fabric.There is a black stamp of a Chinese character on the inside of the hat.young chinese league, processions, melbourne, victoria, china

The achievements of Australian servicemen and women have played a central role in shaping Australia's national identity. But while we rightly commemorate the sacrifices of Australians in war, we have ignored those who returned to Australia and their struggles to reintegrate in Australian society. veterans - australia, vietnamese conflict, 1961-1975 - veterans - australia, world war, 1939-1945 - veterans - australia

War has been a key part of the Australian experience and central to many national mythologies. Yet more that most activities, war polarises femininity and masculinity, While there has been no shortage of military history, little has been written about Australia's military involvements from the perspective of gender. This exciting collection of essays explores for the first time the interrelationship of gender and war in Australia.sex role - australia - history - 20th century, women and war - australia - history - 20th century, men - australia - sexual behavior - history - 20th century

Paperback has been covered in plasticJohn Pilger was born and educated in Sydney, Australia. He has been a war correspondent, film-maker and playwright. He has written from many countries for the London Daily Mirror, the New Statesman and the New York Times. He has twice won British journalism's highest award, that of Journalist of the Year, for his work in Vietnam and Cambodia. Among a number of other awards, he has won International Reporter of the Year and the United Nations Association Medial Peace Prize. His documents, for ATV and Central Television, have one prizes at Chicago, Melbourne and other international film festivals. journalism - history - 20th century, journalism, 1960-1985 - personal observations, vietnam, cambodia

A white rectangular metal sign with rounded corners and a black line border. It has holes drilled in four corners. plus two larger central holes for fixing it to wall or pole and is rusted on the left side. Centre justified warning message reads: Commonwealth Of Australia (in black)/ DANGER (in red) /Live Firing/ Unexploded/Ordnance/ Trespass/ Upon This Land/ Is Prohibited. Centre justified message reads: Commonwealth Of Australia (in black)/ DANGER (in red) /Live Firing/ Unexploded/Ordnance/ Trespass/ Upon This Land/ Is Prohibited. sign, commonwealth of australia, danger, warning

watercolour, work on paper, macedon, macedon ranges, central goldfields, victoria, australian artist, landscape, mountain

Not signed Not datedcontemporary art, conceptual art, australian artist, painting, looking, bendigo, central victoria, charing cross

australian artist, abstract, central victorian artist, rose, square, rectangle

This menorah has 7 candle holders joined in a horizontal row, on thin rod stands. The circular holders sit on two flat silver strips that are attached to silver rectangles on either side of the holders, creating a shield-like form on either side of the holder. The stand on which this construction is propped up, is made up of rods that stand vertically on either side of the holders and behind the shields. The rods are intersected by other rod 'lines' that visually weave horizontally across the top half of the stand. Each point of intersection of lines and rod stands is marked by a circular shape. Artist's statement: In terms of the Jewish diaspora, the variety and flexibility of approaches within Judaism has enabled the culture to endure and nurture ever stronger connections despite physical distance. This notion of an enriched connectedness was one of the two central ideas which contributed to the development of this piece. The second was the idea of light and its cultural significance. Light is about both practical illumination and spiritual expression. While revealing and manipulating material and form, light has also come to stand for the triumph of goodness over evil for many cultures, Of utmost importance in Jewish ritual, light and its media are also recognised symbols of connection and interaction for Jewish people throughout the world. (1999, Blessed Be the Work, Australian Contemporary Design in Jewish Ceremony II)

The St. Moritz Ice Rink was a popular ice skating rink on The Esplanade, St. Kilda, Victoria. It operated between 1939–1981. As one of only two ice rinks in Melbourne in the 1940s and 1950s, it played a central role to the sport of ice hockey in Australia. Closed in 1982, it soon suffered a major fire and was then demolished, an event later seen as a major blow to the heritage of St Kilda. It was first built as the Wattle Path Palais de Danse in 1922, a very large dance hall, designed by architects Beaver & Purnell, The Wattle Path was the venue for the first all-Australian dance championship, and featured some of the best dance bands of Australia, as well as from America. Popular throughout the 1920s, it suffered due to the Great Depression, and closed in the early 1930s. From 1933-1936 the building became a film studio, Efftee Studios, for Frank W. Thring. In 1938, businessman Henry Hans "Harry" Kleiner announced that the Wattle Path would become an ice rink. He was sole proprietor until 1953, when he sold the business to J. Gordon and T. Molony, both champion skaters. Trade declined during the 1970s. The building was sold in 1980 to developers Hudson Conway and trucking magnate Lindsay Fox and was closed in early 1982. It was nominated to the Historic Buildings Preservation Council, but a majority of City of St Kilda councillors voted to oppose this action and uphold a demolition permit already issued. The building infamously suffered a fire later that year, leaving only the facades, which were demolished soon after. The site remained vacant until about 1991, when a mid-price hotel called the St Moritz was constructed. By 1993 it was simply called the Novotel St Kilda. The hotel closed in 2019 and was replaced by an apartment complex.black and white photographSt Moritz, St Kilda. Ice Skating. Caf�st moritz, st kilda, the esplanade, ice skating

Imported by Cameron, Sutherland & Seward Ltd. Machinery Merchants, Melbourne & Sydney, this example is of the type of hand winch used by the Australian Industries and timber workers in the Australian bush. The central rotating drum is operated by three interacting cog wheels. The metal cable is wound onto the central drum.Historic - Hand Winch type of hand winch used by the Australian Industries and timber workers in the Australian bush.Hand Winch made of wrought iron, metal and ironhand, winch

Side Tipping Timber Skip Wooden Contractors Wagon. Gauge 17 inch (430mm) Typical of the many side tipping wagons used for soil and rock disposal in construction work and mining throughout Australia and the world. The wagon would be loaded with soil and pushed along a short line to the end of track where the load would be emptied out to either side. By using a central pivot the wagon’s body can be tipped either side to allow the contents to be easily removed ready for the next load.Historic - Industrial Narrow Gauge RailwayWooden bodied, steel framed side tipping skip.puffing billy, side tipping skip, industrial narrow gauge railway

Flag of the Force Logistic Support Group (FLSG) - This flag was flown at the Headquarters of FLSG and 145 Signal Squadron until all Units returned to Australia in June 2000The International Force East Timor (INTERFET) was a multinational non-United Nations peacemaking taskforce, organised and led by Australia in accordance with United Nations resolutions to address the humanitarian and security crisis that took place in East Timor from 1999–2000 until the arrival of UN peacekeepers.Large red rectangle flag with large central white circle containing silver image of a horseflag, force logistic support group, timor, interfet

Women’s Auxiliaries were formed by mothers, wives, widows, sisters, daughters and aunts of men who served in the First World War. In May1918 a small band of women from the "Friendly Union" organised themselves,under the leadership of Mrs F C Purbrick, into a Women's Auxiliary of the Wangaratta Returned Soldiers Association (RSA). Their first task was to furnish club rooms for the RSA and this was achieved by seeking donations and raising money by selling jams, jellies and posies of violets by selected girls wearing special badges in the street. Over the years funds have been raised through raffles, competitions, street stalls and catering at numerous events to assist the aims of the Returned Services League. In 2018 the Wangaratta RSL Women's Auxiliary celebrated its centenary. Women have played a central role in sustaining the activities of ex-service organisations. Women's auxiliaries are dedicated to fundraising, supporting the activities of their local RSL, and caring for veterans in their wider community. Today, there are more than 1200 auxiliary members in Victoria.Red timber shield mounted on brown laminated base of particle board in a larger shield shape with metal emblem. Women's Auxillary RSL on metal logo with Crown and Australian Flag mounted on red shieldwomen's auxiliary, wangaratta rsl

This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.Jim Central Station Photos 49 Little Strand Arcade Sydneysecond world war; me; wesy sydney; australia