Under the shadow of the tree is a two-horse dray, typical of the time around Box Hill, used by Council for cleaning the streets. The dray had a tipping device so that when full, it could be tipped up like a dump truck to empty the load. Alongside the horse and dray is a Wolsley 24/80 manufactured by BMC Australia (1962-1965).Digital TIFF file Scan of 35mm Ilford FP3 black and white transparencybmc wolseley 24/80, box hill, box hill council, george coop collection, level crossing, street cleaning, tait train, two-horse dray

The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images. Photograph is part of the collection that has been accumulated at the Mission to Seafarers. It shows how the Mission was furnished at one time.Black and white photograph of a wooden chair against a tiled wall, possibly in or near the kitchen. To the left of the photo is a series of lockers.Reverse: ILFORD repeat print across the photograph. 1940 in red stamp.photography, black-and-white, mission-to-seafarers, chair

A burnout ute in the front of 3 member (Bob Oslow (deceased)in the middle of the photo reaching towards the steering wheel, Jon Briese with the fire hose and John Jones (deceased) beside him. It looks like there may be a fourth member looking under the hood (but unidentified). In the photo there are also several onlookers in the background. LE DAWN STUDIOS black and white photoL to R Bob Oslow (deceased) Jon Briese John Jones (deceased) (STAMPED) LE DAWN STUDIOS specialised photography WANGARATTA 59a Murphy St. 'PHONE 3675

Jacqui Seal was the daughter of the Australian Army Intelligence Officer in Camp 13, Captain Stanley L. Seal. and sometimes visited her father in camp. Mueller asked to paint Jacky her father agreed, and Mueller presented the final work to her.|Jacqui did not like the portrait and pasted newspaper over it, since partially removed.Portrait of a young girl with bow in her hair and the name "Jacky" on her jumper. Portrait on brown paper in plain varnished wooden frame. Partially covered by newspaper.M. Mueller 1946.tatura, camp 13, manfred mueller, german pow, seal

Annie Jessup, an artist, was the youngest daughter of the well-known Australian self-taught artist, Alfred William Eustace. Like her father, Annie created some of her oil landscape paintings on gum leaves. Her older brother Sidney presented one of her paintings to the Chiltern Athenaeum together with his own timber collection.Annie Jessup, and artist, was the daughter of the well-known Australian self-taught artist Alfred William Eustace.Photograph of an oil painting on gum leaf by Annie Jessup, under glass on blue paper in a reddish plastic timber-look frame.Artist's signature on bottom right hand corner of photograph: Annie Jessup/ Myrniong Sticker on back: MADE IN/ CHINA/ FABRIQUE'AU/ CHINEannie jessup, gum leaf painting, landscape

This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book was produced by Patons and Baldwins and contains patterns for women's clothes made in angora wool.Patons / KNITTING BOOK NO. R7 / Specially Requested Designs in / PATONS FUZZY WUZZY and / BERYL ANGORAS / P&B / WOOLS / 1'4d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book was produced by Patons and Baldwins and contains knitted patterns for garments for young boys.Patons KNITTING BOOK NO. 366 / P&B / WOOLS / 1'6d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book was produced by Patons and Baldwins and contains instructions on how to knit and crochet, as well as patterns.WOOLCRAFT / A PRACTICAL GUIDE TO / KNITTING & CROCHET / PATONS & BALDWINS LTD. / (Incorporated in Great Britain) / MELBOURNE and SYDNEY / 1/- / PUBLISHED WITH ALL RIGHTS RESERVEDknitting handicrafts - history crochet, patons and baldwins (australia) ltd, knitting, handicrafts - history, crochet

This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book is part of a series and is called "The Lux Book 1937". It contains numerous knitting patterns.The / LUX / BOOK / KNITTING / FOR 1937knitting handicrafts - history crochet, lux, knitting, handicrafts - history, crochet

This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book is part of a series and is called "The Lux Book 1941". It contains numerous knitting patterns.The / LUX BOOK / 1941knitting handicrafts - history, lux, knitting, handicrafts - history

This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book is a monthly journal of fashion and patterns produced by Madame Weigel's Pty Ltd in Melbourne.Registered at the General Post Office Melbourne, for transmission by post as a Newspaper. / 4D / Published / Monthly. / MADAME / WEIGEL'S / JOURNAL OF FASHION / A Delightful Home Journal / Vol. LVII., No. 683. / JAN. 1, 1937. / 57th Year of Publication. /knitting handicrafts - history crochet fashion, madame weigel pty ltd, knitting, handicrafts - history, crochet, fashion

This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book is a journal of fashion and general interest that was produced monthly by Madame Weigel's Pty Ltd.Registered at the General Post Office Melbourne, for transmission by post as a Newspaper. / 4D / Published / Monthly. / MADAME / WEIGEL'S / JOURNAL OF FASHION / A Delightful Home Journal / Vol. LVII., No. 684. / FEB. 1, 1937. / Free / Pattern / GIRL'S / Mknitting handicrafts - history crochet fashion, madame weigel pty ltd, knitting, handicrafts - history, crochet, fashion

The Stag was built 1848-1854. John Sanders purchased the land from Atkinson in 1848 and built the building as a licensed premises. Over the years it was also used as a Hotel, boarding house, coffee Palace and boarding school. It is still used today as Accommodation and a restaurant. This photo looks like it may have been taken when it was a boarding house.Black and white Photograph of Corner of 2 story building with balcony, 2 males sitting on step and children leaning on wallhotel, seacombe, stag, inn, sackville street, cox street, john sanders, coffee palace, boarding house, boarding school

Charles Withers (aka Bill) with his good friend from school, Mervyn Britain with mock trenches and rifles at the Withers family home, Southernwood, Eltham. The view is looking to the east with Main Road and associated buildings near ridge in distance. [Charles son, John Withers explained that his father and friend liked to play war games.]On back of photo: "Bill (left) Mervyn (right) in their trench 1916" Many items in this collection have suffered from significant water damage and black mouldjohn withers collection, eltham, 1916, main road, southernwood, trenches

The word colander comes from the Latin colum, meaning sieve. Most likely the colander was born from an evolution of sieves and percolators in wicker, linen or bronze with which the wine was filtered in ancient times. The oldest specimens were made - like pots - in terracotta. This one would have been used in the kitchen to strain off liquids.An aluminium colander with two handles welded on each side at the top. It has a flat base and perforations around the body of it for liquids to pass through.colanders, kitchenware, strainers, sieves, kitchen equipment

Photograph of three sketches of North Cross Reef Stawell. c 1874. Photo 1. No 3 Level, Ceiling of tunnel timbered rail line and truck - a workman. Photo 2. The Vertical reef. Photo 3. The Flat Reef. Examples of what the miners were like underground. Reproduction Rights Reserved - Copied by State Library of Victoria.Black and white photograph of three mining scenes (sketched) showing examples of wood timbered underground tunnels.North Cross Reef Stawell. No.3. Level (photo 1). The vertical reef. (photo 2). Workings on the flat reef. (photo 3).stawell mining

108 p.; 22 cmnon-fictionA chronicle of the first decade (1972–1982) of the Kooweerup Potato Festival in Victoria, Australia. It delves into the history, community involvement, and cultural significance of this unique festival, which celebrated the region's rich potato farming heritage. koo wee rup potato festival, koo wee rup (vic.), kooweerup (vic.)

This green glass bottle has been handmade from about the 1840s to 1870s. The bottle, possibly used to store or soda or mineral water, was found in the coastal waters of Victoria. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe into the molten glass blob at the end of the pipe. The glass was blown out to fit into the shape of the cylindrical dip mould. Once it hardened, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck while carefully using a tool to hold the base. A 'ponty' tool would have been used to form the base. The mouth of the bottle was cut off from the blowpipe and a piece of soft glass would be added to the mouth to then form the blob collar. Bottles like this would usually be sealed with a cork. Although this bottle is not linked to a particular shipwreck, it is recognised as a historically significant example of handmade, 1840s to 1870s beverage bottles imported for use in Colonial Victoria. The bottle is also significant for its association with John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several shipwrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, green glass. Applied blob lip with bubble and lump in glass. Shoulder seam, body tapers inward towards base. Thick heel, shallow uneven base. Sediment inside on glass.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, mouth blown, blown bottle, collectable, bottle, dip mould, soda bottle, beverage bottle, green glass, blob top

This green glass bottle has been handmade from about the 1840s to 1870s. The bottle, possibly used to store or soda or mineral water, was found in the coastal waters of Victoria. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe into the molten glass blob at the end of the pipe. The glass was blown out to fit into the shape of the cylindrical dip mould. Once it hardened, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck while carefully using a tool to hold the base. A 'ponty' tool would have been used to form the base. The mouth of the bottle was cut off from the blowpipe and a piece of soft glass would be added to the mouth to then form the blob collar. Bottles like this would usually be sealed with a cork. Although this bottle is not linked to a particular shipwreck, it is recognised as a historically significant example of handmade, 1840s to 1870s beverage bottles imported for use in Colonial Victoria. The bottle is also significant for its association with John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several shipwrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, green glass. Applied blob lip. Shoulder seam, ripples in body, which tapers inwards towards base. Thick heel, shallow uneven base. Sediment inside bottle. Scratches in glass. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, mouth blown, blown bottle, collectable, bottle, dip mould, soda bottle, beverage bottle, green glass, blob top

This olive green glass bottle has been handmade from about the 1840s to 1870s. The bottle, possibly used to store or soda or mineral water, was found in the coastal waters of Victoria. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe into the molten glass blob at the end of the pipe. The glass was blown out to fit into the shape of the cylindrical dip mould. Once it hardened, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck while carefully using a tool to hold the base. A 'ponty' tool would have been used to form the push-up base. The mouth of the bottle was cut off from the blowpipe and a piece of soft glass would be added to the mouth to then form the collar. Bottles like this would usually be sealed with a cork.Although this bottle is not linked to a particular shipwreck, it is recognised as a historically significant example of handmade, 1840s to 1870s beverage bottles imported for use in Colonial Victoria. The bottle is also significant for its association with John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several shipwrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, olive glass. Applied straight lip with bumps and bubbles. Shoulder seam. Body tapers inwards towards base. Heel has uneven thickness. Concave push--up base. Some imperfections, blow lines and scratches in glass. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, mouth blown, blown bottle, collectable, bottle, dip mould, soda bottle, beverage bottle, green glass, olive glass

This green glass bottle has been handmade from about the 1840s to 1870s. The bottle, possibly used to store or soda or mineral water, was found in the coastal waters of Victoria. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe into the molten glass blob at the end of the pipe. The glass was blown out to fit into the shape of the cylindrical dip mould. Once it hardened, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck while carefully using a tool to hold the base. A 'ponty' tool would have been used to form the shallow base. The mouth of the bottle was cut off from the blowpipe and a piece of soft glass would be added to the mouth to then form the lip. Bottles like this would usually be sealed with a cork.Although this bottle is not linked to a particular shipwreck, it is recognised as a historically significant example of handmade, 1840s to 1870s beverage bottles imported for use in Colonial Victoria. The bottle is also significant for its association with John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several shipwrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, green glass. Applied blob lip with glass blister. Shoulder seam, body tapers inwards towards base. Thick heel, shallow base. Blow creases and bubbles in glass. Sediment along inside of bottle.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, mouth blown, blown bottle, collectable, bottle, dip mould, soda bottle, beverage bottle, green glass

This green glass bottle has been handmade from about the 1840s to 1870s. The bottle, possibly used to store or soda or mineral water, was found in the coastal waters of Victoria. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe into the molten glass blob at the end of the pipe. The glass was blown out to fit into the shape of the cylindrical dip mould. Once it hardened, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck while carefully using a tool to hold the base. A 'ponty' tool would have been used to form the shallow base. The mouth of the bottle was cut off from the blowpipe and a piece of soft glass would be added to the mouth to then form the lip. Bottles like this would usually be sealed with a cork.Although this bottle is not linked to a particular shipwreck, it is recognised as a historically significant example of handmade, 1840s to 1870s beverage bottles imported for use in Colonial Victoria. The bottle is also significant for its association with John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several shipwrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, green glass. Applied blop lip, deep scratch on neck. Shoulder seam, body tapers inward towards base. Wide heel, shallow base. Glass has ripples, creases, scratches and has a rough surface on the outside on one side. Sediment inside bottle.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, mouth blown, blown bottle, collectable, bottle, dip mould, soda bottle, beverage bottle, green glass

Hexamine stoves, such as this example, were used in the field by soldiers for the preparation of food and boiling of water. The stove would have been fuelled by hexamine tablets, which contain flammable elements of formaldehyde, ammonia, nitrogen oxide and hydrogen cyanide. Associated tablets have been removed from collection as a safety precaution. Due to the fumes of the fuel tablet, food cooked on such a stove would have been sealed in a container when cooking.Silver coloured aluminium hexamine stove. The stove is made of three pieces of metal, the 'floor' and two sides, which form a box when closed and when open appear like an upturned table. The floor of the stove has a series of holes and lines stamped into it. The sides of the stove have been attached to the base with brass rivets. When open, the sides open to form a stand at the base and the interlocking grooves which line the edges of the sides act as a cooking platform on top. When closed, the stove appears as a small box. cooking, vietnam, field, equipment, rations, food, 1960s

Square hinged box inscribed on lid 'Anzac Commemoration 1926'. The box is covered with a thin, black leather-like material. The box is lined with cloth. The lower section of the box is lined with a mid-blue cloth which is imprinted, in silver, with the map of Australia in which five English farthings have been set. The coins are in the formation of the Southern Cross with a silver star shape around each farthing. The underside of the box lid has dark blue gathered satin lining. The coins are in uncirculated condition and are loose. The box is damaged.The box is inscibed in gold lettering with the following: "Anzac Commemoration 1926"

The autoharp is a portable, stringed musical instrument. It is a member of the zither family but differs from the traditional zither in that chords can be easily played. The buttons on the chord bars of the autoharp can be pressed onto the strings to make different sounds. The labels on the autoharp denote the chords and the notes that the strings play. The instrument is played with the box resting on a flat surface such as a tabletop, with the left hand moving the chord buttons and the right hand strumming the strings, usually with a pick or plectrum . The autoharp was invented around the mid-1880s. There are models now available that have variations in the numbers of strings the instrument has, and differences in the sounds of the chords. Typically the autoharp has 36 strings.This autoharp is an example of musical instruments played at social gatherings and concerts in the late 1800s and early to mid 1900s. It was easily carried by the player. It is usually held in the crook of the left arm with the narrow end resting on the should and the left hand supporting the wider end, the hand pressing on the chord buttons. The right hand strums in a similar way to a playing a guitar, usually holding a soft pick or plectrum.Autoharp, painted dark brown with red rose flower decals. The portable stringed musical instrument is a member of the zither family. The autoharp is shaped like a hollow box with one corner cut off. Strings of various lengths are attached with equal spacing, parallel to the long edge of the box. A slotted board rests over the top of the strings at one end, and buttons on the slots can be pressed onto the felt-padded bars below them to produce chords. There are labels on the upper and lower boards that denote chords and musical notes.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, musical instrument, stringed instrument, harp, auto harp, zither, portable

According to the Monument Australia website the 2015 location of the Honour Board was Garibaldi Hall, Hardies Hill Road, Garibaldi, Victoria. Being made in 1917, the honour board never had the end date of the war added. The Ballarat Courier wrote Ballarat Courier, 30th October 1917: At a reunion of old scholars of the Durham Lead State School on Friday 26th October 1917, an honour roll of those who had enlisted in the A.I.F. was unveiled. The honour roll contains a list of 32 names. Half of a black and white photograph showing three women standing to the right of a World War One Honour Board for Durham Lead State School. The women in the centre is thought to be Ellenor Mitchell (nee Austin). The women wear long sleeves and hats. One woman wears a white ribbon. A man's hand and shoulder is evident on the left side of the Honour Board. The building the people stand in front of looks like a weatherboard school, so it is most probably Durham Lead State School Gift of Gordon and Marilyn Vincentdurham lead state school, world war one, honour roll, durham lead state school honour roll, garibaldi hall, ellenor mitchell, ellenor austin

Malone Collection. Greeting card. Smll white card with a spray of small blue flowers on the left. The top right corner is blue and is like a page turned back with a dark blue ribbon holding it down. With all Good Wishes this Xmas is printed in blue except the 2 W's, G and X which are printed in gold. There are little scrolls on the letters. The card has a dark blue border on the top, bottom and right sides. The card and insert are held together with a pale blue bow. Given to Miss Malone.person, greeting cards, malone collection, malone collection, greeting card

This item belonged to Dr Geoff Bishop. Similar in appearance to Heath's glass aural syringe.Glass aural syringe with glass plunger, rod with compressed cotton plunger, and (loose) rubber cap [237.2]. The tip of the syringe is elongated and has no attachment for needles. Distal end of plunger has a widened area shaped like a small glass cork. Cottom thread is wound around a small depression. Distal end of plunger has been inserted through a small cork. Above the cork is a wooden cap with a central hole. The head of the plunger has a 'cotton reel' depression and fits into the outside of the wooden cap.irrigation