This is a photograph of a man fishing off the rocks at Cape Conran in Far East Gippsland.Cape Conran has always been a popular fishing destination for Orbost people. This photograph is a pictorial record of that recreational activity in the early 20th century. A black / white photograph of a man fishing from rocks into the ocean.

One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This book was produced by Patons and Baldwins and contains patterns for women's garments knitted in Patons 'Fuzzy Wuzzy Angora' knitting wool (a wool-angora mix).No. 426 / Patons / KNITTING / BOOK / No. 426 / PATONS / FUZZY WUZZY / ANGORA / P&B / WOOLS / 1'6handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting

A rug designed to celebrate the exhibition of Egyptian art 'Life & Death Under the Pharaohs' from 'The National Museum of Antiquities' in Leiden, The Netherlands. It was made onsite at the National Wool Museum on the 1910 Axeminister loom. The rug was gifted to Brintons Carpets in 1999 as a gesture of thanks along with framed photographs and a certificate of authenticity.W7185 'The Egyptian' Rug Photograph of the wool bobbins on the loom Photograph of the wool bobbins on the loom Photograph of design being prepared for loom Photograph of design being prepared for loom Photograph of design being prepared for loom Photograph of rug being manufactured. Photograph of rug being manufactured. Photograph of rug being manufactured. National Wool Museum Catalogue Worksheet for W7185 page 1 National Wool Museum Catalogue Worksheet for W7185 page 2 Page 1 of a history of Brintons Carpets. Page 2 of a history of Brintons Carpets. A list of catalogues/items in the Brintons Collection donated after closure of Fellmongers Road factory in July 2008.furnishing textile industry, brintons australia pty ltd, carpet, geelong, victoria, furnishing, textile industry

Used in operating theatres, medical surgeries and hospital wards for storage of surgical gauze or theatre dry stocks such as cotton wool or towels. Large number of these containers were used on wards for similar purposes. These containers replaced the blue and white enamel bins from the 1900s onwards. Steel surgical canister, with lid. Cylindrical in shape. Contains three gauze squares and a collection of cotton wool swabs, unused. surgery

Mr Gilroy family friend, Thomas and Mary Lydia Laughton (Thomas's daughter) Miss Beatrice Trixie Gilroy and a young un-named man standing beside horse. It was assumed that this house called 'Kalimna' was near Lakes Entrance, however the imposing gates and fence made this seem unlikely. A search of ‘Trove’ gave a death notice for Mary Anne Laughton , Thomas Laughton’s wife, passed away on 30th July 1920 at her daughter Mary Lydia Hegarty's ‘Kalimna House’ in Kareela Rd. Cremorne, Sydney . Sepia toned photograph of two ladies and two gentlemen seated on a buggy, and a young man standing beside horse outside impressive security gate and bluestone fence. Also second pic of report of Mary Anne Laughtons Death notice - Trove July 1920Copy of restored photograph original approximately c1910 was on Silver taken outside Kalimna House Cremorne Sydney Mr Gilroy family friend, Thomas and Mary Lydia Laughton, Miss Beatrice Trixie Gilroy and un-named young man transport, hotels

Display panel giving details re: the construction of the Dennys Lascelles concrete building (the Bow Truss building) adjacent to the Dennys Lascelles wool offices and store (now NWM) in 1911-13. The building was designed as a show floor for wool bales, thus the lack of columns and roof supports was significant in providing free space. It was designed by Mr E.G. Stone and construction was supervised by Laird and Buchan. It was demolished in the 1990s. This display board / text panel may have been created for use in the concrete building.Display board from 1913 giving details re: the construction of the Dennys Lascelles concrete building (the Bow Truss building), adjacent to their wool store and offices.DENNYS LASCELLES LTD. / CONCRETE BUILDING. / Building Commenced in 1911. Finished in 1913. / Is 4 Storeys High. / The Show Floor covering almost an acre / of ground, is the largest flat roof space / in the world without visible supports ... / The suspended Roof weighs 1200 Tons. / The Building was Designed & Erected by / MR. E.G. STONE, C.E. / The Construction Absorbed:- / 8000 Casks of Cement. 3250 Loads of Sand. / 475 Tons of Steel. 2250 Yards of Crushed Stone. / 1100 Was Expended on Timber for Casing the Concrete Moulds. / 94 Cases of Nails & 432 Gallons of Oil / were required for the Concrete Casing. / The building was constructed entirely of Day Labor / at a cost of Over 40,000. / The Building Construction was supervised / by Messrs Laird & Buchan, F.R.A.I.A. / Architects - Geelong.wool sales, wool bales, dennys, lascelles limited, stone, mr e. g. laird and buchan, dennys lascelles concrete building, bow truss building, geelong

An older man looks to camera as he smokes his pipe. He wears a flannelette shirt, jumper and jacket as he sits on a couch.2 black and white photographs of an elderly manelanora home (brighton), association for the blind

Makers plate from a D. & M. portable wool press.D. & M. / Portable Wool Press / (PATENT No. 3860/31) / SOLE AGENTS: / Goldsbrough, Mort & Co. Ltd. / MELBOURNEwool press - portable

Sample wool press. Sample wool press.

Black and white photograph which has been mounted on white card. The photograph shows a corrugated iron woolshed, with a bale of wool sitting on the top of the entrance steps. A man is at the front to the woolshed, walking towards a truck loaded with wool bales. A grain silo and trees are in the background.linton park [agricultural property]

A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt

A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt

The success of any flock is through the strength of its females and Blossom, a Border Leicester/Merino Cross ewe is an excellent example. Border Leicester rams are mated with Merino ewes to produce fat lamb mothers. These first cross ewes are mated with meat sheep, such as Dorsets to produce hybrids that pass on quality wool characteristics to their offspring. The Border Leicester/Merino crosses produce good quantities of wool which, despite being of stronger micron than most Merino fleece wool (34 to 38 microns), is still in demand in the marketplace. The Border Leicester sheep takes its name from the border country between England and Scotland, the area in which the breed was first developed in the late 18th century.Border Leicester/Merino Cross ewe. Long body with white fleece. The nose is black and she has large ears, upright and alert. The head and legs are free of wool.drysdale, sheep, new zealand

Nellie May Poultney married Thomas Basil Hennessy in 1924. Bridesmaid was Mary Hennessy and Best Man was Loyola Hennessy.Copy of black & white photograph of a wedding group, with small girl seated at front."The wedding/1924/Thomas Basil Hennessy/to Nellie May Poultney/Bridesmaid: Mary Hennessy/Best Man: Loyola Hennessy".nellie poultney, thomas hennessy, mary hennessy, loyola hennessy, weddings

W L Wright. General Manager, Valley Worsted, Geelong, addressing delegates at the 1955 International Wool Textile Research Conference. One of thirteen photographs related to the 1955 International Wool Textile Research Conference in Australia.W L Wright. General Manager, Valley Worsted, Geelong. addressing delegates at the 1955 International Wool Textile Research Conferencewool - research, gordon institute of technology valley worsted mill, lang, dr w. roy wright, mr w l - valley worsted mill

Photograph was found on the road at the junction of Jacks Road and the Murray Valley Highway by Ian Stones, a member of the Rutherglen Historical Society. We do not know the identity of the man with Slim Dusty.Photo of Slim Dusty & unknown man ?slim dusty

The children from Bulla Primary School had an excursion to Williamstown Beach and some of them constructed a sculpture of a man in the sand.While at the beach the children were encouraged to pursue a number of seaside activities.A non-digital coloured photograph of a sand sculpture of a man.school excursions., bulla primary schooil, sand sculpture, williamstown beach

Scrapbook, contains newspaper clippings,1950, extract from the Wool and Textile Newsletter, Sept 1950, radio results and script for recording. All associated with the presentation of a baby blanket from the staff of Godfrey Hirst & Co Pty Ltd on the occasion of the birth of Princess Anne.Scrapbook, contains newspaper clippings,1950, extract from the Wool and Textile Newsletter, Sept 1950, radio results and script for recording.Royal blanket presentation/ Godfrey Hirst and Company Pty Ltd BRITISH COMMERCIAL NEWS...textile industry textile mills - staff, godfrey hirst and co. pty ltd excelsior woollen and worsted mills, blankets, textile industry, textile mills - staff

This worn and solied exercise book was used by Andrew Crawford (BC 1952) to record handwritten notes and diagrams from his Leaving level wool classing classes at Ballarat CollegeSoft covered No 122 exercise book with sewn binding and fabric spine; patterned covers and faint-lined pages; marked wear and soiling; handwritten inscription on front coverHandwritten inscription on front cover; Andrew Croawford / Leaving wool-classing / Ballarat Collegeandrew-crawford, woolclassing, student-work, 1952, ballarat-college, leaving, curriculum,

Sister Rocks Stawell Photo by W Dawson. with man on horse drawn buggy. Photo of Sister Rocks with a man on a horse drawn buggy beside the rocks.Copyrights regd. W, A. Whitehead. Photo W. Dawson date on photocopy C 2009

This waistcoat was made for Mr Alan Vinnell by the Fletcher Jones Man’s Shop in 1946 and was worn by Mr Vinnell at his wedding in Lang Lang on 27/4/1946 to Miss Madge Ridgway. Alan was the son of Albert Vinnell and Ada Rose Wood. He attended school in Macarthur about 40 kilometres northwest of Warrnambool. The Fletcher Jones Man’s Shop was located at the corner of Liebig and Koroit Streets in Warrnambool. David Fletcher Jones (1895-1977) served in World War One and in the 1920s set up as a travelling hawker selling drapery in Western Victoria. In 1924 he leased three shops in Liebig Street and in 1928 he moved to the Koroit/Liebig Streets intersection with his Man’s Shop. He manufactured men’s clothing on site. In 1931 a new set of two-storeyed buildings was erected on the site and Fletcher Jones moved into the building. In 1946 a Fletcher Jones shop was opened in Melbourne and in 1948 a factory was established in Raglan Parade, Warrnambool with a new company, Fletcher Jones and Staff established in 1951. This company became known Australia-wide, firstly for the production of men’s trousers, and later men’s and women’s clothing. By 2011 the Warrnambool factory was sold and the company dissolved. This waistcoat is of historical interest as an example of the high quality work produced at the Fletcher Jones Man’s Shop in Warrnambool in the mid 1940s. The Fletcher Jones business became one of the most important ones in Warrnambool in the 20th century and the early 21st century.This is a sleeveless woollen waistcoat made of blue striped material with a black cotton backing. The back has two black cotton flaps with a metal buckle to allow for the tightening of the coat across the back. The inside is lined with a cream, yellow and grey striped cotton material. The waistcoat has one inside pocket with a button enclosure and four outside pockets. The waistcoat has six black buttons on the outside and a maker’s label stitched on the inside. ‘Fletcher Jones The Man’s Shop Warrnambool Mr A. Vinnell Date 15/2/46’fletcher jones man’s shop warrnambool, history of warrnambool, albert vinnell, vinnell

A blind man feels model buildings on a relief map of the Sydney CBD whilst two others look on. B/W photograph of blind man using relief mapLearning layout of City of Sydney by raised map Orientation - historical RBS XIroyal blind society of nsw, maps

Man in photo was well known photographer and bushwalking guide Gilbert Rogers. He was also a Forest Officer so knew the Grampians well.Postcard shows a man standing beside a waterfall holding up a cup. the waterfall is flowing rapidly over rocks. The man has on a backpack and long hiking boots.'Good luck and good health from your old friend'( written on front) Rogers - (bottom Right) no,264people, gilbert rogers, scenery, waterfalls

The man in the theatrical costume is Panagiotis Lekatsas (Peter Lucas) who was a Greek actor in the 1920s.A sepia studio photograph of a man seated on a bench and dressed in theatrical costume.

"Dennys, Lascelles Limited Annual", third issue, August 1927. Annual publication produced by the wool brokers Dennys, Lascelles Limited and containing articles of general interest, as well as on wool related topics. On the front cover is a fine printed reproduction of a 1927 sketch by the artist Victor Cobb depicting the Dennys Lascelles wool store (cnr Moorabool and Brougham Sts; now housing the National Wool Museum).Three copies of the report. Front cover of the third issue of the Dennys, Lascelles Ltd Annual of Aug. 1927. The sketch is the Dennys, Lascelles wool stores (now NWM) and is by Victor Cobb. Detail from the back cover of the third issue of the Dennys, Lascelles Ltd Annual of Aug. 1927.wool brokering, wool growing, agriculture, dennys, lascelles limited

The man in the photograph is Captain Stilianos Petalas (1891 - 1948) who migrated and settled in Wellington, New Jersey USA.A sepia oval studio portrait photograph of a well dressed man.

Part of the Wagga collection. Maker unknown, c. early 1940s. Possibly from South Australia. This 'travelling rug' was found in an opportunity shop in Campbell's Creek near Castlemaine in Victoria. Unfortunately, nothing is known about the maker but it could be surmised that the quilt had many uses. It is heavy and designed for warmth, lined with a woollen blanket and hessian. Its size suggests usage in an open buggy or car when travelling or as a picnic rug along the way. The sturdy canvas backing is of the type commonly used for awnings, chair coverings or tent cloth. The quality of the green velvet made it ideal for further use as a quilt after the original use as an overcoat or smoking jacket for either a man or a woman. Apart from the original machine stitched seams in the garment, it is sewn together by hand using herringbone stitch. It is not known if this quilt was designed to be used with a cover. However, the arrangement of pieces in the garment to create a shape with straight edges may suggest that this may have been a consideration.Travelling rug made of wool, cotton and green velvet.No. 27 "Travelling rug" Maker Unknown Running Stitch Collection...quilting history, handicrafts, running stitch group, blankets, running stitch collection, highlights of the national wool museum: from waggas to the wool quilt prize - exhibition (22/09/2001 - 02/12/2001), quilting - history

Made in 2016 for the Australian Sheep and Wool Show. It was entered into the needle felting section and won. Emu and Kangaroo made from Ultra fine Merino from a sheep called Ninja with a micron count between 14-15 from Casalana fine wool.Woolen Coat of Arms on round metal frame. Kangaroo and Emu made of Ultra fine Merino and real Emu feathers. Coat of Arms felted together by hand. Winning sash, judges scorecard, wool sample and Certificate Included.

Providing more than education or employment, blind and low vision organisations recognised that many people needed assistance in navigating paper forms to access support from the government. In these photographs a woman from RVIB helps a man fill in the paperwork required for the Invalid Pension. A brochure for this is situated on the corner of the coffee table that the forms rest on. The man sits between the woman and a television.royal victorian institute for the blind