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4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Framed Photograph, Major G J Rankin DSO & Bar, c 1917
Framed b&w head and shoulders photo of Major G J Rankin DSO & BarCaption: 4th Australian Light Horse 1914-1918 Major G J Rankin DSO & Bar 2nd in Command of the Regiment at the charge at Beersheba 31st October 1917 -
Ringwood and District Historical Society
Photograph, 1954, Belle of the Ball, Miss Pat Yardley (Ringwood)
Written and printed around newspaper photograph, 'Mail 9/12/54. Belle of the Ball, Miss Pat Yardley (Ringwood). 4th Military Ball, 10th Sqd. Ringwood'. -
Port Melbourne Historical & Preservation Society
Photograph - Grade 3b Nott Street Primary School 1942, 1942
Nancye WILSON is in the middle row 5th from the left.Copy of photograph of Grade 3b pupils at Nott Street Primary School 1942On reverse -Nott St Primary School 1427 Grade 3b,1942 Nancye Wilson middle row tallest girl, 4th from left with a bow in her hair.education - primary schools, nott street primary school, nancye wilson -
Wangaratta RSL Sub Branch
Framed Badge Collection
Allied military badges collected during the Great War 1914 to 1918 by Private (Shoeing Smith) John BLAIKIE 2341 who was born at Wangaratta. He was a Blacksmith and at the age of 42 enlisted on May 28 1915. He embarked on August 10 1915 and served with the 14th Battalion. He returned to Australia in January 1918 and discharged as medically unfit on April 10 1918. Inset photograph is of John BLAIKIELarge collection of allied military badges collected during the campaigns in France, Belgium and Egypt in 1916-17 by John BLAIKIE 2341. A Blacksmith who at the age of 42 years enlisted in the Army and served during the first world war. On his return to Australia he was discharged medically unfit due to rheumatism and senility. He was a stalwart of Wangaratta RSL and his collection was present to the Sub Branch as a souvenir of the first world war.Brown timber frame in the shape of Australia containing a large collection of badges and small photograph Souvenir of the Worlds Great War 1914 to 1918 Military Badges Collected by J BLAIKIE 14th Batt 4th Div AIF In Belgium France & Egypt 1916-1917military badges, ww1 -
Ballarat RSL Sub-Branch Inc.
Plaque - "In Appreciation" - 4th Brigade
"The Ballarat R&SL Sub-Branch In Appreciation For Your Ongoing Support From Brigadier DJ Ball AM RFD ADC Commander 4th Brigade & all Members"shields & plaques, ballarat rsl, ballarat -
Warrnambool and District Historical Society Inc.
Buildings- Decoration, Plaster fragment from Criterion Hotel, Circa late 19th century
The Criterion Hotel was located on the western side of Kepler Street near the corner of Lava Street. John Tate of Woodford was the first licensee of the Criterion Hotel in 1873. The Humm family and the McGennan families were licensees for a considerable amount of time in the late 19th and 20th centuries. It was one of the last venues in the town to host live music. The last publican, John Palmer remembered it as a workers pub popular with local truckies and football clubs, in particular, Bushfield, Russell’s Creek and South Rovers. The Criterion closed in 2008 with the aim of turning it into office space but it was burnt beyond repair in 2010 and the remains were demolished in 2013.The Criterion Hotel was one of the earliest and longest licensed hotels in Warrnambool. As such it has local historical significance. The original building was an impressive landmark and the hotel itself has significant social importanceWhite plaster fragment with floral pattern enclosed within two plain borders. It is roughly five sided but edges are broken.criterion hotel, history of warrnambool, warrnambool hotels -
Mont De Lancey
Tool - Plough Spanner, Unknown
It was made late 19th Century.A long large steel curved handled single headed plough spanner made by a blacksmith. It was used to tighten or loosen large nuts on a plough or other machinery.spanners, wrenches, tools, farm equipment, steel -
Bass Coast Shire Council - Robert Smith Collection
Unknown - Untitled Charcoal Burning Scene, Anonymous English
English 18th/19th CenturyEngravingscene -
Vision Australia
Photograph - Image, Singapore Association of the Visually Handicapped plaque, 1993
To share information and gain first hand knowledge, organisations sometimes undertook study visits to various countries. In appreciation for the hospitality and information gained as part of this, the Singapore Association for the Visually Handicapped presented a commemorative plaque to RVIB.1 plastic stand with engraved brown platePresented to Royal Victorian Institute for the Blind in appreciation of the warm hospitality extended to our official during study visit on 18th-19th October 1993. October 1993 from Singapore Association of the Visually Handicappedroyal victorian institute for the blind, singapore association for the visually handicapped -
Bendigo Military Museum
Memorabilia - AMIENS ADDRESS, Post Nov 1918
Address in memory of Australian Dead by the Bishop of Amiens in the Church of Long(somme) Nov 4th 1918. On white cardboard to has French & Australian flags, wreath in centre, scroll with PAS N'OUBLIONS LES MORTS. Down end side are pillars on a base. Down each pillar in scrolls are Names of Australian Battle Honours.documents - addresses & memorials, military history - army, amiens, somme -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Framed photograph, Warrant Officer Class 1 Francis Martin Daly MC
Photo, sepia, head and chest view of WO1 F Daly, Regimental Sergeant Major of 4th Australian Light Horse Regiment. He is wearing battle dress with AMF rising sun collar badge, 4 L.H badge with "A". Military Cross, Sam Brown belt, slouch hat (without chin strap)wo1 frank daly, 4th light horse -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Signal, Chief Ordnance Officer Cairo, 20 Dec 1916
A signal sent to the Officer Commanding Det 4th Light Horse Regt in regard to re-arming, directing him to have all their rifles and Mk VI ammunition returned to the Citadel Magazine in Cairo, and be re-issued with Mk VII ammunition and rifles sighted for the Mk VII. Signed by Chief Ordnance Officer Cairo.signal, ammunition, 4th light horse -
Bendigo Historical Society Inc.
Document - H.A. & S.R. WILKINSON COLLECTION: CONTRACT OF SALE
Conditions of sale by private contract dated 4th January, 1938 between F. Peterson (seller) and Miss B.E.M. Tancock (buyer) for land situate No.84 lily Street, Bendigo, being land described in Crown grant volume 2650 folio 529876, together with 5-roomed weatherboard dwelling and all sundry.organization, business, h.a. & s.r wilkinson real estate -
National Vietnam Veterans Museum (NVVM)
Poster, Welcome Home Concert
Coloured poster with red, blue and yellow print. Army helicopter hovering over palm trees. There is a light shining onto soldiers. Map of Australia with Sydney Harbour Bridge and an Army Medal. In large print are the words "Welcome Home Conert" Date of concert and parade were from the 2nd - 4th October 1987List of activities: Unit Smokos, Parade through Sydney, Unit reunion, Free concert in Sydney Domain, 11am startposter, welcome home parade -
Bendigo Military Museum
Letter, 7.11.1916
The letter although unfinished is most likely written by Horace "Swag" LONG No 437 4th LH Regt. Refer Cat No 16P for his service details..1) & .2) Two ruled pages of a letter handwritten in indelible pencil on Souvenir of Egypt paper. Page or pages missing. .1) Handwritten top right: 1916 7th of November Abu Sueirdocuments, letters, correspondence -
Bendigo Military Museum
Administrative record - BOOK, Soldiers pay, 22.6.40 - 12.12.45
Alfred Robert Maskell VX25221 4th Anti Tank Regt 2nd AIF. Refer 2485 medals and service history also 1076, 1100.2, 2484P..1) Pay book, yellow covers, No C575736 re VX25221 Maskell Alfred Robert, 24 pages. .2) Pay book, yellow covers, No C582405 re VX25221 Maskell Alfred Robert, 24 pages..1) "RECOVD PW AMF" (Recovered Prisoner of War)records, pay, military -
Bendigo Military Museum
Administrative record - BOOKS, 1) 7.12.45, .2) 22.6.40 - 12.12.45
Alfred Robert Maskell VX25221, 4th Anti Tank Regt 2nd AIF. Refer 2485 for medals and service history also 1076, 1100.2, 2489P..1) Demobilization Procedure book, "AAB87" No 436230 re VX25221 Maskell Alfred Robert, brown covers, 29 pages. .2) Record of Service book, "AAB83" Re VX25221 GNR Maskell A.R, brown covers, 40 pages..1) "V.T.227"records, military -
Wangaratta Historical Society
The Painted Glass Window
This window was originally above the door at 29 Murphy Street, a butcher shop run by Jas. Ferguson and Company and later bought by Bob Hoysted who had worked for Jas Ferguson as an apprentice. The window sits in a painted wood frame and illustrates a pastoral scene with a cow, two grazing sheep and a path leading to an open gate. Butcher shops typically illustrated their business with illustrations of the animals they sold. The painted glass pieces are held together by lead. Some of the pieces are textured. The artist is unknown. It is possible that the window was imported from Europe since decorative glass works in Australia at the end of the 19th century were rare, if not non-existent. Decorating store fronts with windows such as this one was popular in Melbourne at the end of the 19th century. -
Bendigo Military Museum
Photograph - POSTCARD, c.26.6.1916
'Swag' nickname of Horace Samuel LONG who enlisted in the 9th Light Horse Regt No 437 on 17.9.1914 age 19 years. He transferred to the 4th L.H.Regt on 27.9.1916 and allotted No 437A. Promoted to Driver on 1.1.18, L/Cpl on 11.11.1918. During his service he was hospitalised 3 times with various illnesses. He was discharged from the AIF on 24.6.1919. His father and 2 brothers enlisted as well. Father, Benjamin Marshman No 97 Australian Remount Unit 1 Sqd 1. Benjamin Marshman 'Marsh' No 439 4th LHRegt. Rueben Ivan 'Rube' No 2192 4th reinforcements 60th Batt AIF. Refer the following Cat No’s relating to the Long family, 07.2, 11.4, 12.3, 13.2, 14.3, 15P, 17P.Copy of a black & white post card depicting a seated soldier and a cameo image of a woman superimposed top right corner.Original postcard inscribed verso: To Dear Beat, From Swag with love.postcards, photography, light horse -
Kiewa Valley Historical Society
Maps of Victoria
Three maps: copies from the 19th century. 1. Handwritten 'Dept of Lands & Survey 1876'. 2. Map of the Ovens & Murray District, Victoria with handwritten 'F.H. Hiscock & Co's, New Victoria Countries Atlas 1874'. 3. Map of the Murray and Gipps Land Distr' with handwritten: "Baillieu's County Atlas of Victoria 1866'.maps of victoria, 19th century, oven and murray district of victoria -
Glenelg Shire Council Cultural Collection
Photograph - Contact Print, 1900s
Sheet of 2 black and white contact prints from glass plate negatives. Top: 4 men, 2 women picnicking on bank of river/creek. Bottom: Tennis court in foreground. Portland Tennis Club pavilion with numerous people in and to one side, at Botanic Gardens. Dress late 19th, early 20th century.Front: Bottom - PTCP PORTLAND - white printportland tennis club, botanic gardens, recreation, tennis, sport -
Glenelg Shire Council Cultural Collection
Negative - Glass Plate Negative - Two people in horse drawn buggy, conifers in background, 1890-1910
Glass plate negative. Two people in horse drawn buggy, conifers in background. Estimated dress to be late 19th, early 20th Century. Includes a Hand written note from Mrs Isobel Burch (nee Taylor) expressing the view that the couple in the buggy are her parents - Mr & Mrs Ern Taylor, enclosed with negative. -
Bendigo Historical Society Inc.
Document - THE BENDIGO CHORAL SOCIETY,19TH GRAND CONCERT
Document, Program,Bendigo Choral Society, 19th Grand Concert,Season 1921, fourth concert.Town Hall, Bendigo, Wednesday, 14th December 1921.W.C. Frazier A.R.C.O., Conductor. Artists; Cecil Parkes;Miss Isabel Biddell; Miss Hilda Veale,L.A.B.; Pianiste: Miss Eileen Hains,A.R.C.I.. Boltons Print.Boltons Printprogram, music, the bendigo choral society, the bendigo choral society, 19th grand concert, music. -
Bendigo Historical Society Inc.
Document - ANCIENT ORDER OF FORESTERS NO. 3770 COLLECTION: MEDICAL CERTIFICATE
Blue paper dated Jan 19th 1872. I hereby Certify that Alfred Clear of Marong is able to follow his usual employment. Signed H. L. Atkinson. Also signed at the end by Alfred Clear declaring himself off the Sick Funds of the Court. Printed by J. Brockley, Printer, Bridge Street, Sandhurst.societies, aof, correspondence, ancient order of foresters no. 3770 collection - medical cetificate, court king of the forest, alfred clear, h l atkinson, j brockley -
Port Melbourne Historical & Preservation Society
Document - Order of Service Perce McGuire White, June 2022
Order of Service for Memorial Service for Perce McGuire WHITE (Perce WHITE) held at Sandridge Events Centre at North Port Oval on 1st July 2022. Perce was a Councillor for the City of Port Melbourne from 1972 and Mayor 1974/75, 1981/83, and 1985 until Amalgamation in 1988.White card 48 page booklet with fine black rope border with heading Perce McGuire WHITE (Percy WHITE) above his picture and below, 19th June 1932 - 1 June 2022. The rear cover has a colour photograph of Perce having a beer above the words "Work is the curse of the drinking man!".perce mcguire white, perce white, local government - city of port melbourne -
Bendigo Historical Society Inc.
Document - AMY HUXTABLE COLLECTION: INVITATION TO THE AMY HUXTABLE HISTORY AWARDS
Bendigo Historical Society Invitations from the President and the committee to attend a lunchon for the presentation of the Amy Huxtable History Awards. Sunday 20th March, 1994 Speaker: Dr. Keith Cole Sunday 27th August, 1995 Speaker: Meryl Wilkinson Sunday 19th January, 1997 Speaker: Mr. Bob Marmion. 3 pages.person, individual, amy huxtable -
Bendigo Historical Society Inc.
Document - DEAN HENRY BACKHAUS CENTENARY CELEBRATIONS, CITY HALL, 4 September 1982
a/ Royal Historical Society Of Victoria Bendigo Branch The President and Committee Invite With Pleasure to a Costume Ball in conjunction with Dean Henry Backhaus Centenary Celebrations, City Hall Saturday 4th September, 1982 7.30pm-1am. Dress: 1882-1982, with masks (optional) Music: 'Whipstick' Country Band Sherries: 7.30pm - Dinner 9pm. Double: $36.00 Single: $18.00 R.S.V.P 20 August, 1982. Organising Secretary, Felicity Kingerlee, Dudley House, 60 View Street, Bendigo 3550. We will/will not be able . . . . b/ Poster: Dean Henry Backhaus Centenary Celebrations German Masked Costume Ball 4th September, 1982 City Hall - Bendigo. Picture by Dorothy Carroll. The Mass Tent Used by Dean Backhaus on the Bendigo Goldfield. Royal Historical Society Of Victoria Bendigo Branch. c/ Royal Historical Society Of Victoria Bendigo Branch Dean Henry Backhaus Centenary Celebrations German Masked Costume Ball. Picture: Chair used by Dean Backhaus. Hewn from a tree stump. Programme. City Hall, Bendigo, Saturday 4th September,1982. Dance Programme.event, official, historical/educational, royal historical society of victoria bendigo branch dean henry backhaus centenary celebrations a/ the president and committee invite costume ball 4th september, 1982 7.30pm-1am. dress: 1882-1982, with masks music: 'whipstick' country band sherries: 7.30pm - dinner 9pm. double: $36.00 single: $18.00 r.s.v.p 20 august, 1982. organising secretary, felicity kingerlee, dudley house, 60 view street, bendigo 3550. we will/will not be able . . . . b/ poster: german masked costume ball 4th september, 1982 city hall - bendigo. picture by dorothy carroll. the mass tent used by dean backhaus on the bendigo goldfield. c/ german masked costume ball. picture: chair used by dean backhaus. hewn from a tree stump. programme. city hall, bendigo, saturday 4th september, 1982. dance programme. -
The Beechworth Burke Museum
Ceremonial object - Ushabti of Taweret-Khaiti, Circa 1292 BC
Ushabti are tiny anthropoid (human-shaped) figures placed in the tombs of wealthy Egyptians. They were intended to do the work of the deceased in the afterlife. This purpose is implied through their name, which may have derived from the Egyptian word “to answer”. The Burke Museum in Beechworth is home to a particular ancient Egyptian Ushabti figure. This artefact was donated to the Museum in 1875. No details about how it left Egypt, arrived in Australia, and where it was located before this donation are known. The Nineteenth Century, when this artefact was donated, was a period when many museums acquired items of ancient Egyptian heritage. Many of these items were procured in less than desirable circumstances, having often been looted from ancient tombs and sold to tourists without documentation as to their original location and/or accompanying grave goods. These artefacts were also divested through partage (the trading of artefacts for funds); however, the latter is unlikely to have been the case for this artefact. Since the Ushabti was donated by an unknown donor, it is likely to have been in a private collection rather than an institution. Ushabti can be dated using iconographic analysis which is non-invasive and provides a comprehensive study of the artefact. The later period of the 18th Dynasty marked the beginning of an increase in both the inclusion of Ushabti as essential funerary items and the creation of Ushabti with tools. From this period, they are no longer depicted without tools. Depictions of tools including gardening hoes are frequently depicted grasped in the Ushabti’s hands whilst items like the seed-bag are depicted hanging on the back rather than in an alternative position. This Ushabti figure grasps a gardening hoe and a mattock and a small seed bag surrounded by a yoke bearing water jars are depicted on the upper back of the Ushabti. These features are essential in helping narrow this dating to the late 18th and before the early 20th Dynasty. The position of this seed bag also provides dating information. In the early 18th Dynasty this bag was consistently drawn on the front of the figurine; however, by the reign of Seti I, this feature moved to the back. Thus, since the seed bag is located on the back of this Ushabti, it cannot date to the early 18th Dynasty. By the 19th Dynasty, Ushabti’s were increasingly made from either faience or terracotta. The availability of these materials in Egypt resulted in the increase of Ushabti production with tombs containing many more figurines than previously seen. The Ushabti held by the Burke collections is made from terracotta. Terracotta was rarely used for Ushabti before and during the early 18th Dynasty with only the odd appearance until the late 18th Dynasty and becoming common through that period until the late Third Intermediate Period. Whilst the face has been damaged, there is no evidence for the Ushabti having been provided with an Osirian false beard. This omission rules out a dating of later than the 25th Dynasty when beards became prominent. The inscriptions also date the Ushabti to the New Kingdom. This is because of the use of sḥḏ (“to illuminate”) with Wsjr (“Osiris”) which only occurs in these periods. Therefore, considering all these elements, the Ushabti can be confidently be dated to between the late 18th to early 19th dynasty.Artefacts like this Ushabti are no longer exclusively representative of their origins in burial assemblages and significance in the mythology of the Egyptian afterlife but are also significant for the accumulated histories they have gained through travel. The movement of this artefact from Egypt to Australia allows insight into the collecting habits of the 19th century, and in particular, the reception of ancient Egyptian artefacts in small rural museums. The procurement of Egyptian artefacts was a social trend around the late 1800s to early 1900s. Egyptian artefacts were considered curiosities and recognised for their ability to attract public attention to museums. They were also utilised in Australian museums, like the Burke Museum, to connect the collection to one of the oldest civilisations known to man and since Australia was considered a “young” country by European settlers, this was vital and derived from an interest in Darwin’s “Origin of the Species” 1859. Furthermore, there was a culture of collecting in the 1800s amongst the affluent in English society which led to the appearance of many Egyptian artefacts in private collections. The acquisition of this Ushabti figure is not certain, but it was likely donated from a private collection rather than an institution. This particular artefact is significant as an example of a high-quality Ushabti representative of those produced during the late 18th or early 19th century. It provides insight into the individualism of an Ushabti and the mythology of ancient Egypt. It also provides an example of the types of items required in the tomb assemblages of this period and reinforces the importance of ensuring the successful afterlife of the deceased through art. This Ushabti belonged to a woman named Taweret-Khaiti, Chantress of Amun, in the late 18th Dynasty or early 19th Dynasty (c.1292 BC) of the Egyptian New Kingdom. It likely comes from an undetermined tomb in the locality of Thebes. This figure is made from Nile silt clay (a polyester terracotta; clay sourced from the banks of the Nile River) which was a popular material for Ushabti construction in the early 19th Dynasty. It is in a fair state of preservation (with the exception of a break through the centre) and originally made to a high quality. The face has been damaged but the eyes and eyebrows are clearly marked with black ink and the sclera painted white. The Ushabti is painted a light brown/yellow colour and features a vertical line of inscription down the lower front. The Ushabti wears a large wig and and a schematic collar. The arms are painted light brown and depicted crossed with bracelets around the wrists. It grasps a hoe and mattock. A yellow seed-basket is depicted on the Ushabti’s back. These features represent the likelihood that this particular Ushabti was intended to complete farm work for the deceased in the next life. There would have been additional Ushabti of similar design within the tomb who worked under the supervision of a foreman Ushabti. The foreman Ushabti would be depicted dressed in the clothing of the living. The inscriptions are painted freehand in black ink and written in a vertical column from the base of the collar to the foot pedestal on the front of the Ushabti. The owner of the Ushabti could elect to have the figures inscribed with their name, the Ushabti spell and any other details they deemed necessary. In the case of this example, the Ushabti is inscribed with the owner’s details and is an abbreviated version of the standard Ushabti formula. This formula ensured that the Ushabti would complete the desired task in the afterlife when called upon by the deceased. Ushabti which were not inscribed would represent their intended purpose through design; however, this Ushabti, like most made in the late 18th Dynasty, conveys its purpose both through both design and inscription. The inscription is as follows: sHD wsir nbt pr Smayt imn tA-wr(t)-xai(ti) mAa xrw which translates to: "The illuminated one, the Osiris (the deceased), the mistress of the household, Chantress of Amun, Taweret-Khaiti, true of voice (justified)"ancient egypt -
Falls Creek Historical Society
Journal - Ski-Horizon Vol 3 No 12, August 1952
Ski-Horizon is the official journal of the Federation of Victorian Ski Clubs which began publication in 1949. The were 26 original member clubs which included Albury Ski Club, Bogong Ski Club, Myrtleford Ski Club, Tallangatta and District Ski Club and Wangaratta Ski Club. Two pioneers of Falls Creek, Tom Mitchell, M.L.A., and Martin Romuld were Vice-Presidents of the Federation.This Journal is significant because it documents the early development of skiing in Victoria.The journal features stories and events chronicling developments in Victoria and internationally. Items related to the Falls Creek Area in this issue include:- Page 1:- Resulting from a meeting between Bob Howe (Albury Ski Club) and Tom MItchell (Upper Murray S.C.) a group of Wodonga Boy Scouts have had their first skiing trip under the aegis of Albury Ski Club Page 11: Results for N.E.D.S.A. versus Southern Districts Ski Association (South Island, N.Z.) These events were held at Queenstown as part of the Trans Tasman Tour. Skippy St.Elmo placed 5th in the Ladies' Slalom and 4th in the Ladies' Downhill. Dick Walpole who was to become an Olympian in 1960, placed 5th in the Men's Slalom and equal 4th in the Downhill.tom mitchell m.l.a., toonallook, fred griffith -
Eltham District Historical Society Inc
Photograph, Our Lady Help Of Christians School Girls, Eltham, c.1954
Pam Ingram advises that the inscription on back of photo is incorrect and that this is photo at Our Lady Help of Christian's, Eltham. She is situated in the front row, 4th from right.Written on back "Our Lady of Sacred Heart Bentleigh"pam thoonen (nee ingram) collection, pamela lorraine ingram, pamela thoonen (nee ingram), class photo, our lady help of christian’s primary school