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Federation University Art Collection
Work on paper - Printmaking - Monoprint & Handpainting, Nicole Shugg, 'Blue Escape No. 2', by Nicole Shugg, 2000
Nicole Shugg was a student of the University of Ballarat (later Federation University Australia). 'Blue Escape No. 2 was purchased from the End of Year Exhibition in 2000. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed monoprint with handpainting. art, artwork, nicole shugg, shugg, monoprint, mono-print, mono print, printmaking, alumni, available -
Federation University Art Collection
Painting - Gouache, 'Annual Royal Show' by Nornie Gude, c1935
From 1931 to 1936 Nornie Gude attended the Ballarat Technical Art School, a division of the Ballarat School of Mines. She was accepted into the School at the age of 15 because she was so advanced in painting. She studied at Ballarat for five years before progressing to Melbourne’s National Gallery of Victoria School. Nornie Gude won many art competitions, including first prize at the 1936 Melbourne Royal Agricultural Show for still life drawing, and in 1941 became the first woman to win the National Gallery Students Travelling Scholarship. As an artist Nornie Gude held no theories and was once heard to say, “You spend your first 20 years learning technique and the next 20 years losing it”. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting showing two horses jumping over a fence.art, artwork, gude, royal melbourne show, poster, available, horses, animals, alumni, nornie gude -
Federation University Art Collection
Painting, 'Everybody's Favourite', by Nornie Gude, c1935
Eleanor (Nornie) GUDE (1915- 2002) From 1931 to 1936 Nornie Gude attended the Ballarat Technical Art School, a division of the Ballarat School of Mines. She was accepted into the School at the age of 15 because she was so advanced in painting. She studied at Ballarat Technical Art School, for five years before progressing to Melbourne’s National Gallery of Victoria Art School. Nornie Gude won many art competitions, including first prize at the 1936 Melbourne Royal Agricultural Show for still life drawing, and in 1941 became the first woman to win the National Gallery Students Travelling Scholarship. As an artist Nornie Gude held no theories and was once heard to say, “You spend your first 20 years learning technique and the next 20 years losing it”. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed gouache by Nornie Gude. LLS signed "N.Gude"art, artwork, nornie gude, tea, available, poster, ballarat technical art school, alumni, portrait, robur tea -
Federation University Art Collection
Painting - Gouache, 'Melbourne Royal Show' by Nornie Gude, c1935
Nornie GUDE From 1931 to 1936 Nornie Gude attended the Ballarat Technical Art School, a division of the Ballarat School of Mines. She was accepted into the School at the age of 15 Nornie Gude because she was so advanced in painting. She studied at Ballarat for five years before progressing to Melbourne’s National Gallery of Victoria School. Nornie Gude won many art competitions, including first prize at the 1936 Melbourne Royal Agricultural Show for still life drawing, and in 1941 became the first woman to win the National Gallery Students Travelling Scholarship. As an artist Nornie Gude held no theories and was once heard to say, “You spend your first 20 years learning technique and the next 20 years losing it”. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed original poster advertising the Show, and featuring a horse and rider. art, artwork, nornie gude, gude, royal melbourne show, balllarat technical art school, poster, horse, available, alumni -
Federation University Art Collection
Drawing - Texta on paper, [Flower Study] by Sybil Craig, 2001
Sybil CRAIG (18/11/1901-09/09/1989) Born London, England Arrived Melbourne 1902 Died Melbourne, Victoria Sybil Frances Craig was a student of John Shirlow in 1920 who introduced her to French avant-garde artists such as Matisse and Gauguin. In 1924 she studied at the National Gallery of Victoria Art School. She also underook private classes with George Bellfor several months where individual expression was encouraged, and she became associated with a group of Modernist artists including Sam Atyeo. In 1945 Sybil Craig became the third woman to be appointed as an official war artist. Based in Melbourne she worked for fourth months at the Commonwealth Ordinance Factory at Maribyrnong, becoming the first female artist to paint women working in the munitions factories. In her work Craig was attracted to many changing ideas and continued to explore line, rhythm, colour, simplicity and design. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed texta sketch of a correa.art, artwork, sybil craig, craig, flora, available, leaves, texta, texta colour, correa -
Federation University Art Collection
Printmaking - Etching, aquatint, photo-etching, Cat Poljski, 'After Euclid's Rule', by Cat Poljski, 2003
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. Australian Print Council Commissioned Printart, artwork, cat poljski, poljski, australian print council, available, printmaking, etching, aquatint, photo etching -
Federation University Art Collection
Drawing - Artwork, 'Former Gaol Lydiard St' by Graham Hawley, 2004
Graham Hawley lectured in Art Education at Ballarat College of Advanced Education This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Drawing of the former Ballarat Gaol gates, wall, Governor's Residence and Warden's Residence. The gaol building is now part of the Federation University SMB Campusart, artwork, hawley, ballarat gaol, available, graham hawley, ballarat school of mines, gaol gates, governor's residence, warden's residence -
Federation University Art Collection
Work on paper - Printmaking - Silkscreen, Lin Onus, 'Walawala Garrkman' by Lin Onus, 2001
Lin ONUS (1948-1996) Language: Wiradjuri / Yorta Yorta Lin Onus played a pivotal role in the recognition of Aboriginal art as an expression of a contemporary and dynamic living culture. Prior to his premature death at just 47 years of age he was a prominent, strident, yet non-confrontational agent in renegotiating the history of colonial and Aboriginal Australia. His father, Bill Onus, was the founder of the Aboriginal Advancement League in Victoria and a prominent maker of artefacts in Melbourne. As a young Koori growing up, Lin lived in a cultural environment that included exposure to visiting Aboriginal artists, including Albert Namatjira. He began his artistic life assisting his father in decorating artifacts, went on to develop skills working with metal and painting with air brush as a panel beater; and by 1974 he was painting watercolors and photo-realist landscapes. In the 1970's he completed a set of paintings on the first Aboriginal guerrilla fighter Mosquito, which holds pride of place on the walls of the Advancement League in Melbourne, to this day. Lin Onus was a largely self-taught artist. Particularly important in his development was his visits to Garmedi (Arnhem Land) starting in 1986. Jack Wunuwun, the Yolngu artist, introduced him into the Murrungun-Djinang clan and gave him permission to use some of traditional images in his paintings. His cultural education on the Aboriginal side was also provided by visits to Cummeragunja with his father, and stories told by his uncle Aaron Briggs, known as 'the old man of the forest' who gave him his Koori name - Burrinja, meaning 'star'. They would sit on the banks of the Murray River within view of the Barmah Forest, Lin's spiritual home, the subject of many of his later paintings and his final resting place. Lin's father had been of the Yorta Yorta people from the Barmah Forest country, and Lin also used images from this area in his paintings. The images in his works include haunting photorealist portrayals of the Barmah red gum forests of his father's ancestral country, and the use of rarrk cross-hatching-based based painting style that he learned (and was given permission to use when in Arnhemland). His painting Barmah Forest won Canberra's national Aboriginal Heritage Award in 1994. (http://www.cooeeart.com.au/aboriginal_artist/lin_onus/A, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition silkscreen.Signed 'Onus' lower right (posthumously by Tiriki Onus) Edition 68/80art, artwork, lin onus, onus, printmaking, screenprint, aboriginal, dreaming, frogs, available -
Federation University Art Collection
Ceramic - Raku, 'Ishna' by Maggie Barnes-Oakes, 2002
Maggie BARNES -OAKE (1942 - ) Born Essex England Arrived Australia 1981 This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Maggie Barnes-Oake is a past student of the University of Ballarat, Arts Academy, who studied under Neville French and Mary Rasmussen. Maggie won the University Acquisitions Prize in 2002 and completed or Diploma of Arts in 2003.'Ishna' fantasy sculpture. Made from Raku slab with oxides and Raku fired. Artist is Maggie Barnes-Oakeart, artwork, barnes-oake, ceramics, maggie barnes-oake, art acquisition award, available, alumni, dvc art acquisition award, raku -
Federation University Art Collection
Photography, Zo Bassett, [Still Life]
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Three photographs depicting clocks and boots mounted in one frame. If you can provide information on this artist and/or artwork please use the comments link below.art, artwork, bassett, zo bassett, boots, shoes, clocks, photography, available, tafe business collection -
Federation University Art Collection
Painting - Oil on canvas, [Still Life] by Gwen Graham, 1970
Gwen GRAHAM Gwen Graham was a member of the Ballarat Artists Society. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed still life oil on canvas painting depicting a fruit bowl, vase and zucchini.art, artwork, gwen graham, still life, fruit, apple, banana, zucchini, vase, available -
Federation University Art Collection
Work on paper - Limited Edition Coloured Print - 4/30, Geoffrey Ricardo, 'Naturalists' by Geoffrey Ricardo, 1992
GEOFFREY RICARDO (1964- ) Born Melbourne, Australia 1984-86 Bachelor of Arts (Fine Art), Printmaking, Chisholm Institute of Technology, Melbourne 1987-89 Printing Assistant at Bill Young Studios, Editioning intaglio prints, King Valley, VIC 1988 Full-time Studio Technician at Printmaking Department, Chisholm Institute of Technology, Melbourne 1989-90 Graduate Diploma (Fine Art), Printmaking, Monash University, Melbourne 1991 Traveled to England, France, Spain and USA (Winsor & Newton International Travelling Bursary, National Students Art Prize) Worked in private studios in Gaucin, Spain and New York, USA 1994-95 Master of Fine Arts, Monash University, Melbourne 1995 Guest Lecturer, Victorian College of the Arts, Melbourne Traveled to Europe and America 1996 Guest Lecturer, Royal Melbourne Institute of Technology, Melbourne 1990-98 Sessional Lecturer, Monash University, Melbourne 1998 Traveled to America and Mexico 2001-05 Sessional Lecturer, The Victorian College of the Arts, Melbourne 2003-10 Printmaking Workshops, Warrnambool TAFE, Warrnambool, VIC 2004 Traveled to Europe, Mexico and Cuba 2005 Lecturer, National Art School (Summer School), Sydney Sessional Lecturer, Monash University, Melbourne Lecturer, Institution of Koorie Education, Deakin University, Geelong, VIC SOLO EXHIBITIONS 2012 ‘Collection of Works’ The Art Vault Mildura ‘Deeper Meanings’, The Incinerator Gallery, Melbourne ‘Three Projects’, Australian Galleries, Glenmore Road, Sydney Melbourne Art Fair Stand F33, Australian Galleries, Melbourne 2009 ‘Anno Domino, Antarctica and The Anatomy Lesson’, Australian Galleries Derby Street, Melbourne The Art Vault, Mildura, VIC 2008 MV Orlova (Quark Expeditions), The Drake Passage, Antarctica 2007 ‘Herd’, BMGArt, Adelaide ‘Herd’, Australian Galleries Painting & Sculpture, Sydney 2006 ‘Herd’, Australian Galleries Painting & Sculpture, Melbourne 2004 ‘Recent work’, BMGArt, Adelaide 2003 ‘The Rapunzel Suite and Other New Works’, Australian Galleries Works on Paper, Sydney ‘Recent Works’, Australian Galleries Painting & Sculpture, Melbourne ‘Recent works’, Cowwarr Art Space, Cowwarr, VIC 2002 ‘The Rapunzel Suite’, Australian Galleries Works on Paper, Melbourne ‘Strange Games’, Australian Galleries Works on Paper, Sydney 1999 ‘A Dark City Narrative’, Australian Galleries Works on Paper, Sydney ‘A Dark City Narrative’, Australian Galleries Works on Paper, Melbourne 1998 Cullity Gallery, School of Architecture and Fine Art, University of Western Australia, Perth 1997 Delaney Gallery, Perth Chapman Gallery, Canberra BMGArt, Adelaide ‘Menagerie’, Australian Galleries, Sydney ‘Menagerie’, Australian Galleries, Melbourne 1995 ‘Paintings, Prints and Sculpture’, Australian Galleries, Sydney ‘Prints, Paintings and Sculpture’, Australian Galleries, Melbourne 1994 Lawrence Wilson Art Gallery, University of Western Australia, Perth Graham Galleries + Editions, Brisbane ‘Wishful Thinking, Prints and Sculptures’, Lawrence Wilson Art Gallery, University of Western Australia, Perth 1992 ‘Prints, Sculptures and Watercolours’, Australian Galleries, Melbourne and Sydney 1990 ‘Watercolours, Prints and Small Bronzes’, Australian Galleries, Sydney ‘Paintings, Prints and Sculptures’, Australian Galleries, Melbourne GROUP EXHIBITIONS 2013 ‘Sculpture by the Sea’ Cottlesloe, Western Australia 2012 ‘Brave New World’, Toyota Community Spirit Gallery, Port Melbourne, VIC ‘Sculpture by the Sea’, Bondi, Sydney 2011 ‘Sculpture by the sea’, Aarhus, Denmark ‘Artwork to Tapestry’, Tarrawarra Museum of Art, Healesville, VIC Burnie Print Prize, Burnie Regional Gallery, Burnie, TAS ‘large exhibition of small works’, Australian Galleries, Roylston Street, Sydney ‘large exhibition of small works’, Australian Galleries, Derby Street, Melbourne ‘Nature of the Mark’, Australian Galleries, Smith Street, Melbourne Rick Amor Print Prize, Montsalvat, Eltham, VIC 2010 ‘Summer show’, Australian Galleries, Glenmore Road, Sydney ‘Summer stock show’, Australian Galleries, Smith Street, Melbourne ‘Sub10’, Substation, Melbourne ‘McClelland Sculpture Survey and Award 2010’, McClelland Gallery + Sculpture Park, Langwarrin, VIC ‘Artists’ Prints made with Integrity I’, Australian Galleries, Smith Street, Melbourne Montalto Sculpture Prize, Montalto Vineyard and Olive Grove, Red Hill South, VIC 2009 ‘Artists’ ink: printmaking from the Warrnambool Art Gallery Collection, 1970-2001’, Ararat Regional Art Gallery, Ararat, VIC ‘Lorne Sculpture’ (Winner), Lorne, VIC 2008 ‘Summer Stock Show’, Australian Galleries Smith Street, Melbourne 2007 ARC Biennial (Art, Design and Craft), Queensland University of Technology Art Museum, Brisbane ‘Prints Tokyo: International Print Exhibition’, Tokyo, Japan Seoul International Print, Photo and Edition Works Art Fair, Seoul, Korea Guanlan International Print Biennial, Guanlan, China ‘Summer Stock Show’, Australian Galleries Works on Paper, Sydney ‘Summer Stock Show’, Australian Galleries Painting & Sculpture, Melbourne ‘Summer Stock Show’, Australian Galleries Works on Paper, Melbourne ‘Antipodean Bestiary’, Project Space / Spare Room, RMIT University, Melbourne Montalto Sculpture Prize, Montalto Vineyard and Olive Grove, Red Hill South, VIC McClelland Sculpture Survey and Award 2007, McClelland Gallery + Sculpture Park, Langwarrin, VIC ‘2007: Works from the studio’, Lancaster Press, Melbourne ‘50 - a print exchange portfolio’, Geelong Art Gallery, Geelong, VIC ‘Small Pleasures’, Australian Galleries Painting & Sculpture, Melbourne ‘Stock Show’, Australian Galleries Painting & Sculpture, Melbourne ‘Artists for Kids Culture’, Brightspace, Melbourne 2006 ‘Partnership or perish’, Academy of the Arts, School of Visual and Performing Arts, University of Tasmania, Hobart Libris Awards, Artspace Mackay, Mackay, QLD ‘Summery’, Australian Galleries Painting & Sculpture, Sydney ‘Summer Stock Show’, Australian Galleries Works on Paper, Melbourne ‘Bookish’, Australian Galleries Works on Paper, Melbourne Melbourne Art Fair, Australian Galleries, Melbourne ‘Artists for Kids Culture’, Brightspace, Melbourne ‘50th Anniversary Exhibition’, Australian Galleries Painting & Sculpture, Melbourne 2005 ‘End of Year Group Exhibition’, Australian Galleries Painting & Sculpture, Sydney ‘Contemporary Works on Paper’, Australian Galleries Works on Paper, Melbourne ‘Expansion’, Lancaster Press, Melbourne ‘The Art of Collaboration’, Singapore Tyler Print Institute, Singapore ‘Double take’, Arts Project Australia, Melbourne ‘Small Treasures - 20 emerging and established artists’, TILT Contemporary Art, Melbourne Jacques Cadry Memorial Art Prize, Fox Studios and State Library of NSW, Sydney ‘Tales of the City’, Australian Galleries Painting & Sculpture, Melbourne ‘A Decade of Collecting 1995-2005’, Cairns Regional Gallery, Cairns, QLD ‘Artists for Kids Culture’, Brightspace, Melbourne ‘Surface Tension: 21 Contemporary Australian Printmakers’, University of Tasmania, Launceston, TAS ‘Neo-millenium’, Toyota Community Spirit Gallery, Melbourne 2004 ‘Artists for Kids Culture’, Brightspace, Melbourne ‘Group Exhibition’, Australian Galleries Painting & Sculpture, Melbourne ‘Species’, Australian Galleries Works on Paper, Melbourne ‘In the presence of creatures great and small’, Australian Galleries Works on Paper, Sydney ‘Tapestries from the Victorian Tapestry Workshop’, Australian Galleries, Melbourne ‘Sculpture’, Australian Galleries Painting & Sculpture, Sydney ‘Contemporary Australian Prints’, National Arts Club, New York, USA ‘Contemporary Australian Prints’, Gallery 101, Melbourne ‘Contemporary Australian Prints from the Collection’, Art Gallery of New South Wales, Sydney ‘Bridge’, Toyota Community Spirit Gallery, Melbourne ‘Vivid’, Fortyfive Downstairs, Melbourne Lake Gallery, Paynesville, VIC 2003 ‘Paper matters’, Lawrence Wilson Art Gallery, University of Western Australia, Perth ‘Artists for Kids Culture’, Brightspace, Melbourne ‘Less is more’, BMGArt, Adelaide ‘The ink’s on me: Bill Young master printmaker’, Wangaratta Exhibitions Gallery, Wangaratta, VIC ‘Fantastic and Visionary Art’, Touring: Global Arts Link, QLD; Ipswich Regional Gallery, QLD ; Orange Regional Gallery, NSW; Manning Regional Gallery, NSW; Parramatta Heritage Centre, Sydney; Ballarat Regional Gallery, VIC 2002 Shell Fremantle Print Award, Fremantle Arts Centre, Fremantle, WA ‘Artists for Kids Culture’, Brightspace, Melbourne 2001 Shell Fremantle Print Award, Fremantle Arts Centre, Fremantle, WA ‘Six Degrees of Collaboration’, RMIT Faculty of Art, Design and Communication Gallery, Melbourne ‘Reciprocal Moves’, Warrnambool Art Gallery, Warrnambool, VIC International Print Triennial, Kanagawa, Japan ‘Fantastic Art’, Orange Regional Gallery, Orange, NSW ‘Dancing Made a Man out of Me’, The Switchback Gallery, Monash University, Gippsland, VIC ‘Artists for Kids Culture’, Brightspace, Melbourne ‘Celebration’, Regional touring exhibition, VIC 2000-01 ‘Workings of the Mind: Melbourne Prints of the 1960s to the 1990s’, Touring: Grafton Regional Gallery, NSW; Toowoomba Regional Art Gallery, QLD; Nolan Gallery, Canberra; Bendigo Art Gallery, VIC; PercTucker Regional Gallery, QLD 2000 Shell Fremantle Print Award, Fremantle Arts Centre, Fremantle, WA The Hutchins Art Prize, Long Gallery, Hobart ‘Artists for Kids Culture’, Brightspace, Melbourne 1999 Shell Fremantle Print Award, Fremantle Arts Space, Fremantle, WA ‘We are Australian’, George Adams Gallery, Victorian Arts Centre, Melbourne Rena Ellen Jones Memorial Print Award, Warrnambool Art Gallery, Warrnambool, VIC ‘National Works on Paper’, Mornington Peninsula Gallery, Mornington, VIC ‘Artists for Kids Culture’, Brightspace, Melbourne ‘Pleasure’, Australian Galleries, Melbourne 1998-99 ‘Australian Prints’, Art Gallery of New South Wales, Sydney 1997 ‘KNOCK, KNOCK’, Australian Galleries, Melbourne ‘Woven Colour, The Art of Tapestry’, Dr Earl Lu Gallery, Singapore 1996 M.P.A.C. Print Award, Mornington Peninsula Arts Centre, Mornington, VIC Academy of Art & Culture, Calcutta, India ‘Synergy’, Touring: Lalit Kala Akademi, New Dehli, India; Jehangir Nicholson Gallery, Bombay, India; Birla, India ‘Contemporary Australian Tapestry’, Frederikshavn Kunstmuseum, Denmark; Australia House, London, UK 1995 ‘Interweave - Tapestry A Collaborative Art’, Heide Museum of Modern Art, Melbourne ‘Contemporary Printmakers’, La Trobe Regional Gallery, Morwell, VIC ‘Contemporary Australian Tapestry’, Australian High Commission, Singapore ‘Circus Capers’, Caulfield Arts Complex, Melbourne 1994 M.P.A.C. Print Award, Mornington Peninsula Arts Centre, Mornington, VIC Fremantle Print Award, Fremantle Arts Centre, Fremantle, WA Australian Universities of Visual Art, Australian High Commission, Singapore ‘Prints, Paintings and Sculpture’, BMGArt, Adelaide Fourth Australian Contemporary Art Fair, Royal Exhibition Building, Melbourne 1993 Fremantle Print Award, Fremantle Arts Centre, Fremantle, WA 1992 Fremantle Print Award, Fremantle Arts Centre, Fremantle, WA ‘Transitional Times’, Print Council of Australia, Melbourne ‘Second Kochi International Triennial Exhibition of Prints’, Japan 1991 Henry Worland Memorial Print Prize, Warrnambool Regional Art Gallery, Warrnambool, VIC Fremantle Print Award, Fremantle Arts Centre, Fremantle, WA ‘Table Top Sculpture’, Australian Galleries, Melbourne ‘Art 91’, London Contemporary Art Fair, London, UK 1990 M.P.A.C. Print Prize, Mornington Peninsula Arts Centre, Mornington, VIC Fremantle Print Prize, Fremantle Arts Centre, Fremantle WA ‘The Christmas Show’, Intaglio Printmaker, London, England ‘Australian Contemporary Art’, AZ Gallery, Tokyo, Japan 1989 National Student Art Prize, Mitchell College, Bathurst, NSW Fremantle Print Award, Fremantle Arts Centre, Fremantle, WA City of Doncaster Acquisitive Print Prize, Manningham Gallery, Melbourne ‘Affiliations’, Monash University Gallery, Melbourne 1988 M.P.A.C. Acquisitive Print Prize, Mornington Peninsula Arts Centre, Mornington, VIC Henry Worland Memorial Print Prize, Warrnambool Regional Art Gallery, Warrnambool, VIC 1987 ‘The Comedy Show’, Print Guild, Melbourne ‘Fluxus Art Flow’, Melbourne 1986 Mornington Peninsula Arts Council Acquisitive Print Prize, Mornington Peninsula, VIC Chisolm Institute of Technology, Graduating Students exhibition, Melbourne AWARDS 2013 King Valley Art Prize (printmaking) 2009 Lorne Sculpture Exhibition (Winner), Lorne, VIC 1989 Windsor and Newton International Travelling Bursary, UK Linbrook International First Prize for Printmaking, Australia COMMISSIONS 2005 Tapestry design for Bairnsdale Hospital (woven by the Victorian Tapestry Workshop, Melbourne), Bairnsdale, VIC 1999 Tapestry design ‘Emblem’ (woven by the Victorian Tapestry Workshop, Melbourne), Australia 1995 ‘A Night of Infectious Laughter’ Poster, St Kilda Festival, Melbourne 1994 Tapestry design ‘Elephant Gingham’ (woven by the Victorian Tapestry Workshop, Melbourne), Australia 1993 Tapestry design for the Festival of Perth Official Poster (woven by the Victorian Tapestry Workshop, Melbourne), Perth RESIDENCIES & PROJECTS 2013 ‘Come In Outside’, Collaboration set design for Pocketfool 2011 Mildura Wentworth Arts Festival Project, Mildura, VIC Residency, The Art Vault , Mildura, VIC 2010 ‘Wish’, Collaboration set design for Pocketfool, Artplay, Melbourne The Art Vault (included continuous public flag making workshops which were flown as part of The Wentworth Mildura Art Festival), Mildura, VIC 2009 The Art Vault (included two public printmaking workshops), Mildura, VIC 2008 Artist in residence, MV Orlova, Quark Expeditions, Antarctica 2003 Residency, Bairnsdale Regional Health Service, Bairnsdale, VIC 1998 Residency, School of Architecture & Fine Art, University of Western Australia, Perth 1997 Residency, La Salle/Fia, College of the Arts, Singapore 1996 Artist in residence, Victorian Tapestry Workshop, Melbourne 1993 Reduction Aquatint Workshop & Residency, Graphic Investigation Department, Canberra School of Art, Canberra NB: all residencies have included workshops involving students, children or the general public COLLECTIONS Artbank, Sydney Art Gallery of New South Wales, Sydney Canson Australia Pty Ltd, Australia City of Box Hill, Melbourne City of Whitehorse, Melbourne Downlands College, Toowoomba, QLD Geelong Grammar School, Geelong, VIC Gold Coast City Art Gallery, Gold Coast, QLD Griffith University, Gold Coast, QLD Helensvale High School, Brisbane Holmes à Court Collection, Perth Latrobe Regional Gallery, Morwell, VIC Monash University, Melbourne Mornington Peninsula Arts Council Collection, Mornington, VIC National Gallery of Australia, Canberra National Gallery of Victoria, Melbourne Parliament House Art Collection, Canberra Print Council of Australia, Melbourne Private collections in Australia, Switzerland, USA, UK, Singapore, Germany, Japan, Malaysia, Holland Queen Victoria Museum & Art Gallery, Launceston, TAS Queensland Art Gallery, Brisbane Queensland University of Technology, Brisbane Shire of Diamond Valley, Diamond Valley, VIC Star of the Sea College, Melbourne The Melbourne Club, Melbourne University of Central Queensland, Brisbane University of Technology, Sydney Wagga Wagga Regional Art Gallery, Wagga Wagga, NSW Warrnambool Regional Art Gallery, Warrnambool, VIC BIBLIOGRAPHY PERIODICALS AQ Journal of Contemporary Analysis, Vol. 70, Issue 4, July-August 1998 AQ Journal of Contemporary Analysis, Vol. 70, Issue 6, November-December 1998 AQ Journal of Contemporary Analysis, Vol.71, Issue 7, April 1999 Backhouse, Megan; “Going out of print and back to basics”, The Age, February 2003 Bellamy, Louise; “Renaissance of Western Art”, The Age (A2 section), 26 November 2005 Clabburn, Anna; “Fables and Foibles”, Art Monthly, September 1994 Dutkiewicz, Adam; “Edge of the sublime”, Advertiser, 1 December 2003, p. 76. Erickson, Dorothy; “The Festival that could have been”, The Bulletin, March 1994 Farmer, Alison; “Ricardo makes poster splash”, Sunday Times - Entertainment Extra, 19 September 1993 “Festival taps weaver’s art”, The West Australian, 11February 1994 Fiasco (web-page), March 2003 Jenkins, John; “A Dark City Narrative”, Imprint, Vol. 34, No. 4, 1999 Grishin, Sasha; “Multiplicity – collecting Australian prints”, Australian Art Review, Issue 13, March-June 2007, pp. 52-55 Grishin, Sasha; “Profiles in Print - Geoffrey Ricardo”, Craft Arts International, Issue 76, 2009, pp.1-4 Lloyd, Tim; “The elephant man”, The Advertiser (Review section), December 2007 Manzana Arné, Josep; “De L’Ex-Libris a L’Ex-Webis: Ex-Libris a Internet”, Ex-Libris, Associació Catalana D’Exlibristes, Barcelona, No. 27, July-December 2002, p.11 McDonald, John; “Dreams of hope and menace” The Sydney Morning Herald, 18 March 1995 McMillan, Peter; “Darkness visible”, The Age, 11September 1999 Nelson, Robert; “Circuses can be curated, but not cured”, The Age, 18 January 1995 Nelson, Robert; “Dream Weavers”, The Age, June 1995 Nelson, Robert; “Paen To Ricardo”, Imprint, Vol. 29, No.1, April, 1994 Nelson, Robert; “Revealed: Mother Nature’s vulgar past”, The Age, September 6, 2000 Nelson, Robert; “Riddled with hidden meaning”, The Age, September 8, 1999 Quadrant, April, 1995 Quadrant, Jan/Feb, 1995 Quadrant, October, 1995 Quadrant, November, 1994 “Ricardo’s surreal works at gallery”, Times-Spectator, 25 July 2003, p.7 Snell, Ted; “Art”, The Australian, 18 February1994 Snell, Ted; “Visual arts at the Festival of Perth”, Art Monthly, April 1994 Sunday Arts, ABC TV, 6 May 2007 Timms, Peter; “Geoff Ricardo: emerging from darkness”, Art Monthly, Issue 140, June 2001 Wallace, Dr Carmel; “Ways of seeing Australia”, Asian Art News, May/June 2004 BOOKS & CATALOGUES A Dark City Narrative, Australian Galleries, Melbourne, 1999 ARC Biennial Exhibition (Exhibition catalogue), Queensland University of Technology Art Museum, 2007, pp. 78-79 Clabburn, Anna; “The Collaborative Spirit”, Australian Tapestries: Victorian Tapestry Workshop, 1995, p. 37 Fantastic Art, Orange Regional Gallery, NSW, 2001 Field, Caroline; Herd, catalogue essay, Australian Galleries, Sydney, 2007 Grishin, Sasha; Australian Identities in Printmaking, Wagga Wagga Regional Art Gallery, 2000 Grishin, Sasha; Australian Printmaking in the 1990’s, Craftsman House, 1997 Havighurst, Sophie (Illustrations by Geoffrey Ricardo); When Lester lost his cool, The University of Melbourne, 2007 Kolenberg, Hendrik & Ryan, Anne; Australian Prints, Art Gallery of New South Wales, 1998 Lawrence, Michel; Framed; photographs of Australian Artists, 1998 Modern Australian Tapestries, Victorian Tapestry Workshop, 2000 The Rapunzel Suite, Australian Galleries, Melbourne, 2002 Wallace, Dr Carmel (Essay); Surface Tension, Twenty One Contemporary Australian Printmakers, Gallery 101, Melbourne, 2004 Workings of the Mind : Melbourne Prints of the 1960s to the 1990s, Queensland University of Technology Art Museum, Brisbane, 2000 TELEVISION Sunday Arts, ABC TV, 6 May 2007 Inside Art TV, Channel 31, July 2012 Framed limited edition coloured print showing two men in dinosaur masks, leaning over and heading butting each other. Edition is limited to 30, print is number four.On the left, between print and matting: 4/30 "Naturalists" On the right, between print and matting: signed Ricardo ' 92 On front upper right hand corner pale dark red stain on glass On back, left hand corner, red ink finger prints near where it appears that the backing board has been torn to remove the previous tape. On back, both vertical sides has a number of dents towards the outside of it near the tape. art, artwork, print, limited edition, geoffrey, ricardo, fantasy, colour, available, sport -
Federation University Art Collection
Painting, Angeline Koot, 'Merry 2020' by Angeline Koot, 2020
During Angeline Koot's final year at Federation Unvisity the course was conducted online while the commnuity was in lockdown due to the Covid 19 Pandemic. The work reflects the resulting isolation, in particular the effect on the 2020 festive season which was marred with postponment and much uncertaintly due to the pandemic. The subject matter includes cones and a sock representing Christmas traditions. The small soccer plays attempt to stop the 8 ball from destroying the cone pyramid tree, while the shark, representing the chaotic events of 2020, moves to attack a fallen soccer player. The goal keeper attempt to protect the cone pyramic, and keep everything under control. Angeline KOOT (1998- ) Born Malaysia Arrived in Australia 2010 In 2020 still life artist Angeline Koot completed a Bachelor of Visual Art at the Federation University Arts Academy. Still lifeA still life with a pryamid of cones, a blue shark, a black 8 ball, and four soccer players representing the isolation of the festive season during Covid19 lockdowns at the end of 2020. Due to the Covid-19 pandemic and associated lockdowns the End of Year Exhibition (EYE) was an online exhibition and the selection of the DVC Art Acquisition Awards also took place online. Signed top edge Angeline K. 2020angeline koot, alumni, dvc art award, still life, pandemic, soccer, shark, 8 ball, covid 19, available -
Warrnambool and District Historical Society Inc.
Weights, Pennyweights x 6, Early 20th century
No information is available on the history of these six examples of pennyweights. A pennyweight was a unit of mass that was equal in weight to 20 grains, one twentieth of an ounce and one 240th of a Troy pound. The abbreviation for a pennyweight is ‘dwt’ (denarius weight). Pennyweights were and are used in the weighing of precious metals and are still used by dentists in the measurement of the metal used in dental crowns etc. These items are of antiquarian interest and will be useful for displays. These are six pennyweights of varying weights – 5 pennyweights, 4, 3, 0.4, 0.5 and 0.6. They appear to be made of brass and the 5, 4 and 3 pennyweights are rounded off rectangles in shape with eight sides. The three smaller weights are rectangular in shape with nipped-off edges. ‘5 dwts’, ‘4 dwts’, ‘3 dwts’ In black labelling, ‘1499.10, 1499.11, 1499.12’ (old cataloguing numbers) pennyweights, warrnambool, denarius weight -
Warrnambool and District Historical Society Inc.
Pith Helmet, Royal Australian Navy, 1930s
This helmet has been used by a member of the Royal Australian Navy in the early to mid 20th century. The Commonwealth Naval Forces were formed after Federation in 1901 and became known as the Royal Australian Navy in 1911. Pith helmets are now used only in the Australian Defence Forces for ceremonial purposes. No information is available on A.B. Pollock.This helmet is retained for display purposes.This helmet is made of white material with a six-segmented crown and a peak and back covering. In the centre of the crown is a dome with three breathing holes. On top of the dome is an ornamental gold-coloured metal finial. The edge of the crown has a band of white fabric and in the centre of this is a metal badge with a crown, anchor and seven stars and the wording ‘Royal Australian Navy’. Inside, the helmet has a leather rim with an adjustable leather string with brass clips (one missing). Inside, the breathing holes are made of brass and the metal rotates to open or close the holes. Inside also are the size of the helmet, the owner’s name and some other indecipherable information Royal Australian Navy A.B.Pollock 6⅞ vintage headwear, royal australian navy, history of warrnambool -
Warrnambool and District Historical Society Inc.
Book - School Papers 1912, The School Paper 1912 Education Department, 1913
Children's LiteratureThis book has a black cover with gold-coloured printing on the front and spine. The pages contain reprints of the Victorian School Papers of one year with printed text, black and white photographs, songs with music, maps and sketches. One page is partly tornnon-fictionChildren's Literaturevintage school reading material -
Eltham District Historical Society Inc
Document - Folder, Opening of the Children's Library, Eltham War Memorial, 1961
Initially the Eltham War Memorial Trust had invited the Lieutenant Governor of Victoria, Lieut-General Sir Edmund Herring to perform the opening ceremony however he was not available. In his place, the third and final stage of the building of Eltham's war memorial, the children's library, was opened on Remembrance Day 1961 by Mr. W.R. Garrett, M.H.R.Contents: Letter (Carbon copy): Invitation from Eltham War Memorial Trust to the Governor, Lieut-General Sir Edmund Herring to open the Children's Library on Remembrance Day, 23 Aug 1961 Newspaper article (photocopy): Third unit of Eltham's memorial opened, Diamond Valley Local (poss),14 November 1961c. seear, children's library, cr. d.c. o'beirne, cr. docksey, cr. e.p. harmer, eltham war memorial, eltham war memorial trust, mrs. ada lyon, mrs. cairns officer, mrs. j.j. morrison, opening ceremony, remembrance day, shire president, w.r. garrett (mhr), cr e.p. harmer, governor of victoria, lieut-general sir edmund herring, w. neal -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Pharmacy, cardboard box 'Forbes' Phosferrine tablets, 20thC
Phosferrine tablets were available in liquid or tablet form. Phosferrine was a tonic said to benefit the nervous system and the advert reads ' Phosferrine the greatest of all tonics promotes good health.' Housewives were advised that it relieved depression by having a calming effect on the nervous system. Movie stars and Sportsmen were featured in advertisements from 1925 - 1944An original cardboard box, with sliding insert, that contained 'Forbes' phosferrine tabletson box ; FORBES' / PHOSFERRINE-TABLETS / for THE NERVES / 2/9 / HAVE NO EQUAL FOR / WEAKNESS, LASSITUDE, DEBILITY, IMPAIRED DIGESTION, / ............../ CONTENTS 80 TABLETS / PREPARED ONLY BY / MARTIN & PLEASANCE / CHEMISTS & DRUGGISTS / 180 COLLINS STREET MELBOURNE.pharmacy, chemists, druggists, melbourne, bentleigh, cheltenham, martin & pleasance ltd., early settlers, gastrointestinal diseases, phosferrine tablets -
Kiewa Valley Historical Society
Splint
The ambulance officers would use this splint to restrict further movement of a leg. It supports and protects a broken bone or injured tissue and reduces pain and promotes healing by keeping the injured part of the body still. Splints are now designed for specific parts of the body and leg. New materials are available eg. plastic moulds and velcro to fasten straps.Used by ambulance officers in the Kiewa ValleyThe splint is made with 4 shiny upright rods. At the bottom it has 1 moveable stand at the back and 1 solid steel foot rest at the front. These have hinges to enable up and down movement.there is green vinyl around the curve at the top and as support for the back of the leg. There are 3 green leather straps attached - on the top, middle and the foot."North Eastern Ambulance / Car 20" in white on green vinyl.leg splint, ambulance equipment, first aid -
Kiewa Valley Historical Society
Camera Box Brownie, 4/8/1925
This item represents a period in time when there was the start by manufacturing industry for targeting the medium to lower socio and economic strata of the purchasing public. It was the beginning of cheaper mass produced items for the non professional (photographer in this instance) recreational minded public. The availability of low cost items was required by an ever increasing population hungering for the "do it yourself" amateur.This camera was owned by Margaret (Peg) Shefford nee Turner, who retired to Mount Beauty in the mid 1980s. The camera was purchased in 1920 and used up to the 1940's when her her daughter, Midge Clooney used it. When the Shefford family emigrated from England to Australia (1953), it was used to take photos of the ship voyage.This item is a Campfire Box Brownie. Model "F". It is a black vinyl covered tin box shell. It has a short leather hand strap (110mm) (stamped "BROWNIE") on the top side of the box, fastened by a metal stud at each end. There are two clasps holding the front and rear sides. Viewer (photo frame number) and lens (apertures) are on opposite sides.Stamped within a circular section on the back section is "No 2 BROWNIE" underneath,"MODEL F" in smaller letters "MADE IN CANADA BY CANADIAN KODAK Co., Limited, TORONTO, ONT". a smaller circle within has "USE KODAK FILM No_ 120"portable camera, photography, hobby, low cost camera -
Eltham District Historical Society Inc
Book, Harry Gilham, A chronology of known local events 1835 - early 2000 including those in the Shire of Nillumbik and the former Shires of Eltham and Diamond Valley, 2000
2nd edition. "The design of this document is to provide information to access known publications and resource collections that are publicly available for study... this collection of 974 historical events is not complete". The publication is arranged by year order with a brief statement of historical event with source abbreviation. Source list provided. Includes index. Produced by the Eltham District Historical Society Inc.This edition, one of several, is a significant reference document for the history of the Shire of Nillumbik and former Shires of Eltham and Diamond Valley bringing together a timeline of key events in the history of this local community. Softcover; 1 v. (unpaged) ; 30 cm.ISBN 0957719817shire of eltham, shire of diamond valley, chronology, eltham district historical society -
The Cyril Kett Optometry Museum
Magnifier lens in bead case, unknown, mid 19th century
Single lenses were used to assist reading for many centuries before spectacles were widely available. This magnifying lens may be even older than its case. The simple, large glass lens is held in a hand-worked horn or bone rim. The leather case decorated with floral beadwork is typical of northern European styles c1850.This lens is significant for the collection as it is the earliest mounted single lens in the Kett Museum.Large, round, horn-rimmed reading glass, or magnifier lens, incorporating ring-shaped handle. Glass lens in horn or bone rim. Leather slip-in case with floral beadwork.lens, magnifier, reading lens, horn rim, beadwork -
Port Melbourne Historical & Preservation Society
Photograph - Photographs (proof sheets), Sister Norma Barnett as Honorary Mayor of Port Phillip, 1999
Taken of Sister Norma BARNETT during her five days as honorary Mayor of Port Phillip in March 1999. The robe was made by her friends and was worn for a variety of mayoral duties (prize giving, etc). Accessorised with chain (which is not available). Donated by her family following the 'Women of Port Melbourne' exhibtion after Norma's deathFour proof sheets of official photographs of occasions on which a floor length purple velvet robe, edged with fake ermine trim and black braiding was worn by Sister Norma BARNETT during her five days as Honorary Mayor of Port Phillip in March 1999dick gross, anne dunn, julie statkus, janne ray, sister norma jean barnett, local government - city of port phillip, south port community nursing home -
Bay Steamers Maritime Museum
Photograph, Steam Tug Wattle at Rye Pier, c. 01/2000
One of a series of photographs taken by Michael Ritchie who was enthusiastic deck hand on Wattle. Photographs taken when Wattle was at Rye for the Christmas/New Year period, most likely 1997. Sailing schedule,shows 5 cruises per day, ticket prices, cruise destination of Seal Colony.and tea, coffee & scrolls available. Colour photograph of Wattle moored at Rye Pier, looking to stern. Gangway, lifeboat, signs, Red Ensign visible. Skipper Leigh Doeg selling tickets to 2 parents,2 children on right hand side of photographsteam tug wattle, rye pier, seal colony cruises, leigh doeg, michael ritchie -
Robin Boyd Foundation
Drawing - Aerial Perspective, Domain Park, Sept 1960
Project: Domain Park from office of Grounds Romberg and Boyd. Perspective of Penthouse. The Domain Park flats (1959-62) were designed by Robin Boyd and were among the first high-rise blocks of ‘luxury’ flats constructed in post-war Melbourne. This exterior perspective highlights the unparalleled views available from the penthouse apartment.Aerial Perspective, Tracing Paperdomain park, robin boyd, ohm2022, ohm2022_14 -
Expression Australia
Book, No Longer by Gaslight - The First 100 years of the Adult Deaf Society of Victoria, 1984
This Book celebrates the history of the first 100 years of the Adult Deaf Society of Victoria, and was written by John Flynn who in his introduction states "This book attempts to trace the story of the men and women, both deaf and not deaf, who worked and planned so that deaf people should have a caring Organisation available to them on leaving school".This Book celebrates the history of the first 100 years of the Adult Deaf Society of Victoria. The work is significant as it brings together material from a number of different collections into an accessible and comprehensive volume detailing the Society's history spanning the years 1884 to 1984. The book is no-longer in print.Crimson Cover iv, 185 p. : ill., facsims., ports. ; 26 cm. (missing pages 92-100)adult deaf society of victoria, flynn, rose, victorian deaf and dumb institution, muir, newbigin, lewis, moss, samuel johnson, lucy lewis, hannah martin, luke, peter holt, leslie newbigin, frewin, robert patterson, matthew miller, eugene salas, robert luff, abraham, knutsford, cornelius reynolds, ernest reynolds, george mortimer, john paul, blackburn, south australia, william dean, okorita, nunawading shire, lacrosse, mckirdy, martin fraser, lakeside lodge, george newnham, jolimont square, horace bedggood, cricket, football, tabletennis, hockey, gymnastics, geelong, ballarat, pengilly, australasian deaf and dumb association, chadwick, parkinson, mcconnan, jennings, macbain, sargood, gillott, grimwade, felsted, mcbeath, mckeddie, peacock, cleveland, bruche, samderson, wignay, driver, smiley, sholl, lovett -
Vision Australia
Administrative record - Text, Association for the Blind Illawarra Community Centre Annual Report 1992 with statement of accounts, 1992
Report from individuals and agencies forming the Illawarra Community Centre, including: the fire that damaged the upper level of the building on May 14th 1992, providing services to over 2000 in the Geelong region, local newspaper La Piazetta is now available on tape, and a group of clients are helping the Home Tutor Scheme by providing voluntary conversational English,.1 volume of printed materialassociation for the blind, illawarra community centre -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white:, Barry Sutton, 10.08.1971
Sr. Scott is in a room in the Royal District Nursing Service (RDNS) Melbourne Centre. She is wearing the RDNS grey uniform dress which has the insignia "Royal District Nursing Service" written in white on a grey background attached to the upper sleeves. The photograph is showing some of the equipment which is available for temporary loan to RDNS patients.From the founding of the Melbourne District Nursing Society (MDNS), in 1885, known as the Royal District Nursing Service (RDNS) from 1966, equipment was loaned and demonstrated to patients and their family members, to enable them to care for their loved ones in their home. In the 1970s RDNS employed a Physiotherapist who taught RDNS staff the correct transferring techniques, including the use of a hoist when this became available. RDNS staff taught and used these techniques in patient’s homes to undertake safe transfer of the patient and to reduce physical strain on RDNS nursing staff and family members. Each RDNS Centre had a room or shed where equipment for loan was kept. Headquarters also kept additional equipment which could be transported to Centres as required. Black and white digital image portraying Sister Scott, who is smiling and has her dark hair drawn up, checking equipment. She is holding a bath seat in her hands. Behind her on a table, left to right, is an air cushion, draw sheets, male urinal, female urinal, bed pan and a sheepskin which is in front of a wooden board with rows of cup hooks and names under each hook. In the left foreground is a hoist with a white sling hanging from either side of the front hanger. To its right is a closed wheelchair, a 4 pronged walking stick, and a commode to the right of Sr. Scott.Barry Sutton Photographer. Quote KL 49rdns, rdns equipment, rdns uniform, royal district nursing service, sister scott -
Melbourne Legacy
Slide, Annual Demonstration 1958, 1958
A colour slide of a demonstration at the Melbourne Town Hall in 1958. Girls in marching outfits and Australian flags. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of a Annual Demonstration at the Melbourne Town Hall.Colour slide of girls in a Demonstration with Australian flags, in a cardboard mount.Handwritten on front 'Demo 1958' in blue pen and imprinted '5' in red ink.girls classes, dance, marching -
Melbourne Legacy
Slide, Intermediate Legacy Club Fete, 1959
A colour slide of a fete at Legacy House in Swanston St in 1959. There two legatees behind a table of plants. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of fetes being held at Legacy House.Colour slide of two legatees and a plant stall in Legacy House, in a brown Super Anscochrome cardboard mount.Printed in red ink 'ANSCOCHROME / View from this side / Made in Australia". Handwritten on front ''Smithy set ups flowers ILC Fete 1959'. Imprinted by indentation "Aug 59". Imprinted with black ink '10'.ilc, fete