East Charlton Hotel built in 1875 by John Flug to replace his original log and bark inn built 1863. The first inn was about 100 metres behind this building and it was Charlton's first commercial building. The hotel was rebuilt by C. Klug in 1891. It was rebuilt as a two storey building in 1925. Part of a streetscape series done for the Shire of Charlton in 1987.Colour photograph of Spanish mission style, two storey white building. Arched verandah on lower level. Signage above veranda reads EAST CHARLTON HOTEL. Tree in front of building. and several parked cars. Yellow panel van in lower RH corner. Single storey pale brick building across the drive way on LH side. Red and white sign for SUPERMARKET on RH side.east charlton hotel, john flug, c. klug

This is a small commercially made tram model. Its design appears to be very loosely based on a Melbourne W Class tram design. The motorman’s cabin is realistic, but the body with its centre doorway does not look like any known tram designs. The wheels and their arrangement at the very ends of the tram are not realistic at all. No details of the maker, or where or when the model was made. Demonstrates making tramcar models for decorative purposesNickel plated steel model with operable wheels at either end. Two copies held.models, trams, tramcars

The photo shows trams 40 & 17 passing on the loop in Pakington St at Clarence Sts in West Geelong. Has a "Fishorium" (fish shop), A E Bent Radio, a Grocery shop, Commercial bank, a butcher, and the State Savings Bank of Vic in the photo. Photo undated, Keith Kings late 1955 or early 1956, photo number Q(R)(8)Yields information about the West Geelong shoping centre and tramway operations.Black and white photograph with notes on rear.See rear image and context.trams, tramways, pakington st, geelong, west geelong, tram 40, tram 17

This was a gift sent to Alan QuinnThis is of historical significance as it paints a picture of what Quinn had sent back home from India.This bag was posted in Calcutta, possibly in 1952 though the date is indecipherable. On one side: Alan Quinn, Coolac St, Chadstone, Melbourne, Australia. Customs declaration: Handloom tablemats. No commercial value. RM South, Grand Hotel, Calcutta. On the reverse: the address is repeated and: Gift parcel, from V. South, Grand Hotel, Calcutta. There are six stamps with an indecipherable franking stamp on them.

The Strowger switch is the first commercially successful electro-mechanical stepping switch telephone exchange system. It was developed by the Strowger Automatic Telephone Exchange Company founded in 1891 by Almon Brown Strowger. In 1912 Australia's first automatic telephone exchange was installed at Geelong. Victoria. The exchange equipment was Strowger Automatic telephone apparatus, manufactured by the Automatic Electric Company, Chicago USA. This is a useful research tool for the history of telephony.A 96 pp bound book with a dark brown cover. On the front cover inside a narrow black ruled frame is the title, "Principles of Automatic Telephony Circuits and Trunking" Below that is the logo for the Strowger Automatic telephone manufactured by the Automatic Electric company, Chicago.telephony communication manual-automatic-telephony

The Geelong Rest located at 3 Moorabool Street was created in 1895. The building depicted in the photograph ( taken from the Western Beach Road) is known as the King Edward VII Sailors' Rest building; it was designed by architect Percy Everett and replaced the older building in 1912. In 1901, it became the Geelong branch of the Mission to Seamen. The building is still standing on the waterfront in Geelong and has a commercial use.Medium b & w photograph depicting the front facade of the Sailors' Rest in Geelong.geelong, sailors' rest, seafarer, king edward vii sailors' rest building, 1912, percy everett, kombi

The Trade Mark "Preservene" was registered on 23 June 1914 and traded in that name until 1930 when Cussons Australia Pty Ltd incorporated the name and its products including the Preservene Cloudy Ammonia. The Preservene Company produced a book (19 pages) "The Presevene Method Of Housework" in 1911. This publication was not only a self promotion but also a useful tool for the rural household and commercial enterprises.This bottle is very significant as it details the type of household cleaning methods and products used in the early 1900's up until the mid 1900's, when greater product diversities became available for rural areas. This product was a general cleaning agent that could be used for a variety of household items. It was the one product that "fits all cleaning". This attitude by the manufacturer fits into the mores held by the populous not only in cities but especially in the rural sector. This was an era where the success of a product was measured by the degree of versatility that came with it. The war years, the great depression had a lingering affect upon those who lived through them not to "waste" money on a multitude of products if one product had multiple uses. This was more so in rural areas where semi remote locations (as the case of the Kiewa Valley in the early 1900's) did not have the market place choices of city dwellers.This oblong shaped brown stained bottle has a red,green and faded white label covering 90% of the bottle. The bottle has a screw on lid. The bottle has embossed at the top back "POISON NOT TO BE TAKEN"on front label starting from top down "POISONOUS" IN SMALLER LETTERS "NOT TO BE TAKEN", below in an eclipse red backed sphere "PRESERVENE CLOUDY AMMONIA" below this in smaller print "CONTENTS 15 1/2 ozs", "For Household & Laundry use " below this "Removing stains and clearing Silverware Jewellery Etc". On a slant with green lettering on off white background, "IMPORTANT NOTICE (underlined) NO TOIL PRESERVENE ONLY BOIL(underlined) SOAP". Below within a red dotted boundary "PRODUCED BY Preservene Pty. Ltd. Melbourne Victoria". Below this and in smaller print "This preparation contains not more than 10 percent and not less than 7 percent free ammonia" Both sides of the label detail manufacturers instructions for different applications.laundry cleaners, stain removers, preservene label

Discusses the role of government and its failure to protect and lend support to Australia's other arts, such as the Australian television industry, and failure to encourage local production. Increase in American content appears to flout rules of the Broadcasting Control Board. Australian commercial television victim to foreign programmes, with Australian drama content continuing to decrease due to high costs and cheaper imported programs.Typewritten (c copy), quarto, 7 pages. (Two copies)broadcasting control board, australian television, australian television industry, commercial television, postmaster general, australian television programs, american television programs, robin boyd, manuscript

Michael Wilson learnt the craft of Goldsmithing after seeing well known sculptor and silversmith Matcham Skipper working in his studio at Montsalvat in and around 1970. This work is a gift to the Eltham Community in recognition of his twenty five years of developing his goldsmith skills and operating his business within the Shire. Wilson officially opened his commercial premises in 1985. Michael Wilson is a local jewellery maker. His work is influenced directly by the environment in which he lives. This sculpture is representative of his distinctive style of work as a nationally and an internationally recognised Designer and Goldsmith. Made of steel and powdercoated in aluminium with a concrete base. Decorative elements such as the ring encasing the cicada and the cicada's wings are guilded with 24ct gold leaf. The steel rod is burgundy in colour with the cicada painted a dark olive green to represent the 'Green Grocer' variety common in Eltham. The colours used in this sculpture match the surrounding Elm and Ash trees in the landscape. N/Apublic art, cicada, wilson, gold, green grocer, jewellery

The illustration looks northeast from Town Hall overlooking the intersection of Sturt and Lydiard Streets, towards Black Hill and Grenville St. Has two ESCo trams in view, both with roof-mounted destinations, Post Office, and the Grenville St shelter. C1907. Has the National Mutual building in the bottom right-hand corner advertising Commercial Unity and Doepel & Co.Yields information about the intersection of Sturt and Lydiard Streets and associated buildings.Illustration cut from a magazine or publicationballarat, illustrations, post office, sturt st, lydiard st, esco

Photograph of Ballarat Tramcars 23, 26, and another. and 3 other tramcars at City Centre, Nth side of Sturt St at Grenville St Nth, looking West. Photo shows the later small passenger shelter, a few pedestrians, a number of early motor vehicles, and the commercial buildings of the Eastern end of Sturt St. Prominent in the background are the Mechanics Institute, and the Town Hall.Yields information about SEC tramway operations, and the buildings and layout of the East end of Sturt St.Black and white photograph on plain paperHas a stamp from The Argus (Melbourne newspaper). has various items of copyright and permission details; and Negative No: J5994. Also, "Ballarat" and "K.J.MAGOR" No".ballarat, sturt st, tram 26, tram 23

While barber shops were the commercial premises where men and boys had their hair cut, the number of hair clippers in the Kew Historical Society's collection would indicate that frequently hair clipping was carried out in homes in the pre and post war period. Manual hair clippers were readily available for purchase. Electrical clippers were presumably used in barber shops.Metal handheld hair clipperspersonal grooming, barber's equipment, hairdressers, hair clippers

The Kew Historical Society's Fashion & Design collection includes a small and representative collection of reticules, purses and handbags, purchased, inherited or collected by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products. The handbag was donated to the collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Square silver chain pursehandbags, evening bags, bags, fashion accessories, silver mesh bags, mcintyre collection

The Kew Historical Society's Fashion & Design collection includes a small and representative collection of reticules, purses and handbags, purchased, inherited or collected by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products. The handbag was owned by Dione McIntyreThe McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. White, Oroton style handbag with brass and white enamel frame and handle.handbags, costume accessories, oroton, mcintyre collection

The Kew Historical Society's Fashion & Design collection includes a small and representative collection of reticules, purses and handbags, purchased, inherited or collected by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products. This handbag was donated by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Evening purse of gilded mesh with brass frame and chain handle. The base of the bag features a mesh fringe. The clasp includes a faceted red glass gem.purses, fashion accessories, lilian cohen, mcintyre collection, evening wear

Annual report providing overview of activities and achievements including: incorporating Hear A Book and Seeing Eye Dogs Australia, partnering with ABC Commercial to expand the availability of audio titles, new facilities in Orange and Cairns, launch of Graduate Certificate in O&M courses, decision to sell St Kilda Road, Burwood School and Enterprises building in Prahran and redevelopment of the sensory playroom in Enfield.1 volume with illustrations providing overview of organisational achievementsjean mcnamara, donald fraser, lyn allison, leigh garwood, julie rae, glenda alexander, maryanne diamond, rochelle hutson, chris cussen, roger cussen, cathy heenan, barbara smith, chris edwards, lara giddings, jacob law, vanessa clayton, cecily barker, mark pelgrave, alan nemth, cooper hallcroft, aaron hallcroft, roslyn atkinson, kate law, daniela zebic, dame elisabeth murdoch, adrian smith, peggy soo, governor general michael jeffrey, natalija lambert, meri-jace lamber, maurice gleeson, mark walters, renae williamson, penny stevenson, kenny johar, alex turner, emily ryan, morgan jenkins, michael todorovic, graham rawlins, bill shorten, bruce scotland, reg hinsley, june combey, marian jones, tammy-jo sheenan, david truong, trish anderson, richard carbone, rafe manuell, corporation records, vision australia, gerard menses, kevin murfitt, christine harding, greg hempenstall, michael simpson, trish egan, tim evans, paul bunker, jennifer gibbons, owen van der wall, keith barton, paul gleeson, ross mccoll, theresa smith-ruig, jan lovie-kitchin, tony hanmer, nick carter, david speyer, ron mccallum, anthony callea

The first image shows the shops on either side of Bridge Road with horse drawn carts and one cable tram. The second image from the Town Hall tower, shows two cable tram sets, the narrowing of the road. Has in the view Guddon & Selleck Auction House and Property Exchange also advertising Commercial Union Assurance Co. and George Stirling and Sons store.Yields information about Bridge Road, c1900Set of two A3 enlargements of postcards 1 - Looking east along Bridge Road from near Church St 2 - Bridge Road Richmond - from Town Hall looking westcable trams, tramways, richmond, bridge road,

In this example, nineteen 33-speed gramophone records are needed for a single title. Labelled with His Master's Voice, and recorded solely for the use of the blind by the Sound Recording Committee by Arthur Bush, they were dispatched via post to members who were in possession of commercial record players. Australian blindness agencies were purchasing overseas titles to expand their libraries for a growing number of users.19 vinyl records :12 in., 33-speed ;in paper sleeves, Reference number JG5433-JG5451audio books, royal national institute for the blind

3. 2 trucks have the 3rd MD TAC Sign, 1 truck has the TAC sign with 7 on it. Passchendaele Barracks was the name of the Army Drill Hall, Mollison Street, Bendigo. The drill hall was in use 1916 - abt 2004.1. Side view of international MK3 Army Truck 4 x 4 set up for troop or general service work. Canvas cover is on. Coloured photo taken in the Mollison Street Depot yard. Photo is mounted on stiff cardboard. 2. Side View of Army Commercial Ford Truck. Cabin tilted forward to enable access to engine (Ford CL 400). 3. Group photo in colour, of 5 MN3 trucks lined up on the road beside the Mollison Street Drill Hall,. 1. On the rear is a 'stuck on' label "International 2 1/2 tons GS MN3 Bendigo Deport Yard". 3. On the rear is written "Convoy Inter MK3's in Mollison Street Bendigo. trucks, cmf, passchendaele barracks trust

Alec Sandner was a Strathfieldsaye Shire Councillor from 1982 -1987, Strathfieldsaye Shire President from 1985 – 86 and Mayor of Bendigo 2011 - 2012.Bound, fourteen page 'sticky' photo album with yellow vinyl cover containing thirty six black and white commercially produced photographs capturing activities and events attended by Alec Sandner during his time as Councillor and Shire President with the Shire of Strathfieldsaye. Each photograph has handwritten annotation with details including date, event and people present. Alec Sandner was a Strathfieldsaye Shire Councillor from 1982 -1987, Strathfieldsaye Shire President from 1985 – 86 and Mayor of Bendigo 2011 - 2012.0135b Alec – planting a tree at / Flora Hill High School – Arbor Week / 12th April, 1984 0135c Alec – Michael John / May 7, 1984 0135d Mr Sinclair, Jeff Kennett, Michael John and Alec / inspecting Sinclair Foundry / May 17, 1984 0135e Alec – christening ‘Eugene Sandner’ scull / Bendigo rowing Club / Sunday, June 24, 1984 0135f Alec (standing) with Micahel John, / Andrew Peacock – Marisa D’Agnostina / Bendigo – Thursday August 2, 1984 0135g Bruce Reid, Alec, Jeff Kennett and Michael / John. Bendigo Wednesday August 8, 1984 0135h Mr Alan Hunt M.L.C, Michael John, Bill Ebery and alec / Sunday Sept 9, 1984 0135i t; Alec – Prue Sibree, Castlemaine, Oct . 84 m; Jeff Kennett, Alec and Bill Ebery / 1984 l; Belinda John, Mr Hunt, Alec & Bruce Reid 0135m Max Drechsler, Alec, David Wright / Statutory Meeting / Strathfieldsaye Shire Wed 7th August / 1985 0135n Wendy Drechsler, Helen / Statutory Meeting / Strathfieldsaye Shire / Wed 7th August / 1985 0135o Doug Stevenson, Alec, Joan Kirner, David Kennedy / Strathdale Community Centre / Thursday 8th August 1985 0135p Alec with members Bendigo Pony / Club – Spring Gully / Saturday 17th August 1985 0135q Alec / Opening Strathfield -/ saye bowling / Club / Sunday October 13, / 1985 0135r Honor Walters and Helen (President / Laura Clarke Auxiliary / Tuesday, October 29, 1985 0135s Mirridon Christmas Part 1985 / Aux. L to R Tilly Aston, Bendigo, Laura Clarke. / Mirr. Social Club, Strathfieldsaye, Huntly, Mc Ivor 0135t Alec presenting Atsuko Yajima / with spoons. / Bendigo Advertiser, Mon Jan 27, 1986 0135u Alec with Thomas / Bendigo Advertiser / Fri June 27, 1986 0135v Alec & Helen with / Emma Kelcher – Hannah Every / Flower Girls / Shire Presidents Ball / June 20, 1986 0135w Alec & Cr Ron Alexander, adressing (sic) / Public Meeting, Sat 19th July, 1986 0135x Alec, Wendy Drechsler & Helen / Red Cross Centre, July 1986 0135y t; Alec – Final Council Meeting / July 1987 0135z Alec – Merv Trimper / Shire of Strathfieldsaye / March 20, 1988 sandner collection, shire of strathfieldsaye, president of strathfieldsaye shire, alec and helen sander

R Timmins & Sons were makers of heavy steel 'toys' - toy in this context means any small metal object, including hand tools. The company was founded in 1790 by Richard Timmins and was situated in Hurst St, and later in Pershore Street, Birmingham. In 1850 Richard Timmins died aged 60 and the company continued with his wife Ann and their son Henry who were the executors of his will. In 1889 they were taken over by another Birmingham maker, W & C Wynn of Suffolk Street also edge tool makers and the business moved to Commercial Street Birmingham in 1872. For a few years, both companies continued to operate under their original names. In 1892 they were incorporated as Wynn, Timmins & Co, and in 1897 the premises in Commercial St were renamed Century Works. The company survived until 1969 when they were taken over by Balfour Dawins Ltd of Sheffield, and the works in Birmingham then closed.A significant item given its age having the probability of having been made after Richard Timmins had died and before the take over in 1872 during the time the company was being run by his wife Ann and son Henry. Given the inscription on the item is "A Timmins & Sons". The items significance is social given it was used to clean bungholes in barrels and was possibly used in the early cooperage industries of the early Australian colony. Bung reamer metal with wooden handle. A Timmins & Sons stamped on blade.warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, coopers tools, bung hole reamer, barrels, barrel making

View looking across a treed landscape lawn towards the new 'Heidelberg House' at the Austin Hospital, which was opened in 1939. This glass plate negative was used to manufacture postcards (1:1 printing) for commercial sale by the Rose Sterograph Company and its subsidiaries. George Rose founded the Rose Stereograph Company in 1880 and was joined by Herbert (Bert) Cutts in the early 20th Century. The pair formed a lifetime working partnership and strong personal friendship. Assisted by George’s two sons, Herbert George and Walter, and later by Neil Cutts, the Rose Stereograph Company continued its operations for more than 140 years. The company was initially built on stereographs, but as cinema took over and stereographs fell out of fashion, the Rose Stereograph Company developed Australia’s first commercially viable photographic postcard business. Specialising in postcards of iconic historical moments and significant landmarks, The Rose Stereograph Company became a staple of the Australian travel industry.This remarkable collection of glass plate negatives, transparencies, and postcards – arguably Australia’s most significant photography collection outside of public hands – has been passed down through the generations, surviving war, relocation, and the harsh Victorian climate. The historic Rose Stereograph collection is the culmination of George Rose’s dream of capturing and preserving precious moments in time and remains the legacy of the Rose and Cutts families. It is with great sadness that the Cutts family says goodbye to a collection that spans five generations and 140 years. The Cutts family understands that for these historically important pieces to rest with one family is to deny others the pleasure of their custodianship.Glass Plate Negative Size: 9 x 14 cm"Heidelberg House" Hospital, Velentine Series No. 1117, Copyrightpostcard, travel, rose stereograph company, glass plate negative, ray trinham, austin hospital, heidelberg house, valentine series postcard, heidelberg, peter and elizabeth pidgeon collection

This book was compiled by Esther Temple and David Lloyd with illustrations by Betty Barberis and additional material provided by Clare Roper, Joan Macdonald, Wilma Davies and Nell Bateman. The book was first penned in 1971. It briefly covers the period from the indigenous tribes(broken down into family groupings) known as the "first Australians" who lived in the valley well before English settlers arrived. first white settlement (graziers, miners, stockmen) to smaller settlements.The development or transformation from a pristine(hunter/gatherer) valley environment to one that has been gradually changing to a more commercial rural/industrial landscaped valley. This transformation was made within a time span of two hundred years. The book details the first pioneers and their descendants, along with the changes to their environments both domestic and commercial. The book highlights dates and events that shaped the "feel" of the valley. The extreme hardships faced by pioneer families during the extremely isolated times away from "civilisation".This publication provides an insight to the struggles and victories against the harsh Australian bushland by people who had not been raised in such a sometimes inhospitable environment. It was this transformation which instilled into the Australian psyche of self sufficiency and the ability to grasp onto ideas or "bush" remedies to overcome enormous difficulties. It is is ability that has produced the many inventions useful in the 20th and 21st centuries.This book has a 250 g/m cream coloured cover with print and drawings of rural aspects of historical significance ( Aboriginal and early white settlers). The book contains 124 pages of black and white photographs(139), black and white sketches(75), two pages of sketches and freehand drawings, two freehand maps one county lease /subdivision plan and black and white printing. See KVHS 0237 (B) for the official invitation to the launch of the book.The front top cover heading(in shaded print and enclosed in a banner form) "A HISTORY OF THE KIEWA VALLEY" The bottom printing "BY ESTHER TEMPLE & DAVID LLOYD ILLUSTRATIONS BY BETTY BARBERIS" and at the very bottom "KIEWA VALLEY HISTORICAL SOCIETY" oN THE BOOK SPINE "A HISTORY OF THE KIEWA VALLEY.....BY ESTHER TEMPLE & DAVID LLOYD"early settlers, dederang, tawonga, mount beauty, sec vic hydro electricity, falls creek early settlers, bonegilla

Henry MORITZ (1931- ) Born Mainz, Germany Arrived Australia c1952 Henry Moritz was an experienced commercial artist when he left Germany for Australia. After working as a railwayman, coal miner, fruit picker and steelworker, he started teaching commercial art at the Ballarat School of Mines Technical Art School in 1963. He moved to the Mount Helen Tertiary Division, and was head of the Art School at the Ballarat College of Advanced Education (BCAE) when he produced this work. The Ballarat College of Advanced Education logo was derived from the Southern Cross depicted on the Eureka Flag, which was adopted by Ballarat College of Advanced Education in 1978. The logo was designed by former student Debra Garton, who graduated with a Diploma of Art and Diploma of Education. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Farmed marquetry using fine woods chosen for their grains and reflective properties: silver ash, cedar, queensland walnut, grey bird's eye maple and African gaboon.art, artwork, henry moritz, marquetry, logo, southern cross, ballarat college of advanced education, available, stars

Reginald (Reg) WARNOCK (1915-1991) Reginald William Warnock undertook the Commercial Art course during the 1930s. On completion, he worked as a designer at Paton’s Advertising Service, Melbourne. Commercial art subjects between 1915 and 1939 reflected changing practises and industry requirements, with Ballarat graduates in demand. In the 1936 Ballarat School of Mines Annual Report it was stated: "It is my pleasure to report a most successful year in the Technical Art School. I the Annual Poster Competition for Technical Schools, organised by Wiltshires Pty Limited, 16 prized valued at 33 pounds 8 shillings - out of 23 prizes valued at 56 pounds - were won by our students. R.W. Warnock moved from Ballarat to Moonee Ponds towards the end of March, 1937. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Commercial art Framed original poster completed at the Ballarat Technical Art School by R.W. Warnock. It shows Oil pouring from a bottle in front of a steam engine. Please use the comment link below if you can assist with information about R.W. Warnock."For power and efficiency" "Mobil Oil"art, artwork, warnock, mobil, oil, poster, r.w. warnock, available, alumni, locomotive, steam engine, motor oil, advertisement, reginald warnock

Some decades ago a card sorting set for the identification and description of Australian timbers was developed for timber species which were available commercially and were in common usage, by the Commonwealth of Australia (CSIRO, Division of Forest Products) To complement and inform this national timber set each State or Territory developed reference timber sets of representative species. The Commercial Timbers of Victoria set was Victoria’s most recent (circa 1984) expression of this Victorian timber samples were sourced from logs selected by Forest Commission of Victoria (FCV) District Foresters and milled locally. Kiln drying and machining was carried out at timber producers Row, Web and Anderson, in Port Melbourne. Labeling and boxing was done by FCV Timber Inspectors, with box and booklet design and graphics handled in-house More recent timber samples were badged as Conservation Forests & Lands, reflecting historical government restructuring in the early 1980s Info: Simon MurphyProvided the public, industry (timber and associated), and educational facilities with a reference collection of notable Victorian timbers. Initially in a reduced format from 1940-50s, with boxed sets produced from 1981 until 1984A boxed set of timber samples representing the 20 tree species that were considered to be the most notable in Victoria. The set also includes an information booklet. Each timber specimen has information on species, occurrence, uses and physical properties Produced for sale by the the FCV and later by the Department of Conservation Forests and Lands. (CFL). forests commission victoria (fcv)

Port of Portland Authority archive.Front: (no inscriptions) Back: Company's Head Sawdoctor, K. Schultz at work (upper left) (pencil). G2611 (lower left, black pen). G2611 (lower right, pencil). Ray Glyde Creative Commercial & General Photography 21 Prescott Terrace Rose Park, South Australia (lower left, red stamp)port of portland

Timetable - 36 pages, printed on off-white paper, cover printed on pink paper, centre stapled titled "Victorian Tramways Guide" for October 1917. Details the timetables for the Tramway Board, Northcote Council, PMTT, NMETL, HTT, MBCTT and the VR Brighton line. Gives details of fares, routes, signs, first and last cars. Middle page - has a map and details of a Round trip and shows other lines and change points. Foldout map included on the inside rear cover, showing tramways, railways and rivers. Has many advertisements for the re-election of Sir Frank Madden (he was not re-elected - see http://www.parliament.vic.gov.au/re-member/details/569-madden-frank - accessed 30-12-2016). Polling day 15/11/1917. Has adverts for: Commercial Union Steel Castings Proprietary Limited Myer's Country of Bourke Permanent Building and Investment Society Prohibition - Canada, USA Royal Insurance Company Australian Ladies Commercial College Incley Frederick Collis Tramways Advertising Co. Stott's Business College Chambers and Seymour W. M Richards Huttons Ham Sterling Preparationstrams, tramways, timetables, melbourne, nmetl, vr, cable trams, htt, pmtt, map, advertising

Black and White Photo, Taken from ST Paul's Tower 1876, shows the original Town Hall Building in the centre of the photograph, The Benevolent Asylum can be seen in the background of the photograph just above the old town hall, also shown in the photo is Cumberland Family Hotel, King's Produce, Mick's Carriage Company, Markings on rear of photo read 'from ST Paul's Tower looking towards Town Hall 1876'. Centre left side shows the market hall designed by Vahland, foreground of market is a Fire Station with small tower.buildings, commercial, town hall, st paul's tower, bendigo aenevolent home, anne caudle centre, cumberland family hotel, kings produce, micks carriage company