Textiles. Machine made rectangular cream coloured linen tablecloth. 3.5cm turned over hem with decorative stitching around top of hem. 2.5cm diameter machine embroidered wreath in centre of blue flowers and brown and yellow leaves. 326 names (blue) hand embroidered around the edge at right angles to the hem and 44 names scattered in central area. (several colours)., tag in one corner ''SEMCO''. Old box 75,yellow label 183.textiles, domestic, tablecloth with embroidered names

Beautiful soft cream silk dress, with a random silk embroidered three petal flower over the fabric. Round neckline with overlaid square yoke of embroidered lace on a net background. Two 7cm wide bands of the lace are gathered over the shoulder armhole edge. These frills, and the scalloped edges of the front and back lace yoke are trimmed with 4 cm long decorative silk tassels.(one missing). Long sleeves, tapered in at the wrist are trimmed at the wrist with a 4.5cm wide band of lace, part of which is threadedwith two rows ofsoft pink silk ribbon insertion. Soft pink silk, folded into three 2.5cm tucks-overall width 6cm trim the high waistline, with a 7cm diameter rosette at the left front, and a bow(?), and tails, trimming the back waistline. This is severely damaged. Four metal hook and loops fasten the back lace collar, and nine metal hooks and eyes fasten the bodice. Bodice and sleeves are fully lined. Bodice is boned with thirteen 12-4 cm long ''bones''. Skirt is in two tiers; Top is 38cm deep, and made from the plain embroidered silk. A 5cm deep band of lace, with scalloped edges then joins the 36 cm deep ;lower panel of beautifully embroidery and pulled threadwork. Hem is faced, and finished or hemmed with french knots. Dress , which is hand stitched is fully lined with cotton. The lower 36 cm deep tier of the underskirt is trimmed with three .5cm tucks, and two 8cm bands of cutwork lace in a floral and geometric pattern. An oval shaped pocket is sewn into the front of the ''petticoat'' lining. This pocket contained some plant material, included in attached bag.costume, children's, cream embroidered silk and lace dress

Kalbe’s Imperial Accordion Made in Germany. Ten metal keys on right hand side; on left hand side two metal keys for bass chords and one key for the bellows. Case of black polished wood, bellows has nine folds. Nickel plated markings on corners of bellows read "Imperial Accordion, made in Germany, trade mark" with images of two fouled anchors. The accordion is in working condition. A cleaning brush is included.musical instruments, keyboard, button accordion

Clothing. Cream coloured woman's panties with gussett and straight legs trimmed with 4 cm lace. 7cm vents each side seam on lower leg. 4cm lace inserts on side seams. Elastic lace waistband with decorative bow (4cmX1cm) at centre front. Sticker on lower front left leg (green and yellow) ''THE DAISY COLLECTION''and a picture of a white daisy. Swing tag still attached.Tag inside back seam''LITTLE LUXURIES BY GLORIA'' Size 16 to fit bust 95 cm Hip 100cm, Bri Nylon . Made in Australia. Warm hand wash. Do not bleach. Do not hand wring. Drip dry in shade, warm iron. Swing tag Black And Gold, ''Little Luxuries by Gloria''. Reverse style 510931, size 16 Price--- Australian Made Boomerang Symbol.costume, female underwear, woman's cream coloured panties

Clothing. Red polyester fabric, lined with white silky polyester lining, and hand-stitched, open weave fabric, possibly cotton to help hold shape and body. Symetrical shaping to a point on broad and narrow ends of tie. Cut on the cross to give stretch when tying the tie.RODNEY by John Webster, MADE IN AUSTRALIA.costume accessories, male, marong municipal band uniform tie

Scalebuoy. Invented by Hartley Abbott & patented under the name of the Bendigo Electronic Company, made in various sizes & for different applications, such as to prevent scaling in the boilers at mines. Made up of a sealed glass bulb containing mercury and gasses enclosed within a chromed wire cage & with a chromed handle. The one shown being a hand held shaker model.sciences, instruments - general, scalebuoy

Clothing. Made in England by Bally, cream satin with a 5 cm high heel. Beautifully shaped rounded toe, and oval shaped front opening. Fully lined with fabric and leather. Heel area lined with cream kid leather. Hand marked inside heel ; H 3250916 823(possibly identifying style and maker). Still in original box: on box ''Carolz''9, possibly name of style. A6415 White Satin Pump Last 1381 8 1/2BBally Made in England. ( Even a piece of confetti inside the box and in one shoe).Bally England - gold lettering enclosed in a double ring, gold oval shaped logo. On sole 8 1/2 B. FABRIC UPPERS RESIN SOLE, MADE IN ENGLAND.costume accessories, female, cream satin ladies bridal shoes

Grey cotton gloves. Knitted jersey fabric. Three rows of stitching, 8,8,7.5 cms long on the back of the hand. A 7.5 cms opening at the inner wrist, is fastened with a press-stud which has a flat grey 1.25cm "button type" finish. Size 9 1/2. May be men's wedding gloves.Cotton, Made in West Germany.costume accessories, male, grey cotton gloves

Pair of grey cotton gloves. Knitted jersey fabric. Three rows of stitching,8,8,7.5 cms long on the back of the hand. A 7.5 cms opening at the inner wrist, is fastened with a metal press-stud, which has a flat round grey "button type" finish on the outside. Size 9 1/2. Maybe men's wedding gloves.Cotton. Made in West Germany.costume accessories, male, grey cotton gloves

Rectangular shaped tray cloth/hand towel, edged in 1.25 cm wide cotton lace edging - edging is a braid type, commercially made edging. One end has a 10 cm band of machine - made cotton lace, in a floral design. Lace has been attached to the linen fabric in a zig - zag machine stitch. Cream in colour.manchester, table linen, tray cloth/hand towel

One pair ladies elbow length beige coloured gloves. Three pintucks on back of gloves.Label in right hand glove, 'Dents Nylon 6 1/2 Made in Australia.'.costume accessories, female, ladies long elbow length gloves

One pair of ladies wrist length beige coloured gloves. Three pairs of embroidered leaves on the back of the gloves.Label in left hand glove; ''7 1/2 KAYSER> Nylon. Made in Western Germany''costume accessories, female, ladies short wrist length gloves

One pair of ladies black cotton mid-arm length gloves. External seams on side and fingers. 8.5 cm slit at inside wrist with two black pearl look round buttons on one side and two button holes on the other side. Three pintucks on back of hand.Label inside RH glove; ''KAYSE.. 6 1/2 Cotton Made in Engla.. Label frayed.costume accessories, female, ladies black cotton mid-arm gloves

Hand knitted bonnet in a lacy pattern. The circular crown is knitted in garter stitch, and as the circle increases in size, a "spoked" effect where the increase is made, gives a wheel-like effect. The main part of the bonnet has a repeat of a six row pattern. The front band of the bonnet, framing the face, is 2 cm wide, knitted in garter stitch. A 2.25 cm wide nylon ribbon attaches to the corners of this band, and ties under the chin. A narrow band of garter stitch, finishes the neck edge.costume, children's, baby bonnet

Green long sleeved ladies top. Leaf green fabric with abstract patterns in grey, black, blue, yellow and orange.4 cm stand up collar. Front slit opening from throat with narrow hand stitched hem. Three 1 cm decorative metallic look shank buttons at lower end of slit. Top made from two pieces-falling straight to hipline. No shaping. On either side of side seams at hip level are three decorative metallic look shank buttons on the front and three corresponding loops on the back. If fastened together the top is pulled in and tightened at the hip level. Long sleeves are straight without shaping. Press studs at centre of openings at wrist.costume, female, ladies long sleeved top

Copy of pages 3 and 4 titled French's Corner and Village Parliaments. Some passengers travelling on the tram would ask to be put down at French's corner. The conductor had no idea where it was. The passenger would be returning to where he used to live or work. The old who met at the pub corner were mostly teetotallers, but they met at the pub where the publican provided the two forms of seats for them and if business was slack he would join in the discussion. Another group met at Uncle Tom Foss' shop further down the road. This group was made up of old men over 80 and they met inside the shoemaker's shop. One old man used to go to his granddaughter's house and sit beside the kitchen fire and then he would tell her he had a pain beneath his ribs and she would give him a little wine to drink. Then he lost the last of his cronies and he went slowly up the hill and told his granddaughter he had nobody left but his old stick. The pain of being left without contemporaries made him forget about the pain in his side. There was another group that met at Philpot's smithy. The men would talk and argue while the smith was shoeing the horses. This smith has a long finger- nail on his left hand which he would use to pick up horse shoe nails as he was shoeing the horse. The bottom of the page has a photo of the main street of Long Gully taken from the Blacksmiths Shop.bendigo, history, long gully history group, the long gully history group - french's corner and village parliaments, manchester arms, french's hotel, mr french, uncle tom foss' shop, philpot's smithy, a crossley

As the Yarra became unsuitable as a source of water, several attempts were made to find alternative sources for the growing population of Melbourne. It was not until 1891 that the efforts to sewer Melbourne came to fruition with the setting up of the Melbourne Metropolitan Board of Works (MMBW), now known as Melbourne Water. From 1891 until 1992, it was the responsibility of the MMBW to safeguard public health by providing a sewerage system and a safe water supply system. In 1992, The MMBW merged with a number of smaller urban water authorities to form Melbourne Water.This hand tool is of historical significance for its association with the former Melbourne and Metropolitan Board of Works (MMBW). This tool is a rare surviving object of standard Board issued equipment. It is significant for its representativeness of the theme of Technology in building Victoria's industries and workforce, which continues to resonate strongly within Melbourne Water today.MMBW hand tool, "Pick" with wooden handle and 'MMBW 'stamped on the metal head.melbourne water, mmbw, melbourne metropolitan board of works, pick axe, construction, work, staff, equipment, technology

This quilt was made to celebrate the 25th Anniversary of the founding of Donvale Christian College. Mrs Anne Suk was one of the few women who held a place on the Board of the School in its early years. She was a member of one of the founding families. This is one of very few items to survive from the early years of the school. It was specifically created to celebrate the 25th anniversary.Machine pieced pale blue Quilt with navy and olive green borders and navy binding. School logo and swag of flowers have been machine pieced and appliqued on the quilt. The quilt has then been hand quilted with navy thread.On the back there is a label with "J.H.E. Suk" machine stitched on it. On a circle appliqued in the centre of the back are embroidered the numbers "1975" and "2000".school, material, quilt, dutch reform, mrs anne suk, donvale christian college, hand quilt

Document. Coarse cream coloured paper typed but with hand written dates. Assistant Registrar of Titles. Made out to North Virginia Gold Mining Co. Has 2 maps. No 11261 Bendigo. Vol 331 Fol 36452McColl, Rankin & Stanistreetorganization, business, north virginia gmc n l, mccoll, rankin & stanistreet, north virginia gmc n l, gold mining, title deed

Collingwood Technical School trained apprentices in many trades. These photographs depict some of the machines and machine parts built in class. Captions : 1. Marking off and checking castings 2. Examples of other machine parts, etc., being made in Youth Employment classes in engineering machine shop. 3. Cutting the traversing screw for a 5 ¼ inch lathe. 4. Grinding lathe spindle. 5. Cutting helical flutes in a shell end mill. 6. Arbor Press. Another valuable machine produced by Youth Employment and senior technical evening students. 7. Milling angular slides of lathe saddle. 8. 5 ¼ inch lathe product of Collingwood Technical School. These are high quality professional photographs taken circa 1940. 8 black and white photographs mounted on brown card. Photographs depict various aspects of lathe work.Each photograph has a hand written caption on the front. Also handwritten in black pen "Allan Studios".collingwood technical school, cts, apprentices, students, lathes, machinery, machine parts, nmit,

Collingwood Technical School trained apprentices in many trades. CTS was also invlved in Training Schemes during the late 1930s and during World War II. These photographs depict some of the machines and machine parts built in class. These are high quality professional photographs taken circa 1940-1943. At this time , CTS was part of the Defence Training scheme. These photographs are a visual record of this scheme.6 black and white photographs mounted on brown card. Photographs depict various aspects of lathe work undertaken during the Defence Training Scheme, 1940-43. Also a smaller photograph of a Moultar Thread Milling Machine 1941.Each photograph has a hand written caption on the back. Captions: 1. Finished surface plates for R.A.A.F. / standing on trestle after scraping. Stack of / others in background waiting for scraping. 2. Lathe bodies in foreground, with machined / parts of lathes in middle distance, and milling / cutters, gauges and bearings in background. 3. Frames of glass splitting machines, thread / rectifying machines, and two types of milling / machine vises made in technical schools. 4.View of engineering machine shop. Carbon dioxide / freezing box in foreground, and stack of / surface plates for RAAF in middle / distance. 5.Fan geared lathes, 6 inch centres, with / self-contained motor drives, made for / cartridge factory. To be used for making / this 6.Freezing of cast iron surface plates / in layers of solid carbon dioxide / blocks. Smaller photograph has a handwritten note on the reverse: 'this photograph shows how, with the aid of a 3ft. extension mounted in front of the tool box, on which Mr. Grubb sen. is seated, these large milling machine bases ... machinists at Collingwood Technical School. A Strang, Principal 21.4.1941'. collingwood technical school, cts, apprentices, students, defence training scheme, lathes, machinery, machine parts, nmit,

Document: Cover in good condition, front dirty first page discolored, Lists items at Battery Plant with updates as parts etc come in, also mentions parts they are waiting on, periodical stocktakes have been entered, all entries dated and signed, costs of incoming stock also entered, 2 loose pieces of paper also in notebook witrh notes made on them, Markings: Hand writing: 'Central Napoleon Gold Mining Company', Print: 'The Write Type Reporter's Notebook', Handwriting: 'Battery Stock Book', Logo of printer also on cover (Shell picture & wording 'Shell Distinctive Stationary'.organization, business, industrial - mining, mccoll rankin & stanistreet, mining, gold mining, central napoleon

"The fine structure of St. Peter's, with its prettily-decorated interior, which holds crowded congregations at Holy Mass on Sundays, is alone an eloquent testimony of the piety and devotion which permeates the whole parish. Attached to the church is a circulating library, and Catholic papers and other literature are distributed at the church door. Branches of the H.A.C.B. Society and Catholic Federation are doing much good work. (Melbourne Advocate, 17 January 1914) "OPENING AND CONSECRATION OF THE NEW CATHOLIC CHURCH OF ST. PETER’S, DAYLESFORD Cross on St. Peter'sNotwithstanding the inclemency of the weather, the opening of the new Catholic Church of St. Peter’s, yesterday (Sunday), attracted a crowded congregation. Although the rain, which has poured almost incessantly for some days past, had left our roads and streets in the condition for which Daylesford is celebrated in winter weather, and although he storm and rain seemed to increase as the hour announced for the ceremonies approached, the church was filled by a large congregation, comprising all sects and denominations of Christians in and around the district. The beautiful edifice, erected mainly through the zeal, liberality and energy of the respected pastor, presented a most imposing appearance, and reflects infinite credit upon the Rev. Mr. Slattery, and the flock committed to his charge. The church was commenced in November 1863 and has been in the hands of the workmen up to the present time, work being uninterruptedly carried on. On commencing the foundations, it was necessary to excavate until solid clay was reached, which in consequence of the deep rich chocolate soil on the site of the building, had to be carried down to an average depth of 6 feet 6 inches. The foundations were laid with massive stones in courses of 12-inch, and four feet thick, reducing to 3 feet below the floor line. The style of the building is decorated Gothic, and consists of a nave, 80 feet by 30 feet in the clear, and a chancel 18 feet high; from floor line to apex of roof, 47 feet, which is elegantly constructed, consisting of six spans or frames with puncheons resting on carved corbels, low down between the windows. The north side consists of a handsome entrance, near the north-west angle, approached by nine steps of cut stone, and four bays of windows on nave, and a small door on side of chancel, intended as an entry from the sacristy. The south side presents a very handsome view to Victoria street, a beautiful porch entrance giving access to the building on the south-east end of nave; and on the south-west angle a handsome octagonal spire, terminating in an iron cross, with gilt floriations; the height of top of cross, from floor line, is 88 feet. A stone stairs gives access to the organ gallery and the belfry. The whole of the windows are of a handsome geometrical design, and carved in stone, with mullions and tracery, and glazed with amber-tinted glass, the chancel window being 15 feet high, and 8 feet wide. The chancel arch is unusually large, 27 feet St. Peter's interiorhigh and 18 feet wide, and handsomely moulded, and presents a fine appearance from the body of the church. The roof is stained a rich oak, with heavy cornice, and all the walls are smoothly plastered, and colored peach color, giving the amber-tinted glass a beautiful soft cathedral appearance to the interior. The altar is of a very chaste design, the panels being moulded with Gothic heads, and finished in white and gold; the altar rail was not completed, but is intended to be of polished cedar, with carved pillars. The interior fittings will be proceeded with immediately, and to complete the design, an organ gallery, with sittings for about 100 persons besides the choir, will be constructed on the west end. It is intended also to place pillar gaslights on each side of the main entrance, for lighting during vespers in winter. The style of architecture has been strictly carried out, and in the best and most substantial manner. The building has been erected under the superintendence of the architect Mr. John Townsend Brophy, a member of the congregation, and who has discharged his duty with great ability and care. The hour of half-past eleven has scarcely passed when from the sacristy entered His Lordship the Right Rev. Dr. Gould, Bishop of Melbourne, preceded by the Very Rev. Dean Hayes (Sandhurst), the Rev. P. J. Slattery, and a number of boys dressed in white surplices. The Right Reverend Prelate proceeded to the foot of the altar, the Very Rev. the Dean on his right, and the Rev. P. J. Slattery on the left. The prayers usual upon the occasion were read by the Bishop. A procession was then formed, and went around the church in the following order. Several youths bearing wax candles first, next the Very Rev. the Dean, then the Bishop and his train bearers, and following were the Rev. Mr. Slattery and acolytes. Having returned to the altar in the same order, the Deacon (Dean Hayes) and Sub-Deacon (Rev. P. J. Slattery) proceeded to robe his Lordship, who had taken his seat at the epistle side of the altar, for the solemn High Mass, at appropriate times wearing his mitre and bearing his crozier. The mass, which was chanted by the Bishop with touching simplicity and earnestness, was then commenced. The choir, under the direction of Mr. Meunsch, organist, was full and most effective. Mrs. Testar, of Melbourne, having generously offered her valuable services, took the leading soprano solos, and it is scarcely necessary to add, rendered them with exquisite taste and feeling – her beautiful voice being heard with great effect throughout the entire building. The choir consisted of the following ladies and gentlemen who volunteered to aid in the ceremonies upon this most interesting occasion. Ladies: Mrs. Tresar, soprano; Mrs. J.J. McCormick, alto; Miss Julia Conry, soprano; Mrs. Vincent, soprano; Mrs. Aitken, soprano. Gentlemen: H. Guthiel, tenor; Master John Murphy, tenor; James Knox, bass; J. M. Murphy, bass; Mr. Staunton, baritone; Mr. Sourby, alto; Mr. Short, bass. The chant, “Let us adore,” during the procession, was given by Mrs. Vincent with considerable power. The selection of the “Imperial Mass” (Haydn’s No. 3) was felicitous, and the highly artistic and finished manner in which the different parts were sustained, demonstrated that great and persevering care must have been bestowed on the preparation for “the opening day.” The “Kyrie” was given with the full strength and power of the choir. The swelling of the voices in complete harmony, and the pealing of the organ in the midst of incense and prayer, produced a most marked effect upon the congregation. In the “Gloria,” the solos of Mrs. Testar were really beautiful and Mrs. McCormick rendered the alto solos with considerable merit. Mr. Knox sang the part commencing with the words “Qui tolles” with much taste and power. The “Credo” than which we believe there is not a more magnificent piece of sacred music extant, was most successful in its rendering, nor do we ever remember to have heard anything more touching than the manner in which the line “Vetam Venturi in Seculi,” was given by Mrs. Testar. The offertory hymn “Come unto Me all ye that labor,” was given by Mrs. Testar with the most thrilling effect. The “Sanctus” having been sung, in which Mr. Sourby ably rendered an alto solo, the “Agnus Dei” was commenced with a solo by Mrs. McCormick and was given with great taste and feeling, Mrs. Testar, at the conclusion of the “Agnus,” taking up the soprano part. Mass being concluded, the Very Reverend Dean Hayes ascended the altar and proceeded to preach the opening sermon, taking as his text Second Paralipomenon [Chronicles II], 7th chapter and 16th verse – “For I have chosen and have sanctified this place that My hand may be there for ever, and My eyes and My heart may remain there perpetually.” St Peter's manseAt the close of the sermon a collection was made by the very reverend preacher, assisted by John Egan, Esq., Corinella, on behalf of the church, and about fifty pounds were contributed. When it is remembered that 500 tickets had been issues at 10s each, and the inclemency of the weather taken into consideration, the collection may be regarded as a large one. Benediction was sung by the Rev. P. J. Slattery, assisted by Dean Hayes, the choir singing the “O! Salutaris Hostia” and “Laudate.” Handel’s Hallelujah Chorus was sung at the termination of the ceremonies. The vestments issued at Benediction, as well as at the Mass, were of the most gorgeous and beautiful character. When the Benediction was over, the Rev. P. J. Slattery, standing at the front of the altar said– “I wish to say one or two words before the congregation leave. I feel most deeply indebted to all of you who have attended here today for the honor and glory of God, not withstanding the difficulties you had to encounter from this most inclement season. I am truly delighted at such a manifestation of feeling, and will not easily forget it.” The rev. gentleman having disrobed, thanked the members of the choir for their kindness in assisting at the ceremonies, and more especially Mrs. Testar, who had braved all the storm and rain to be present at, and give the advantage of her great musical abilities on, the “opening day.” (Daylesford Mercury, 15 May 1865.)A number of photographs of St Peter's Catholic Church, Daylesford, taken at the 150th anniversary celebration. st peter's catholic church daylesford, decoration, altar decoration, anniversary, daylesford, religion, painting, interior, slattery, gough, d'alton, mcmahon

Used by the Estoppey family, Swiss emigrants, at Briagolong. Three and four-legged milking stools were standard equipment in early dairies, where cows were milked by hand. Similar stools were used in the home for informal seating. Wooden milking stool with a square top of axe-dressed hardwood and four wooden legs that fit through holes in the seat. One leg is made from a branch of a tree.dairying, furniture

Neville Barnes obstetric forceps have a cephalic and pelvic curve and are used for delivery of babies presenting as occipitoanterior. The left blade is put on first, followed by the right blade – the baby is then pulled down until the occiput is under the symphysis, then pulled around. This particular set of Barnes forceps is unusual because it has handles/grips associated with Simpson type obstetrical forceps, making it a combination of styles. These forceps are similar in appearance to a style of 19th century forceps known as Hensoldt's forceps, made by Jetter and Scheerer, c. 1899. These are pictured as Fig. 771 in the Sir Kenardatth Das catalogue (see references). J. Gray & Son, Sheffield, were in operation from 1849 to 1962, so these forceps date from this time period.Set of obstetric forceps. Consists of a set of stainless steel blades, with black bakelite hand grip attachment. Forceps are engraved with the text 'J.GREY & SON" and "SHEFFIELD". The number '4' is engraved on the inner aspect of the blade, at the join point.'J.GREY & SON/SHEFFIELD'obstetric delivery

Cotton bandages were one of two types of bandage in use during this period. The other type was gauze. These bandages appear to have been made professionally. The two narrow bandages, (3 and 3.5cm) would have been used to cover hand and finger dressings. The two larger bandages (4 and 5cm) would have been used for arm and foot dressings and applied in a figure of eight. [Helen Johnson, 1998]Four cotton bandages (.1 - .4) in four different sizes (widths). midwifery

Object. Eight day travelling clock in brown leather case lined with satin fabric. Top of case has embossed pattern of brown and white flowers. Clock face has numbers 1-12 and black and yellow hands. Centre of clock face has decorative striped circle. Written on clock face ''8 Day''.Imprinted on back of clock section ''Made in Germany''. Engraved ''D92633''horology, clocks, travelling clock

Textiles. Grey cotton gloves. Fastened at wrist with dark grey plastic button (1.4 cm) and button hole. Three pin tucks on back of glove. Three other pairs still inside cellophane sleeves. 2 X size 10; 1 x size 9 1/2. Stapled. Beehive labels removed , uncatalogued.Label inside RH glove ''Dent's cotton Made in England''.Cardboard label-removed and stored separately, ''The Beehive 4R 13/11''. Printed on Cellophane sleeves, 'Dents gloves'. 'Hand in Glove with the World'. Made in England'. Picture of a Gloved hand holding a world glove.textiles, domestic, grey cotton gloves

Clothing.Woman's black silk blouse. Bodice is made up of two layers. Inner layer of black cotton has full length front opening with placket with five buttons and button holes from 5cm below round neckline to 5cm above the waist. There is a breast pocket on the LHS (14cm X 11cm). The outer layer of black silk is attached to the inner layer at the shoulders (pleated) and around the arm holes, and hand stitched at the lower back to form a casing for cotton tape ties. The front forms a full width crossover with one metal hook on top LHS. The outer layer extends 7 cm below the inner layer at the waist with a 7cm peplum across the back. Set in long sleeves are tapered at the wrist with a 5 cm frill at the hem. Sleeves fully lined. Hand and machine stitched. Fold over collar (10cm) with squared corners.Decorative black , gold and pearl button on each wrist on hem.costume, female, woman's black silk blouse.

This is a German made figurine, attributed to Jaschke Pretzl. Loosely translated, the label text on the figurine says 'Obstetrician', that the birth was happy, and that the father and child are well. Stamp printed on underside of base says that this is a hand-carved figure.Carved wooden figurine. Depicts a man in a white coat and glasses, with a receding hairline, holding a baby. He is holding the baby's legs in his left hand, and supporting the baby's back and neck with his right hand. The figure is atop a small wooden plinth, one side of which carries handwriting that reads 'Geburtshelfer/Geburt glucklich verlan fen,/Vater und Kind wohlanf!' The underside of the plinth is printed with a stamp that reads 'Handgeschnitzte/ Figur'. There is a third word at the centre of the stamp on the underside of the figurine, but it has faded and is illegible. 'Geburtshelfer/Geburt glucklich verlan fen,/Vater und Kind wohlanf!'/'Handgeschnitzte/ Figur'obstetrics