Camisole. Cream coloured cotton with crocheted lace insert yoke and straps. Cream silk ribbon threaded through square neckline. Cotton tape threaded through casing at waistline.costume, female, underwear

Baby's shirt/chemisette cream cotton with lace edging at neck and armholes. Gusset under arm holes. Back opening. Machine stitching along hem. Old Box 160.costume, children's, chemisette

Pin Cushion: Hand crafted in Silk material with Lace edge. Flower design in blue, yellow, red, white beads and green stitching. Red stains on the item. Box 625handcrafts, needlework, pin cushion. flower pattern

Clothing. Child's cream coloured linen underpants with casing and drawstring at waist. Tied at front with cotton tape. Legs trimmed with 1.5 cm lace. Garment matches 11408.61 (Petticoat).costume, children's, child's cream linen underpants.

Textiles, cream coloured linen and crocheted lace tablecloth. Cross shaped centre of linen with corners edged with crocheted wheel patterns to form square tablecloth. Old box 75.textiles, domestic, tablecloth

TATTING EQUIPMENT. SHUTTLE - A SHAPED IMPLEMENT HELD IN THE HAND TO MAKE KIND OF KNOTTED LACE WITH LINEN, SILK OR COTTON THREAD. THREAD - PINK SILK WOUND ON CIRCULAR CARDBOARD DISChandcraft, tatting, handcrafts

B/W Photograph. taken in a studio. Girl is sitting on a wooden stool with barley twist legs. wearing a Ginghamdress with puff sleeves. with lace on collar, buttons on bodice. short hairChapmans Studios Stawell

Coloured photograph of lace makers Elizabeth Ligeti and Vicki Jones-Evans displaying and demonstrating their craft and to visitors at the Society's Open Day, 7th April 2002, during Heritage .Weeknunawading & district historical society, heritage week 2002, ligeti, elizabeth jones-evans, vicki

Cream Georgette and voile revere collar trimmed with cream chemical lace. Cotton tape ties with centre from hook and button loop. Back is voile and front and collar are georgette.costume, female

This dress was featured in a fashion editorial in the Herald Sun 2012 for a Jerry Hall style look, and also a fashion parade at the Love Vintage fair in 2011 as well as in the book "Style is Eternal" 2009.This dress is representative of 1930s style fashions created by the House of Merivale in the 1970sHalterneck maxi dress with scooped neckline, and deep lace up back. Flared, bias cut skirt perfectly matches up the pinstriped fabric. Centre back nylon zipper. Labelled the House of Merivale

Born in Bendigo and trained as a nurse in the 1950s, Sonia Jill O’Brien devoted a lifetime to social and environmental issues at both the state and local level. From her work in the 1960s with the Family Planning Association of Victoria, of which she was a founding member, through to the 1990s as a member of the Ethics Committee of the Department of Health, she supported efforts to improve women’s health and reproductive rights. At the local level she was most active on committees that worked to save the natural and built environment. The Power-line Action Group, the Studley Park Conservation Society, and the Yarra Bend Park Trust all benefitted from her indefatigable endeavours as well her vision. In 1980, Jill O’Brien successfully stood for the Kew City Council and served as Mayor in 1983 and 1984. With an eye to preserving the past as well as guarding the future, she had the Mayoral robes restored and in 1980 and 1981 was president of the Kew Historical Society. The preservation and restoration of Villa Alba in Walmer Street owes much to her determined efforts throughout the 1980s. On Council, she chaired a number of committees involved in the saving of the Kew River Parklands from the proposed transmission line of the SEC. To this end, she was the Council representative on the Merri Yarra Municipal Protection Committee.Rare colour photograph, used as the official mayoral portrait of Cr Jill O'Brien.Formal civic portrait of Cr Jill O'Brien in red mayoral robes wearing lace jabot and cuffs. The portrait is part of the larger Jill O'Brien Collection donated by her daughters.cr jill o'brien, city of kew -- mayors, mayoral portraits -- city of kew

Phoebe Rebecca Georgina Colton was born in Williamstow in c1889, the daughter of Henry Culter Colton and Elizabeth Georgina Lucas. This photo was taken on her engagement to Albert George Harbert. They married in 1912 and moved into the house Albert had built at 237 Union Road. The house had cost him £240 to build. During his career he built a number of houses in Surrey Hills. Phoebe had worked as a seamstress prior to marriage, earning 2/6d a week. They had 2 daughters Unice and Norma. Unice remained single. Norma married Henry Jamieson. Phoebe and Albert are buried in Boroondara Cemetery - Spec E, Grave 6.A black and white photograph of a young lady wearing a light coloured lace blouse with a high neck and a white skirt. She has a very large bow at the back of her head.clothing and dress, mr albert george harbert, 1912, builder, miss phoebe rebecca georgina colton, mrs phoebe rebecca georgina harbert

7-9 Russell Street has had 2 house names: ‘Vavau’ and ‘Handsworth’. Early occupants were: 1887–1892: George Legge, builder. 1892-1902: Arthur Greenwood – storeman and missionary in Tonga, hence the house name ‘Vavau.’ 1902–1950s: Mr and Mrs George Jackson and family of 10 children. Alice Jackson was a specialist manufacturing jeweller and set up a jewellery business with her husband. He and the family continued it until late 1950s. 1978–1986: Sold in late 1950s; Ruth Theodoris and her husband Peter bought it; sold 1986. The house is extant in 2020 and was last sold in May 2009 for $1,315,000. Real estate agent photos from the time reveal it has had a large extension at the rear. A black and white photograph of a late Victorian Boom Style house with ornate filigree lacework on the verandah. There is a picket fence along the front. Scalloped lace curtains adorn the front windows.surrey hills, russell street, (mr) george jackson, (mr) arthur greenwood, (mrs) alice jackson, jeweller, (mrs) ruth theodoris, (mr) peter theodoris, victorian boom style, vavau, handsworth, house names, (mr) george legge

Found in a cupboard in the Port Fairy Police station. Presumably used by the Local police for restraining difficult prisoners.An item of significance to the precinct that the museum and archives occupies. A glimpse into the not so pleasant part of being a policeman or prisoner in the late 1800's to early 1900's.Canvas straight jacket with eyelet holes in back for lacing jacket closed appears to have been made by a sailmaker - has patch on left front breast - various brown stainslocal history, essential services, police, restraint, jail, prison

The embroidery has been re-mounted and it is mid 19th century style of underskirt.White cotton underskirt with hand worked eyelet embroidery and medallions of Point Lace.Deep lace hem. Drawstring waist with placquet opening. Blue ribbon at waist and threaded through eyelets.underskirts, underwear

Four page knitting pattern booklet featuring black and white printed graphics and text. The colour cover shows two women in lace knitted tops eating ice cream.front: [printed] THOROBRED / scheepjeswol / No. 136 / 75-95 cm / Pure Wool Brushedknitting, pattern, fashion, knitwear, women, thorobred scheepjeswol

BHS Collectionblack and white photo: brick house, with iron lace verandah, iron roof, low paling front fence. Reverse of photo:; 2, 12, Ward, FSP, 1204, ?, Bunknownbuildings, residential

Weatherboard Home Napier Street Stawell. Corrugated Iron Roof wrought iron Lattice Work on Veranda. Front picket fence with iron gate.Black and white photograph of a weather board home and corrugated iron roof. Wrought iron lace work trimming on veranda. Front fence wooden pickets. Iron single gate. stawell houses

Donated by Yvonne Fitzmaurice as examples of women's handkerchiefs.10 female handkerchiefs made from handkerchief cotton/linen embroidered (hand and machine), some machine lace and some coloured embroidery, 1 gold and 9 cream/whitecostume accessories, female

BLACK AND WHITE ORIGINAL PHOTO OF BERYL MAY CAMPBELL DRESSED IN WHITE FROCK WITH COTTON LACE HEM, WHITE SOCKS, BLACK PATENT SHOES. - STANDING ON LEATHER UPHOLSTERED CHAIR.XMAS 1916 A PERSONAL LETTER TO DEAR AC.. FROM BROTHER CHRIS. 22.12.16local history, photography, photographs, early citizens

One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This book was produced by Coats Patons and contains knitting patterns for baby clothes.Patons / KNITTING / BOOK No. 709 / JUST FOR BABIES / 8 different jackets - / a hug-me-tight / A dainty lace dress / Knit them in Patons Baby Wool, / Patons Baby Wool with Nylon, / Patonyle 3-ply, or / Patons Orlon / 2'6 / 25 CENTShandicrafts - history knitting, coats patons (australia) limited, handicrafts - history, knitting

Clothing. Women's cream coloured long sleeved linen nightgown. High round neckline trimmed with 1.5 cm dark pink and white lace. Front has three vertical tab sections (6-7 cm wide0 of dark pink and cream ribbon and lace insert. Underneath the tabs is a diagonal pattern of ribbon and pin tucks. front opening (24 cm) left of centre is fastened with two 1 cm plastic buttons and cotton loops. Long straight sleeves gathered into a cuff of dark pink and white ribbon and lace inserts. Fabric yoke across shoulders at back with body of nightgown pleated at centre back below fabric yoke. ''A'' shaped garment widening to hem.costume, female, women's cream colored linen nightgown

Large 75cm tall plastic doll with curly blonde hair. Her eyes close when she is laid on her back. She is dressed in a cream muslin dress with vertical inserts of white braid. It is also trimmed with wide cream cotton lace on the bodice and hem and burgundy insert on the bodice. A burgundy sash is around her waist. Underneath the dress is a cream cotton pintucked petticoat trimmed with various cream laces and cream cotton bloomers trimmed with cotton lace and white satin bows. She is wearing black socks and brown canvas shoes with plastic soles. There is also a cream muslin bonnet, heavily trimmed to match her dress with a burgundy bow and a white muslin bow.toys, dolls, plastic

Light brown infant's velvet dress. Yoke at front and back with high round neckline. Neckline trimmed with four X cm coffee coloured lace, threaded with dark brown velvet ribbon. Back opening on yoke section fastened with two press-studs. Short set in sleeves trimmed at hem with two cm coffee coloured lace. A line skirt gathered onto yoke front and back. Skirt trimmed above the hem with four cm wide coffee coloured lace threaded with dark brown velvet ribbon tied in a bow at centre front. Inside hem edged with tan coloured bias binding. Neckline also edged with bias binding.costume, children's, light brwon infant's velvet dress

This item is from the "Barone" Collection. "Barone" (also known as "Seaview") was a stately Brighton home built at 9 Moule Avenue prior to 1855 and demolished in 1986. The house's residents included Edward Elgin Browne (during 1859-72), a Melbourne tea merchant, and the family and descendants of retired Scottish Army captain Archibald Black (during the period 1880-1970). Its neighbors included “St Ninians” owned by the Ward- Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family. The items in the "Barone" collection were largely donated by two of the house's later owners, Mrs Doris Halkyard and Mrs Brian Brandt.Black silk satin, lace and beaded pelerine from c.1890. The pelerine features a silk high stand collar covered in black lace. It secures around the neck and down the centre front to the waist by seven hook and eye closures. A black lace frill extends down the centre front from the throat to the centre front tip of the garment. The shoulders feature a heavy, intricately beaded floral design open sleeve through which the arm would be visible. The sleeve finishes around the elbow in a point, however the beading hangs down to below the hip in a loose fringe. At the back from below the shoulder, the garment shapes in to finish in a tapered 'V' shape over the wearer's coccyx. There is a hand stitched "M" in white thread on the inside lining of the pelerine near the neck.pelerine, brighton, barone, seaview

This gown dated to c. 1910-1910Long sleeved full length dressing gown of cream coloured satin. Front opening with three passementerie buttons at centre front with fabric ties at waist (60cm). Ties split into two parts at halfway point Each tie is tied at the end with a thin cord and finished with two tassels with cord covered beads. Garment, including long sleeves, is fully lined with cream coloured satin with decorative stitching pattern.Rounded neckline at back with stand up collar (5cm) decorated with lace. Lace fabric panel across shoulders at front and back. Both sides of front opening have a border (7cm) from shoulder to hem. Neckline dips to V shape above waist. Panels decorated with piping. Front panels lined with cream coloured embroidered lace netting to top button. A different patterned lace lines the top part of the opening panels and extends across the neckline at the back.Two hanging loops attached inside shoulders at top of sleeves. Long sleeves of cream coloured lace fabric with double layer of satin lining. Each sleeve has a panel of decorative fabric from the top of the shoulder to the wrist (same decorative fabric as that used for border of front opening). Satin cuff (12 cm) scalloped edge above wrist. Inside cuff edge of sleeve is lined with lace fabric with a row of pleated net inserted at hemline at wrist. Front inside on LHS has a pocket handstitched to the lining, (30cm X 24 cm). Pocket has decorative pleated ribbon edging.costume, female, long sleeved dressing gown

These cross country ski boots are part of the pioneer ski recreational sport in the Victoria Alps. The mid 1900's saw the Victorian Alps begin to be used for recreational skiing, especially cross country. The majority of skiers at this point in time were either from the SEC Vic. Kiewa Hydro Scheme or from Melbourne. International skiers had better ski fields (ski lodges etc.) in Europe, the U.S.A. and Canada. With greater and better coverage of the Winter Olympics and some medal wins, skiing became more interesting and rewarding for city dwellers in Melbourne and Sydney.These ski boots are of great significance to the Kiewa Valley as it demonstrates that winter sports in the region have and still do attract not only skiers but also provide an employment (even though seasonal) avenue which "livens up" a small rural community and provides for a diversity of land usage which did not exist in the 1800's. These brown cross country ski boots, "Grief" brand have "cherry" inserts with cream laces, within the main boot. The boots have red and black laces and crossover tie flaps (to allow for maximum front foot entry. These boots do not have any ski clips to hold firm those restraints (quick release) on the skis (like "modern boots and skis). The heel section has the red Greif "W" pattern.At the underside of the rubber sole in freehand script "Cresta"snow skiing, ski boots, winter recreational sports.

Clothing. Child's white linen dress. Wide round hemmed neckline. Dress made up of two pieces of fabric. Dress is straight to below the waist (35cm) and then widens to the hem (51 cm). Sleeveless with arm holes edged with one cm lace. Front of dress is cotton fabric with alternating vertical stripes of embroidered fabric and floral patterned lace. Back opening (16cm) with placket, fastened with two metal press-studs.costume, children's, child's white linen dress