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Ballarat Heritage Services
Photograph - Digital photographs, L.J. Gervasoni, Interior of St Brigid's Crossley, 2018
"LARGE GATHERINGNG AT - CROSSLEY DEDICATION AND OPENING SERVICES. SERMON BY DR. MANNIX. Yesterday was an important and historic day for the Roman Catholic community of Crossley and Koroit, in as much as it will be always associated in the memories of all con cerned with the opening of the new St. Brigid's Church, Crossley. This building is far above the average standard of sacred edifices in country towns, and is certainly superior to any ercted in this district outside the churches in the two larger centres - Warrnambool and Koroit. The style of architecture chosen is a free treatment of the Romanesque, which is something quite original in the Western District. This noble style, from which, with its near re lative the Byzantine, spring the great Gothic school of architecture, is characterised by a special charm of its own, one of its chief features being graceful and sweeping circular curves in roof, window heads and in the ar rangenent of the ground plan. The building is of brick finished off with true Romanesqiue pillared pinnacles in concrete and plaster, the brick and concrete producing a pleasing contrast. The main characteristic of the front is a large rose window filled with Romlanesque circular tracery, and below a bold porch and entrance. The two sides are pierced with long circular-headed windows between graceful buttresses and the wall line is pleasingly broken by the projecting bays of the confessionals and also by the vestries. The main building is 80 feet by 30 feet' and the Sanctuary is spacious and semi-circular in shape, and lighted by three windows. The interior of the church is most artistic. The ceiling is semi-circular and of fibrous plaster in ornate designs. All the windows are lead lighted, throwing a rich and mellow harmony of' color throughout the interior and the white wails, mouldings, architraves and other fibrous plaster decorations: are further relieved by the rich coloring: in the stations of.the Cross arrranged around the nave. The central window of the Sanctuary contains a splendidly executed stained glass representation of St. Brigid. At.the western end is a room gallery. The altar is a choice piece of Gothic woodwork, in light, soft coloring, and there are two altars on either side of the Sanctuary in oak, and above whlch are very fine colored figures of Christ; and the Madonna. On either side of the altar are life-size figures of angels holding high brass candalabra. The whole of the furnishings of the church are on a sumptuous scale, and the edifice reflects credit on all concerned. The church can seat nearly 500 people. The architect was Mr. A. A. Fritsch. of Melbourne, and the contractors Messrs F. and E. Deagne, of North Fitzroy. The contract price for the building was £5,500. THE OPENING SERVICE. After the cereimony of solemnly blesssing the church was performed by His Lordship the Bishop of the Diocese, Dr. Higgins, assisted by His Grace the Coadjutor Archbishop of Melbourne. Dr. Mannix, the great gatheiring from all parts of the district entered the church, which was soon completely filled. The members of the H.A.C.B.S. attended wearing their green and gold regalia, and acted as a 'guard of honor' to the Co-adjlutor Arclhbishop and Bishop. Mass was celebrated by the Rev. Father Phelan, of Koroit, and a feature of the solemn service was the singing of a choir which consisted of picked voices from St. Carthage's choir, with friends from Warrnam bool and assisted by some of the mem bers of the Koroit choir, with Miss Logan as organist and Mr. Arthur H. Renwick as conductor. They rendered the music in splendid style throghonut. The "Kyrie," "Gloria." "Agnus Dei' and Dona Nobis" were from Farmer's Mass in B flat, and the "Credo" and "Sanctus" from Webbe's Mass in G. The soloists in the Mass were Mrs. Ryan, the Misses McEntee. Miss Katie O'Brien. and Messrs. J. M. Crowley, W. J. Callaghan; B. McEntee and W. Mahony. The chorus sang with great precision, special attention being paid to at tack. At the offertory Mrs. Dan Ryan gave a beautiful rendering of Gounod's "Ava Maria." After the Elevation that fine duet "Tantum Ergo." by Rossi, was sung by Messrs. Crowley and Renwick in an artistic manner, their fine voices blending splendidly. During the collection, Mr. Renwick sang with much feeling that devotional solo, "Lead Thou Me On,", after which Mr Crowley gave .an ex cellent rendering of Weissi's "0 Salu taris Hostia;" and the choir sang several hymns." It might here be mentioned that at the request of Fa ther Kerin, the same choir will repeat the music.at the Koroit Church on Sunday next, on the occasion of the ceremnly of laying the foundation stone of the cormpletion of the church. Dr. Mannix preachled the sermon for the occasion, taking his text from St. Luke first 11 verses. He re viewed the Gospel story of Christ preaching to the multitude from a boat on Lake Gennesaret and the miraculous draught of fish. The obedi ence of the poor fishermen in casting their nets at Christ's bidding was richly rewarded, and the miraculous occurrence was a striking example of what was to happen when Christ established His Church and built it up on those twelve apostles. When they came to think of it, nothing so re markable and marvellous had happened before or since in the history of mankind. The world at that time was for the most part a Pagan world steeped in iniquity and sin. The chosen people of God had God's re velation, but they worshipped with their lips and not with their hearts. When Christ was to establish His Church upon earth and leave an or gantisation that would continue His work, did He select learned men, powerful men, rich men, or a time that would seem propituous? No. He selected twelve poor, igorant simple fishermen, without money, power, learning or anything calculated to enable them to do anything striking in the world's history. The success of the first morning after pentecost was not confined to those first days when the plentitude of the Holy Ghost sat upon the .Apostles, but it continued age after age until the whole world was brought within the sphere of ac tion of the Church. Greece, Rome Europe Asia and America, and now Australia had been brought into the net. This must be a consolation to them all as well as it was to him (the preacher), when they remembered that they came from a land which of all others had been faithful to the Gospel of Jesus Christ. It was a consolation to them that in that great work that had been accomplished in bringing men into the meshes of the Church, and bringing them to God the nation to which they belontged had taken so great a part. Their religion flourished in England, Scotland, America and Australia. Surely it was due to the sons of St. Patrick, the sons and daughters of Ireland to find consolation in these great facts might It might seem hard that so many had to leave their native-land for England, Scotland, America and Australia. But if hard it was the means of keeping the Catholic faith living in England and Scotland. If to-day the Irish Catholics and Catholics of Irish de scent were taken out of the English and Scotch population there would be little left of the true Church of God. It seemed hard to emigrate to distant lands, but the result had been the new magnificent church in the United States, the flourishing churches in Canada and South Africa. Those Irish emigrants were a cornparatively small band. Perhaps they had not the learning of other nations. Certainly they had not the wealth and it did not fall to their lot to have the power of the sword, but God was with them, and the faith they took from Ireland flourished in those distant lands. In this fair land of Australia they had a glorious herit age handed down from the pioneer Irish Catholics, who came to this fair Austral land. There was a time when those who were opposed to God and God's Church,thought that Australia should be a wholly Protestant land. They had lived to see whether God or His enemies were the stronger. They had lived to see that those who in distant days would have stamped out the Catholic religion in Australia, had not prevailed. Their names had been forgotten because of their persecution of the Catholic Church, and they had lived - to see the glorious success that now, in every part of the Common wealth, rested upon the Catholic Church in Australia. Might God bless that Church and those Irish people, and the people of Irish descent, who had built it up. In that locality, and there was no place in.the Common wealth where the Catholic Church was held in higher esteem, the people would always be faithful to God and His Church. That beautiful building, and all it signified in loyalty and faithfulness, was a credit and a consolation to the Bishop and people of the diocese, to the architect who had done his work so artistically and skil fully. to the priests and the zealous administration of the parish. There was surely hope and inspiration in that day's celebration, that as time went on the Catholic faith would sink deeper and deeper into ther coming generation, and that the Catholic progress of the past 50 years would be small in comparison to the great progress of the future. He congratulated the Bishop priests and people who had raised that temple. He congratulated the people of Crossley; upon their generosity and self-sacrifice, and he prayed that God's blessing and the blessing of St. Brigid would rest upon them; their children and children's children. And when those who had received the sacraments and had been instructed in that Church were called before the Judgment Seat he pray ed that not one would be missing, and St. Peter aind St. Brigid would be able to count them all into the en joyment .of Eternal bliss. THE CELEBRATION The Rev. Father Kerin, Adninistra tor of the Parish, after the collection, read a lengthy list of the principal donations, headed by the Bishop, Dr. Higgins, with £250. All the furnish ings of the Church were also donations, and the Coadjutor-Archbishop added £5 to the list. The Rev. Father Kerin stated that the total to hand was £1245/10/7, which was an other proof of the generosity of the Crossley and district people. The amount previously received in donations was £1077/3. They started buildiing with a credit balance of £262 10/5 and ther now had a debit balance of £2,728/18/5. The total cost of the Church was £6,250, so that they would see the greater part of the indebtedness had already been wiped out. The Bishop (Dr. Higgins) delivered a brief address, in the course of which he congratulated the priests and people upon the completion of their magnificent Church. He congratulated the people on their magnificent generosity. He expressed his of deep indebtedness to the Coadjutor Archbishop of Melbourne for the services he had rendered to them. He had attended at considerable sacrifice to himself, and they were extremely grateful for the presence of so distinguished a champion who had shown such zeal and interest in their Church in this new land. He (the Bishop) trusted that his splendid talents would long be devoted to the defence of the Church." (Warrnambul Standard, 02 July 1914)Digital panoramic image of the interior of St Brigid's Crossley.st brigid's crossley, st brigid's, catholic church, catholic, church, community, ceiling, stations of the cross, confessional, statues, windows -
Ballarat Heritage Services
Photograph - Digital photographs, L.J. Gervasoni, St Brigid's Crossley - school / hall, C2016
Digital imagesst brigid's crossley, st brigid's, catholic church, catholic, church, community, school, hall -
Port Melbourne Historical & Preservation Society
Photograph - Anna Louise ROBIESON, Mayor, 1978-79, Port Melbourne, 1979
Photo was considered for inclusion in the "Women of Port Melbourne" exhibition (October 2005). Ms Robieson was the first female Mayor of Port Melbourne.Black and White photo of Anna Louise ROBIESON. Mayor 1978-79. Enlarged copy of the original image. 3/4 seated position, wearing the Port Melbourne Mayoral chain.Handwriten note "not in use"local government - city of port melbourne, women, anna louise robieson -
Mission to Seafarers Victoria
Photograph - Photograph, Sepia, c. 1915
The foundation stone of the Saint Nicholas chapel was laid on the 22nd of March 1915 and inaugurated in a few months later in 1915 by Mr Alcock. The furniture was designed by Walter Butler. This picture was used in the number 40 of the "Jottings from our log published for the Michaelmas 1915 and in the Annual report for 1915.The chapel was inaugurated in the midst of WWI. Interior of the Saint Nicholas chapel in the Port Melbourne mission with reed organPort Melbourne Chapel written in pencilchapel, port melbourne, st nicholas chapel, reed organ, seamen's institute, beach road -
Port Melbourne Historical & Preservation Society
Photograph - Port Melbourne's changing waterfront, Ron Laing, 1999
Part of Ron Laing's collection of photographs recording Port Melbourne over a thirteen year period. Donated to the PMH&PS by the photographer.A set of 34 colour photographs of Port Melbourne's changing waterfront, covering the old and new harbor control tower on Fishermens Bend, restoration of the outer beacon, reconstruction of the west wing of Station Pier, demolition of the concrete 'steps' breakwater at Port Melbourne, reconstruction of the foreshore - Sandridge Beach to Beacon Roadbuilt environment, natural environment, demolitions, piers and wharves, ron laing -
Melbourne Legacy
Photograph, Suez Canal, 1920
One photo from an album belonging to JB McLean, of his voyage home from World War 1 in 1920 on the Ceramic. The photo shows buildings at Port Tawfiq at the end of the Suez Canal. The Ceramic departed Tillbury, UK 12th March and docked in Freemantle on 27th April 1920 and then went onto Adelaide, Melbourne and Sydney. The Ceramic was a transport vessel built in Belfast in 1913 for the White Star Line to transport frozen produce and apples from Australia to UK. It was taken over by the Australian Government for troop transport in October 1914 and could carry over 3,000 troops. This trip in 1920 there were 1467 on board, there were women and children as well as 439 soldiers returning home, one of whom was John 'Basil' McLean. Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. There was a large collection of postcards so he may have been collecting them as souvenirs. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving Portsea in 1920.A collection of items from John Basil McLean is in the archive. Kept as an indication of what founding legatees experienced in World War One and what they saw on the way home.Sepia photo of a the port at the end of the Suez Canal from the deck of the Ceramic glued to black cardboard in an album of photos from 1920.Handwritten caption 'Port Tewfik' in white ink.world war one, jb mclean, ship, ceramic, suez, souvenir -
Port Melbourne Historical & Preservation Society
Photograph - Construction of Bolte Bridge, Ron Laing, 1986 - 1999
Part of Ron Laing's collection of photographs recording Port Melbourne over a thirteen year period. Donated to the PMH&PS by the photographer.A set of 36 colour photographs covering the construction of the Bolte Bridge and approaches from the West Gate Freeway in Port Melbourneengineering - bridges, ron laing -
Port Melbourne Historical & Preservation Society
Photograph - Various night/evening views, Port Melbourne. City skyline, Ron Laing, 1990s
Part of Ron Laing's collection of photographs recording Port Melbourne over a thirteen year period. Donated to the PMH&PS by the photographer.One of a set of 35 colour photogaphs of evening and night shots taken at various locations in Port Melbourne City skylineron laing, built environment -
Port Melbourne Historical & Preservation Society
Photograph - Cassidy Family Hotel, Graham Street, Port Melbourne, Ron Laing, 1990s
Part of Ron Laing's collection of photographs recording Port Melbourne over a thirteen year period. Donated to the PMH&PS by the photographer.From a group of Ron Laing photographs of Port Melbourne hotels, 1990s: The Cassidy Family Hotel (originally the Graham Family)hotels, ron laing -
Port Melbourne Historical & Preservation Society
Photograph - Women's Welcome Home Committee Rotunda, Port Melbourne, Ron Laing, 1990s
Part of Ron LAING's collection of photographs recording Port Melbourne over a thirteen year period. Donated to the PMH&PS by the photographer.One of three colour photographs of the two war memorials at the beach in Port Melbourne: Women's Welcome Home Committee rotundawar - world war i, memorials, ron laing, band rotunda -
Port Melbourne Historical & Preservation Society
Plan - Auditorium, Port Melbourne Town Hall, A A Millar, Clerk of works, 1915
Plan for "New Auditorium for Town Council Port Melbourne". Floor plan; cross section C/D, cross section A/B; floor plan balcony ground floor; 1915"New Auditorium for Town Council Port Melbourne":Heath, A.V. Town Clerk and Surveyor:A.A. Millar Spray Street, Elwood. Phone BX 1762, Clerk of Work 1915port melbourne town hall, arthur victor heath, town clerks, a a millar, g t reeves -
Port Melbourne Historical & Preservation Society
Photograph - Whittle's Freemasons Tavern, corner Beach and Stokes Streets, Port Melbourne, 1911
On City of Port Phillip CD-ROMImage taken from City of Port Phillip CD-ROM B&W photo of postcard showing Whittle's Freemasons Tavern. Corner Beach and Stokes Streetshotels, built environment - commercial, business and traders, whittle, freemasons tavern -
Port Melbourne Historical & Preservation Society
Container - Custard Tin, John King & Co, Bay Street, Port Melbourne, 1904 - 1932
Found in ceiling whilst renovating home in Byrne St, Port Melbourne. 1lb custard powder tin from John King and Co of 200 Bay Street, Port Melbourne. No lid. Produced between 1904 and 1932domestic life, john king and co -
Glenelg Shire Council Cultural Collection
Functional object - Life buoy, n.d
19/04/2000Canvas covered ring of bouyant material (possibly cork), painted white and red. Rope loop fastened to back of ring. Mounted in glass fronted wooden case mounted on timber footings. Small memorial plaque in centre of back board of case.Front: On upper section of ring "Coramba", on lower section "Port Fairy" -
Port Fairy Historical Society Museum and Archives
Container - Soda Syphon
Webb Bros cordial FactoryLarge glass soda syphon with engraved label on side and silver coloured metal spout and glass straw inside handle is missingWEBB BROS TRADE _engraved crown in centre MARK PORT FAIRY-webb bros, webb & sons, bottle, cordial, factory, belfast, port fairy, soda syphon -
Port Melbourne Historical & Preservation Society
Mixed media - Placard, Anti-amalgamation protests, 1993
Made by the City of Port Melbourne for the demonstrations before and after the forced amalgamation by the Jeff Kennett State Government of the City of Port Melbourne with the Cities of South Melbourne and St Kilda to form the City of Port Phillip. First demonstation was against the City of Melbourne Act which excised 42% of Port Melbourne's rate base (Fishermens Bend) and so laid the groundwork for amalgamation afterwards because Port Melbourne could not survive on the remaining rates. Refer to Pat Grainger, Liana and David ThompsonWhite cardboard attached to a wooden stick with hand lettered anti-amalgamation slogans in black on each side. "After 154 years don't kill Port!" on one side and "Is Democracy Dead?" on the other.public action campaigns, amalgamation, local government - city of port melbourne -
Port Melbourne Historical & Preservation Society
Letter - Port Melbourne Council Health Inspector re apratments/boarding houses, 1974 - 1978
Retained by donor from his service on Port Melbourne Council 1973-78Miscellaneous Port Melbourne Council documents 1974-78 Letter from Health Inspector re apartments/boarding houses, 24 May 1977local government - city of port melbourne, town planning, glen cosham -
Port Melbourne Historical & Preservation Society
Photograph - Holy Trinity Anglican Church, Port Melbourne, three photographs and sketch of original tent display for church's Diamond Jubilee, 1915
Original set of three photographs of Holy Trinity Church in Port Melbourne and one of sketch of original tent; mounted on large, grey card, hand-lettered and decorated for the church's Diamond Jubilee in 1915'Holy Trinity Church, Port Melbourne' handlettered in Gold and White at head of picture, 'Diamond Jubilee, Dec.1915' at bottom. In centre: '1853-1855' and '1855-1898'religion - anglican (holy trinity) -
Melbourne Legacy
Sculpture, Ceramic Innovations Pty Ltd, Digger
A sculpture of an Australian Digger that was produced as a commemorative piece by a Melbourne firm called Ceramic Innovations. It is filled with Tawny Port and is part of a wider set of bar pieces. The three pieces held at Melbourne Legacy are tributes to the three armed forces and are called 'Digger', 'RAAFIE' and 'Jack Tar'. They were once in the comradeship room and now stored in the archive. An advertising flyer found shows the RRP was $110 with $5 of each 'Digger' being donated to Legacy Australia.A record that the items were souvenirs as tributes to the three armed forces.Ceramic sculpture of a digger with a separate hat that is made as a bottle and contains Tawny PortGold inscription under the hat says 'Bullocks Tawny Port. Bar Piece No 4. Produced by Ceramic Innovations Pty Ltd.'souvenir, bottle, sculpture, legacy australia -
Port Melbourne Historical & Preservation Society
Photograph - National Estate House 207, 51 Bridge Street, Port Melbourne, Arthur Rowan, 1986
As a member of the Port Melbourne Historical and Preservation Society, donor Arthur ROWAN photographed a series of significant buildings in the Port and South Melbourne area over several years. A selection of nineteen of these was presented to the Port Melbourne Society in 1993.Small print mounted on white card, with mounted, typed caption: Registry of National Estate House 207. 51 Bridge street Port Melbourne. Built in 1874. First Owner: William V BUCKHURSTpublic action campaigns, arthur rowan, william v buckhurst -
Port Melbourne Historical & Preservation Society
Machine - W & A PENTLAND Wheel Hub, c.1950
William PENTLAND arrived in Sandrisge in 1864 and set up his own coach building business in 1880.The firm was located between Ingles & Raglan Streets on the east side of Crockford Street. As well as coach building - and later motor body building - the firm were wheelwrights and blacksmiths.Round brass wheel hub cap from W & A PENTLAND, Port MelbourneW & A Pentland Port Melbourne Buildersw & a pentland, business & traders - manufacturing, william pentland -
Port Melbourne Historical & Preservation Society
Article - Newspaper clipping, Port Melbourne Football Club, VFA Premiers, 24 Sep 1974
Aged black and white newspaper clipping (from "the Record") of Port Melbourne Football clubs 1974 VFA premiership winPort's Vintage Year!sport - australian rules football, recreation, port melbourne football club, pmfc, david holt, bill beckwith, mick erwin, jim buckley, fred cook, paul goss, norm brown, graham 'buster' harland -
Port Melbourne Historical & Preservation Society
Photograph - Redevelopment of Port Melbourne seafront, Webb Dock to Lagoon Pier, Ron Laing, 1991 - 2000
Part of Ron Laing's collection of photographs recording Port Melbourne over a thirteen year period. Donated to the PMH&PS by the photographer.A set of 115 colour photographs covering the redevelopment of the Port Melbourne sea-front from Webb Dock to the Lagoon Pier in the 1990sbuilt environment, ron laing -
Port Melbourne Historical & Preservation Society
Photograph - Various night/evening views, Port Melbourne. Webb Dock cranes, Ron Laing, 1990s
Part of Ron Laing's collection of photographs recording Port Melbourne over a thirteen year period. Donated to the PMH&PS by the photographer.One of a set of 35 colour photogaphs of evening and night shots taken at various locations in Port Melbourne. Webb Dock cranesron laing -
Port Melbourne Historical & Preservation Society
Photograph - Various night/evening views, Port Melbourne. "Abel Tasman", Ron Laing, 1990s
Part of Ron Laing's collection of photographs recording Port Melbourne over a thirteen year period. Donated to the PMH&PS by the photographer.One of a set of 35 colour photogaphs of evening and night shots taken at various locations in Port Melbourne The Abel Tasman departingron laing, shippimg -
Port Melbourne Historical & Preservation Society
Photograph - Various night/evening views, Port Melbourne. Webb Dock, Ron Laing, 1990s
Part of Ron Laing's collection of photographs recording Port Melbourne over a thirteen year period. Donated to the PMH&PS by the photographer.One of a set of 35 colour photogaphs of evening and night shots taken at various locations in Port Melbourne Webb dock at noghtron laing, webb dock -
Port Melbourne Historical & Preservation Society
Photograph - Various night/evening views, Port Melbourne,. West Gate Bridge, Ron Laing, 1990s
Part of Ron LAING's collection of photographs recording Port Melbourne over a thirteen year period. Donated to the PMH&PS by the photographer.One of a set of 35 colour photogaphs of evening and night shots taken at various locations in Port Melbourne West Gate Bridgeron laing, engineering - bridges, west gate bridge -
Port Melbourne Historical & Preservation Society
Photograph - Various night/evening views, Port Melbourne. Spirit of Tasmania at dusk, Ron Laing, 1990s
Part of Ron Laing's collection of photographs recording Port Melbourne over a thirteen year period. Donated to the PMH&PS by the photographer.One of a set of 35 colour photogaphs of evening and night shots taken at various locations in Port Melbourne Spirit of Tasmania at dusktransport - ferries, spirit of tasmania, ron laing, transport - shipping -
Glenelg Shire Council Cultural Collection
Administrative record - Minutes - Ancient Order of Foresters, Oct-08
Minutes of Annual Meeting of the AOF, held at Oddfellows' Hall, Port Fairy on Thursday Jan 23 1908. 10 pages, white paper, black print -
Glenelg Shire Council Cultural Collection
Photograph - Photograph Album - Various Victorian locations, c. 1948
This album was handed in at Portland Transfer station, as it was never collected it was donated to the collection.Photograph album, green covers, black and white photos of Mt Gambier, Portland, Port Fairy, Great Ocean Rd, Twelve apostles, Yallourn, and a zoo.