Showing 7701 items
matching style
-
Bendigo Historical Society Inc.
Functional object - BOTTLES COLLECTION: OSWALD EAGLEHAWK
Large Green Champagne Style Bottle. A Cork With Silver Foil Attached Is In The Mouth. The Bottle Is Unbroken and has A Circular Paper Label That Contains The Words ''Tonic Beer Manufactured By D. Oswald Eaglehawk.'' The Background Of The Label Is Dark Blue With White Lettering. The Bottle At The Base Is 12 cm in Diameter and 38 cm High.''Tonic Beer Manuafactured By D. Oswald Eaglehawk.''food technology, bottling, soft drink bottle -
Bendigo Historical Society Inc.
Textile - ACCESSORIES COLLECTION: LADIES CLUTCH STYLE HANDBAG
Textiles. Black clutch style handbag with strap ( 1.5 cm wide). Front fold over flap decorated with embroidered pattern of stripes and circles on black cotton fabric. Inside lined with black polished cotton. Two internal side pockets. Gold coloured metal press-stud fastener on front flap.Label stitched inside 'Made by Jack Eaton' Handbags Pty Ltd NSWtextiles, domestic, ladies clutch style handbag -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: ON TRACK
Bendigo Advertiser "The way we were" from Monday, April 5, 2004. On track: from left: Dave Grey, Charlie Apps, David Styles, Neville Kairns, Percy Mayer, Bill Scrivener and Lee Naughton at the goods sheds of the Bendigo railway station. The sheds are now home to Bendigo's Discovery Centre.newspaper, bendigo advertiser, the way we were -
Whitehorse Historical Society Inc.
Book - Enid Gilchrist Pattern Book 1970's, 1970's
Titled - Enid Gilchrist's 70's Styles. More than 70 basic designs for mature figures. Picture of two women on front cover - one dresses in yellow and the other in a brown & white floral. Paper magazines of 55 pages featuring how to cut out patterns. Costing 75c. Special Reprint.books, magazines -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, 1900c
Building used as community hall and school until Education Dept built school nearby.Black and white postcard showing early Kalimna West Primary School, square water tank on side of building, home made swing on right, flag pole on left, vegetable garden in foreground, two people, lady and boy, dressed in 1900s style clothes. Uncleared bush in backgound. Kalimna West Victoriaschools, halls -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, 1932c
Black and white postcard of Central Hotel, showing the brick Spanish style building constructed 1930-1931. Fronts the Esplanade and Cunninghame Arm. Postcard features memorial cypress trees planted 1924, bluestone wall along the lake front, white painted public bench, electricity poles. Lakes Entrance VictoriaHotel Central Lakes Entrancehotels, memorials, tourism, arts -
Ballarat Tramway Museum
Pamphlet, London Bus Company, "City Circle Heritage Tour - Ballarat", c1998
Full colour pamphlet, advertising Ballarat "City Circle Heritage Tour" using a London style double deck bus, red, visiting various attractions. Gives fares, timetable and contact details etc. Operated by the London Bus Company See also Reg Item 901 for a mention of this service - dates it c1998.trams, tramways, visitors, ballarat, buses, tours -
Ballarat Tramway Museum
Negative, Wal Jack, 1956?
Yields information about Ballarat tram operations possibly during the 1956 Olympics.Negative and Digital images of the Wal Jack Ballarat Negative file of trams 36 (Mt Pleasant, with an auxiliary board) and No. 30 meeting at Hospital Corner. No. 30 is about to enter Drummond St North. The style of the auxiliary board on No. 36 is similar to that used on trams during the Olympic Games. In the background is the Shell Service Station.trams, tramways, hospital corner, olympics, drummond st nth, tram 30 tram 36 -
Tennis Australia
Print, 1886
Double page spread from 'The Graphic' newspaper of Summer 1886 entitled 'ALL ABOUT OUR LAWN-TENNIS CLUB'. A cartoon style composition by Arthur Hopkins narrating the story of a club establishing their courts on rough country fields. Framed under UV glass. Materials: Ink, Paper, Glass, Metal, Woodtennis -
Kew Historical Society Inc
Photograph, J E Barnes, H.W. De Mole, Mayor [of Kew] 1877-8; 1882-3, c.1906
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. H. W. De Mole, Mayor of Kew 1877-8; 1882-3. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.H.W. De Mole, Mayor [of Kew] 1877-8; 1882-3mayors of kew (vic), photographers - kew (vic) - josiah earl barnes, cr. h. w. de mole, kew (vic.) — municipal collection -
Kew Historical Society Inc
Photograph, Stuart Tompkins, Cr. W.E.R. Hope, Mayor [of Kew] 1952-3, 1967-8, 1952
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of Mayors and Town Clerks of the former Borough, Town and City of Kew, for the period 1863 to 1969. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series. Framed portrait of Cr. W. E. R. Hope, Mayor of Kew in 1952-3 and 1967-8. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. W.E.R. Hope / Mayor 1952-3, 1967-8 Stuart Tompkinsmayors of kew (vic), cr. w. e. r. hope, australian photographers - stuart tompkins, kew (vic.) — municipal collection -
Kew Historical Society Inc
Photograph, Cr. A.S.G. Stevens J.P., Mayor [of Kew] 1953-4, 1963-4, 1953
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of Mayors and Town Clerks of the former Borough, Town and City of Kew, for the period 1863 to 1969. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series. Framed portrait of Cr. A. S. G. Stevens J.P., Mayor of Kew 1953-4 and 1963-4. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. A.S.G. Stevens J.P. / Mayor 1953-4, 1963-4 Stuart Tompkins Studiomayors of kew (vic), cr. a. s. g. stevens, australian photographers - stuart tompkins studio, kew (vic.) — municipal collection -
Kew Historical Society Inc
Photograph - Staircase of 'Tara Hall', Studley Park Road, Marc Strizic (attrib), c.1960
'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author. The Staircase at Tara Hall, circa 1957. An angled view of the main hallway and staircase of Tara Hall (previously named Byram, Goathland and Lowan). To the right of the staircase in this Studley Park Road mansion, a large inglenook fireplace was located, which was surrounded by stucco decoration. The latter was a characteristic of E. G. Kilburn’s late style.Typed inscription on reverse: "The Staircase at Tara Hall. Above the ornate fireplace is the legend 'Come When You Mind, A Welcome Find'. (Royal Women's Hospital, Melbourne)." byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew) -
Kew Historical Society Inc
Slide - Architectural Features, Kew Post Office, 1980
A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. 35mm colour transparency of the red brick walls and rendered decorative architectural features used at the Kew Court House on the corner of High Street and Cotham Road. The building is a significant example of the English Queen Anne Revival style. The photograph was taken as part of a series by Ralph Andrews (Department of Building, RMIT) in April 1980.kew post office, khs - slides, new public offices -- kew (vic.), architectural styles -- english queen anne revival -
Bacchus Marsh & District Historical Society
Photograph, Parkside Cottage Main Street Bacchus Marsh 1883
This image is one of a series of photographs taken by Melbourne based photographers Stevenson and McNicoll who visited Bacchus Marsh and its nearby districts between September and November 1883. The house in the image is located at 82 Main Street Bacchus Marsh and as of 2024 is still occupied as a residence. The house was built in 1860 by William Watson for William Grant who leased the property to various tenants. From 1867 it was mainly leased to local doctors. The property stayed in possession of the Grant family for many years after this and was leased to many residents of Bacchus Marsh. The identity of the people in this 1883 photograph has not been established.Small sepia 'carte de viste' style unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. In the foreground are two women and two girls standing in front of a brick cottage. In the background on the verandah of the house is another woman holding a baby. Printed On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, houses bacchus marsh, william watson builder bacchus marsh -
Melbourne Tram Museum
Photograph - Set of 11 Black & White Photograph/s, Melbourne & Metropolitan Tramways Board (MMTB), 1964
Series of 9 black and white photographs of the construction of the new bus depot at Doncaster c1964. Items .1 to .9 show the earthworks, nearby factories and skylines. The style of the equipment used at the time is shown. Has a Craven A billboard. Items 10 and 11 are two sheets of paper giving details and some captions for the photographs.trams, tramways, buses, doncaster depot, construction, contracts -
Melbourne Tram Museum
Photograph - Black & White Photograph/s, 1960's
Black & White Photograph of L class No. 106, possibly during the 1960's in Victoria Parade at night. Has the St Vincent's Hospital in the background. Tram has the destination of Kew Cotham Road, route 46 display. Has adverts for Cheney's used trucks and Kings "Old style" smoked Strasbourg meat.trams, tramways, l class, victoria parade, route 46, kew- cotham road, tram 106 -
Warrnambool and District Historical Society Inc.
Headwear - Lady's boudoir cap, Hat, Early 20th Century
This boudoir cap was worn by women wearing a negligee in the 19th century in their boudoir in the morning. In the early 20th century women wore these boudoir caps while sleeping to protect their hair styles. The name "Ogier"' inside the cap indicates that it has a connection to the Ogier family in Warrnambool.This is an interesting example of a woman's head-wear in the past.This lady's boudoir cap has white, discoloured, net with floral woven edging and leaves and dots in the body of the net. It is circular in construction drawn on thread to the centre of the head and decorated with a tassel folded over. There are two layers of lace, the bottom one is attached to a black, velvet covered wire and has bunched flowers with violet ribbon as decoration. The top layer also has the bunched flowers. The cap is lined with cream silk. The lace hangs down at the back. The brim is stiffened inside as is the crown. On the item inside is a small piece of red ribbon with a name written. OGIERvintage women's clothing, boudoir caps -
Eltham District Historical Society Inc
Slide, View looking northeast to turnabout near 10 McCarthy Grove, Montmorency, c.Oct. 1980
One of a series of images of roads and infrastructure taken by Eltham Shire Council Planning and Engineering officers. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions.35 mm colour positive transparency Mount - Kodak Kodachrome CardProcessed Oct 1980houses, infrastructure, mccarthy grove, montmorency, roads -
Eltham District Historical Society Inc
Slide, McCarthy Grove, Montmorency, extended driveway from Main Road, c.Oct. 1980
One of a series of images of roads and infrastructure taken by Eltham Shire Council Planning and Engineering officers. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions.35 mm colour positive transparency Mount - Kodak Kodachrome CardProcessed Oct 1980houses, infrastructure, mccarthy grove, montmorency, roads -
Eltham District Historical Society Inc
Slide, View looking southwest to turnabout near 9 McCarthy Grove, Montmorency, c.Oct. 1980
One of a series of images of roads and infrastructure taken by Eltham Shire Council Planning and Engineering officers. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions.35 mm colour positive transparency Mount - Kodak Kodachrome CardProcessed Oct 1980houses, infrastructure, mccarthy grove, montmorency, roads -
Eltham District Historical Society Inc
Slide, McCarthy Grove, Montmorency looking west near No. 27, c.Oct. 1980
One of a series of images of roads and infrastructure taken by Eltham Shire Council Planning and Engineering officers. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions.35 mm colour positive transparency Mount - Kodak Kodachrome CardProcessed Oct 1980houses, infrastructure, mccarthy grove, montmorency, roads -
Eltham District Historical Society Inc
Slide, McCarthy Grove, Montmorency looking east towards Reichelt Avenue, near no. 27, c.Oct. 1980
One of a series of images of roads and infrastructure taken by Eltham Shire Council Planning and Engineering officers. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions.35 mm colour positive transparency Mount - Kodak Kodachrome CardProcessed Oct 1980houses, infrastructure, mccarthy grove, montmorency, roads -
Eltham District Historical Society Inc
Slide, Quinn Estate, McCarthy Grove ext. driveway, Montmorency, near no. 31, c.Oct. 1980
One of a series of images of roads and infrastructure taken by Eltham Shire Council Planning and Engineering officers. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions.35 mm colour positive transparency Mount - Kodak Kodachrome CardProcessed Oct 1980houses, infrastructure, mccarthy grove, montmorency, roads -
Eltham District Historical Society Inc
Slide, Looking towards 99 Buena Vista Drive, Montmorency, c.Oct. 1980
One of a series of images of roads and infrastructure taken by Eltham Shire Council Planning and Engineering officers. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions.35 mm colour positive transparency Mount - Kodak Kodachrome CardProcessed Oct 1980houses, infrastructure, mccarthy grove, montmorency, roads -
Phillip Island and District Historical Society Inc.
Photograph, circa 1900
Reserve with trees left and right. Road beyond fence. Across the toad, weatherboard Pier Hotel. Residence to left side of 2 storey turret. Building with flag pole. Colonial double-chimneyed homestead style house tucked amongst trees and bushes to right.Pier Hotel and adjacent house. A picturesque scene.The Rose Series P700 copyright. Pier Hotel from The Reserve, San Remo, Victorialocal history, photography, photographs, slides, film, pier hotel, san remo, hotels, black & white photograph, miss elms san remo -
Federation University Historical Collection
Black and white photograph - copy, Ballarat Post Office and Academy of Art on corner of Sturt and Lydiard Streets - c1890, c1890
First section of the Post Office built 1864. Second section which included a tower was built in 1885. Built in the Victorian Italianate style. Arched headed windows on the ground floor originally formed a colonnade. These were filled in later to provide more internal space. Black and white photograph - copy of the original. Shows former Ballarat Post Office. Horse drawn carriages outside. Another building shown is "Academy of Art" with name above. This cannot be determined.former ballarat post office, colonnade, victorian italianate, victorian italianate style, arched windows, sturt street, lydiard street -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, The Uncultured Pearl, c. 1961
In this book review, Boyd critiques Cyril Pearl's book, "So You Want to Buy a House" (published by F.W. Cheshire). Boyd discusses Pearl's style of writing on home life and a scatter of other subjects and gives a negative review on the type of humour and lack of research.Original manuscript of a book review of a book by Cyril Pearl titled 'So you want to buy a house ... and live in it' in 1961. The piece was published as 'Book review: So you want to buy a house'.Typewritten (c copy), quarto, 6 pagescyril pearl, caricature, puns, comedy writing, robin boyd, manuscript -
8th/13th Victorian Mounted Rifles Regimental Collection
Uniform - Patrol collar blues
Formal dress ‘blues’ uniform with patrol collar and chain mail epaulets replacing the previous lapel style jacket. This uniform was worn by Major Gordon Cole RFD who enlisted in 8/13 VMR 1960 (?) and went on to command the Independent Squadron 1980-1982.Army dress jacket with silver VMR buttons and badges and chain mail epaulets. Jacket is hung on half mannequin.military, uniform, vmr, cole, blues -
Eltham District Historical Society Inc
Photograph, Jim Connor, Shillinglaw Cottage, Panther Place, Eltham, 17 Aug 2015
Shillinglaw Cottage looks stable enough now but it was the first colonial building in Australia to be pulled apart brick by brick and reconstructed on a different site. Community outrage prevented the council from demolishing the cottage in 1963 to make way for Eltham’s Shire Offices and local people paid for the cottage to be moved. Originally built by respected local builder George Stebbing in 1859, the cottage is typical of European farmhouses, but is constructed of handmade local bricks in a style known as “Flemish Bond.” The chequered pattern created by the burnt “header” bricks is a unique feature of this style. The cottage’s name comes from its long association with the Shillinglaw family, who loved there for more than eighty years. The Cottage is classified by the National Trust. Tomorrow's history documented todayeltham, jim connor collection, main road, shillinglaw cottage