Showing 23363 items matching "time-tables"
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Melbourne Tram Museum
Domestic object - Kraft cable tram place mat, c2000
A colourful image of a cable tram set with three passengers and crew shows the destination of "Kraft," which has been partially blacked out. The trailer is number 586. Demonstrates table mat featuring a cable tram with passengers.Printed plasticized card table mat with rounded corners.tramways, cable trams, tram 586 -
Melbourne Tram Museum
Document - Notice, Report, Melbourne & Metropolitan Tramways Board (MMTB), "Wattle Park Band Recital", Oct. 1943
Set of six documents associated with a Wattle Park band recital by the AIF Legion of Anzacs band on Sunday 17 October 1943 in support of the 4th Liberty Loan. .1 - printed poster advertising the afternoon and travel by tram from Princes Bridge. .2 - duplicated notice from the Assistant Manager to Depots dated 13/10/1943 about the bus to be used to transport band members from Elizabeth St to Wattle Park - Central Bus Depot - notes the bus had been specially prepared for the event. .3 - typed notice from the District Traffic Superintendent to Hawthorn and Camberwell depots about special trams for the event and arrangements for conductors. Signed by J. M. Harry rubber stamp. .4 - hand written in blue indelible pencil on ruled paper, the table for the special cars for the event. .5 - hand written notes on heavy card of timing and loading on trams at Glenferrie Road. Signed R. Whitelaw. .6 - ditto for loading ex Wattle Park loop - signed by A? Cameron.1 - has a pencil inscription "158" in the top left hand corner. .3 - has a pencil note "Copy sent Hawt Insp with table" along the bottom edge.trams, tramways, mmtb, world war 2, wattle park, events, bands, buses, hawthorn depot, camberwell depot -
Bendigo Military Museum
Photograph - BENDIGO RSL ANNUAL DINNERS, C.1998 - 2000
The photos are of one of the last Annual Bendigo RSL Dinners held in the SMI, this is most likely 1998/2000. The Dinners moved to the Bendigo District RSL Sub Branch Inc at Havilah Road about 2001. There are a number of easily identifiable members in the photos. .1) Centre Table, Fred Addlem, Kevin Purdon, Kell Howard, Peter Ball. .2) LH table, Joe Boulton, Ernie Jackman, Jack Fay. Fred Addlem, Refer Cat No 8128P for Committee history, he was also a dedicated Museum guide from 1998 to 2003. Kevin Purdon, has been a Museum Guide since 2009 to current, Appeals for many years and delivery to and pick up from schools. Laurie schilling committee member 1992 to 2000, museum guide from 1998 tp 2015. Kell Howard committee member 1976 to 1981, 1985 to 1990. Peter Ball, refer Cat No 8071.3 Joe Boulton, committee member 1999 to 2000, Appeals Officer with his wife Lyn from 2004 to 2012. Ernie Jackman, committee member 1961 to 1962, 1973, Welfare Sub Committee 15 years, Welfare Officer 1997 to 1978, Appeals Officer 1960 to 1994, organised the distribution of parcels to homes and hospitals at Xmas, made a Life Member 1986. Jack Fay, refer Cat No 8129PTwo Colour photographs re Bendigo RSL Annual Dinners taken from different angles showing 3 lines of tables set up. These photos are one of the last Annual Dinners held in the Soldiers Memorial Institute. The photos show the Museum memorabilia around the walls.brsl, smirsl, annual dinner -
University of Melbourne, Burnley Campus Archives
Newspaper - Newspaper Cutting, The Age, Green Oasis Full of Secrets, 2012
Article about the Melbourne Club garden when the Club opened its gardens for the first time to raise funds for the Friends of Burnley Gardens. This was instigated by John Fordham,arborist and FOBG member, who is their arborist.Article in "The Age" 22.09.2012 by Denise Gadd about the Melbourne Club garden when the Club opened its gardens for the first time to raise funds for the Friends of Burnley Gardens. This was instigated by John Fordham,arborist and FOBG member, who is their arborist.the age, denise gadd, fobg, friends of burnley gardens, john fordham, melbourne club, fundraising, arborist -
Port Fairy Historical Society Museum and Archives
Book, Warrnambool Institute Press, Harpoons to harvest : the story of Charles and John Mills, pioneers of Port Fairy / J.R. Carroll, 1989
The story of Charles and John Mills, pioneers of Port Fairy. Includes genealogical information.xv, 286 p., [12] p. of plates : ill., geneal. tables, maps, ports. Includes index. Geneal. tables on lining papers. Bibliography: p. 225-260non-fictionThe story of Charles and John Mills, pioneers of Port Fairy. Includes genealogical information. maritime, mills, john brabyn, 1810-1877, charles frederick, 1812-1855, mills family, pioneers -- victoria -- port fairy -- biography, pioneers -- tasmania -- biography, australian history, biography, exploration, genealogy, harbour master, mills : charles and john, mills brothers, port fairy, shipping, warrnambool history, whaling, wrecks, book -
Melbourne Tram Museum
Document - Memorandum, Melbourne & Metropolitan Tramways Board (MMTB), "Memo 567", 9/9/1968
Memo 567 from EG Blachford, South Melbourne, relating to introduction of new Sunday tables on 8 Sept 1968 requiring alterations to be made to weekday and Saturday tables.trams, tramways, rosters, instructions, south melbourne, timetables -
Flagstaff Hill Maritime Museum and Village
Domestic object - Spoon, circa 1878
This table spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This table spoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The generally common range of marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register most valuable. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history Unrestored table spoon from the wreck of the Loch Ard. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and a shallow rounded bowl. William Pageflagstaff hill maritime museum, shipwreck coast, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, william page and co, birmingham brass plating, table spoons -
Melbourne Tram Museum
Functional object - Table card - masonite - Kew table 33, Melbourne & Metropolitan Tramways Board (MMTB)
Table card for Run 33 from Kew depot, c1970. Gives sign on time, times at the from the various terminus. Gives hours for the crews and the instructions re taking over the tram from other crews.Demonstrates a method of advising crews of their trips or run and the timetable for them. Sheet of paper hand written, preprinted glued to a sheet of masonite, then varnished. Written in blue and red ink.tramways, trams, forms, drivers, conductors, table cards, kew depot -
Glenelg Shire Council Cultural Collection
Negative - Ambrotype, Captain Cairncross, c. 1890
On display in History House.Portrait of a man seated next to a table with a tablecloth on it. He is wearing a three-piece suit of a pale shade, and has his left hand at rest on his left thigh, and his right hand on the table. A white hat with a dark band lies on the table. Image has been tinted.Front: (no inscriptions) Back: Captain Cairncorss. This photo came from Windson Cottage. Captain Fawthrop and Captain Cairncross were close friends over many years.(fountain pen, centre). Harry Ward Goldsmith, Late of Portland (green pen, lower centre). -
Flagstaff Hill Maritime Museum and Village
Fork
HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register most valuable. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417 Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Silver plated copper alloy table forks - entrée from the wreck of the Loch Ard. Some verdigris and silver oxide. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, electroplated cutlery, fork -
Geelong Cycling Club
Sash, 1952
The sash was awarded to G. Lunardelli as the winner of the Senior 20 mile Road Championship for GWCC. Lunardelli came out from Trieste, Italy after World War 11 and worked for the Geelong Water Board. Lunardelli subsequently ceased full time cycling in order to make a living.This award indicates the important influence that immigrants had on the popularity and depth of cycling at the time in the Geelong region. Cycling was and continues to be very popular in Europe.Burgundy satin sash with gold tassel finish at one end. It has faded gold embossed inscriptions on it."Geelong West Cycling Club/1952 Senior 20 Mile Unpaced/Road Championship/ Won by G. LUNARDELLI/Time 56mins5 2/5 seconds"sash; geelong west cycling club; lunardelli; 1952; road championship; -
Ithacan Historical Society
Photograph, Greek Orthodox wedding ceremony, c 1960s
The photograph was taken during the ceremony of the Sacrament of Marriage when the wedding party, led by the priest circles the ceremony table. Known as the Dance of Isaiah, it forms part of the rich and symbolic Greek Orthodox wedding. The circling represents a dance for the joy of God’s presence and the couple is lead by the priest who holds the Holy Gospel. The wedding crowns (stefana), which represent the couple being king and queen of their home, are joined by a ribbon symbolizing the couple's unity. Father Voyatzoglou is the priest officiating at the wedding service. A black and white photograph of a Greek wedding ceremony taken during the time of the ritual 'procession'. The wedding party at the altar includes the priest, the bride and groom, four bridesmaids, a flower girl and a candle bearer. A large chandelier hangs above the altar and there is a partial view of a religious icon which is part of the iconostasis, a wall which separates the nave from the sanctuary.wedding ceremony -
Ballarat Tramway Museum
Ephemera - MMTB Special Table, Melbourne and Metropolitan Tramways Board (MMTB), Dec. 1974
Has a strong association with a BTPS organised tour and yields information about the tour arrangements., Has a strong association with a BTPS organised tour and yields information about the tour arrangements.Spirit duplicated, handwritten Special Table" or timetable for a BTPS charter tram tour using two separate sheets of paper. Issued by the MMTB for a BTPS special charter on 16/12/1974. Inspector Davies, out of South Melbourne Depot. Gives time and route arrangements. Second copy from donation of the Tom Murray Estate added 20-11-2016.trams, tramways, btps, charters, special trams -
Ballarat Tramway Museum
Ephemera - MMTB Special Table, Melbourne and Metropolitan Tramways Board (MMTB), Jan. 1974
Has a strong association with a BTPS organised tour and yields information about the tour arrangements., Has a strong association with a BTPS organised tour and yields information about the tour arrangements.Spirit duplicated, handwritten Special Table" or timetable for a BTPS charter tram tour. Issued by the MMTB for a BTPS special charter on 9/1/1974 (going away tour for Warren Doubleday), Inspector Davies, out of South Melbourne Depot. Gives time and route arrangements. 2nd copy on pink card, added 18/8/2007 from Warren Doubleday's papers.trams, tramways, btps, charters, special trams -
Flagstaff Hill Maritime Museum and Village
Textile - Dollies & table runner set, Vera and Aurelia Giles, Late 19th to Early 20th century
These hand crafted, crocheted table linen items are part of the many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with Warrnambool and the Giles Family history. Items donated by the family have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940.The Giles family collection is of social significance at a local level, because it not only illustrates the level of material support the Warrnambool community gave to Flagstaff Hill during it’s establishment. But the Giles collection also gives us today a snapshot into what domestic life was like in early colonial times prior to Federation.Set of three lace doilies & a table runner white, rectangular pieces, hand crocheted wide borders with white linen hand stitched into the centre. (Part of the Giles Collection)Nonewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, giles collection, henry giles, tower hill, warrnambool breakwater, mailor’s flat, wangoom, textiles, victorian household items -
Melbourne Tram Museum
Administrative Record - Table Cards, Yarra Trams, "City Circle Tram Melbourne", 2001 to 2003
Set of printed table cards on paper and laminated. Gives sign on times, car out, trip details and which "run" takes the tram from the crew. .1 - Camberwell Table 23, last update 5/5/03, route 75 .2 - Camberwell Table V043, last update 19/03/03 - has a highlighter on the top of the sheet, route 75. .3 - Camberwell Table V033 - last update 06/08/01 - route 70 .4 - Camberwell Table 39 - effective 30/12/2007 - route 75.trams, tramways, table cards, camberwell depot, drivers, route 70, route 75 -
Marysville & District Historical Society
Ephemera (item) - Invitation, The Cumberland is ...brand spanking new, Unknown
A photocopy of an invitation to the re-opening of The Cumberland guest house in Marysville. The guest house was destroyed by fire in March 1969. The re-built guest house was opened by the Minister for Tourism at the time, the Hon. J.W. Manson, on December 17 of an unknown year.A photocopy of an invitation to the re-opening of The Cumberland guest house in Marysville. The guest house was destroyed by fire in March 1969. The re-built guest house was opened by the Minister for Tourism at the time, the Hon. J.W. Manson, on December 17 of an unknown year.marysville, victoria, australia, the cumberland guest house, accommodation, invitation, the hon. j.w. manson, march 1969 -
Clunes Museum
Photograph
ORIGINAL CLOCK ON DISPLAY IN CLUNES MUSEUMPHOTOGRAPH OF TIME CLOCK USED BY WORKERS AT THE INTERNKNIT KNITTING MILLS. FRAMED WITH LIGHT COLOURED WOOD UNDER GLASS SURROUNDED BY WHITE MATT BOARD. ORIGINAL TIME CLOCK IS ON DISPLAY IN THE CLUNES MUSEUMlocal history, interknit knitting mills, horology -
Phillip Island and District Historical Society Inc.
Photograph - Post Card, 1900's
Donated by Jean ParleColoured Postcard of cowes grazing with figures of a woman and child. Sea and land in background."Phillip Island - Milking Time, Newhaven." "F & J"cowes grazing at newhaven, pasture land, phillip island, jean parle -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1900
Photo shows Poppet bead over mine shaft Five men picturedPaper shows 2 copies only 1 at this timemining, gold mining, mafeking -
Port Melbourne Historical & Preservation Society
Photograph - Royal visit, arrival of Duke and Duchess of York on HMS Renown, Arthur MacDonald, 27 Apr 1927
Nine photos of arrival of Duke and Duchess of York on HMS Renown in 1927All photos marked on back with time, date etc.royal visits and occasions, piers and wharves - station pier, ps weeroona, ss rosny, hms renown, hmas sydney, ps hygeia -
Port Melbourne Historical & Preservation Society
Document - Port Melbourne vs Williamstown Grand Final, "Record", 2011
Purchased (for $3) by Cr Janet BOLITHO at the 2011 Grand FinalAFL Victoria "Record", VFL & TAC Cup Grand Final Edition, 25.09.2011. The program fom the Port Melbourne vs Williamstown grand final, won by Port MelbourneFull time scores recorded on pages 32 and 33sport - australian rules football, societies clubs unions and other organisations, gary ayres, john baird, port melbourne football club, pmfc -
Tatura Irrigation & Wartime Camps Museum
Film Can 8mm, Views of the Goulburn Valley, 1958-1961
Film of the Goulburn Valley around 1958-1961, shot by Hermann William Schrudt. Includes the opening of the German War Graves Cemetery at Tatura.Green can of 8mm filmNo 4 Views of the Goulburn Valley. Time 700 + 300goulburn valley, german war cemetery, schrudt, hermann william scrudt -
Moorabbin Air Museum
Document (item) - CAC Collection - Technical Information - ATAR 09 C Turbojet Engine
Operating Time And Service Limits ATAR 09 C -
Vision Australia
Letter - Text, Letters to Mrs P Amery, 1941-1954
Various letters written to Mrs P Amery of 11 Maury Road, Chelsea during her role as the Honorary Secretary for the Chelsea RVIB Auxiliary. Correspondence between Head Office and the Auxiliaries (who provided a lifeline of donations) was a crucial way to maintaining a good relationship, providing support and acknowledgement for the hard work undertaken by volunteers. A summary of these letters is listed below: 1939 - Appreciation for holding the role as Honorary Secretary. 1941 - Congratulations on appointment as secretary to the RVIB Chelsea Auxiliary. 1944 - Congratulations on re-election as Honorary Secretary 1952 - Acknowledgement of unselfish and valued service upon her retirement of the Secretary role. 1954 - Acknowledgement of service upon her retirement on behalf of the President and Committee members of the Chelsea auxiliary5 letters from the RVIB to Mrs P AmeryVarious illustrations based upon the letterhead used at the timeroyal victorian institute for the blind, p. amery, auxiliaries -
Uniting Church Archives - Synod of Victoria
Pennant
From Glen Iris.Dark blue and white felt triangular pennant with red cotton edging and cream screen printed text."D GRADE CAMBERWELL CHURCHES TABLE TENNIS ASSN. HARTWELL PRES. GOLD PREMIERS 1953" -
Uniting Church Archives - Synod of Victoria
Pennant
From Glen Iris.Dark blue and white felt triangular pennant with red cotton edging and cream screen printed text."'B' GRADE CAMBERWELL CHURCHES TABLE TENNIS ASSN. HARTWELL PRES MAROONS PREMIERS 1954" -
Uniting Church Archives - Synod of Victoria
Pennant
From Glen Iris.Dark blue and red felt triangular pennant with red cotton edging and cream screen printed text."'D' GRADE CAMBERWELL CHURCHES TABLE TENNIS ASSN. HART. PRES. GOLD PREMIERS 1952"camberwell churches table tennis association -
City of Kingston
Ceramic - Moorabbin Arts Centre coffee pot, City of Moorabbin, c. 1990
Coffee pot belonging to a set produced for use at the Moorabbin Arts Centre (now Kingston Arts).White ceramic coffee pot with lid and Moorabbin Arts Centre logo on front.Marked on base: Royal Porcelain / Kingdom of Thailand / Oven to Table / Dishwasher - safe / Microwave - safeceramic, ephemera, crockery, moorabbin arts centre -
City of Kingston
Ceramic - Moorabbin Arts Centre teapot, City of Moorabbin, c. 1990
Teapot belonging to a set produced for use at the Moorabbin Arts Centre (now Kingston Arts).White ceramic teapot with lid and Moorabbin Arts Centre logo on front.Marked on base: Royal Porcelain / Kingdom of Thailand / Oven to Table / Dishwasher - safe / Microwave - safeephemera, crockery, tableware, moorabbin arts centre