Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Air conditioning units on unshaded wall (looking upwards) in New York City, New York, USAMade in USA/ Air conditioning units in unshaded wall NYC (Handwritten)/ Encircled 42F/ ANH HSE look? (Handwritten)/ Crysler (Handwritten)/ C44 (Handwritten)/ 30 (Handwritten)mit bemis professorship, mit, robin boyd, slide

Document relates to item 199 - Watercolour painting of a Catalina Flying Boat by an unknown artist -tells the history of the Catalina Flying Boat as well as the service histories of Flight Lieutenant Owen Mortimer and his younger brother Flight Sergeant Air Gunner Reginald Roy Mortimer from West Wyalong, New South Wales who served from 1941 to 1945 - relatives of the Donor Dr Owen Campbell Mortimer. Flight Lieutenant Owen Mortimer completed 85 missions in the wartime South West Pacific area. Reginald Mortimer served as a Transport Driver with the Australian Army later remustering to the RAAF to train and qualify as Flight Sergeant Air Gunner.Black frame with gold painted inner edge containing cream coloured paper with black text.Catalina Flying Boat Royal Australian Air Force catalina flying boat, flight lieutenant owen mortimer, flight sergeant air gunner reginald mortimer, ww2, raaf

Canungra was the Jungle Warfare Training Centre (JTC) before and including 1968. Item in the collection re Lt.Col. Swatton refer Cat No 6719.2P for his service details.This is a full size air photo map. It is black and white. Some natural features are labelled with white printing. The air photo has a white border of approx 6.5 cms size. Map information is printed in black ink around all four borders.Map data = Military survey Australia 1:25,999 Sheet No. 213/2 Zone 8. Scale 1:25,000. Date = The air photo was taken Jan 1955. Map produced by R.A. Survey Corps 1955.passchendaele barracks trust, survey map

The Queen,s colour is more than just a flag. It is an important symbol of respect to a Military Service or Regiment which represents heroic deeds and Battle Honours.Wooden plaque of the Queen,s colours presented to the Royal Australian Air Force.On the Presentation of the Queen,s Colour to the Royal Australian Air Force by H M Queen Elizabeth !! at Richmond Airbase on Wednesday the 5th of March 1986. The inscription in centre of plaque is a crown over an Eagle with outspread wings and Latin wording PER ASTRA ARDUA -AD.

These two bowls were from the Donor's father who was in the Royal Australian Air Force.Two medium sized bowls with blue stripe edged with gold around the rim of the bowl. Blue stamped insignia on edge.Royal Australian Air force insignia. MELBAR Made in England printed on base in blue.air force, local

This is the cutting bit on the end of a drilling rod. It would have been used to drill holes into rock for placing explosives, for installing steel rock anchors, etc. In hard rock the bits need to be replaced regularly. Compressed air is blown through the holes near the tip of the bit to blow rock fragments out of the drill hole. The main drilling unit would have been powered by compressed air (Pneumatic). Rotary Air Blast Drilling. This drill bit was used by workers in the SEC Vic. Kiewa Hydro Electricity Scheme. This type of bit although strong needed replacing frequently when the rock composition (type of rock) was extremely compact. The configuration of the tip bit (four star like pattern) was to provide the "teeth" to tear into the rock. This bit was manufactured in 1949 however drilling for rock cores, in the Kiewa Valley and the Victorian Alps, was carried out from the late 1920's.This particular drill bit would have been used by construction workers to drill holes into rock for either explosives or for installing steel anchor points into the rock. The use of compressed air was not only for waste extraction but also for running the main drilling unit.This four star rotary air balst (RAB) drill bit has a central "blow" hole (compressed air outlet to remove the ground rock particles through four extraction holes). There are four raised cutting/grinding lugs which allows the air compression hole(incoming) to always have a clear unblock opening. Extracted ground material is "blown" out from the drill head via the larger hole created by the steel bit.Stamped on the bottom outside shank "FAGERSTA SECO SWEDEN" and below this "102 7041 01 05 049".sec vic kiewa hydro scheme, alternate energy supplies, drilling into rocks in alpine regions

During WWII there were volunteers all over Australia observing air activity every night. This certificate is one that was presented to the volunteers who manned the observation points. This certificate was presented to Mr Gordon White of Mount Beauty who was one such volunteer on the 20th Sept. 1945.The State Electricity Commission of Victoria were constructing the Kiewa Hydro Electric Scheme during World War 2. Workers lived at Bogong where the SECV supplied a hut for volunteers to observe air traffic during World War II. Mr Gordon White was a volunteer at the time. See also KVHS 0937 (photo) and KVHS 1259 (Training Manual)Laminated coloured A3 size Certificate of appreciation RAAF for Volunteer Air Observers Corps.volunteer air observer corps; certificate; state electricity commission of victoria; bogong; gordon white

Watercolour painting of Catalina Flying Boat - Attached to rear of frame is a short history of the Catalina Flying Boat together with the service history of Owen and and his younger brother Roy MORTIMER who both served in the Royal Australian Air Force in the South West Pacific area during WW2 Developed as a naval patrol aircraft, the Consolidated PBY Catalina was a widely exported flying boat during World War II. Over the course of the conflict it served with a number of different nations in a variety of roles. In the Royal Australian Air Force, PBYs and PB2Bs (a variant built by Boeing in Canada) served as multi role bombers and scouts, the type eventually earning great renown among Australian aircrews. The motto of the Catalina squadrons was "The First and Furthest." Gold painted embossed metal frame with cream coloured mount containing watercolour painting of plane on waterCatalina Flying Boat Royal Australian Air Force catalina flying boat, raaf, mortimer, ww2

This pocket knife was one of many pocket knives recovered from the Schomberg over one hundred years after it was wrecked. When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Blaine’s Black Ball Line had commissioned her to be built for their fleet of passenger liners. At a cost of £43,103, the Aberdeen builders designed her to sail faster than the quick clippers designed by North American Donald McKay. She was a three-masted wooden clipper ship, built with diagonal planking of British oat with layers of Scottish larch. This luxury vessel was designed to transport emigrants to Melbourne in superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first-class passengers. At the launch of Schomberg’s maiden voyage, her master Captain ‘Bully’ Forbes, drunkenly predicted that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons of cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The winds were poor as Schomberg sailed across the equator, slowing her journey considerably. She was 78 days out of Liverpool when she ran aground on a sand spit near Peterborough, Victoria, on 27 December; the sand spit and the currents were not marked on Forbes’s map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to Schomberg and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted SS Queen at dawn and signalled the steamer. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers were able to disembark safely. The Black Ball Line’s Melbourne agent sent a steamer to retrieve the passengers’ baggage from the Schomberg. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Local merchants Manifold & Bostock bought the wreck and cargo but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. After two of the men drowned when they tried to reach Schomberg, salvage efforts were abandoned.32 In 1975, divers from Flagstaff Hill, including Peter Ronald, found an ornate communion set at the wreck. The set comprised a jug, two chalices, a plate and a lid. The lid did not fit any of the other objects and in 1978 a piece of the lid broke off, revealing a glint of gold. As museum staff carefully examined the lid and removed marine growth, they found a diamond ring, which is currently on display in the Great Circle Gallery.33 Flagstaff Hill also holds ship fittings and equipment, personal effects, a lithograph, tickets and photographs from the Schomberg. Most of the artefacts were salvaged from the wreck by Peter Ronald, former director of Flagstaff Hill.The Schomberg, which is on the Victorian Heritage Register (VHR S612), has great historical significance as a rare example of a large, fast clipper ship on the England to Australia run, carrying emigrants at the time of the Victorian gold rush. She represents the technical advances made to break sailing records between Europe and Australia. Flagstaff Hill’s collection of artefacts from the Schomberg is significant for its association with the shipwreck. The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Schomberg. It is archaeologically significant as the remains of an international passenger Ship. It is historically significant for representing aspects of Victoria’s shipping history and for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day Pocket knife, incomplete. Knife has broken into three its sections, with fancy impressed decoration on top and bottom layer. The top layer has been restored. . It was recovered from the wreck of the Schomberg. warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwrecked-artefact, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen, pocket knife, knife

Included in the collection of Bill Bakker ex RNEIAAFRound Silver Plate presented to William Bakker, State President, Victoria Chapter, Australian Air Force Association.William Bakker, State President, Victoria Chapter, Australian Air Force Association from 49th Fighter Group San Francisco, Ca. July 1980. Presented by M/G Dr Hutchinson USAF Retired.a23.06

The Air Gunner is Allan Frederick Goodall DFC, refer Cat No 543.2 for his service details.Light khaki folding card board frame with a B & W Portrait of an RAAF Air Gunner in uniform, wings with "AG" and set of 5 ribbons.At bottom of photo, "Reg Pollock Bendigo"photographs, dfc, ag

Jessie Seymour was a resident of the Kiewa Valley and would have been following the reports of the air crash which happened 'behind her home'.Jessie Seymour compiled this history for the Kiewa Valley Historical Society and, as a local, would have had the opportunity to gain first hand knowledge of the people involved including witnesses.Red plastic with clear front cover with 4 plastic sleeves / pages. Includes: A description by Jessie Seymour of the Beaufort Air Crash.jessie seymour; beaufort bomber.

1. Armed Forces of Australia BADGES OF RANK. 2. Badges of the Royal Australian Navy. 3. Badges of the Royal Australian Air Force.Three posters printed on glossy white paper. Colour illustrations of Badges of Rank for the three services, Navy, Army & Air Force.posters, badges of rank

The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and John Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars. This Air Raid Precautions booklet was one of thousands distributed to households across Australia during WW2. They provided instructions on what to do during an air raid and were based on emergency response protocols established in Britain. Other measures adopted by State Governments during this period included the installation of air raid sirens and bomb shelters, and the training of volunteers in firefighting and first aid. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of life in Australia during WW2. A small booklet containing illustrations and text instructing people what to do during an air raid. Front cover in pen: "Donated: Merrilyn/Hamilton-Smith"ww2, world war two, world war, war, 1940s, air raid, defence, bomb

A Royal Australian Air Force Discharge Certificate issued to Linley Walter Rogers on the 26th February1946. These Certificates were issued to all service personal on completion of their Enlistment.Rectangular shaped Parchment Discharge Certificate.Royal Australian Air Force Certificate of Service and Discharge with a brief summary of his time in service.raaf, australian defence forces, world war 2, certificate of discharge, air force, lara r.s.l.

Items relate to Cat No 2861.2.1) Navy Air Force jacket, 4 front pockets with belt, 4 button front, black nylon lining. Eagle & Crown badge & blue band on each sleeve. .2) Shirt, size 38, short sleeves, 2 pockets, blue cotton. .3) Tie, fellini, navy..1) "AG, Air Gunner Air Crew Badge, 1939 - 1945 Star" above left breast pocket. .2) "AGCF 1986 Size 38 cms & care instructions" on label sewn under back collar.uniforms - air force, ag, passchendaele barracks trust

Vol 13, No 19, 6.5.1941. Cover shows an Air Force Officer riding a bicycle past the front of a fighter plane propeller. Other planes are in the background. 31 pages, illustrated black & white photos, military & civilian topics. Sub titled: “Australia's Spitfire Air Aces pages 16-17. Cost 6d” Written in the X of PIX: “Tresize”books - magazines, military history - air force, pix

The Bag was issued to volunteer Air Raid Patrol Persons in Australia during WW2.Canvas bag with shoulder strap and Victorian ARP Badge on the front. Round metal button on left side. Two air vents on the bottom. Two studs to close the bag.Inside front flap M.H. ??. 1942. Victoria ARP Badge on front flap numbered BG359.air, raid, precautions, patrol persons, ww2, volunteers,

Australian school of painting established in 1880's by group of painters who camped in Box Hill on Gardiner's Creek. They later moved to Heidelberg. Plein air painting instigated by Tom Roberts.Australian school of painting established in 1880's by group of painters who camped in Box Hill on Gardiner's Creek. painting, roberts, tom, mccubbin, frederick, abrahams, louis, streeton, arthur, sutherland, jane, heidelberg school, conder, charles, humphrey, mather, john, handasyde, stewart, hansen, theo brooke, gardiners creek, dewar, s. g.

This child's crinoline skirt was donated in 1974 by Mrs Ella Kohn of Were Street, a life member of the Society. According to then-BHS Secretary Rosalind Landells, the skirt was originally made the fit a girl aged 10-12, but had been modified to add length. Mrs Landells reported that Society members had restored the skirt to the original length and that it would be worn at a costume parade at the Southern Cross on 27 March 1974 by Carolyn Scott.Pale yellow silk half-hoop skirt with cotton lining. Layered skirt with ruched top layer.children's clothing, crinoline, 1850s, 1860s, ella kohn

There are two layers of the plaque, with the red wood in the first layer just above the light wood. A knight is in the unit sybmol

This item was found in Val Ryan's father's shed in Melbourne. The paint was used on windows during WWII to prevent the glass splintering during air raids.Tin of Taubman's anti-shatter solution with label listing directions for use.Definitely reduces the splintering and prevents the flying of glass from blasts during air raids or gun fire.

This is a set of nine photographs of technicians from the Royal Australian Survey Corps operating aerial surveys equipment c1980s. In photo .1P, CPL Steve Gloster was operating a RC10 air survey camera mounted in an Australian Army Pilatus Porter aircraft. The Wild RC10 super wide-angle air survey cameras were first introduced in 1971, were equipped with virtual distortion free lenses for supplementary, spot and special photography. In photo .2P, Roger Rees was operating Air Profile Recorder (APR) equipment. it was possibly taken during OP NERVOSE 84, sometime between June – August 1984 when based in Ngukurr, Northern Territory. The APR was operated at this time in unison with an RC10 camera. In 1963 the Royal Australian Survey Corps introduced the radar airborne profile recorder (Canadian Applied Research Ltd, Mark V, Airborne Profiler Recorder) was introduced for 1:100,000 mapping to replace terrain heighting by aneroid barometry. Later in 1974-1975, the Australian developed WREMAPS II airborne laser terrain profile recorder was introduced. In photo .3P, Neil Jones appears at the door of Airsearch Beechcraft Queen Air aircraft, Registration / Serial VH-MWX. This aircraft was typically used by RA Svy on air survey operations flying mission with Aerodist, APR and RC10 camera equipment. The Australian Army’s Pilatus Porter (short take-off and landing turbo propeller) was also equipped with a Wild RC10 aerial mapping camera for identification photography. The Pilatus Porter was also used on RA Svy’s map field checking operations. Photo .9P was taken at a survey station at an unknown location. In this photo an Australian Army Kiowa Light Observation Helicopter (LOH) is supporting a field survey party undertaking Magnavox AN/PRR-14 portable Doppler satellite observations. The satellite receiver’s antenna is plumbed over the survey ground mark surrounded by white plastic panels. The panels were used to identify the survey station on aerial photography. Introduced in 1974–1975, the Magnavox AN/PRR-14 portable Doppler satellite (US Navy Navigation Satellite System – TRANSIT) receivers and computing system provided independent three-dimensional point positions anywhere in the world, anytime, in any weather accurate to about 1.5metres with precise satellite ephemerides. The Bell OH-58 Kiowa LOH was a family of military helicopters used for observation, utility, and direct fire support. It was identified by RA Svy in the mid-1970s that considerable time was lost in replacing unserviceable remote equipment by road. Therefore Aerodist operations (pre-dating satellite receiver operations) were fully supported by Army’s Kiowa LOH aircraft. This is a set of nine photographs of technicians from the Royal Australian Survey Corps operating aerial surveys equipment c1980s. .1P to .3P, .5P to .9P - Colour and black and white photos on photographic paper and scanned at 300 dpi. .4P - Colour photo on 35mm slide film and scanned at 96 dpi. .1) & .2) - Photo, black & white, c1980s, CPL Steve Gloster operating an RC10 air camera. .3) - Photo, colour, 1984, Roger Rees operating Air Profile Recorder (APR) equipment. .4) - Photo, colour, c1980s, Neil Jones at the door of an Airsearch Beechcraft Queen Air aircraft, typically used by RA Svy on air survey operations. .5) - Photo, colour, c1980s. A Beechcraft King Air aircraft, also used by RA Svy on air survey operations. .6) - Photo, colour, c1980s. An Australian Army Pilatus Porter, used by RA Svy on air survey and map field checking operations. SGT Peter Mustart is possibly in the foreground. .7) to .8) - Photo, colour, c1980s. An Australian Army Pilatus Porter and unidentified personnel, used by RA Svy on air survey and map field checking operations. .9) - Photo, colour, c1980s. An Australian Army Kiowa helicopter supporting a field survey party undertaking Magnavox AN/PRR-14 portable Doppler satellite observations. There are biro marks on photos .4P to .9Proyal australian survey corps, rasvy, army survey regiment, asr, fortuna, aerial surveys

Painter, printmaker and installation artist John Wolseley was born in Somerset, England. He lived and worked throughout Europe before relocating to Australia in 1976. His work explores how people dwell and move within landscape. Wolseley see's himself as a hybrid mix of artist and scientist; one who tries to relate the minutiae of the natural world - leaf, feather and beetle wing - to the abstract dimensions of the earth's dynamic systems. Using techniques of watercolour, collage, frottage, nature printing and other methods of direct physical or kinetic contact Wolseley finds ways of collaborating with the actual plants, birds, trees, rocks and earth of a particular place. George Baldessin was one of the first artists John Wolseley met when he arrived in Australia in 1976. Both immigrated to Australia and connected through this shared experience. They were both at 'Realities Gallery' with Marianne Baillieu in the 1970s and 80s. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. 'Life world of the Longicorn beetle' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. Communion and collaboration with nature are central to Wolseley's practice. He assembles different drawing methods to represent a kind of inventory or document about the state of the earth. His interest is to paint the processes and energy field of the living systems of this land. 'Life world of the Longicorn beetle' is his continued exploration of Australia's natural eco-systems. The beetle attacks the eucalypt and in the process of tunnelling into the wood of the tree leaves scribbly patterns. The work celebrates the cycle of life, and the wisdom and delicacy of these creatures. This three dimensional work consisting of three layers of paper is a varied edition, offering just the slightest difference between each print, reflective of variation in nature. The found log used as a woodcut acknowledges the interconnectedness of nature and living beings; the log is not apart from the art and the beetle has become an active artistic collaborator. An intimate and layered print of a tree log with line trails from the Longicorn beetle. Patches of pink, yellow and orange watercolour placed randomly. Woodcut from found log and etching on chine-colle with water colour on Gampi (top layer), Mulberry (middle layer) and Arches (bottom layer) paper. In pencil (handwritten): low plate: left '14/25' (edition); centre 'Life world of the Longicorn beetle' (title); right 'John Wolseley' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)woodcut, etching, chine-colle, landscape, environment, longicorn beetle, print, baldessin, ekphrasis2018, eco, mixed media

The original aircraft depicted was assigned to the US 5th Air Force, 49th Fighter Group, 9th fighter Squadron and flown by Lt. Reynold from May 1942 until early August 1942. The aircraft was nicknamed "Stardust". On 8th August 1942 this P40 was assigned to the Royal Australian Air Force as Kittyhawk A29-136 and assigned the code letter "N", retaining the "Stardust" nickname. This aircraft was often flown by Flying Officer Bruce Watson of 75 Squadron RAAF.1/48 plastic scale model of a P40E-1 Kittyhawk painted to represent 75 Squadron, Royal Australian Air Force in New Guinea in mid 1942.kittyhawk

Air-Force clothing issue.Blue cloth cap, black band, badge centre front. Black fabric strap above the peak, fastened with two brass buttons decorated with crown and Air Force wings. Leather insert, top of inside cap lined with clear plastic.Badge: RAAF surrounded by wreath and crown.Inside crown of hat: logo of Australian Government Clothing Factory. Size (broad arrow) 57.