This eight compartment life jacket date from around 1918 to 1940s, when kapok was used as the main filling for life jackets. Cork was used before that time, and synthetic materials began to be used from the mid-1940s. Life Jackets - Life jackets were part of the equipment carried by the Life Saving Rescue Crew of South Western Victoria, including Warrnambool, from around 1858 until the 1950s. The purpose of a life jacket is to keep the wearer afloat until he or she is rescued from the water. Life jackets were first invented in 1854 by Captain Ward of the Royal National Lifeboat Institution in Britain. The early life jackets were filled with cork, which is very buoyant. However, many times he cork caused the jacket to rise up quickly with a force that caused unconsciousness, sometimes turning the person face down in the water , causing them to drown. After the tragic loss of the ship RMS Titanic in 1912 and the lost lives of those onboard, a woman named Orpheus Newman designed the Salvus life jacket (Salvus means safe), which was filled with kapok instead of cork. Kapok comes from seed pods of the Ceiba Pentandra tree and is waterproof as well as buoyant. These Salvus jackets were used by the Royal Navy until new synthetic materials became available around the time of World War II.This life jacket is significant for its connection with local history, maritime history and marine technology. Lifesaving has been an important part of the services performed from Warrnambool's very early days, supported by State and Local Government, and based on the methods and experience of Great Britain. Hundreds of shipwrecks along the coast are evidence of the rough weather and rugged coastline. Ordinary citizens, the Harbour employees, and the volunteer boat and rescue crew, saved lives in adverse circumstances. Some were recognised as heroes, others went unrecognised. In Lady Bay, Warrnambool, there were around 16 known shipwrecks between 1850 and 1905. Many lives were saved but tragically, eight lives were lost.Life jacket, canvas covered, stitched into eight kapok filled compartments. One canvas strap with brass buckle is attached. Shoulder straps are no longer attached. Rflagstaff hill maritime museum and village, flagstaff hill, maritime museum, maritime village, warrnambool, great ocean road, lady bay, warrnambool harbour, kapok, life jacket, salvus jacket, life saving, rescue, rescue crew, l.s.r.c., life saving equipment, marine technology, lifeboat, shipwreck victim, vintage, captain ward, royal national lifeboat institution, orpheus newman

This was made by Violet Peterson, grandmother of the donor, during the depression, and kept hung in the wash house at 89 Cruikshank St, to be used only on wash daysViolet Peterson's wash apron made from a bleached hessian (onion or potato) bag and trimmed with blue cross stitch embroidery and pieces of red gingham tableclothdomestic life, peterson, violet, phyllis kelly

Clothing. Rayon fabric, cut on the cross to give stretch. Machine stitched hem. Spreads to a symetrical point at wide end. Tapers to an asymetrical point at narrow end.CURTIS RAYON CRAVATcostume accessories, male, men's red tie - band uniform

Clothing. Rayon fabric, cut on the cross to give stretch. Machine stitched hem. Spreads to a symetrical point at wide end. Tapers to an asymetrical point narrow end.CURTIS RAYON CRAVATcostume accessories, male, men's red tie - band uniform

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Fashion (or clothing/costumes) in the collection was largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This short, beaded 'flapper' dress was worn by Mrs Udora Freame to a ball at the Hawthorn Town Hall in the 1920s. Donated by her daughter, the dress is the earliest item of fashion in the collection where provenance can be linked to a local civic event.Sleeveless black chiffon 'flapper' evening dress with v-neck. The dress is embroidered with silver thread using chain stitch and glass beads simulating Parisian jet.women's clothing, australian fashion - 1920s, evening dresses, udora freame, evening wear, flapper dresses, mayoral balls -- hawthorn (vic.)

Made by Mrs. Sarah Johnson.Star-shaped, white net milk jug cover, with stitched edging to the star and a crocheted cotton border. The crocheted border is decorated with turquoise-coloured glass beads.milk jugs, food covers, vessel covers

On loan from Eunice Russell née Gray. Used by Ebenezer Gray. Brown leather souvenir ammunition pouch. Turkish. Three compartments, with metal ring to attach to belt. Narrow belt strap. Has brass studs. Stitching on compartments.ammunition pouches, military equipment

Cloth shoulder patch to indicate that the conductor of the tram was qualified as a "Tram Driver Trainer". Similar design to item 889Demonstrates the method of indicating a tram driver was qualified to train other drivers.Cloth badge or patch - made on black cloth backing with the words "Tram Driver Trainer" stitched in red cotton. Item 889 has a red border stiching. tramways, conductors, badges, mmtb, clothing, uniforms, training, drivers

Hankerchiefs have been used for centuries as a piece of cloth deemed useful for personal hygiene. They are usually kept in one's pocket but at times through history have been fluttered to attract attention or send a message. In harder times they proved to be a cheap item often used to add interest to an outfit. This item is one of five hankerchiefs which were brought back from France after WW1 by great uncles of Gloria Redman and have been passed down through her grandmother and mother. This item has significance as an item linked to a local family and World War 1 and as such has social, and historical significance. It is well provenanced and can be used to provide interest to the relating of a fairly common story whereby many soldiers brought or sent back small items such as hankerchiefs to their loved ones at home.Cream silk hankerchief embroidered in cream silk white work.The edge is done in blanket stitch on a scalloped edge. The embroidery is patterned around the edge in a wide border.warrnambool,, world war 1 hankerchief, hankerchief, redman hankerchief, embroidered hankerchief

This six-postcard group is the fourth in a series of records of items in the collection of Edgar Dawson DCM. Dawson was the Regimental Sergeant Major of 57th Battalion, AIF. The 57th had a company of men largely from Bendigo and Eaglehawk. These postcards are from his personal album. Many are annotated in Dawson's hand with explanatory notes on the subject. Refer to Cat No 893 for his service details. Items originally in album cat. no. 207P Service details available through the NAA. Collection of six black and white postcards: 1. Photographic portrait Harper, Thomas Francis 783, 36th Btn 2. Studio portrait of Young, Bertram John 304, 57th Btn on left 3. Portrait of Dawson, Willie Stanley 2163 57th Battalion 4. Studio portrait of Fleming, James Holmes 3107 57th Btn on left 5. Photographic portrait of Walsh, Alick 3494 57th Btn 6. Photographic portrait of Hughes, Francis Vane 4521 57th Btn .3 On verso "This is Will Dawson" in Edgar Dawson's hand .6 On verso "This is CQMS Hughes, he was in my company at Broadmeadows"57th battalion, postcards, album dawson dcm, edgar dawson dcm

Dated 'Xmas 1932'. Pages headed 'Camp Savige, Tuesday' indicate that it was created for a camp at Stan Savige's property. It recounts the cricket competition between the Dark Blues, Light Blues, Green and Orange teams. Written and illustrated by Pat Hanna in a satirical style it was clearly intended to entertain as much as to inform, but the humour would be seen to be heavy handed or not funny at all today. Nevertheless it demonstrates that campers enjoyed their stay at Somers. See also 01289 and 01291. In the early years, Legacy organised outings to the property of Legacy founder, Legatee Stan Savige, who had a place in Balnarring close to the beach. Permanent camp buildings were built in 1930. In 1930 Lord Somers (Governor of Victoria) also started a camp at a nearby property and the area was renamed Somers. Legacy Somers Camps continued intermittently at Stan's property until it was decided in 1951 to make other arrangements for holidays.Illustrates the sort of activities considered appropriate to occupy camp participants, and the amateur enthusiasm of the newsletter producers in the early half of the twentieth century.Foolscap sheets x 3 pages, black on cream, penciled drawings, corrections and linesLegacy symbol hand drawn in pencil. Penciled 'please return ARB'newsletter, camp savige, legacy somers camp, savige property

Ninety six page book with blue cover, titled "Federal Rules of the Australian Tramway and Motor Omnibus Employee's Association" as amended by the Australian Council 1969. Cover - light blue cover, saddle stapled with two staples to the off white printed rules of the Union. Rules printed on 76 pages, with pages 77 to 80 numbered only and the last 16 pages un-numbered. Pages ii to iv has a detailed index giving rule number and page number. 2290.1 - additional copy with "L. Bird" in ink on the top right hand corner. - added 1/2/2008 2290.2 - additional copy with "A. Jeffreys" in ink on the top right hand corner - added 6/8/2016 .1 - On top right hand corner of cover "J. Everett" in blue ink. .2 - ditto for "L. Bird" .3 - ditto for "A. Jeffreys" trams, tramways, unions, atmoea, rules, federal rules

Mrs P.. Cosh is a private Physiotherapist contracted by RDNS to educate RDNS nursing staff in safe transferring techniques. This photograph is taken in the Heidelberg Centre. The RDNS Sisters are wearing their winter uniforms of a blue/grey skivvie under a blue/grey V neck tunic style herringbone winter material dress,From the founding of the Melbourne District Nursing Society (MDNS) in 1885, known as Royal District Nursing Service (RDNS) from 1966, the rehabilitation of patients to insure they were able to live independently in their own homes was at the forefront of care given by their Trained nurses. As well as teaching and supervising the use of equipment, their Trained nurses taught them safe transfer techniques. These techniques were also taught to family members to enable them to care for their loved ones. RDNS at first held workshops given by a contracted private Physiotherapist before employing their own Physiotherapist in 1975 who taught staff the correct techniques, not only for safety of the patient, but to reduce physical strain on RDNS nursing staff and patient’s family members. When required the Physiotherapist accompanied the Sister on her visit to the patient in their home.On the left in the black and white photograph is Royal District Nursing Service (RDNS) Sister Elizabeth Francis, who has curled dark hair and is kneeling on a mat looking down at Sr. Bev. Armstrong, who has straight blonde hair and is lying on a mat on the floor with her head resting on a white pillow and her right arm resting across her body. Behind and slightly to the right of Sr. Armstrong is Sr. Daphne Geldard who has short dark curled hair. She is kneeling on the mat and looking down at Sr. Armstrong. To her right is Physiotherapist Mrs. P. Cosh, who has dark short curled hair and is wearing a check suite. She is looking at Sr. Armstrong and has her left hand resting on the out edge of Sr. Armstrong's right hand. The RDNS Sisters are wearing a light coloured skivvie under a darker V neck tunic style dress. A closed wooden door is behind the Sisters with pale walls either side. Lino tiles are on the floor either side the mat on which Sr. Armstrong lay.Barry Sutton Photographer's Stamp, Quote KY28, names of staff hand written on back of photographrdns, royal district nursing service, nurses uniforms, rdns physiotherapist, sister elizabeth francis, sister bev armstrong, sister daphne geldard, mrs p. cosh

Photograph related to no.P000041, P000045 - P000048 of P. S. Adelaide re-floating. Copyright held by Riverine Herald newspaper. Original and negatives held by Riverine Herald.. Photograph taken from the river looking south west as the Adelaide enters the water backwards, from the soil ramp . The right hand side of the photograph is in shadow so is very dark. 2 people can be seen on the deck with possibly another boat moored beside the Adelaide and a small motor boat to the left of that.A significant social and historical event in Echuca as many local community groups had committed many hours and much money to re-float the Adelaide to add it to the stocks for the development of the Port of Echuca as a major tourist attraction for the region.Black and white photograph of re-floating of the P. S. Adelaide in the river, possibly still partly on soil ramp. Deep shadows on the right prevent detail of front of the boat and much of the right hand bow. There are spectators in a small motorboat on left of the Adelaide and possibly another boat coming along the side of the Adelaide (2 people can be seen on the left hand side of the Adelaide). 2 people are on the deck of the Adelaide.p. s. adelaide, echuca,victoria,re-floating of the p. s. adelaide. riverine herald newspapers,

Theatrical clothing props for Ormond Choral Society c 1950Theatrical Societies were part of the community recreation for settlers in post World War 11 City of Moorabbin 5 pieces of clothing used by Ormond Choral Society a) 1/2 Apron in white organza with green binding and a frill, waist ties and a heart shaped pocket, ; b) Headband white cotton with rows of red stitching and elastic tie; c) pleated collar white cotton with neckband and press stud; d) small blue woolen neck scarf, triangular, e) White cotton hand knitted glovesormond theatrical society, mckinnon, bentleigh, moorabbin, reed gladys, clark judy clothing, actors, early settlers

Clothing. Made from soft lambskin, the leather appears to be finely punched all over, giving the appearance of tiny pin holes over the outer surface, but not showing through to the inside. Finely bound at the top edge, and around a 3 cm long round split at the outer wrist. The inside of the leather has a brushed finish-soft and warm. Three rows of stitching on the back of the hand, and around the wrist give a decorative effect.Inside left glove 'LAMBSKINS. Made in Italy. Inside right glove 7.costume accessories, female, honey coloured leather gloves

Short leg grey school shorts. 16 cm metal front zip. Side pockets of cotton. Coin pocket front RHS at waist. One X1.5cm grey button and button hole and centre front waist band (3 cm). Belt keepers - four across front, three across back. Hems on legs have been hand sewn. Stitching visible on outside of shorts. Worn by Phillip Ellison.Label on inside LH pocket, ''Toray 65% Tetoron polyester, 35% viscose.costume, male, grey school shorts

Hand knitted, lacey patterned baby's dress, with short, raglan sleeves, and round neck.Skirt has a lacey, fan shaped pattern of six rows (repeated), and gives a scalloped effect at the hemline. Yoke is knitted in stocking stitch, and has a 1 cm nylon ribbon passing through eyelets just above the change to the pattern. Four 1 cm diameter plastic pearl buttons fasten the back yoke.Matches jacket 11400.659.costume, children's, hand knitted baby's dress

SEPIA PHOTOGRAPH OF MATRON ADA JOHNSON IN HER NURSES UNIFORM - STARCHED COLLAR AND CUFFS. WEARING A CAP. HER HAND ON SOFA, EMBOSSED CURTAINS DRAPED AROUND.On reverse hand written in blue biro; Mrs Ada Johnson, matron of Clunes Hospital for quite a few years and during 1st World War 1914-1918 when the town was without a doctor. Her experience and knowledge was a great asset to Clunes. Retired about 1921photographs, hospital [old], matron ada johnson

This portable, hand held visual signaling lamp, with trigger mechanism and inner reflective disk, was used for optical communication via Morse code, with the concave mirror tilted to focus the light into pulse signals. Larger versions of these lamps are fixed on ships or pedestals and have shutters in front of the light that are opened and closed to transmit signals. Smaller hand held versions like the Cape Nelson example have a concave mirror that is tilted to focus the light into pulse signals, and despite their size the lamps were renowned for their brilliant light. Invented by Arthur C W Aldis (1878‐1953) and pioneered by the British navy in the late nineteenth century, they continue to be used to the present day. Details on the Cape Nelson lamp include a serial number, a date of 1960 and the initials of the Department of Transport, which at that time incorporated the Commonwealth Lighthouse Service. Another lamp of the same date which is held at Wilsons Promontory was provided to the lighthouse by the Department of Shipping for signaling ships but was also used for communicating with Cliffy Island, 18 nautical miles away. Point Hicks also has an Aldis lamp and an associated case, which is painted an army green colour. A fourth lamp and case formerly at Cape Schanck disappeared from the collection sometime between 1995 and 2003. These types of lamps are not rare in museum collections.These types of lamps are not rare in museum collections however the Cape Nelson example has a reliable provenance to the lightstation and has first level contributory significance as a fine example of the Aldis lamps that were distributed to lightstations throughout Victoria and Australia.This object is comprised of a black metal encased Aldis lamp with electrical cord and associated wooden carrying case with metal clasp and red leather hand grip. yes

Three page booklet, printed pages 1 to 3 only for updating August 1965 By-Law. Amendment with gummed portion on side of the back page (un-numbered) - used to revise fares, parcel and luggage and charter rates in August 1966, for Bendigo and Ballarat from 1/9/1966. Item was on display in cabinet of 39 until 10/2004, ex filing cabinet 1992. Five copies held. Three copies added 10/7/05. One copy has words "H. Lee" written in the top left hand corner.One copy has words "H. Lee" written in the top left hand corner.tramways, trams, secv rules, by laws, tickets, fares, ballarat, bendigo

Hand heldflags, ballarat rsl, ballarat

Two newspaper cuttings pasted onto a sheet of paper. (1) "Floral beauty and a fair admirer at the Royal Horticultural Show - Miss Jean Scott of Burnley Horticultural School, with three choice specimens of gladioli, champions in their class. Left: Emilie Aubrun variety, grown by Mr G. Swensen, Ballarat. Centre and right: Charlemagne and Sunnyside varieties, grown by Mr R. Hayes, Ballarat." (2) Hand written note: "Betty Holmes, 9/5/31. Supplement to The Argus." The caption is: "Autumn blooms - A student of the Horticultural College, Burnley, with a fine display of dahlias at the Royal Horticultural Society's show at St. Kilda."Hand written note: "Betty Holmes, 9/5/31. Supplement to The Argus." royal horticultural show, jean scott, flowers, betty holmes, gladioli, dahlias, g swensen, charlemagne gladiolus, sunnyside gladiolus, emily aubrun gladiolus, r hayes, royal horticultural society

This is a register of weddings performed at the Mission to Seafarers at the Port Melbourne site. The register names all parties involved including bride, groom, celebrant, witnesses, bride and groom's parents and addresses at the time. It also outlines previous marital status, employment details and other personal details. Historical record of marriages performed at the Mission to Seafarers commencing in 1915.Purple stamp in top left-hand corner of a flag with a flying angel. "From the Mission to Seamen Melbourne" Handwritten: Register No. 1, No. 1-11 (Dec. 7th 1915 to July 27th 1921)st nicholas chapel, port melbourne, mission to seamen, seamen's mission, mission to seafarers, marriage, register, wedding, st james, anglican church, dio-marriages, dio-archives

Yields information about the incidents/accidents that can occur on a street tramway system - collisions resulting in the rare virtual total demolition of a tram in Ballarat.Newspaper clipping from The Courier, front page, Thursday, 17 September 1970 with photo, of the collision between No. 20 and a semi trailer the previous evening in Victoria St. that wrecked No. 20. Gives quotes from eye witness, gives name of tram driver, Ian Maxwell Tierney, who jumped from tram before the collision, said the only passenger who was not injured was Miss Maree Bernadette Matthews about 17 of Reid St. Ballarat and the truck driver Ronald Frederick Cox 35 of Hickman St. was trapped in the cabin of the truck for some time. Accident happened about 7.30pm. Photo (see also item 1089 for print) shows by a white arrow where the woman was sitting. Also has a small inset photo in the top left hand corner showing a single truck tram. See Reg Item 7154 for The Age report.In upper right hand corner in blue ink circled "No. 20"trams, tramways, accidents, 20, collision, victoria st.

Green and gold shot silk dress. Hemline is edged with a binding of black velvet - one cm wide. Bodice lined with cream linen, sleeves lined with cream cotton, skirt lined with cream linen(?) or cotton(?). Long sleeves are shaped in a ""semi-circular'' shape at the elbow, and taper in at the wrist. Sleeves are trimmed with green fringing, and a flat green satin bow. Wrist is trimmed a 2cm wide band of cream cotton lace. Top of sleeve at shoulder is also trimmed with green and fringing encircling the sleeve top.High round neck is faced with a 1cm band, and a row of the cotton lace. Two bands of fringing give a rectangular "style'' effect on the front bodice, which is fastened at centre front with ten metal hooks, and nine hand stitched ''holes'' to fasten, and one hand stitched loop at the neckline. Fringing continues over the shoulder, into a 5-sided shape across the shoulder blades. Skirt has two pleats on RHS front and two on left hand side of back and a 7cm centre panel of tight pleating. Skirt extends into a train at back. An inside pocket is accessed from under a pleat in the RHS skirt.costume, female, victorian full length dress with train

A saw is a tool consisting of a tough blade, wire, or chain with a hard-toothed edge. It is used to cut through material, very often wood, though sometimes metal or stone. The cut is made by placing the toothed edge against the material and moving it forcefully forth and less vigorously back or continuously forward. This force may be applied by hand, or powered by steam, water, electricity or other power sources. An abrasive saw has a powered circular blade designed to cut through metal or ceramic. In ancient Egypt, open (unframed) saws made of copper are documented as early as the Early Dynastic Period, circa 3,100–2,686 BC. Many copper saws were found in tombs dating to the 31st century BC. Models of saws have been found in many contexts throughout Egyptian history. As the saw developed, teeth were raked to cut only on the pull stroke and set with the teeth projecting only on one side, rather than in the modern fashion with an alternating set. Saws were also made of bronze and later iron. In the Iron Age, frame saws were developed holding the thin blades in tension. The earliest known sawmill is the Roman Hierapolis sawmill from the third century AD used for cutting stone. The subject item at this time cannot be associated with an historical event, person or place, provenance is unknown, as the maker is unknown but the pattern or design and type of wood used indicate it is a tool of modern manufacture around the mid to late 20th century.Wood hand saw with wooden handle attached to saw by 4 rivets. No blade markings Noneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, handsaw, wood saw, carpenders tools, cabinet makers tools, wood cutting

This music was used by Frank Wright who had been tutored by Percy Code. Frank Wright won the Australian Open Cornet Championship using this music, and won the gold medal for the highest mark in the British Colonies. Percy Code was born in Melbourne on 03 July 1888. He started learning the violin and piano at the age of eight. Three years later his father, Edward, started tutoring him on the cornet. His first competition was in October 1902 in Ballarat's South Street Competitions. Percy Code was Musical Director of Ballarat City Brass Band from 1913 until 1921. He was Frank Wright's teacher. Code apparently lived in a large house just west of where St Peter's church (Ballarat) now stands. Percy Code toured the world as principal cornet with the 'Besses o' th' Barn Band.' He returned to Australia in 1912. Frank Wright at one stage rode his pushbike from Smeaton to Ballarat for lessons. Leaving Australia for America in March 1921 Percy Code obtained an appointment as trumpet soloist for the 70 piece San Francisco Symphony Orchestra. He returned home two years later and became bandmaster to the Prahran City Band in 1925. From 1938, as part of Australia's Sesqui Centenary celebrations, Percy Code conducted the Sydney Symphony Orchestra for the ABC orchestral concerts in Sydney Town Hall. His career with the ABC came to an end in late 1951 due to poor health. Percy Code died on 17 October 1953. From 'Legend in Brass' with additions from Bob Pattie of the Ballarat Brass Band.11071.1 Four cream pages containing handwritten title page in front, two sheet music pages inside and blank back cover. 11071.2 Eight cream pages containing front page typed title with handwritten text at top, Six pages of sheet music cream pages, with parts for piano and cornet, with black printed notes. A photograph of the composer Mr Percy Code is glued into the first page at the top left hand corner. The back cover page has advertisements for four music albums from Allan & Co. Prop. Ltd..1) Front page handwritten in blue pen and pencil. Hand written notations in pencil for cornet throughout sheet music pages. Frank Wright Smeaton 15 July 1919 in top right hand corner; Champion Bb cornet solo South Street 1919 in top left hand corner. Under title on front page: Handwritten notes in pencil giving results of competition and judge's comments. 2) Frank H. Wright Smeaton 15/7/1919 handwritten in top left hand corner. "With Compliments Percy Code 15/7/1919 written diagonally in blue pen in at right hand top.cornet, frank wright, allan & co., allans music, ballarat, south street, percy code, code, wright, sheet music, "wendouree", (romance), wendouree, romance, wendouree