‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

Article about Tony Ghosthawk a full-blood native of the Santee Sioux tribe from South Dakota who has been living at Yarrambat and touring schools and Victorian communities showcasing his native-style music, dance and culture. Photograph includes friends, Carol Bodin, Sue Nolan and Steve Stranks.Digital file only scanned by EDHS from item on loancarol bodin, pow-wow, santee sioux tribe, south dakota, steven stranks, sue nolan, tony ghosthawk

This certificate was awarded to news photographer Denis Gibbons to mark his time on USS New Jersey BB62. Gibbons spent 5 years in Vietnam, and photographed the tours of nine Australian infantry battalions for Fairfax press and United Press International. This is a non-official certificate signed by the commanding officer Edward Snyder Jnr.Paper with hard cardboard backing of under water scene-white with blue and gold writing. Banner heading in gold writing. Picture of a battleship top LHS, mermaids x2 holding a painters pallet, Anchor with chain. Emblem of battleship bottom RHS. Swordfish and sharks depicted.Battleship Brethren heading. USS New Jersey BB 62 Firepower for Freedom. Denis Gibbonsdenis gibbons, battleship brethren, march 1969, crewmember certificate, uss new jersey, gibbons, honorary certificate, us navy

Colour print of BTM W4 class tram 671 in the City of Ballarat colours on an BTM organised tour in conjunction with the Rail Tourist Association. Photographed by David Frost at the South Melbourne Beach, route 1 terminus with the Bleak House hotel in the background. Date 13-4-1996. Z3 149 is at the terminus as well.Demonstrates the work of BTM and the City of Ballarat tram.Colour photograph print on Kodak paper.btm, tram 671, w4 class, tramways, trams, tours, south melbourne beach

This collection of 10 photos was most likely taken in 1984. It’s evident in these photos the visitors were taken on a tour through the production areas of Air Survey Squadron, with Wild B8 photogrammetic plotting workstations featured in the first three photos and demonstrations of the AUTOMAP 2 production system in the following photos. The AUTOMAP 2 system was an upgrade to the AUTOMAP 1 system comprising Intergraph graphic edit workstation terminals networked to VAX 750/785 main frame computers. Unlike AUTOMAP 1, operators could display digital topographic features on monitors for editing. Successful adaptation of this system meant RASvy was at the forefront of digital mapping/cartographic systems in Australia and overseas. The system comprised Input (B8 feature extraction) Raster Scanning (digitising from compilation sheets, Graphic Edit (cartographic completion) and Plot Verification Sub Systems. CAPT Rob John was the project officer responsible for the acceptance trials and implementation of AUTOMAP 2. The system was operational from 1984 to its ‘Newheart’ upgrade in 1993. Throughout its life, the system was progressively refined with productivity gains, achieved from award winning technical development in-house by talented and innovative Army Survey Regiment personnel.This is a set of 10 photograph of a technical tour of the Army Survey Regiment at Fortuna, Bendigo, c1985. The photographs were printed on 35mm photographic proofing paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 600 dpi. .1) - Photo, black & white, c1984, unidentified visitors, CAPT Rob John, MAJ Jim Mitchell, unidentified. .2) - Photo, black & white, c1984, unidentified visitor. .3) - Photo, black & white, c1984, unidentified visitor. .4) - Photo, black & white, c1984, unidentified SGT .5) - Photo, black & white, c1984, L to R: LTCOL Jorge Gruszka, unidentified visitors. .6) - Photo, black & white, c1984, L to R: SGT George Timmins, unidentified visitors. .7) - Photo, black & white, c1984, MAJ John Charland – US Exchange Officer. .8) - Photo, black & white, c1984, L to R: unidentified visitors and personnel, MAJ John Charland – US Exchange Officer. .9) - Photo, black & white, c1984, unidentified visitors and personnel, MAJ John Charland – US Exchange Officer in background. .10) - Photo, black & white, c1984, L to R: MAJ Bob Roche, CAPT Mick Byrne in Officers Mess..1P to .10P No personnel are identifiedroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, air survey, automap

All photos relate to the collection of Francis William (Dinky) DEAN BEM, VX93960 2nd AIF, 3742 1 RAR, 1943 - 1975. Refer Cat No 124.2 for his service history. The photos are believed to be taken during 1 RAR’s 2nd tour of Korea 1954 - 56. BCFK (British Commonwealth Foce Korea)All photos are B & W. (.1) Two soldiers beside a sign holding a bottle of beer. (.2) Shows a hand painted sign on a timber boards. (.3) Same sign on a single board. (.4) An Australian and Korean soldier laying barb wire. (.5) two soldiers in winter clothes holding a box of rations. (.6) Large parade of Australian soldiers with a camp and buildings in the back ground. (.7) Group of men lining up receiving rations. (.8) Three soldiers sitting each with a tin of Golden Circle fruit or juice. (.9) Group of Officers lined up behind sand bags. (.10) Group of soldiers lined up on the ground with explosions in front of them. (.11) Australian soldier in a trench with radio equipment gear on. (.12) Five Australian soldiers on a road with a Jeep in the rear. (.13) Five soldiers silhouetted against a bush back ground. (.14) Australian soldiers in open ground firing mortars. (.15) Nine soldiers in the back of a truck, Frank Dean on the left in front. (.16) two soldiers, one being supported by the other. (.17) Three soldiers, one in white apron cutting up bread. (.18) Soldier in a trench wearing a steel helmet.All photos have on the rear stamped in purple; “Photo No, please credit to Public relations HQ BCFK” military, british common wealth force korea

Steam Rail Victoria is a Preservation Society which runs tour specials throughout Victoria. This particular train is being pulled by an R Class loco on a Yarra Glen Special. The carriages behind are Blue Harris carriages which were normally used on the electrified system. the train is approaching Surrey Hills from Chatham station.A coloured photograph of a Steam train blowing steam as it plows along pulling a number of blue carriages. There is some graffiti on the back of a building that backs onto the railway line.On back of photo: "A Yarra Glen Special / 1986 / At Surrey Hills"graffiti, surrey hills, steam trains, trains, 1986, harris carriages

Travelling entertainment has been one popular way that charities have been able to raise revenue over the past 170 years. The Royal Victorian Institute for the Blind toured regional Victoria regularly to help raise awareness, showcase their talents and fundraise to provide care and education for vision impaired men, women and children. Double sided printed ticket for a concert in the Bendigo Town Hall featuring blind artists and dancers from the Royal Institute of the Blind.Obverse; Under the Patronage of the Mayor and Mayoress (Cr, and Mrs J. A. Michelson) and / Councillors of the City of Bendigo / 30 Blind Artists !! / FIRST APPEARANCE IN BENDIGO of The Famous Orchestra and / Concert Party of Blind Artsits and Blind Children Dancers from the / ROYAL VISTORIAN INSTITUTE for the BLIND, / (ST KILDA ROAD MELBOURNE) / WILL GIVE THEIR / FIRST BENDIGO ENTERTAINMENT / IN THE BENDIGO TOWN HALL, / on TUESDAY, MARCH 22nd, 1927, at 8PM / His worship the Mayor will Preside / Tickets 2/- box plan at the Premier Piano Company from March 14th. / PROCEEDS IN AID OF INSTITUTE S.W Hedger, Superintendent and Secretarymayor and mayoress michelson, vision australia, city of bendigo town hall, city of greater bendigo community partnerships, city of greater bendigo events

Photograph shows Y1 No. 613 (with "Special" indicated on the route banner) at Preston Workshops. The tram is in a "Melbourne Tour Tram" livery. The tram also had trolley poles installed. This specially painted tram was formally launched during June 1992, but did not operate as such. See items 539, 627 and 669 for other related documents.Shows a now-preserved tram with obsolete equipment (i.e., trolley poles). This specially decorated tram was launched but did not operate as such,Colour Photograph - Y1.613 at Preston Workshopstrams, tramways, y1 class, public transport, tram 613, the melbourne tram, tourist trams

A4 ring binder with USB and final draft pages of notes and photographs prepared for 4th book on Ringwood Probus Club but never went to print prior to the club closing on Monday 17th December, 2018. Folder includes photographic record of the Probus Club of Ringwood by Ron Thorn who was inducted into the Club in 1985. The total collection of Ron's photos fell into three main groups: Club functions, tours and excursions; Activities of special interest groups; and Members, speakers and special guests.

Blue coloured document trifold: Self Guided Tour No. 3 of the White Hills Cemetery, Friends of Bendigo Cemeteries 1996 - 1997.Photo of John Gerber headstone on cover. Map of cemetery with numbered grave sites and descriptions of same. E.g. Ed Jackson, blinded in mine accident, cricketer H. Boyle arranged benefit football match Carlton versus Melbourne, 1st time for an entry charge to a football match. J.C. Murray, 200 pounds remittance man, died of indulgence of spirits.Friends of Bendigo Cemeteries In 1996bendigo, cemetery, white hills cemetery tour

BHS CollectionSeven coloured photographs of members of the BHS and friends on a 1990 trip to Canberra. Also, a typewritten page with the tour details. People in the photos are: Jean Hull, Ethel O'Brien, Fred Hibbert, Betty Thompson, Betty Nuttall, Jim and Joyce Harriet, Jane and Felicity Kingerlee, Nancy Stone, Ernie and Shirley Stone, Margaret Mahle, Mavis Hite, Ruth and John Sharpe, Trevor Houlden, Alex Stone, Muriel Maes, Cath Coulson, Ken Maes. Dudley House collection.bendigo historical society, canberra, 1990 trip

Colour photograph of the Redesdale bridge over the Campaspe River at Redesdale. The Redesdale Bridge is one of the oldest iron lattice-truss bridges in Victoria, Australia. The Redesdale Bridge is a wrought iron and timber structure with bluestone abutments, located over the Campaspe River near the town of Redesdale. Image taken from Redesdale side of bridge showing two lane design. Plaque on bridge in centre of divided road reads ' Shire of Metcalfe'. Photo taken during a BHS tour, possibly 1990's.bridge

Photo of Reso party at Alice Springs camp . / Tour of central Australia and NT Circa May 13- June 13 1947 / photos of Ant hills and termite mounds abound in the Australian outback. (Note -'Reso' appears to be 'Victorian National Resources George Pethard Collection including references to Taraxale Brewing Company Pty Ltd /hard covered 29x19mm photographic album bound with black string / black and white Photographs of Alice Springs , NT and surrounding area .Last Development).photograph, landscape, australiana, george pethard /taraxale brewing company pty ltd /victorian national resources development ')

An Poster, Information Board on 5 RAR. The 5th Battalion, Royal Australian Regiment (5 RAR) was raised at Holsworthy Barracks NSW on the 1st March 1965 It was the first of nine rotating battalions composed of half regular army and half national servicement (draftees) that were committed to active service in South Vietnam from 1966 to 1967. 5 RAR was the initail infantry element of the first Australian Task Force (1 ATF) Vietnam. the Battalion conducted two tours of duty5 rar, poster, information board, 1 atf, nui dat, phuoc tuy province, viet cong, battle of binh ba, lt col warr, lt col colin khan, military awards, wounded serviceman, r j o'neill, guerrilla warfare

Photograph album, plastic and vinyl. Contains sixty coloured photographs of a National Trust tour of Heathcote and district. 7th and 8th November, 1998. Organized for the photographic committee by McIvor Historical Society. Photos include: Redesdale Presbyterian Church, Coliban Estate, Redesdale Hotel, Redesdale Bridge, Mia Mia Uniting Church, Spring Plains, Heathcote Hospital, Heathcote Powder Magazine, Moorabbee Ruins and grave C. Patterson, Derrinal, Mt Camel Homestead, Open Cut at Heathcote, Heathcote Church.national trust, properties, historic homesteads

Yellow paper with black print. On the front cover are the words 'AUSTRALASIAN TOUR 1908-1909. Direction J.C. Williamson MADAME ADA CROSSLEY Mr. John Harrison Tenor. Mr. Hamilton Earle Baritone. M. Leon Sametini Solo Violin. Mr. Percy Grainger Solo Pianist. Accompanist Mr. Harold Whittle. Manager : Mr. H. Bracy. Syd. Day, Print.' There is also a photo of Madame Ada Crossley. On the inside is an outline of the programme. On the back cover is an advertisement for Dunlop Rubber.program, music, madam ada crossley, lydia chancellor, collection, ephemera, madam ada crossley, music, singing, event, person, individual, entertainment, female

A black and white photograph of - At Long Tan, Phuoc Tuy Province, South Vietnam, 18/08/1969, the Commander, of 1st Australian Task Force, Nui Dat, Brig C.M.I Sandy Pearson MC, is shown over the 1966 Long Tan battle field by Sgt Rankin, one of the original diggers who fought at Long Tan in 1966. Sgt Rankin was on his second tour of duty with 11 Platoon, Delta Company, 6th Battalion, The Royal Australian Regiment.photograph, 1st australian task force, brig sandy pearson, sgt rankin, d coy, 6 rar, gibbons collection catalogue, battle of long tan, long tan, 11 platoon

The Finn Koren Collection.A4 size booklet with black comb binding and plastic covers back and front. 20 pages. Details all components of the Williamstown High School Concert Band tour to New Zealnad in 1992. Itinerary, flyer, information about New Zealand, band profile, extra-curricula activities, emergency procedure, items to take,procedure for taking musical instruments on flights, items played, stage set up, instruments, students and staff list (phone numbers redacted.)Student comments inside front cover. "Fk" top right front cover. See pdf.williamstown high school, music tours, new zealand concert band tour, 1992

Photo of SEC Ballarat trams No. 42 and 11 during a photo stop in Wendouree Parade adjacent to the 1956 Olympic rings monument during the ARHS/TMSV tours prior to closure of the Ballarat Tramway system. .1 - 42 and 11 with monument in the foreground. No. 42 has a SEC briquette roof advertisement. .2 - 42 ditto with the St Therese of the Little Flower catholic church in the background. Kodak cardboard mount slide, taken by Peter Moses 21 August 1971.On the rear of the slides in black ink .1 - "N42, N11 / Ballarat/ Hamilton Ave." and "P. Moses" in the bottom left hand corner. .2 - "Ballarat / ARHS Special Hamilton Ave" and "P. Moses" in the bottom left hand corner.tramways, trams, wendouree parade, tram tour, olympics, tram 42, tram 11

Yields information about the No. 27 that was thought to have reached 1000,000 miles in Ballarat during 1968 - actually found out later to be an error - was about 900,000 miles. Decorated for an event to celebrate the occasion.3316 - Black and white photograph of No. 27 on the celebration of reaching 1,000,000 (million) miles in Ballarat. Photographed at the depot. Shows two of the banners (Reg Item 3315) . Tram has destination of Special and a SEC Briquettes roof advertisement. Photo by the Ballarat Courier. Date of Photo. 29/6/1968, taken prior to the TMSV Tour of that date. 3316.1 - ditto, print ex the Ballarat Courier - larger size. 2nd copy of print ex Charles Craig collection added 8-1-17.On rear in purple ink "Ballarat Courier, Press Photograph, Copyright" 2nd copy - as above, as well as in blue in along the base of the photograph "17-9-68 and No. 27" in Bob Lilburn's handwriting.tramways, trams, million miles, depot, banner, tmsv, tram 27

BHS CollectionDouble sided commemorative round gold medallion: - One side commemorates the re-opening in 1986 of the Central Deborah Gold Mine with image of Central Deborah Mine & Poppet Head. - Reverse side commemorates The Bendigo Talking Tram Tour with four images of Bendigo icons including Pall Mall Fountain, the Post Office, Talking Tram & Cathedral - Medallion is set into a cardboard cut-out with printed paper descriptions for each side of the medal. - Medallion is designed by Maiden Gully Medallions. memorabilia, central deborah, medallion