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Ararat Gallery TAMA
Functional object, Miso container, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981These are containers for miso. The wooden box, a product of Osaka, is lacquered in black on the outside and in bright red on the inside. The binding of split bamboo, in natural colour, gives it a sturdy look. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving -
Ararat Gallery TAMA
Functional object, Basket and sweets, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Ararat Gallery TAMA
Functional object, Container, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Ararat Gallery TAMA
Functional object, Shosho, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Ararat Gallery TAMA
Functional object, Shosho, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Ararat Gallery TAMA
Functional object, Shosho, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Ararat Gallery TAMA
Functional object, Shosho, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Eltham District Historical Society Inc
Newspaper clipping, You're all invited to a real powwow by Laeta Antonysen, Diamond Valley News, 22 July 1998, p10
Article about Tony Ghosthawk a full-blood native of the Santee Sioux tribe from South Dakota who has been living at Yarrambat and touring schools and Victorian communities showcasing his native-style music, dance and culture. Photograph includes friends, Carol Bodin, Sue Nolan and Steve Stranks.Digital file only scanned by EDHS from item on loancarol bodin, pow-wow, santee sioux tribe, south dakota, steven stranks, sue nolan, tony ghosthawk -
National Vietnam Veterans Museum (NVVM)
Certificate - Honorary Certificate USS New Jersey
This certificate was awarded to news photographer Denis Gibbons to mark his time on USS New Jersey BB62. Gibbons spent 5 years in Vietnam, and photographed the tours of nine Australian infantry battalions for Fairfax press and United Press International. This is a non-official certificate signed by the commanding officer Edward Snyder Jnr.Paper with hard cardboard backing of under water scene-white with blue and gold writing. Banner heading in gold writing. Picture of a battleship top LHS, mermaids x2 holding a painters pallet, Anchor with chain. Emblem of battleship bottom RHS. Swordfish and sharks depicted.Battleship Brethren heading. USS New Jersey BB 62 Firepower for Freedom. Denis Gibbonsdenis gibbons, battleship brethren, march 1969, crewmember certificate, uss new jersey, gibbons, honorary certificate, us navy -
Bendigo Military Museum
Photograph - PHOTOGRAPHS, 1950 - 1956
All photos relate to the collection of Francis William (Dinky) DEAN BEM, VX93960 2nd AIF, 3742 1 RAR, 1943 - 1975. Refer Cat No 124.2 for his service history. The photos are believed to be taken during 1 RAR’s 2nd tour of Korea 1954 - 56. BCFK (British Commonwealth Foce Korea)All photos are B & W. (.1) Two soldiers beside a sign holding a bottle of beer. (.2) Shows a hand painted sign on a timber boards. (.3) Same sign on a single board. (.4) An Australian and Korean soldier laying barb wire. (.5) two soldiers in winter clothes holding a box of rations. (.6) Large parade of Australian soldiers with a camp and buildings in the back ground. (.7) Group of men lining up receiving rations. (.8) Three soldiers sitting each with a tin of Golden Circle fruit or juice. (.9) Group of Officers lined up behind sand bags. (.10) Group of soldiers lined up on the ground with explosions in front of them. (.11) Australian soldier in a trench with radio equipment gear on. (.12) Five Australian soldiers on a road with a Jeep in the rear. (.13) Five soldiers silhouetted against a bush back ground. (.14) Australian soldiers in open ground firing mortars. (.15) Nine soldiers in the back of a truck, Frank Dean on the left in front. (.16) two soldiers, one being supported by the other. (.17) Three soldiers, one in white apron cutting up bread. (.18) Soldier in a trench wearing a steel helmet.All photos have on the rear stamped in purple; “Photo No, please credit to Public relations HQ BCFK” military, british common wealth force korea -
Stawell Historical Society Inc
Archive - CD/DVD, Pleasant Creek Training Centre Walk Around with Commentary
Amateur film tour with commentary of Pleasant Creek Special School. Shown buildings - verbal identification of same. School buildings already gone. Proper identification Pleasant Creek Training Centre Former Pleasant Creek Hospital site. Sometimes referred to as Pleasant Creek Special School and sometimes Pleasant Creet Training Centre.CD/DVD PCCCeducation -
Surrey Hills Historical Society Collection
Photograph, Yarra Glen Special at Surrey Hills in 1986
Steam Rail Victoria is a Preservation Society which runs tour specials throughout Victoria. This particular train is being pulled by an R Class loco on a Yarra Glen Special. The carriages behind are Blue Harris carriages which were normally used on the electrified system. the train is approaching Surrey Hills from Chatham station.A coloured photograph of a Steam train blowing steam as it plows along pulling a number of blue carriages. There is some graffiti on the back of a building that backs onto the railway line.On back of photo: "A Yarra Glen Special / 1986 / At Surrey Hills"graffiti, surrey hills, steam trains, trains, 1986, harris carriages -
City of Greater Bendigo - Civic Collection
Memorabilia - Ticket, First Bendigo Entertainment
Travelling entertainment has been one popular way that charities have been able to raise revenue over the past 170 years. The Royal Victorian Institute for the Blind toured regional Victoria regularly to help raise awareness, showcase their talents and fundraise to provide care and education for vision impaired men, women and children. Double sided printed ticket for a concert in the Bendigo Town Hall featuring blind artists and dancers from the Royal Institute of the Blind.Obverse; Under the Patronage of the Mayor and Mayoress (Cr, and Mrs J. A. Michelson) and / Councillors of the City of Bendigo / 30 Blind Artists !! / FIRST APPEARANCE IN BENDIGO of The Famous Orchestra and / Concert Party of Blind Artsits and Blind Children Dancers from the / ROYAL VISTORIAN INSTITUTE for the BLIND, / (ST KILDA ROAD MELBOURNE) / WILL GIVE THEIR / FIRST BENDIGO ENTERTAINMENT / IN THE BENDIGO TOWN HALL, / on TUESDAY, MARCH 22nd, 1927, at 8PM / His worship the Mayor will Preside / Tickets 2/- box plan at the Premier Piano Company from March 14th. / PROCEEDS IN AID OF INSTITUTE S.W Hedger, Superintendent and Secretarymayor and mayoress michelson, vision australia, city of bendigo town hall, city of greater bendigo community partnerships, city of greater bendigo events -
Melbourne Tram Museum
Photograph - Y1.613 at Preston Workshops, June 1992
Photograph shows Y1 No. 613 (with "Special" indicated on the route banner) at Preston Workshops. The tram is in a "Melbourne Tour Tram" livery. The tram also had trolley poles installed. This specially painted tram was formally launched during June 1992, but did not operate as such. See items 539, 627 and 669 for other related documents.Shows a now-preserved tram with obsolete equipment (i.e., trolley poles). This specially decorated tram was launched but did not operate as such,Colour Photograph - Y1.613 at Preston Workshopstrams, tramways, y1 class, public transport, tram 613, the melbourne tram, tourist trams -
Kiewa Valley Historical Society
Folder - Bogong High Plains and Falls Creek, 1960's and 1970's
Tourism on the Bogong High Plains developed after/during the State Electricity Commission of Victoria construction of the Kiewa Hydro Electric Scheme.With the completion of the power stations on the Bogong High plains, tourism has created a new focus and different infrastructure/lifestyle for the community.A blue folder with a collection of papers & booklets on: 1. Discovery of Bogong High Plains 1962 2. SECV Discovery of Bogong High Plains 1968 3. SECV Kiewa Hydro Electric Scheme 1911 - 1961 4. Newspaper cutting - Mt Beauty 1974 5. McKay Creek Power Station and Clover Power Station 6. Falls Creek and Mt Beauty Tourist Map & brochures 7. Bogong High Plains Tour 1973bogong high plains; falls creek; tourism; -
Federation University Historical Collection
Letter, South Street Society to Ballarat School of Mines, 1911
The Grand National Eisteddfod of Australasia, South Street Socitey was established in 1879, and incorporated in 1908. In 1911 the registered offices were located at the corner of Grenville Street and Little Bridge Streets.To letters to the Ballarat School of Mines on Grand National Eisteddfod of Australasia Letterhead (South Street Society) .1)Typed letter (Carbon) inviting the Council of the Ballarat School of Mines to a patriotic demonstration to be held at the Coliseum Ballarat on 22 June 1911 to celebrate the coronation of King George V. he letter is signed by W.D. Hill (Secretary) .2) handwritten letter requesting a tour of the Ballarat School of Mines by seven Queenslanders. The letter is signed by F. Coltman.1) written in black ink on lower right " MM 26/5/11" .2) written in red ink on top right "807"grand national eisteddfod, grand national eisteddfod of australasia, south street society, south street, f.m. coltman, coltman, w.d. hill, ballarat school of mines, coronation, george v -
Bendigo Historical Society Inc.
Document - LYDIA CHANCELLOR COLLECTION; THE GALLIPOLI STROLLERS PROGRAMME
A pink programme with the words, ' The Famous Gallipoli Strollers High Class Variety Entertainers Second Commonwealth Tour.' Under the heading is a photo of the group. Below that are the words, 'Special songs composed by Pte. Harley Cohen. 'His Photo' 'They were there! There! There!' 'Women you have nobly done your share.' Also Pte Norman Croft's famous stirring military marching song 'Australlia's Reply.' on sale during interval. Modern Print, Warnambool.' The programme is on the back of the leaflet.program, music, singing, lydia chancellor, collection, program, programme, gallipoli strollers, music, entertainment, singing -
Clunes Museum
Photograph
PHOTOGRAPHS OF OPENING OF HOSPITAL: .1 LADIES COMMITTEE - ENID STEART, MARG WICKHAM, JOYCE RUSCHOLLER .2 G QUEMARD, JIM KERRIN, .3 TOUR OF THE HOSPITAL .4 GROUP PHOTOGRAPH .5 EAMON LENEGHAN, JIM KERRIN, ROBERT CAMPBELL, MURRAY COOK, GRAHAM QUEMARD .6 BARB ADAM, MARGARET GRENFELL, JOY TORNEY .7 BILL BIRCH, M GRENFELL, B FENTON, JOAN SANDWITH, DOLLY TORNEY, ALICE FOLEY .4 BERYL FENTON, ALICE FOLEY, MAVIS CARSON, JOAN SANDWITH, AMY COOK, EDNA TOOLE,JOAN BARRY. SEATED: ENID STEART, MARG WICKHAM, JOYCE ROSCHOLLERofficial opening of hospital, new hospital -
Ballarat Tramway Museum
Newspaper, Herald Sun, "Keep the nuts on the right track", 17/04/1993 12:00:00 AM
Newspaper Clipping from the Herald Sun Weekend magazine by Keith Dunstan, 17/4/1993 discussing tram enthusiasts, Shane Moore, his W2 568, on tour with Steve Olsen as driver and Monica Campbell as conductor. Has sketches of W2 568 at Hawthorn and T class tram, along with a photo of Keith Dunstan. Discusses other trams stored at Hawthorn, such as S, V 214. See Alan Bradley's collection of newspaper Clippings for date of item.trams, tramways, melbourne, tram tours, preserved trams, hawthorn depot -
Ballarat Tramway Museum
Negative - Set of 2, Geoff Grant, 2/04/1955 12:00:00 AM
Negative No. 264 and colour print made by colour laser printer (stored in folder ) of a head on shot of No. 39 at Beach terminus Geelong, by Geoff Grant on 2/4/1955 while on an Australian Electric Traction Association tour. Scanned images - 1546i in jpg and psd formats and 1546p in jpg format.. .1 - Copy large format print from Lloyd Rogers collection via Robert Green 2/2014. Added 4-4-2019..1 - In ink in bottom left hand corner - "Eastern Beach Geelong 2-4-1955"trams, tramways, geelong, aeta, beach, tram 39 -
Ballarat Tramway Museum
Photograph - Digital image, Wal Jack, 5/04/1958 12:00:00 AM
Yields information the appearance of the SEC tramcar No. 21, and the south east corner of Sturt and Lydiard Streets in 1958 and an AETA tour.Digital image from the Wal Jack Ballarat Album of trams No. 21 turning from Lydiard St into Sturt St while on an AETA tour special, 5 April 1958. Has the AETA sign on the rear of the tram. In the background are the Commonwealth Bank, the MLC building. Includes a number of cyclists in the photograph. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negativeon rear of photo in ink, "SEC Ballarat, No. 21 as AETA Special turning into Sturt St from Lydiard St Nth, 5-4-58." in the top right hand corner is the Wal Jack stamp with number "T246" written intrams, tramways, sturt st, lydiard st, aeta, tram 21 -
Ballarat Tramway Museum
Slide - 27 mm sq slide/s, Andrew Howlett, Nos. 34 and 26 crossing at the Parked St loop in Sturt St west loop, Mar. 1969
Yields information about the Sturt St West Parker St Loop.Colour slide, Kodak white cardboard mount, developed March 1969 of Nos. 34 and 26 crossing at the Parked St loop in Sturt St west loop. No. 34 is heading for Mt Pleasant and has a Trotting at Bray Raceway auxiliary board and No. 26 running a Special. Shows how's the motor vehicle traffic had to veer out past trams. One of a series of tour photos - see Reg item 7667, 7668, 7683 and 7701.Has in red ink "Sturt St Loop"ballarat, tramways, trams, sturt st west, parker st loop, tram 26, tram 34 -
Falls Creek Historical Society
Journal - Ski-Horizon Vol 3 No 10, June 1952
Ski-Horizon is the official journal of the Federation of Victorian Ski Clubs which began publication in 1949. The were 26 original member clubs which included Albury Ski Club, Bogong Ski Club, Myrtleford Ski Club, Tallangatta and District Ski Club and Wangaratta Ski Club. Two pioneers of Falls Creek, Tom Mitchell, M.L.A., and Martin Romuld were Vice-Presidents of the Federation.This Journal is significant because it documents the early development of skiing in Victoria.The journal features stories and events chronicling developments in Victoria and internationally. Items related to the Falls Creek Area in this issue include a report about the NEDSA Trans Tasman Tour written by Tom Mitchell. The article outlined the travel arrangements which had been put in place and some of the competition venues. Toni St.Elmo was named as the Team Manager. The report ended with a poem "Ao-Te-Aroa" about Trans Tasman skiing written by Tom Mitchell.trans tasman ski tour, tom mitchell m.l.a. -
Melbourne Tram Museum
Magazine, Association of Railway Enthusiasts (ARE), "Tram Tracks - Vol 1 - No. 3 - July 1946", Jul. 1946
Magazine - five Gestener duplication sheets - titled "Tram Tracks - Vol 1 - No. 3 - July 1946" - the Journal of Association of Victorian Tramway Enthusiasts. Has notes on the PCC car, Glenhuntly depot tour, construction of the Latrobe St tram line, C class 36 "dog car", use of T class cars, W3 class trams, U206, Ballarat 16, notes from other cities, Sydney, notes on VR tramcars and details of the Association.trams, tramways, melbourne, t class, w3 class, vr trams, glenhuntly tram depot -
Melbourne Tram Museum
Document - List, "List of Opening and conversion dates - Melbourne Tramways", c1990
Six page list of opening, closing or conversion dates of Melbourne tramways including Box Hill, horse trams, Victorian Railways, cable line, tramway trusts. Page 6 has a list of the cable tramways with route mileage, route colour and years operated. Format has similarities to the "Timeline history of Melbourne's Government Cable and Electric Trams and Buses" by Barry George, Don Storey John Birch et al. Possibly produced for a tram tour.trams, tramways, mmtb, mto co, opening, melbourne -
Bendigo Military Museum
Photograph - Technical Tour of the Army Survey Regiment, Fortuna, Bendigo, c1984
This collection of 10 photos was most likely taken in 1984. It’s evident in these photos the visitors were taken on a tour through the production areas of Air Survey Squadron, with Wild B8 photogrammetic plotting workstations featured in the first three photos and demonstrations of the AUTOMAP 2 production system in the following photos. The AUTOMAP 2 system was an upgrade to the AUTOMAP 1 system comprising Intergraph graphic edit workstation terminals networked to VAX 750/785 main frame computers. Unlike AUTOMAP 1, operators could display digital topographic features on monitors for editing. Successful adaptation of this system meant RASvy was at the forefront of digital mapping/cartographic systems in Australia and overseas. The system comprised Input (B8 feature extraction) Raster Scanning (digitising from compilation sheets, Graphic Edit (cartographic completion) and Plot Verification Sub Systems. CAPT Rob John was the project officer responsible for the acceptance trials and implementation of AUTOMAP 2. The system was operational from 1984 to its ‘Newheart’ upgrade in 1993. Throughout its life, the system was progressively refined with productivity gains, achieved from award winning technical development in-house by talented and innovative Army Survey Regiment personnel.This is a set of 10 photograph of a technical tour of the Army Survey Regiment at Fortuna, Bendigo, c1985. The photographs were printed on 35mm photographic proofing paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 600 dpi. .1) - Photo, black & white, c1984, unidentified visitors, CAPT Rob John, MAJ Jim Mitchell, unidentified. .2) - Photo, black & white, c1984, unidentified visitor. .3) - Photo, black & white, c1984, unidentified visitor. .4) - Photo, black & white, c1984, unidentified SGT .5) - Photo, black & white, c1984, L to R: LTCOL Jorge Gruszka, unidentified visitors. .6) - Photo, black & white, c1984, L to R: SGT George Timmins, unidentified visitors. .7) - Photo, black & white, c1984, MAJ John Charland – US Exchange Officer. .8) - Photo, black & white, c1984, L to R: unidentified visitors and personnel, MAJ John Charland – US Exchange Officer. .9) - Photo, black & white, c1984, unidentified visitors and personnel, MAJ John Charland – US Exchange Officer in background. .10) - Photo, black & white, c1984, L to R: MAJ Bob Roche, CAPT Mick Byrne in Officers Mess..1P to .10P No personnel are identifiedroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, air survey, automap -
Eltham District Historical Society Inc
Document - Folder, Shire of Eltham Historical Society, Heritage Week, 1982-1996
Various informational material for Heritage Week themes by year along with Shire of Eltham Historical Society forms and copies of activities Includes 1989 self guided tour with map of 36 historical locations provided as part of the Shire of Eltham Historical Soiciety's activities for Heritage Week 1989 and also 1983 (recreated from display materials)eltham heritage walk, heritage week, heritage week 1989, shire of eltham historical society -
Bendigo Military Museum
Photograph - PHOTOGRAPH VIETNAM, FRAMED, est 1968
Geoffrey Charles Murray No 3411521 served approximately 12 years in the Regular Army. Served Vietnam with A Sqd 3rd Cavalry Regiment (Armoured Personnel Carriers) from 27.11.1967 to 22.10.1968. Geoff was involved during that time in the Battles of Coral and Balmoral. A second tour of Vietnam was with A section 1st Australian Topographical Survey Regiment from 15.10.1969 to 15.10.1970.Colour photo Vietnam, Tpr G Murray sitting in his APC "Miss Bendigo 22". Photo is on a green background in wooden frame. Attached label explains time and place in Vietnam.apc’s, vietnam, military -
Eltham District Historical Society Inc
Newsletter, Newsletter, No. 210 May 2013
Contents: • Next meeting, guest speaker; Samantha Westbrooke: Nillumbik Heritage Advisor • May Meeting • May Excursion – Bridgeland Park Walk • Eltham Cultural Heritage Tour 1992 by Bettina Woodburn (From Newsletter No. 85) • The Retro Eltham Show • Subscriptions • Office Bearers 2013-2014 • Harry Gilham and Mary Regan • And Also The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society -
Women's Art Register
Book - Exhibition Catalogue, Caroline Phillips, The f Word: Contemporary feminist art in Australia, 2012-2014
Publication accompanying the project, The f Word: Contemporary feminist art in Australia. Curated by Caroline Phillips, this project included multiple components: A Dinner Party: Setting the table; the Regional Feminist Art Forum, the Technopia Tours Feminist Art Bus, and two exhibitions.Publication accompanying the project, The f Word: Contemporary feminist art in Australia. Curated by Caroline Phillips, this project included multiple components: A Dinner Party: Setting the table; the Regional Feminist Art Forum, the Technopia Tours Feminist Art Bus, and two exhibitions.feminism, feminist art, melbourne, the dinner party, australia, judy chicago, west space, latrobe visual art institute, bendigo, gippsland art gallery, sale, victoria, ararat regional art gallery, ararat, technopia tours, kim donaldson, catherine bell, penny byrne, filomena coppola, kate just, jill orr, clare rae, elvis richardson, kate beynon, karen buczynski-lee, destiny deacon, laurene dietrich, eliza-jane gilchrist, janice gobey, georgia macguire, robyn massey, caroline phillips, louise saxton, inez de vega, lyndal walker, justine makdessi, the great petition, natalie thomas, laura castagnini, lyndal jones, vicki kinai, dot ket, virginia fraser, juliette peers, louise burchill, carolyn barnes, melbourne social equity institute, ebony gulliver, kalinda vary, kate robertson, stephanie alexander, kate macneill, victoria duckett, hana assafiri, victoria bennett, anne marsh, catherine deveny, danni zuvela, jon dale, marcia jane, catherine evans