Showing 2585 items
matching arm-guard
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Beechworth Honey Archive
Antique Smoker
Smokers are used to calm bees. This is done by putting some kind of fuel into the chamber (pine needles, hessian, anything that smokes a lot when it burns), lighting it, then puffing the bellows to bring forth the smoke. The smoke has a calming influence over the bees, and helps stop them from stinging. The guard around the outside is to prevent burns via contact with the hot chamber.Metal circular canister with spout and metal struts which connect the canister to bellows. Bellows are constructed from leather and wood. Object is broken; bellows and canister are not attached.smoker, bee, beekeeping, beechworth honey -
Warrnambool RSL Sub Branch
Jumper, Elegant Knitting Co, 1993
This jumper is part of a Disruptive Pattern Combat Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was used in base and field activities and was replaced in 2014 by the General Purpose Uniform as the uniform worn during general base duties and in non-warlike environments.This woolen jumper was presumably a winter addition to the DPCU.This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of previously standard issue Airforce uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating the Disruptive Pattern style of camouflage which has its roots in the 1980s and continues to be adapted into uniform design by the Defence Force.Khaki ribbed knitted jumper with stitched Disruptive Pattern cotton elbow patches, rectangular in shape running the length of the forearm. Similar rectangular shaped patches on the left and right shoulder, bearing two epaulettes, stiched at one end and fastened with velcro and the other. The left upper arm carries a rectangular Disruptive Pattern patch with a seam down the centre, creating two long narrow pockets. Arm cuffs have external seam for approximately 100 mm from the end, indicating that the jumper may have been worn with cuffs folded over. Synthetic strip of green fabric on the interior collar behind a cream coloured label.Label on interior of collar reads: “ELEGANT KNITTING CO./PENRITH, N.S.W. 1993/(047) 32 2491/8405-66-134-9381/SIZE 115cm-125cm XL (broad arrow)/SERVICE No........./NAME.........../“ Reverse of label carries a series of care instructions including “Fasten shoulder straps before/washing/ 80% Wool 20% Nylon”camouflage, general purpose uniform, airforce, uniform, australian defence force -
Flagstaff Hill Maritime Museum and Village
Equipment - Anchor, John Trotman, 1852 to early 1900s
This Trotman’s pattern stock anchor is the southernmost anchor on display at Flagstaff Hill’s Anchor Graveyard. This large Trotman design anchor was patented in 1852 by John Trotman and was widely used on merchant ships. On April 15th 2001 around midday this anchor was raised from the seabed of Lady Bay, Warrnambool, by the crew from Birdon Dredging, who had been hired to dredge the Harbour. The spokesperson Steve Walker, who worked for the firm, said that the anchor and long chain were found after the chain became tangled in the cutter blade of the dredging equipment. The anchor was lifted from the water and onto the Breakwater then a front-end loader placed it onto a truck that then delivered it to Flagstaff Hill Maritime Museum & Village. Howard Nichol, Museum Manager at the time, had estimated the anchor to be up to 130 years old. The previous Museum Manager, Peter Ronald, who was also a diver, had identified the anchor as a Trotman’s type and similar to those used on some of the major wrecks in the region. According to Nicholl, Museum staff believed it was possible that the anchor is one of two used as a mooring line that had been used to catch driving vessels and prevent ships from washing aground on the sand bar. The mooring line was shown as a dotted line on the 1890 chart of Lady Bay, approved by Lieutenant Stanley of the British Admiralty. by Lieutenant Stanley [British Admiralty]. The location of the anchor corresponds to a point on that map and the length of the chain supports that theory. “The map is quite a detailed survey of the Bay and it shows two anchors with buoys on the ends with probably about 100 yards of chain stretched between them. The ships would drop anchor and was the chain as a snag because this was a treacherous bay before the Breakwater was built and this was a way to eliminate that problem, "said Nichol. The mooring chain was put in place to catch drifting vessels during wild stormy weather. It was identified. ABOUT TROTMAN’S ANCHORS- The British Admiralty wanted an anchor design that had more holding power. The Committee of 1852 on Anchors was appointed to assess and report on the qualities of various anchors including Trotman’s anchors. Trotman’s pattern anchor received the highest score. The anchor is similar to the Admiral’s design but features arms that pivot when the anchor settles and the upper fluke moves to rest against the shank. The anchor then sits lower, which in turn greatly reduces the chances of the anchor’s chain, cable or rope getting tangled. The top of the shank has a fitting that allows a quick release of the anchor’s chain if this becomes necessary. This Trotman’s anchor is significant as a part of the maritime history of the Port of Warrnambool regardless of whether it belonged to one of the 29 ships that were stranded or wrecked in Lady Bay. The anchor is connected to the many attempts to maintain Warrnambool as a safe and manageable port, including the various plans for the construction of the Breakwater.Anchor: an iron Trotman’s pattern style with a rectangular-section shank that is wider in the middle and has a base that extends on two opposite sides in a ‘fork prong’ manner. A crescent-shaped, double-ended arm is fitted into the base of the shank with a bolt, enabling it to pivot. Each arm has a fluke in the shape of an upward palm with an attached metal plate that forms a horn at the back of the palm. A long, round-section pipe is fitted to the top of the shank at 90 degrees to the arms; one side has an elbow bend parallel to the arms, and both ends have an attached metal sphere. The pivoting ring at the top of the shank can be lifted for a quick release of the chain.flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, anchor, mooring, trotman, lady bay, breakwater, admiralty, ship equipment, stock anchor, john trotman, 1852 patent, 2001, birdon dredging, steve walker, howard nichol, peter ronald, british admiralty, lieutenant stanley, committee of 1852 on anchors -
Beechworth RSL Sub-Branch
Jacket Service Dress, 1999
The jacket is indicative of the dress jacket worn by a sailor of the rate of Naval Police Petty Office who has completed 12 years service.Jacket Double Breasted Service Dress Navy Blue with gold embroided insignia, [Naval Police Coxswain Petty Officer] on right upper arm; gold embroided rank insignia [Petty Officer] above three gold embroided chevrons indicating 12 years service on the left upper arm; shoulder flashes with gold embroided word, "Australia" on both shoulders. 8 gold button with embossed Australian Navy Emblem and the word "Australia" in parallel columns of 4. Size 111S (short fit) with 2 small gold button with embossed Australian Navy Emblem and the word "Australia" the cuff of each arm.Manufacturer's identification label on inside right breast.Manufacturers label measuring 4omm x 80mm showing company logo ADI / 1999 / arrow pointed up /NSN: 8405-66-132-2309 / Wool polyester / size 111S / matching / trouser size 101S / chest 112 / waist 102 / inside leg 78 / No / Name / Dry Clean Only / Made in Australia -
Beechworth RSL Sub-Branch
Jacket, Service Dress, Australian Defence Industries, 1990
Jacket worn by Brendan Honey when performing the duties of a Petty Officer Radio Supervisor in the Royal Australian Navy from Oct 1979 to Oct 2000Jacket Double Breasted Service Dress Navy Blue with gold embroided insignia, [Radio Operator Petty Officer] on right upper arm; gold embroided rank insignia [Petty Officer] above three gold embroided chevrons indicating 12 years service on the left upper arm; shoulder flashes with gold embroided word, "Australia" on both shoulders. 8 gold button with embossed Australian Navy Emblem and the word "Australia" in parallel columns of 4. Size 99R (Regular fit) with 2 small gold button with embossed Australian Navy Emblem and the word "Australia" the cuff of each arm.Manufacturer's identification label on inside right breast.Manufacturers label measuring 4mm x 8mm showing company logo ADA / 1990 / arrow pointed up /NSN:8405-66-132-2314 / 70% 30% Wool Poly / size 99R / match / trouser size 89R / No / Name / Dry Clean Only / Made in Australia/ owner's name written in black by a laundry marking penjacket, navy, jacket service dress, jacket petty office radio supervisor -
Orbost & District Historical Society
night gown, c. 1900 - 1930s
Made and presumably worn by Mrs McKeown (nee Ford)A full length white cotton nightgown without sleeves. It has a crocheted border in white cotton around the neckline and also making a small trim on the front upper bodice/neckline. Arm holes also have the same crochet trim. The bottom of the garment is hemmed and without any trimming.costume-female underwear -
Federation University Historical Collection
Photograph - Photograph, Black and White, Frank Wright Sails the Red Sea, 1940
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Frank Wright Sails the Red Sea. Sepia photograph of a man dressed in whites standing aboard a boat, with his left arm outstretched and holding onto the mast. The man is Frank Wright. A further two photographs shows Frank Wright in a darker suit, on what is thought to be the same deck.Frank Wright on board "Remo", Red Sea, Jan 1940frank wright, ballarat, cornet, red sea, sailing boat -
Federation University Historical Collection
Photograph - Black and White, Frank Wright at wedding, 1930-40s?
Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man dressed in a suit with a lady dressed in a long summer frock, hat and holding a large bouquet of flowers. They are standing outside the door of a bluestone church, with other people in the background. The man is holding the arm of a small flower girl. The man is Frank Wright and the occasion is a wedding.frank wright, conductor, brass band, blue stone church -
Bright & District Historical Society operating the Bright Museum
Scales, Weighing
Metal suspension scales. Very rusted. 00222.1 : Metal arm - brass 00222.2 : Forked handle - brass. 00222.3 : Larger dish - of unknown material, has a broken piece 00222.4 : Smaller dish - 0f unknown material 00222.5 : Steel fulcrum rod - Possibly manufactured by Aldo Gios.weighing scales, goldfields, chinese, buckland valley -
Bendigo Historical Society Inc.
Book - ALEC H CHISHOLM COLLECTION: BOOK ''SHAKESPEARE'S IMAGINATION'' BY EDWARD A ARMSTRONG
Book. ALEC H CHISHOLM COLLECTION. 196 page hardback book by Edward A. Armstrong on a study of the psychology of association and inspiration using Shakespeare's plays and poems. Published in 1946 by Lindsay Drummond Ltd, London and printed by Morrison and Gibb Ltd, London. Catalogue sticker ''2143 ARM'' on spineEdward A. Armstrongbooks, collections, plays, alec h chisholm collection, edward a armstrong, william shakespeare, plays -
Bendigo Historical Society Inc.
Photograph - HARRIS COLLECTION: FEMALE PHOTO, Late Ninteenth Century
16.5 cm x 10.5 cm Black & White studio portrait. Full length woman dark dress with bustle. Gloves, umbrella and floral bouquet under arm. Black choker neckband with small brooch. Printed on front 'The Oriental Gallery' 209 Bourke Street East, Melbourne.The Oriental Gallery Melbourne.photograph, person, female -
Bendigo Historical Society Inc.
Photograph - JOHN FREDERICK HARPER COLLECTION: PHOTO OF JOHN HARPER IN LODGE UNIFORM, 1988
Photograph. Coloured photograph of John Frederick Harper in Lodge Uniform. Mr Harper was born 12 Aug 1905, passed June 2006, was a Bendigo resident and watchmaker. Photrograph taken in 1988. He wears full collar, apron (royal blue 11415.4) arm/wrist decorative bands.March '88 John Frederick Harper 12-8-1905 - 6-2006. Bendigo resident, Watchmaker.photograph, person, john f.harper -
Bendigo Historical Society Inc.
Clothing - COTTON BABY'S DRESS
Cream coloured cotton baby's dress. Cut in one piece. No shoulder seams. Two side seams. Back opening with 6cm split. Fastened with one button and loop. Cap sleeves. Scoop neckline. Hand crocheted trim on neckline, arm openings and around hemline. Hand made.costume accessories, children's, baby's dress -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: ONE PAIR LADIES LONG BLACK GLOVES, 1950's
One pair of ladies black cotton mid-arm length gloves. External seams on side and fingers. 8.5 cm slit at inside wrist with two black pearl look round buttons on one side and two button holes on the other side. Three pintucks on back of hand.Label inside RH glove; ''KAYSE.. 6 1/2 Cotton Made in Engla.. Label frayed.costume accessories, female, ladies black cotton mid-arm gloves -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Bulmer H D, 1940c
Black and white photograph of aerial view of Kalimna escarpment, Princes Highway, road to Kalimna Hotel, scattering of buildings including Gainsborough House, in distance is North Arm bridge, footbridge to undeveloped Bullock Island with rock groynes in place. Part of eastern pier of entrance at Lakes Entrance, Victoria.jetties, waterways, topography, township -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Holding George, 1979
Date made April 1979Colour photograph of the Entrance, Bullock Island and Reeves Channel, taken from Jemmys Point during the King of the Straits, offshore powerboat race. It also shows the built up groynes at the entrance to the North Arm, Pecks fish processing factory seen on Bullock Island. Lakes Entrance Victoriawaterways, public works, machinery -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1925c
Two black and white copies 10 x 15 cmBlack and white photograph showing view from lake, and Cunninghame Arm, towards hummocks. Houses on dunes, Carpenter house far right. Lady Harriet barge at end of jetty, ten year old boy, Reg Schulz, in rowing boat. Vegetation on dunes. Lakes Entrance Victoriafences, houses, waterfront, recreation -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1/11/1952 12:00:00 AM
Also another black and white photograph showing property Corumbene later subdivided fronted by Carpenter Street todayBlack and white photograph of the property Corumbene at back of photograph behind tall tree. White house in foreground Basil and Joan Mitchelson's, white house closer to Corumbene home of Jack and Aileen Daniel. Land adjacent to North Arm later subdivided for residential development Lakes Entrance Victoriajetties, waterfront -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1998
Date made 2 February 1998Colour photograph of Esplanade, showing the Caltex Service Station, Cunninghame Arm Nursery with Sallys Restaurant upstairs, cypress trees on verge between road and lake, Ocean Rescue headquarters on bank of lake with rescue vessel moored at jetty, glimpse of Eastern Wharf in background. Lakes Entrance Victoriatownship, waterfront, memorials, retail trade, emergency services -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1914 c
Black and white photograph of women members of the Lee family at the family home The Hummocks on the sand dunes south shore of Cunninghame Arm. Shown are Mrs Kathryn Delahunty, Mrs Cathryn Lee nee Delahunty, Mrs Emily Carstairs nee Lee and Ina Carstairs Lakes Entrance Victoriagenealogy -
Ballarat Tramway Museum
Functional object - Finial, c1900
Finial - component that fitted into the end of a steel bracket arm - cast steel - with a rounded and shaped end and internal hexangular end and two holes to enable a screwed bolt to be fitted and hold the fitting into position. Item has been painted in red ferric colour red pain and is showing corrosion.trams, tramways, overhead, trolley wire, fittings -
Stawell Historical Society Inc
Photograph, Stawell Water Supply -- Grit Chamber Straining Station -- Coloured
Colour photograph of a brick building Grit Chamber, beside tunnel entrance on Mt William range. Part of Stawell water supply system. Building has 2 windows and one door. At the door a man is standing with one arm leaning near the door holding a hat. Roof is iron. Background shows trees. Man is Geoff Sudholtz. Building burnt down c2006 with only foundations left.buildings, water supply -
Bendigo Military Museum
Photograph - Stereoscopic Equipment – Army Survey Regiment, Fortuna, Bendigo
This is a set of six photographs of stereoscopic equipment and personnel at the Army Survey Regiment, Fortuna, Bendigo, c1950s to c1960s. The stereoscopes shown in photos .1P and .2P were used to stereoscopically view and interpret features in overlapping aerial photographs. The stereoscopic plotters shown in photos .3P and .4P were used to stereoscopically plot topographic detail from overlapping aerial photographs using a pantograph arm with pencil onto a controlled plotting sheet. The Ryker Model PL-3 Wernstedt-Mahan type stereoscopic plotter shown in photos .5P and .6P was used for precision contouring, planimetry and profiling. It was a comparatively simple stereoscopic mapping instrument designed to use ordinary contact prints of aerial photographs. It provides for plotting on a constant scale and approximate tilt correction but does not provide refinements such as correction for lens distortion. The plotter in Photo .6P does not have its pantograph arm attached. These plotters pre-date the Wild B9 and B8 stereo plotters introduced in the 1960s.This is a set of six photographs of stereoscopic equipment and personnel at the Army Survey Regiment, Fortuna, Bendigo, c1950s to c1960s. Black and white photos are on photographic paper and were scanned at 300 dpi. .1) - Photo, black & white, c1950s to c1960s, Universal Stereoscope, unidentified technician. .2) - Photo, black & white, c1950s to c1960s, Old Delft Scanning Stereoscopes, unidentified technicians. .3) - Photo, black & white, c1950s to c1960s, Unidentified stereoscopic plotters and technicians. .4) - Photo, black & white, c1950s to c1960s, Unidentified stereoscopic plotter, CPL Bill Shapcott. .5) and .6) - Photo, black & white, c1950s to c1960s, Ryker Model PL-3 stereoscopic plotter.Photo .4P is annotated on back - ‘Bill Shapcott (CPL)’royal australian survey corps, army svy regt, rasvy, army survey regiment, fortuna, asr, air survey, photogrammetry -
Kiewa Valley Historical Society
Timer Mechanical, Circa 1950
This Timing Relay is quite a large (industrial type) apparatus. The Timer is started by having a voltage of 250 volts direct current (as supplied by batteries). A DC motor then rotates driving into a clockwork mechanism, the output of which is an arm rotating at the same speed as a minute hand on a clock. Attached to this arm is a mercury switch which tips and makes an electrical circuit operate in a sequence control system. The sequences that use these timers are when starting and stopping Hydro Generators. They check that the machine has connected to the power system grid before 20 minutes duration. Brakes must go on for a set time when shutting down a generator slowing at the right speed as measured by this apparatus. These generators are powered by the hydro force of "stored" water at a higher altitude. The establishment of both the NSW and Victorian Hydro schemes was achieved from the mid 1900's to the 1960's. At this point in time the need for additional power sources to quench both an industrial and domestic demand for electricity was purely an economic and not and environmental (carbon reduction) factor. This Timing Relay apparatus is very significant to the Kiewa Valley as its use was introduced during the Kiewa Hydro Scheme. Although only a relay apparatus, it was however part of the explosion of human resources into the valley. This influx of population transformed the region from that of a basically quiet rural region to one which evolved into both an industrial and a larger residential community. This evolution in the valley created a change, not only in the "physical" landscape but also the socio-economic expansion which permitted other "tourist" based industries into the valley. This Hydro Scheme was instigated by "the Government of the day" as a bold move and was the major force behind the acceptance of World War II refugee and "technical" workforce. Inclusion of skilled and unskilled migration into the Australian environment was of a higher priority than a selective quota system of later years.. Although this mass "invasion" of workers with families was thought of in some circles as intrusive, the expansion of population post war years and its integration into the Australian rural sector, produced the multi- lingual, multi-cultural diversity of later years.sec vic kiewa hydro scheme, alternate energy supplies, alpine population growth -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Koroit War Memorial, 2015, 25/12/2015
The bulk of World War One soldiers from Koroit were Protestant. It was a traumatic and divisive time for the Koroit Community based on religion, which was put behind them after the conclusion of the war. The Koroit War Memorial was not built until 1928. HONOR AVENUE AT KOROIT. Last year one side of Albert-street, Koroit was planted with plane trees, with strong guards, in honor of the men who had gone to the front from Koroit and district. The trees were planted rather late in the season, but fortunately there were only two failures, and the remainder are now higher than the guards. This year, the committee appointed decided to do the work earlier, and the King's birthday was set apart for it. On Saturday afternoon, states our correspondent; a lot of the preliminary work was done and on Monday some 30 residents assembled and went to work and by tea time the whole of the 52 trees and the guards were finished. There are 52 trees on each side of the street planted at intervals of 15 yards so that the avenue is about 800 yards long, running from the Botanical Gardens to the Lake Bank, and in a few years, when the trees are well grown, there will the a magnificent avenue. The weather was beautiful, and during the afternoon number of ladies were present. The ladies brought baskets of good things, and afternoon tea was provided at Mr. W. J. Stevenson's residence, which is situated about mid-way in the avenue. A suggestion has been made that the name of the street should be changed to "Anzac Avenue."' (Warrnambool Standard, 6 June 1918.) The Koroit War Memorial on the edge of the Koroit Botanical Gardens.world war one, world war two, world war, koroit, koroit war memorial, koroit botanical gardens, cenotaph -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FOUR COLONIAL HORSE TROOPS
The photograph depicts four mounted troopers from the Victorian Mounted Rifles who formed part of The Body Guard of Colonial Troops for Queen Victoria's Diamond Jubilee, 1897. L-R: Mr Scott of Glenthompson, Mr Donaldson from Melbourne, Mr C. Kock of Casterton and Mr J.R. Gough of Branxholm. This photograph is a copy of an original owned by Mr Jack Gormon of Casterton, Victoria.Sepia toned photograph of four colonial era mounted troops in uniform. Details of each trooper are printed on the back of the photograph.colonial troops, victorian mounted rifles -
Bendigo Military Museum
Memorabilia - INSIGNIA, FRAMED, C. 1956 onwards
Item in the collection re MAX Jolliffe, refer Cat No 4322.3 for service/ other details.Framed gold colour metal with MDF backing, inset are two shoulder patches, "15 National Service Battalion" and "Royal Australian Signals". Centre is a Signals badge and a small crown, either side of that is cloth arm badges re "Australian Army HQ", under are two sets of Sgt's stripes.framed, memorabilia, insignia, rank, badges -
Orbost & District Historical Society
black and white photograph, mid 20th century
There is no information with this item.This is a pictorial record of local Orbost people in typical mid 20th century fashion clothing which tended to be more conservative than current fashion..A black / white photograph of three people in - a man on the left in a suit and tie; two women with hats and pearl necklaces.The woman in the middle is wearing a spotted dress and holding a white hat with a handbag over her arm. The other woman, in glasses, is wearing a plain dark dress and a more formal hat.on back - "Jack Irvine, Audrey Cameron, Elsie Norman (nee O'Brien)"irvine-jack cameron-audrey norman-elsie -
Flagstaff Hill Maritime Museum and Village
Book - Tatting craft book, Paragon Art Needlecraft Pty Ltd, Tatting Designs, circa 1940's
Tatting is a form of knotted lace making using thread and a small shuttle. Twisted threads are tied around or through small, pointed shuttles that can be made of bone, mother of pearl, tortoise shell, steel or plastic. This produces a stable, strong lace using simple knots of two half hitches to make rings and chains embellished with picots. The origins of tatting are not clear but early versions of decorative knotting were used by the Egyptians on their ceremonial dress. Tatting also has elements of fishermen's net making techniques and the decorative knotting that was practiced by aristocratic women from the 15th century. Tatting, as we know it today, emerged in the first half of the 19th century. The new availability of mercerised thread from 1835 encouraged a burgeoning of lace crafts of all sorts. It was known in Italy as "occhi" and in France as "la frivolite". It looks fragile but is both strong and durable. An article in a column named "Wives and Daughters" published in the Star newspaper in May 1910 describes the durability of tatting lace - "there is edging and insertion still in existence that have outworn two sets of pillow slips." In the 19th century and well into the 20th century, tatting was used like crochet and knitted lace for decorative edgings, collars, doylies, tray cloths etc. At first, different tatting patterns were passed along by word of mouth from person to person, however in time, patterns regularly appeared in newspapers and magazines well into the 1950's. Paragon knitting, crochet and tatting books have been distributed throughout Australia since the 1930's, originally by "Paragon Art Needlework Pty Ltd" of Sydney, N.S.W. From 1946 these books were designed and printed in Australia from patterns provided by British and Australian thread companies. Consequently these patterns may also appear in similar British and American publications. Paragon Book No. 104 is an instruction book designed for the "beginner" whilst Paragon book No. 105 is designed for the more experienced tatter. The layout of these books was typical of the 1940s period when paper was in short supply. Most of the pattern books were approximately 18 cms wide by 24 cms high and some were smaller at about 13cm by 21 cms. The type used was small (about four lines of text per centimetre) which was difficult to read. This item is an excellent example of a needle work pattern book available to women in the 1940's in Australia.A soft covered, 16 page instruction book titled "Tatting Designs". It has black and white photographs and detailed patterns for tatted doilies, a tray mat, a chairback and arm rests, a cheval set, a luncheon set, collars and edgings for an underskirt, gloves and handkerchief. It is published by Paragon Art Needlecraft of Sydney.Front cover - "Paragon's No 105" "PRICE 1/3" "Tatting Designs" "Household Linens * Personal Wear" Plus a stylized drawing of a deerflagstaff hill maritime museum and village, great ocean road, warrnambool, shipwreck coast, tatting book, tatting patterns, craft, handiwork, handcraft, needlework, shuttle -
Bendigo Historical Society Inc.
Photograph - FEMALE PORTRAIT, approx. 1880's ?
sepia photo: older lady sitting on cane chair, resting arm on table. Lady has small lace type cap on head, hair is pulled back. In left hand she has a book. Dress is dark, long sleeved, with lace type panelling on front and down top of sleeves.person, individual, female portrait