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Athletics Victoria
Badge, Les Darcy Memorial
This item is of significance because it commemorates the unveiling of a life size bronze statue of Australian middleweight boxing champion Les Darcy at Maitland, NSW. This limited edition badge was given as a memento to the sponsor's of the monument and special guests who attended the unveiling. It has historic relevance because Les Darcy was born at Stradbroke near Maitland in 1895. He died in America in 1917 age 22 and is buried in the West Maitland cemetary where hundreds of tourists make visits every year. His family home in Maitland still stands and is also a tourist attraction although privately owned. The badge depicts an image of Les Darcy in his famous boxing pose.The figure of Darcy is surrounded by a floral motif depicting the Australian coat of arms at the top and the inscription Les Darcy Memorial encircling his image. A scroll at the bottom of of the medal says; Maitland Wonder.badge, les darcy, boxiing, sport, memorial, maitland, nsw. -
Kew Historical Society Inc
Book, Thames & Hudson, Textile Designs: 200 years of patterns for printed fabrics arranged by motif, colour, period and design / [by] Meller & Elffers, 2018
Newly available in paperback, this volume remains unsurpassed as the biggest and most lavish survey of printed textiles ever published. Textile Designs presents a comprehensive selection of the colourful patterned fabrics used for clothing and interior decoration over the last 200 years. Here are the bright and hugely enjoyable materials of everyday life - the printed calicos and cottons, the flowered cretonnes and chintzes, the polka-dot silks and foulards. These are presented by motif and pattern under flye separate headings: Floral, Geometric, Conversational, Ethnic, and Art Movements and Period Styles, and illustrated in nearly 2,000 colour reproductions. Textile Designs is not only indispensable to professionals in the fashion and decoration fields everywhere, but will also be an inspiration to designers in the graphic and visual arts, a reference book for collectors and a delight for aesthetes everywhere.464 p. : col. ill. ; 30 cm. Published London : Thames and Hudson, 2002.non-fictionNewly available in paperback, this volume remains unsurpassed as the biggest and most lavish survey of printed textiles ever published. Textile Designs presents a comprehensive selection of the colourful patterned fabrics used for clothing and interior decoration over the last 200 years. Here are the bright and hugely enjoyable materials of everyday life - the printed calicos and cottons, the flowered cretonnes and chintzes, the polka-dot silks and foulards. These are presented by motif and pattern under flye separate headings: Floral, Geometric, Conversational, Ethnic, and Art Movements and Period Styles, and illustrated in nearly 2,000 colour reproductions. Textile Designs is not only indispensable to professionals in the fashion and decoration fields everywhere, but will also be an inspiration to designers in the graphic and visual arts, a reference book for collectors and a delight for aesthetes everywhere.textiles - history, textile design -- themes -
Kew Historical Society Inc
Clothing - Silk Georgette, Floral Chiffon & Velvet Dress, c. 1926-28
An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Cocktail dress of an overall muted pink colour, with an outer layer of multi-coloured pink silk georgette patterned all over with small flowers. Below the waist the georgette is formed into separate hemmed floating panels. Pink velvet is used on the square neckline and on the cuffs of the sleeves. The same velvet fabric is used in the separate pink velvet headband with feathers. edith mary weir (nee betteridge), illapa -- 84 princess street -- kew (vic.), women's clothing, weir collection, dresses, fashion -- 1920s -
Kew Historical Society Inc
Headwear - Pale Green Silk & Gauze Floral Hat, Harbig, 1950s
The firm of Harbig was a Melbourne millinery company owned by Mr and Mrs Richard Ernest Harbig. In 1949, an article in the West Australian newspaper reported their return from the United States. It records that: 'FEATHERS SYDNEY, Sept. 14: Mr. and Mr. Richard Harbig, Melbourne milliners who reached Sydney by air tonight from America, gave these details of hat trends for next winter. Shapes: Head-hugging cloches to suit short hair, cut away at the back to clear high collars, and built up and out at the front to give height. Materals: Felts, velours, velvets, and a new long-haired fur fabric called flamond. Colours: Muted pastels, few jewel shades, and no vivid colours. Trimmings: Little veiling, "but feathers and feathers and feathers".'The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Pale green woman’s hat created by Harbig of Melbourne with a large border of flowers and leaves in shades of green. The crown of the hat is swathed with pale green silk gauze.Label: Harbig. Melbourne, New York, Parismilliners -- harbig, women's clothing -- hats, floral hats -
Kew Historical Society Inc
Headwear - Multicoloured Silk Floral Hat, R & M Dower, 1960s
R&M Dower was a major millinery partnership located at 146 High Street, Kew in the 1940s and 1950s. Examples of this millinery firm's hats are in other major public collections, including the National Gallery of Victoria.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Small brimless woman’s hat retailed by R & M Dower of High Street, Kew. The structure of the hat is made of stiffened net, covered with multicoloured flowers, leaves and a purple ribbon.Label: R & M Dower, 146 High St., Kew. Phone WM 8527.r & m dower, milliners -- kew (vic.), women's clothing -- hats, headwear -
Kew Historical Society Inc
Headwear - Ivory Silk Floral Hat, Harbig, 1950s
The firm of Harbig was a Melbourne millinery company owned by Mr and Mrs Richard Ernest Harbig. In 1949, an article in the West Australian newspaper reported their return from the United States. It records that: 'FEATHERS SYDNEY, Sept. 14: Mr. and Mr. Richard Harbig, Melbourne milliners who reached Sydney by air tonight from America, gave these details of hat trends for next winter. Shapes: Head-hugging cloches to suit short hair, cut away at the back to clear high collars, and built up and out at the front to give height. Materals: Felts, velours, velvets, and a new long-haired fur fabric called flamond. Colours: Muted pastels, few jewel shades, and no vivid colours. Trimmings: Little veiling, "but feathers and feathers and feathers".'The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Rounded hat covered with ivory coloured silk, simulated flowers attached to a stiffened net. Label: Harbigmilliners -- melbourne (vic.) -- harbig, women's clothing -- hats, headwear -
Kew Historical Society Inc
Headwear - Cream Silk Floral Hat, Erik London [C&G Kobenhaven], 'Cezanne', 1950s
Erik of London was an internationally significant milliner. He was a recognised authority on fashion, frequently quoted in the Australian press of the day. A number of his models are illustrated in Australian newspapers. It was not unusual for him to glamorise his hats with French names. A model 'Carmen' was launched in 1952.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Ivory coloured woman’s hat bordered and almost completely covered with abstract floppy flowers of the same colour. Beside the label on the brim is the handwritten word ‘Cezanne’ which is presumably the name of the model.Label: Erik London. C & G Kobenhavenerik london, c & g kobenhaven, milliners -- london, women's clothing -- hats -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Annual Floral Carpets, Begonia Festival, Ballarat Begonia Festival, Victoria
john garner collection, ballarat botanical gardens, gardens, ballarat, floral carpet, begonia festival -
Friends of Ballarat Botanical Gardens History Group
Photograph - Digital image - jpg, The Morey Gates, Ballarat Botanical Gardens
Colour photographmorey gates, ballarat botanical gardens, cuthbert house, floral and landscape gardening -
Friends of Ballarat Botanical Gardens History Group
Work on paper - A Glowing Reference, John LINGHAM, letter from Council, City of Ballaarat, 1909, 5th March 1909
John Lingham was employed by the City of Ballaarat Council, in the Botanical Gardens, for over 30 years.John Lingham was a Curator of the Ballarat Botanic Gardens who worked with Guilfoyle and was a highly regarded consultant about other public gardens in Victoria. City of Ballarat logo, typed in the form of reference, signed by the Mayor and City Clerk with some dark shading left hand side.City of Ballarat seal in lower left hand corner.john garner collection, garner, dr, lingham, 1909, city of ballaarat, ballarat botanical gardens, ballarat, gardens, john lingham, floral and landscape gardening -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - [Floral Allegory ?], Ferry Korwill
Mixed media on paper -
Ballarat Tramway Museum
Photograph - Digital image Set of 23, Warren Doubleday, 24/02/2019 12:00:00 AM
Set of 23 digital images of the formal launch of the Flower Tram, No. 661 on Sunday 24/2/2019. .01 - Depot .02 .05 Depot Junction .06 - The Mayor Samantha McIntosh .07 - .10 - The Mayor and Pam Waugh the creator of the flowers. .11 - .14 - The event with plenty of flowers. .15 - Peter Waugh in the selfie studio .16 - .18 - Gardens Loop .19 - Peter Winspur in the selfie Studio .20 - depot loop .21 - Depot .22 and ,23 - detail photostrams, tramways, floral tram, depot junction, btm, events, launch, tram 661 -
Hymettus Cottage & Garden Ballarat
Magazine, Australian Horticulture, 1991
Journal of the Australian Horticultural Industry for November - December 1991 front cover image of Michael Taffe (III) in the garden at Hymettus Ballarat. Feature article on the restoration of Hymettus Historic Garden Ballarat by Nancy Brewer.hymettus, historic garden ballarat, horticulture, magazine, hournal, nancy brewer.gardening, floral. -
Alfred Hospital Nurses League - Nursing Archive
Functional object - Floral laundry bag, Gwen Bryant, Laundry bag, 1969
Laundry bags were a requirement for all Alfred nurses to use for uniforms to go in the laundry box for cleaninghistorical significancebag made from cotton, brown with white and orange daisy print. White tape as a drawstringCash's name tag sewn bottom right hand corner white with black letters "A.L.Bryant"ahnl, nurses' homes, laundry box, nurse uniforms, rmh central linen service -
Hymettus Cottage & Garden Ballarat
Domestic object - tea set
Remnant Staffordshire porcelain tea set consisting of milk jug, cup, saucers and plates from a tea set presented as a wedding present to Julia Berkery and Michael Taffe at Bungaree in 1893.Unmarked Staffordshire tea set typical of small wedding present for the working classes in the 1890s. This example although a remnant and damaged has a good provenance and remains in the family home with other family wedding presents.Gilder's mark on base of each piece.jug, floral decoration,, bungaree, cup saucer & plate, staffordshire, wedding gift, taffe, present, tea set