S. S. Mariposa Souvenir Passenger List. Sailing from Los Angeles Harbor, 10 P.M., March 29, 1938. Lists the names of the crew and First Class Passengers including Mr. R. H. S. Abbott. Front of the Passenger List has a circle on the front with the route from Los Angeles to Melbourne. In the centre of the circle and extending above it is an island girl dancing. The bottom part is coloured brown with white floral pattern and Passenger List on a reddish background.sciences, bill ashman collection - correspondence, s s mariposa souvenir passenger list, the oceanic steamship company, r h s abbott

Sheet with the four side labels for a packet of tea. The first is printed in gold and dark blue and refers to the tea. The second and fourth are the same with Lynn's All Gold Tea in white with a gold border on a dark blue background. Floral decoration each side of Tea. Has gold border. The third has the name, D. J. Lynn & Co. Penola. Phone 20 and the weight. Printed in dark blue with gold and dark blue border. The gold border has a flower in each corner.business, printers, cambridge press, cambridge press collection, d j lynn & co

The Norman Oliver collection. Norman Oliver was three times Mayor of Bendigo - 1950-51, 1964-65, 1970-71. Twenty-one pages of typed notes with the date 11 Apr 1951 stamped in the left hand margin. There are two pages with the number 6. In the format of his weekly talks on 3BO 'The mayor speaks'. Topics include : letters received, the Library Board, the Sewerage Authority, the Ballet, the visit of Rev Semmens of the Methodist Church, the Anglican Mission Exhibition, and the Floral Festival.bendigo, council, speech notes, norman joseph oliver , councillor norman oliver. 3bo ' the mayor speaks'. mayor

White, tri-fold card with pattern cut edges. The top fold has pink, wild rose flowers over an irregular edge rectangle with a floral & crazed pattern on it. Between the rectangle & the edge are some scattered flowers. The bottom edge is cut along the edges of the petals. The lower fold has the rectangle on it with the scattered flowers & some pink petals. It has Greetings printed in gold in the bottom left corner. The bottom fold opens down & the top fold opens up.person, greeting cards, malone collection, malone collection, greeting cards

A pair of scales or dishes in which objects to be weighed and the weights / masses against which to weigh them are placed is an "Apparatus for weighing. The pan, or each of the pans, of a balance." These common kitchen / dairy scales would be used by the householder to weigh flour, sugar, cereal, vegetables, fruit, meats, butter, cheese etc. prior to cooking or storing . c1900 A set of steel weighing scales with a balance beam that holds 1 large metal dish for the item to be weighed and a smaller tray holding the weights. The object/ substance to be weighed is placed in 1 dish and the weights are added to the other dish until the two dishes balance equally on the beam. The base , balance beam and tray are decorated with a floral pattern Its parts include a fulcrum, a beam that balances on it, two pans at the ends of the beam to hold the materials to be weighed, and counter-balancing weights.Each weight is engraved with Imperial Measure = 2lb, 1lb, 6ozmarket gardeners, early settlers, fruit vegetables, farmers, cooking, recipes, scales, weights, measures, brass, balance beam, moorabbin, cheltenham, bentleigh, kitchen scales, dairy products, cereals, wheat flour, .

Part of the collection purchased by the City of Portland from Kurtze's museum. Brendon Kurtze believed it was from the 'Constant', but the wreck was later proven to be the 'Regia' by V.A.S.Wooden painted figurehead believed to be from the barque 'Regia' (built 1835). Painted white female with floral wreath in hair, holding a scroll in both hands, sash over right shoulder, diamond-shaped object on ribbon around neck, beaded necklace, dress with puffed short sleeves, bare arms, hair set in curls and a bun on the back of head. Figurehead is torso only. Inspection suggests that it has been cut from the wreck or from the rest of the figurehead's body.Front: (no inscriptions) Back: (no inscriptions)

This men's grooming set of personal care equipment and toiletries is an example of items packaged in attractive cases and sold as gifts in Australian chemist outlets and department stores in the 1920s to 1940s. This set was originally packaged in a leather-covered, lined and fitted case, with a comb, hair brush, and razor included as well. as the items shown here. The razor, once included with the set, had the inscription "T.R. Cadman and Sons, Sheffield England". The family business began with Luke Cadman in 1748. Thomas Radley Cadmen (1833 - 1917) took over the business in 1871, by which time it was operating in Sheffield. The business became incorporated as T.R. Cadman & Sons in 1924 but shortly afterwards the straight razors manufactured by them were stamped T.R. Cadman & Sons Ltd. The company specialised in pocket knives and razors from 1933 and supplied the British Royal Navy with razors in WWII. Over 80 per cent of sales were for the overseas market including Australia. Some of their razors were sold in stores in Victoria. The business traded in 1965. This grooming set was donated for exhibit in Flagstaff Hill Maritime Museum and Village's exhibit of the vessel 'Reginald M', a two-masted coastal trading ketch built in Port Adelaide in 1922. These items are examples of personal objects sold in Victoria in the 1920s as gifts for men, cased or packaged for special occasions and sold in retail stores. The items are associated with the historic coastal trading ketch 'Reginald M', listed on the Australian Register of Historic Vessels; and active from 1922 until 1975. The items were displayed in the Master's Quarters of the Reginald M exhibit at Flagstaff Hill Maritime Museum and Village until 2016 when the ship was decommissioned from Flagstaff Hill's fleet.Men's grooming set; metal soap container with star decoration, oval soap cake, oval hand mirror in a black frame ten-sided clear glass cologne bottle with silver metal lid, yellow bristle clothes brush with brown wooden hand grip, yellow bristle shaving brush with black base and white body, and two button hooks with white handles; the larger one has floral motifs. Inscriptions were on the razor originally included in the grooming set.Soap container once had star motifs.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, grooming set, men's grooming set, personal grooming, toiletry set, personal care, soap box, soap container, cologne bottle, clothes brush, shaving brush, button hook, hand mirror, personal efects, toiletries, t.r. cadman & sons, reginald m, soap dish

Made by Mrs Sayer in 1980 at Deniliqiun TAFE "Garment Assembly" course which was 2 years long. A popular course which was common in those days, Mrs Sayer was always crafty but not good at the other subjects. She wore this hat with the full ensemble also containing a dress and wool coat from 1980 - 2014.Small brim women's sunhat. Sandy brown in colour. Floral ribbon tied around the hat just on top of the brim which is secured with a green pin on right side of hat. On the front there is a small gold ANZAC badge that reads "Lest We Forget". On the left hand side there is a brown brooch with feathers attached, and the back of the hat features another brooch, which is round in shape and features 6 jewels with one large jewel in the middle. The inside of the hat is lined with orange fabric.On badge - Lest We Forgetclothing, women, fashion, hat

Part of the Running Stitch collection. Given to "Running Stitch" c1995 by the Korrumburra Art GalleryLarge wagga made from fabric pieces which have been hand stitched together and lined with jute wheat bags. Fabric pieces are roughly rectangular and of various sizes. They are made from cut-down cotton knit garments (green and pink), a pink cotton fabric with floral print and various woollen garment pieces and their linings. Pieces are roughly over stitched together with various woollen threads. Back of the wagga is similarly constructed but with cotton and silk fabrics, both printed and plain.handicrafts quilting quilting - history, running stitch collection, running stitch group, handicrafts, quilting, quilting - history

Two member badges from the The Returned Sailors, Soldiers Imperial League of Australia (RSSILA). The number 68 on the front could be 1968 as it is detachable and could be updated each year. The badge with 1921 could be the year of membership. The member number is engraved on the rear. The shield design is symbolic of the protection provided to those who wear it. Within the badge, red represents the blood ties of war that exist between comrades; white stands for the purity of the motives in joining the league – to render service without personal gain or ambition; and blue indicates a willingness to serve a comrade anywhere under the blue sky. The wattle represents Australia, with the leek, the rose, the thistle and the shamrock standing for Wales, England, Scotland and Ireland respectively. The RSSILA was the precursor to the Returned Services League (RSL) and provided support for returned servicemen after World War One. Worn by members of the Returned Sailors, Soldiers Imperial League of Australia, those eligible being members of all services, both wars, including nurses, who have returned from active service outside Australia. These were with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving in Portsea in 1920. His full war record is available from the National Archives of Australia (B2455, MCLEAN JBM).The RSSILA was an important organisation for ex-servicemen and many Legatees would have been members.Enamel badges from the R.S.S.I.L.A. The centre of the badge shows a sailor and a soldier in raised detail. A blue enamel circle surrounds the central detail and has 'RETURNED SAILORS & SOLDIERS / IMPERIAL LEAGUE' in gilt lettering. The outer edges of the badge are white enamel with a floral spray to the top left and right of the blue circle. At the bottom of the badge is a red enamelled scroll with 'AUSTRALIA' written in gilt lettering. On the reverse of the badge are soldered two brass lugs with a split pin attached for securing the badge to clothing. 01124.1 Front has '68' and 'Returned Sailors and Soldiers Imperial League of Australia'. On the reverse 'V92210 Badge remains the property of League'. 01124.2 Front has '1921' and 'Returned Sailors and Soldiers Imperial League of Australia'. On the reverse 'R 3871' and 'C.C Roeszler and Son Pty Ltd Melb.'world war one, rssila

Simple day dress constructed from feedsack cotton fabric: Short, puffed sleeves, small opening with slight V neck and pointed collar. Centre front fold with red plastic buttons - the originals were missing but these are period correct replacements that match the red plastic buckle. Two front pockets on the bodice shaped like flower pots. No openings, pops over your head. Self-covered belt has a different material underneath: a smaller blue and white floral print. None

B&W photo of a group of adults and children having morning tea during hay carting on the Hermon farm. There are five men, one woman wearing a floral summer dress, and five children.They are sitting beside a corrugated iron shed with a large water tank behind it. A piece of guttering from the shed feeds into a broad piece of sheeting and then into the tank. Beyond the group is a truck laden with hay. The driver's door is ajar. Hills are visible in the background. Dated c.1950s.

A Rawlings, Earl Buchholz Signature tennis racquet, with ribbon whipping around shoulders and shaft, and leather handle grip with floral perforations. Rawlings logo features across base of head. Model name features across throat. Inscription: FIBRE/FUSED features across shaft. Rawlings 'R' trademark features on lower shaft, and plastic butt cover. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Ribbon, Adhesive tape, Enamel, Leather, Rubbertennis

A Snauwaert Orion tennis racquet, with string whipping around shoulders and shaft, diagonal nylon stringing, and leather handle grip with floral perforations. Model name features across base of head, flanked by starburst devices. Diagonal grid design features on throat. Snauwaert logo features along shaft, with 'S' trademark in globe device below. 'S&D' trademark features on butt cover. Materials: Wood, Nylon, Leather, Ink, Glue, Lacquer, Metal, String, Enamel, Adhesive tapetennis

A Dunlop Lewis Hoad tennis racquet, with ribbon whipping around shoulders and shaft, and leather handle grip with floral perforations. Dunlop logo features across base of head. On obverse, a full-body action illustration decal of Hoad features on throat, and Lewis Hoad signature reproduction across shaft. Dynamic 'D' trademark features on black plastic butt cover. Materials: Wood, Nylon, Ink, Leather, Glue, Lacquer, Metal, Enamel, Adhesive tape, Plastic, Ribbontennis

In the mid 1990s, Australian actor, Val Jellay, was the special guest at an Arthritis Foundation of Victoria Volunteers' Luncheon. Promoting her autobiography, Stagestruck, at the luncheon, the actor donated any profits made from the sale of her book at the event to the Foundation. This photo depicts Val Jellay entertaining guests at the luncheon.Colour photo of a woman speaking into a microphone on a stand. She is standing behind a long rectangular table. There are several copies of a book stacked up on the table or on a display rack. Behind the woman, to the left of the frame, there is a large box, a large unidentified item, a tall wooden lectern, and a red fabric cover over an upright piano on the stage. Beside the piano, there is a floral bouquet in a tall vase and a small fire extinguisher affixed to the wall. There are colourful balloons in red, yellow, blue, and green hanging from the ceiling.arthritis foundation of victoria, afv, volunteers luncheon, val jellay, australian actor, author, special guest, fundraising, fundraiser, book sales, autobiography, stagestruck, donation, c1990s

Clothing. Beautiful deep cream silk bodice, fully lined with cream tulle/net. Elbow length sleeves have a semi-circle of embroidered silk, and an embroidered tulle ''flounce'', edged with cream cord - 17 cms long. The bodice has seven pin-tucks, angled from the shoulder to the waistline on each side of the front and back. Between the pin-tucks at centre front panel is an extensive cream silk, floral embroidery. A rounded neckline at front and back, is in-filled with embroidered tulle - small 1 cm diameter flowers, in a 3 cm diameter circle, defined by 12 small (3mm) embroidered circles. The tulle infill extends to a 7 cm high stand-up collar-supported by seven plastic ''bones''. The collar also features the same, circular, floral embroidery, and is also edged at the throat with cream cording. The bodice while in good condition, has been cut at the hemline, and a 10.5 cm strip of fabric has been added but unfinished. 18 metal hooks, and hand-stitched loops fasten the back of the bodice. Sleeves are an extension of the bodice.costume, female, cream silk and tulle bodice

2301.01 - Flyer Sunshine Orchid|2301.02 - Newspaper Article An orchid from the rare side of the tracks|2301.03 - Extract from Victoria Nature Volume 81 The Easten Australian Orchid Diuris punctata|2301.04 - Flyer Sunshines Own Orchid by John Willaton|2301.05 - Typed Notes The Sunshine Orchid - Sunshine's own floral emblem|2301.06 - Color photo Sunshine Orchid Diuris punctata|2301.07 - Handwritten Letter 23 August 1984 Keilor Plains Group letter about the protection of the the Sunshine Orchid|2301.08 - Typed Letter Brimbank Letter 24 September 1984 Response to Handwritten Letter|2301.09 - The Sunshine Orchid Diuris punctatasunshine orchid diuris club, diuris, punctata

Annual report of the Association for the Advancement of the Blind outlined activities and events over the year, including continued support through donations despite abnormal conditions caused by the war, less attendances at Country Concert Party events however it remains in a sound financial position, a bequest of 200 pounds was received from Jean Bickford for the purpose of accommodating blinded soldiers at Brighton, the work of the Association has largely been limited in area however with the Secretary's visit to both Bendigo and Ballarat it is hoped that more is possible, a new trade of plaiting bark to make small floral baskets has been added, a near miss was incurred at the 'Re-union' at Woodburn after the hot afternoon helped generate a violent tornado which fortunately missed the Home but created havoc a few hundred metres away, and the loss of several members and supporters, including Mr Young who was killed in a tram accident and Mrs G W Paterson, who along with her husband W Paterson, an active supporter of the Home.1 volume of printed material with some illustrationsassociation for the advancement of the blind, annual reports

From 1934 until the 1960s Elsie Henderson worked at the Association for the Blind as a home visitor for women who were blind or vision impaired. Blind herself, Ms Henderson had 300 women on her visitation list and would visit three to four women daily. In the 1950s Elsie began to make visits to people who were blind or vision impaired in Geelong and surrounds, providing our first services in the region. During a visit Elsie would talk to her clients, offering her assistance and training in daily living skills whilst her guide would note conditions in the house and help with any necessary housework. Sadly Elsie passed away in 1976, but her contribution to people who are blind or vision impaired continues to be an inspiration for all. In this portrait, she wears a mid-blue jacket with a floral shirt, pearl necklace and her MBE attached to her jacket. This painting hung in the former Kooyong Day Centre until it was demolished in 1999.1 art original in frameelsie henderson, association for the blind

This broderie perse' wall hanging was donated to the Kew Historical Society in 1980 by Mrs Joy Ivory. The hanging had belonged to her mother - Amy Grigg - and was used by the latter to demonstrate skills in darning (the red stitching). Provenance includes a certificate dating from 1889 which records an award to Amy Grigg of Pakington Street (Kew) for skills in needlework, issued by the Kew Floral Industrial & Art Society. Amy Grigg later married Albert Watson, the son of John Watson. The latter was an early pastor of the Kew Methodist Church in Highbury Grove, Kew. Both the Watson and Grigg families were early pioneers of Kew. While the hanging was modified by Amy Grigg in 1889, the original textile dates from an earlier period when 'Broderie Perse' (Persian embroidery) was used to create quilts and wall hangings. It is estimated that the hanging dates from the first half of the 19th century. An exact dating will require a detailed examination of the cotton chintz fabrics used to embroider the hanging. This appliquéd wall hanging is one of the earliest textiles in the Kew Historical Society's fashion & textiles collection. Similar examples are held in major international collections such as the Victoria & Albert Museum. This example of broderie perse is significant for the cross-cultural influence of Indian textiles on European taste, not unusual given the English foothold in India during this period. Additional interest is due to the mixing of Indian and European textiles in the design, while staying true to the derivation of the design. The textile is both well-provenanced and rare. While it is unlikely to be Australian-made, it is probably an example of a textile brought to Australia during the colonial period that indicates a desire to decorate interiors using items created in and for the English home. On another level, the wall hanging is a fine example of 'women's work' in the first half of the nineteenth century.Small wall hanging, comprised of five panels that are each appliquéd by hand in herringbone stitch using a range of decorative figurative motifs including flora and fauna. The design is based on an Indian palimpore representing a tree of life design. The base textile is a cream linen while the appliquéd figures or shapes are cut from cotton chintz. These additions are probably a mix of Indian and European designs. The quality of the herringbone stitching is very fine. Later stitching in red wool was added in the 1890s to demonstrate skill in darning. The main panel is bordered by a narrow green and ecru braid. It has a narrow tan braid at the top and bottom of the two side panels. A surrounding tan braid around the entire textile is missing in some places. textiles, applique, broderie perse, amy grigg, wall hangings, migration

For welcome and presentations to St Kilda's (1914) ANZACs on 4 December 1918. The event is described by John Butler Cooper in 'The History of St Kilda' (pp 263-264) as follows: 'On Wednesday evening, December 4, 1918, seventy Anzacs of St. Kilda who had returned were welcomed by the St. Kilda Patriotic Committee at the City Hall. The hall was decorated with an immense bouquet of red, white and blue flowers, depending from the centre of the ceiling, with floral and electric festoons leading therefrom. Anzacs shields in laurel wreaths and flags were displayed along the balcony of the hall. Over the stage the word "Anzacs," outlined by electric lights, was surmounted with the words "Patriotic Committee of St. Kilda heartily Welcomes You." As the returned soldiers marched into the hall, they were received with cheers, and an electric button being touched, the word "Welcome" flashed in light caught their eyes. The Mayor presented the 1914 soldiers with gold enamelled medals, bearing the arms of St. Kilda.' White paper, single sheet folded, printed on 3 pages in blue.wwi, world war i, st kilda patriotic committee, citizens welcome to anzacs

Used by lightkeeping families. The twenty shards of crockery represent tableware from the nineteenth and early twentieth centuries. The pieces were recovered from a rubbish dump in the grounds used by previous lightstation residents. They include blue and white transfer-printed tableware in the ubiquitous ‘Willow’ pattern as well as floral designs with distinctively British flowers, both of which remained in constant production by all the major Staffordshire companies and were hugely popular with the Australian market. Other pieces in the collection include part of a plate with a distinctive red and yellow border, a small Chinoiserie jug probably dating from the late nineteenth or early twentieth century, and fragments of heavier, more utilitarian white ceramic ware. A few of the shards are printed with trademarks or other insignia, and closer examination of these marks as well as the patterns should be able to yield information on their date and manufacturer. Most if not all the fragments are from affordable, everyday wares that were common in lower income homes. Numerous ceramic fragments are also held in the Cape Otway Lightstation collection.Domestic crockery fragments x 20. Some have been burnt.

The needlepoint technique of Berlin work received its name from the German worsted wool that is an essential component in producing these pieces. Also referred to as canvas work, this form of pictorial embroidery became a craze during the mid-nineteenth century. Practiced by women of all ages, it consists of carefully arranged compositions with biblical, pastoral, or romantic scenes, floral arrangements, animals, and other pattern variations, which were largely distributed by German publishers. The tent stitch and cross-stitch were fundamental to these designs as canvas work patterns required the majority of the ground fabric to be covered with embroidery thread. https://raynhamhallmuseum.org/thehomeneedle/the-berlin-wool-work-craze/ Apart from framed pictures, Berlin work was seen as a way to adorn everyday objects and can be found in sewing tools, upholstered furniture and articles of dress, represented here by a pair of men’s slippers. Moreover, the practice of beadwork could be adapted to canvas work patterns by using one bead for every painted square, augmenting the ornamental quality of this type of craft.Berlin work (wool) picture of a bouquet of flowers in soft pinks, creams, fawns etc. on a background of dark cream felt or suede-like fabric.embroidery, picture, berlin work, wool

Victorian-era Ottoman Turkish capes from the 19th century are characterized by their luxurious materials, such as felted wool, velvet, or silk, and intensive hand-embroidered gold bullion thread (known as "Dival" or couched embroidery). These capes, which were often worn by urban elites, frequently feature high collars, short lengths designed to cover the arms, and intricate floral or paisley patterns. Key Characteristics & Design (19th Century): Fabric & Color: Deep black, red, cream, green, or blue "doeskin" wool or silk satin is common, often lined with bright silk. Goldwork: The defining feature is the lavish use of gold metallic couching stitches and gold bullion thread. Structure: Often high-collared, short-length shoulder capes, sometimes closed with a single ball and loop fastening at the neck. Origin: These were typically high-fashion items worn in large urban centres like Istanbul and İzmir during the late 19th century, influencing and being influenced by Western fashion trends. Black wool cape with stand-up collar. Interfaced, but lining missing. Heavily embroidered with gold metal thread. 0.8 mm gold metal braid round all edges and over neck seam. Gold metal thread embroidery in curvi-linear foliage style design on collar, centre back, front edges, lower side and small running design along bottom edge.goldwork, capes, capes, embroidery, gold work, wool, austrian

This book was given by the Warrnambool State School as a school prize to Ruddy Holland in 1933. He went from the primary school to the Warrnambool Technical School and was well-known for his sporting prowess, especially as a footballer. The Warrnambool State School in Jamieson Street, Warrnambool was opened in 1876, replacing the four Common Schools in the town. This book is of interest as a memento of the Warrnambool State School in the 1930s and of Ruddy Holland, a well-known sportsperson in Warrnambool in the mid 20th century. This is a hard cover book of 206 pages. The cover is dark green with yellow, pink, black and green floral designs on the front cover and spine. The lettering is yellow. The book has several full-page black and white illustrations, with the one at the front detached from the binding. The cover is partly detached from the binding and has been mended with adhesive tape. The book plate on the first page is printed with an ornamental red, blue and gold border. The book plate has been filled in with hand-printing in black ink. ‘Warrnambool 1743, presented to Ruddy Holland, Leadership in Sport, Head Teacher’s Prize, Dec. 1933’. ruddy holland, warrnambool state school

Square shaped pot holder. Centre panel, and back lining are made from pale blue "silky - type" (probably synthetic) fabric. This 9 X 11cm panel is surrounded by a band of yellow fabric, which also forms a binding around the edges. A blue and white check flannelette fabric forms the padding in the pot holder. Folded strips of floral cotton form a decorative band between the small and larger rectangles. This border is decorated by yellow stitchery. A fabric loop at one corner is for hanging purposes.Made by Merle's Grandmother Williamson.domestic equipment, food storage & preservation, fabric pot holder

Textiles. Red velvet sewing kit with gold coloured metal clasp at front, and hinged lid. Irregular hexagon shape. Base covered with brwon paper with floral pattern. Inside lid lined with red satin. Inside base lined with red velvet. Contents: Three packets of sewing needles stored inside lid. Base contains two pairs of silver coloured metal scissors, one plastic crochet hook, one button hook with plastic handle, one hole punch with plastic handle.textiles, domestic, red velvet sewing kit