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Federation University Historical Collection
Model, Model of the Munro Reaper, 1887
An example of good invention in an era of innovation in Australian manufacture and production. Levers raise the height of the cutter, disengaging the drive from the blades. The moveable blades under the fixed ‘fingers’. An eccentric rod changes circular motion to linear back and forth of the blades. Such a machine is now known as a mower for cutting grass for hay, and other grasses for storing as sheaves. 'Gift for Museum - The School of Mnes committee has accepted the offer from mr H.B. Munro, of Elsternwick, of a model reaping machine made in 1887 when the Munro machinery business was in operation in Alfredton. The model, which has won gold medals at various exhibitions, is to be placed in thr school museum. (Ballarat Courier 22 April 1932) Metal model with red paint detail in sectionsM263ballarat school of mines, ballarat school of mines museum, munro machinery, model, munro reaper -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Saf-T Coil intrauterine device associated with Dr Ronald McKenzie Rome, c. 1965 - 1982
The “Saf-T-Coil” (Julius Schmid Laboratories, Little Falls, New Jersey, USA) IUD was a first generation IUD that entered manufacturing in 1965 and was one of the first inert type plastic IUDs to be commonly used. It was also one of the first to adopt the familiar T-shape of IUDs still used today. It was accepted during its time as being generally safe, effective and easy to insert, with low expulsion rates due to its bulky frame. Production was halted in 1982 for economic reasons as newer contraceptive methods gained popularity. (Madden et al. 'A Case of Migrating “Saf-T-Coil” Presenting With a Vesicovaginal Fistula and Vesicovaginal Calculus', https://www.sciencedirect.com/science/article/pii/S2214442016300286)Saf.T. Coil 33.s intrauterine device, with inserter. Sealed in original sealed plastic packaging, unopened. Shape resembles a double coil with ends that spiral inwards. The inserter has an adjustable blue 'stop' pre-set at 1 3/4" for insertion into a 'normal' uterus. There is also an instruciton leaflet enclosed.intrauterine device, contraception -
Australian Gliding Museum
Machine - Glider – Sailplane, 1969
The Phoebus is a fibreglass composite sailplane that was designed by H. Nagele, R. Linder and R. Eppler in the early 1960s for competition flying. It is a derivative from the Akaflieg Stuttart Phonix which was the first sailplane to be built of fibreglass. The first Phoebus, a Standard Class design with a 15 metre wingspan, flew in 1964. The Phoebus C is the open class version of the type that was introduced in 1967. It has a 17 metre wing span, retractable wheel and tail brake parachute. Several hundred Phoebus sailplanes (all versions) were made by the manufacturer Bolkow at Ottobrun in Germany before production ended in 1970. The Museum’s Phoebus C, serial number 866, was built in 1969. It was donated to the Museum by Ian Cohn in 2008. Early fibreglass design that was manufactured in numbers. The Phoebus is a modern looking single seat glass fibre sailplane with a ‘T’ tailplane. It is finished in white with light red detailing including thin red stripe on wings and some red striping on fuselage sides from nose to underneath wings.Serial number 866 on plate affixed inside cockpit – registration VH-GSW which has been painted on the sides of the fuselage rear of the wings. A Freistaat Bayern crest has been applied to each side of the vertical stabilizer. australian gliding, glider, sailplane, bolkow, phoebus, cohn, nagele, linder, eppler -
Geoffrey Kaye Museum of Anaesthetic History
Analgesic, Trigesic
In 1858 Edward R Squibb founded his own pharmaceutical laboratory in Brooklyn, New York. E.R. Squibb, M.D. was dedicated to the production of consistently pure medicines. Squibb retired in 1895 and passed most of the responsibility for managing the firm to his sons, Charles and Edward. The company became known as E.R. Squibb & Sons. In 1989 Bristol-Myers merged with Squibb, creating a global leader in the health care industry. The merger created Bristol-Myers Squibb company, which was then the world’s second-largest pharmaceutical enterprise. Aspirin, also known as acetylsalicylic acid, is a salicylate drug, often used as an analgesic to relieve minor aches and pains, as an antipyretic to reduce fever, and as an anti-inflammatory medication.White plastic cylindrical tube with red cap and red print. The tube once contained Trigesic [aspirin].pharmaceutical, analgesia, aspirin, pain relief, bayer -
Ballarat Heritage Services
Work on paper, Yam, 1991
Bede TANGUTALUM (1952- ) Wurrumiyanga (Nguiu), Bathurst Island Tiwi People Bede Tungutalum works across a range of media, including carved and painted wooden sculpture,printmaking and painting. Tungutalum learned carving from his father, the well-known sculptor Gabriel Tungutalum, and was taught how to cut woodblocks for printing while attending Xavier Boys School at Nguiu. He refined and developed these techniques in the late 1960s and early 1970s. His earliest prints date from the late 1960s. In 1969, with fellow Tiwi artist Giovanni Tipungwuti, Bede Tungutalum established Tiwi Design, an art centre dedicated to the production of hand-printed fabrics featuring traditional Indigenous designs.Framed lithograph depicting yams, printed in colour inks, from multiple stonesbede tangutalum, tiwi, wurrumiyanga, bathurst island, tiwi design, yam, aboriginal -
Kew Historical Society Inc
Costume - Maroon & gilt dress, 1980s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This theatre costume was made Thea Sartori for her daughter to wear in a Ruyton Girls' School theatre production. It is one of a number of items donated to the Fashion Collection by Thea Sartori, which were made by, or for four generations of her family: her grandmother Frances Ethel Winifred Jones; her mother Dorothea Fush (nee Winstanley); by Thea Sartori (nee Morris), and her daughter. Burgundy coloured long theatre costume in the Medieval style. The high waisted dress has a square neck and gilding to the long sleeves. The dress was worn in a Ruyton school play. character “Anne of Cleeves”women's clothing, theatre costumes, ruyton girls school, thea sartori -
Kew Historical Society Inc
Programme, The "Q" Theatre Guild, The Geisha, 1957
The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the "Q" Theatre Guild incorporating Kew Light Opera Company for a performance of 'The Geisha' by Sidney Jones and Harry Greenbank. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild."q" theatre guild, theatre groups (kew), theatre (kew), the geisha (musical) -
Kew Historical Society Inc
Programme, The "Q" Theatre Guild, Maritana, 1958
The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the "Q" Theatre Guild incorporating Kew Light Opera Company for a performance of 'Maritana' an opera by Vincent Wallace. Performances were held in June 1958. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild."q" theatre guild, theatre groups (kew), performing arts, maritana (opera) -
Kew Historical Society Inc
Programme, The "Q" Theatre Guild, Blossom Time, 1959
The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the "Q" Theatre Guild incorporating Kew Light Opera Company for a performance of 'Blossom Time' in conjunction with Moomba. Performances were held in March in the Alexandra Gardens and subsequently at the Kew Recreation Hall in October and November. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild."q" theatre guild, performing arts, moomba, alexandra gardens, theatre groups (kew), blossom time (musical) -
Kew Historical Society Inc
Programme, The "Q" Theatre Guild, The Bohemian Girl, 1960
The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the "Q" Theatre Guild incorporating Kew Light Opera Company for a performance of 'The Bohemian Girl: A Romantic Opera in 3 Acts' by Michael William Balfe. There are various personal annotations on the cast list. The most interesting highlights one of the ladies of the Chorus, Joan Carden.The annotation reads: "Feb 18-1974 in Courier Mail Brisbane. Joan Carden to make debut as Opera Singer Covent Garden London. Leading role of Gilda in Rigoletto." The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild."q" theatre guild, joan carden, the bohemian girl (opera), theatre groups (kew) -
Kew Historical Society Inc
Programme, The "Q" Theatre Guild, Gay Rosalinda, 1961
The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the "Q" Theatre Guild incorporating Kew Light Opera Company for a performance of 'Gay Rosalinde (Die Fledermaus)' by Johann Strauss. The performances were held in the Kew City Hall, in Cotham Road. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild."q" theatre guild, performing arts, die fledermaus, gay rosalinde, theatre groups (kew), kew city hall -
Kew Historical Society Inc
Programme, The "Q" Theatre Guild, Die Fledermaus, 1962
The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the "Q" Theatre Guild incorporating Kew Light Opera Company for a performance of 'Die Fledermaus)' by Johann Strauss in 1962. The performances were held in the Kew City Hall, in Cotham Road. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild."q" theatre guild, theatre groups (kew), performing arts, kew city hall, die fledermaus -
Kew Historical Society Inc
Programme, The "Q" Theatre Guild, Gay Rosalinda, 1961
The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme issued by the "Q" Theatre Guild for a performance of Gay Rosalinda (Die Fledermaus) at the Kew City Theatre in 1961. theater (kew), "q" theatre guild, performing arts, gay rosalinda -
Kew Historical Society Inc
Programme, The "Q" Theatre Guild, And So To Bed, 1961
The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme issued by the "Q" Theatre Guild for a performance of And So To Bed, a musical play based on the diaries of Samuel Pepys with music by Vivian Ellis, at the Kew City Theatre in 1961. "q" theatre guild, performing arts, and so to bed, theater (kew) -
Kew Historical Society Inc
Programme, The "Q" Theatre Guild, Monsieur Beaucaire, 1964
The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme issued by the "Q" Theatre Guild for a performance of Monsieur Beaucaire, a romantic opera by Andre Messager at the Kew City Theatre in 1964. "q" theatre guild, performing arts (kew), theatre (kew), monsieur beaucaire (andre messager) -
Kew Historical Society Inc
Programme, The "Q" Theatre Guild, Kisses For A Quid & Hansel and Gretel, 1961
The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme issued by the "Q" Theatre Guild for a performances of Kisses For A Quid, a one act opera opera, performed in a double bill with Humerdink's Hansel and Gretel, at the Kew City Theatre in 1961 "q" theatre guild, kisses for a quid, hansel and gretel (humperdinck), kew city theatre -
Kew Historical Society Inc
Programme, The "Q" Theatre Guild, They All Do It (Cosi fan tutte), 1959
The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera [Undated] And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme issued by the "Q" Theatre Guild for a performance of Mozart's They All Do It (Cosi fan tutte) at the Kew City Theatre in 1959. 30.11.1959 / The day Robbie died"q" theatre guild, performing arts (kew), theatre (kew), kew city theatre -
Vision Australia
Photograph - Image, QBIC Industries images, 1996-1999
QBIC Industries production workers and supervisors, including: Selwyn Brown, May Brown, Keith Smith, Bill Bryce, Andrew Grimes, Bob McKay, Arthur Trumper, Jaina Unmoepa, Alan Nemeth, Lan Lam, Jenny Scown, Danny Fuller, Kevin Waits, Duncan Collard, Merv Matthews, Wayne Suffolk, Les Gregory, Henry Chichowski, BCC Councillor Tim Quinn, Max Stegman, Denis Cavanagh, John Gilmore, Anne-Maree O'Connell, Colin Ingram and Bray Waterman. Photos also include machinery on the factory floor, Merv Matthew's retirement in 1999, workers in action, a staff meeting, the outside of the builing and the office and showroom with its famous frog logo.62 col. photographs of QBIC Industries/Vision QLD staffqbic industries, selwyn brown, may brown, keith smith, bill bryce, andrew grimes, bob mckay, arthur trumper, jaina unmoepa, alan nemeth, lan lam, jenny scown, danny fuller, kevin waits, duncan collard, merv matthews, wayne suffolk, les gregory, henry chichowski, tim quinn, max stegman, denis cavanagh, john gilmore, colin ingram, bray waterman, anne-marie o'connell, mark pelgrave -
Falls Creek Historical Society
Equipment - Kastinger Boots 1950s
Kastinger Boots Founded by Hermann Kastinger, the company was based in Austria from 1909 to 1981 . After several bankruptcies and changes of ownership, the company Lemipan , based in Pirmasens , Germany , is the current licensee. In 1932, Max Kastinger took over the business from his father. In addition to double-stitched shoes, glued models were also produced for the first time. The decision to use this design laid the foundation for the inexpensive mass production of winter shoes. In 1953 the first successes were also achieved outside of Austria. Sales of the boots took off internationally and were greatly adapted and improved as ski technology also evolved. In 2009, the Kastinger brand celebrated its 100th anniversary. This image is significant because it documents changes in the design of ski boots over time.A pair of black leather lace-up boots with a white leather trim.Kastinger logo on outside of bootsski boots, kastinger boots, ski equipment 1950s -
Warrnambool and District Historical Society Inc.
Clothing - Fletcher Jones Skirt, late 20th century
This skirt was made by the Fletcher Jones company as part of the uniform of the Penleigh Grammar School, Essendon, Melbourne. David Fletcher Jones (1895-1977) setup as a travelling hawker in the 1920s selling drapery in Western Victoria. In 1924 he opened a store in Warrnambool, moving into a two-storeyed building in Liebig Street in 1931. He manufactured and sold men's clothing at this site, opening a store in Melbourne in 1946 and a factory in Warrnambool in 1948. The company of Fletcher Jones and Staff, established in 1951, opened more stores and factories and operated Australia-wide and became well-known firstly for its production of men's trousers and later men's and women's clothing. By 2011 the Warrnambool factory was sold and the company dissolved. This skirt is of interest as a fine example of the quality clothing made by the Fletcher Jones clothing company. This business commenced in Warrnambool and was a dominant one in Warrnambool (and Australia) during the 20th century.This is a woman's tartan skirt in green and navy tonings. The skirt is pleated at the back and sides and has a silver-coloured metal buckle at the left side. It has metal clips and buttons that adjust the waistline size and a green cloth folder designed as a wallet with a press stud closer inside the front waist.College Apparel by Fletcher Jones Australiafletcher jones clothing stores -
Federation University Historical Collection
Book, Ballarat College of Advanced Education Annual Report, 1983, 1984
The Council President in 1984 was Ian Gordon.Yellow soft covered book. Contents include: Review of College objectives and organizational structure, Nursing, Mining Engineering Education, Physical Education, Ultra Violet Visible Spectrophotometer, Microbee computers, Scanning Electron Microscope, Peter Colville, Thelma Rungkat, Ray Cotsell, Samantha Taylor, Don Fairhall, George Wasyluk, staff resignation of Alan Roberts, Lynette Snibson, Margaret Bowman, John Burrell, Malcolm Mackinlay,Fazal Rizvi, Irene Wasyluk, Wendy Batchelor, Peter Coman, Micro-teaching area, Staff retirement of Geoff Biddington and Mr Rofe, Staff appointment of Richard Dutton, Peter McCarthy, Richard Croggon and Jim Nugent, building of external kiln, Studio Production Ceramics, Nellie Skolnikova, John Hopkins, Sonny Dalimore, Judi Hill, Academic Registry, Staff resignation of Josephine Ryan, Staff appointment of Diane Costello, building of Metallurgy workshop/shed, Beaufort House, new road entrance to campus, ballarat college of advanced education, bcae, mt helen, mount helen, gordon, tippett, dobell, parkin, tippett, crouch, kiln, ceramics, skolnikova, hopkins -
Bendigo Historical Society Inc.
Document - VIKKI SPICER COLLECTION: BENDIGO OPERATIC SOCIETY PROGRAMME BOOKLET, 6th April, 1962
Bendigo Operatic Society Programme Booklet 'Production Ánything Goes Capital Theatre Bendigo Opening, 6th April 1962. For Four Nights. Former Producer The Late Norman Lee, New Producer Miss Beatrice Oakley. Arrangement Samuel French Ltd. Lyrics & Music Cole Porter, Book By P.G. Wodehouse & Guy Bolton. Musical Numbers Include: Ï Get a Kick Out of You' Ýou're the Top', 'There'll Always Be A Lady Fair, 'Ánything Goes' 'Gypsy in Me'' Cast: Denis Cremen, John Stephens, Ferd. Lorenz, Heather Lindhe, Margery Reed, Len Carr, Fred Trewarne, Carol McKenzie, Bernice Boromeo, Max Beckwith, Peter Unmack, Daryl Walker, Ian Beckwith, Rick Perry, Victor White, Roger Sprawson, Roy Cronin, George Steele, Joan Crane, Joan Heard, Alfred Annison, Kath Alexander, Reginald Boromeo, Ray Austin, Peter Houston.Cambridge Press.clubs and associations, theatre, bendigo operatic society, https://en.wikipedia.org/wiki/anything_goes -
Bendigo Historical Society Inc.
Document - VIKKI SPICER COLLECTION: BENDIGO OPERATIC SOCIETY PRODUCTION PROGRAMME BOOKLET, 6th November, 1964
Bendigo Operatic Society Programme Booklet Production 'Brigadoon.' Cover Cream, Black Text Dark Pink Scotch Thistle Emblems & Highland Piper. Performed at The Capital Theatre View Street Bendigo November 6th, 1964 for a five night season. Arranged by J.C. Williamson Theatres Ltd. Music Frederick Loewe. Book & Lyrics Alan Jay Lerner. Musical Director Max O'Loghlen. Producer Cid Ellwood. Songs Include: 'Brigadoon,' 'Down in MacConnachy Square', 'The Love of My Life,' ''I'll Go Home With Bonnie Jean,' ''From This Day On,'' Cast: Leonard Carr, Ferd. Lorenz, Victor White, Jack Werry, Douglas Sayle, Bronwyn Cornwall, Reginald Boromeo, Ian Beckwith, Graham Filcock, Joan Crane, James Watson, Heather Lindhe, Mary Speedy, Peter Ivarsen, George Steele, Fred Trewarne, Colin Cairns, Bert Donovan, Annette Beckwith.Arthur Hocking Printclubs and associations, theatre, bendigo operatic society -
Federation University Art Collection
Work on paper - artwork, Brack, John, Untitled Nude 9 by John Brack
John BRACK (1920-1999) A key Melbourne artist who lived in Canterbury, Melbourne. This image of a nude is most probably John Brack's wife and is drawn in his studio, a pristine space with immaculate floors often seen in many of his paintings.His most famous work '5 pm Collins Street, Melbourne' featured on an Higher School Certificate (HSC) English exam and gave Melbourne children the opportunity to critically analyse this image. Brack's large abstract canvas of the Battle of Waterloo, "The Battle", was completed in the early 1980s and features pencils march across the canvas in ordered motion. This biography was written by Dr Susan Paterson. Framed lithograph in black ink on white paper depicting nude woman, with smaller nude woman image on verso. This work was originally produced to be bound in a book by private press publisher Tate Adams. The suite of lithographs for the book was started by John Brack in September 1981 and finished and published in December 1982. The book was launched with a series of original conte drawings, from which the lithographs were based, in Realities Galleries, Melbourne. A high cost of production was involved in the binding of the book, and only fifteen copies were originally bound for exhibition and sale at the show. Subsequent to this approximately another thirty copies were bound, making a total finished edition of fewer than fifty copies, far less than the anticipated 200. After many years a number of sheets were discovered through the estate of Brack’s art dealer Rudy Komon. This work is from Rudy Koman's estate. not signed or datedjohn brack, female nude, lithograph, available -
Federation University Art Collection
Work on paper - Artwork - Printmaking, 'Nude 3' (Also known as Nude in a Chair) by John Brack, 1982
John Brack (1920-1999) Born AustraliaFramed, limited edition lithograph. Originally produced to be bound in a book by private press publisher Tate Adams. The suite of lithographs for the book was started by John Brack in September 1981 and finished and published in December 1982. The book was launched with a series of original conte drawings, from which the lithographs were based, in Realities Galleries, Melbourne. As such a high cost of production was involved in the binding of the book, only fifteen copies were originally bound for exhibition and sale at the show. Subsequent to this approximately another thirty copies were bound, making a total finished edition of fewer than fifty copies, far less than the anticipated 200. A number of the 50 hors commerce editions have been sold as individual plates through auctions and galleries. A number of sheets were recently discovered through the estate of Brack’s art dealer Rudy Komon, from which this book has been bound. This work is from Rudy Koman's estate.john brack, nude, life drawing, available, chair -
Federation University Art Collection
Work on paper - Artwork - Printmaking, (Nude seated facing left with robe on second chair, on shag rug), by John Brack, c1982
Framed, limited edition lithograph. Originally produced to be bound in a book by private press publisher Tate Adams. The suite of lithographs for the book was started by John Brack in September 1981 and finished and published in December 1982. The book was launched with a series of original conte drawings, from which the lithographs were based, in Realities Galleries, Melbourne. As such a high cost of production was involved in the binding of the book, only fifteen copies were originally bound for exhibition and sale at the show. Subsequent to this approximately another thirty copies were bound, making a total finished edition of fewer than fifty copies, far less than the anticipated 200. A number of the 50 hors commerce editions have been sold as individual plates through auctions and galleries. A number of sheets were recently discovered through the estate of Brack’s art dealer Rudy Komon, from which this book has been bound. This work is from Rudy Koman's estate.john brack, printmaking, available -
Federation University Art Collection
Work on paper - Artwork, Nude 3 (Nude on Sofa and Persian rugs reclining away from viewer) by John Brack, c1982
Framed, limited edition lithograph. Originally produced to be bound in a book by private press publisher Tate Adams. The suite of lithographs for the book was started by John Brack in September 1981 and finished and published in December 1982. The book was launched with a series of original conte drawings, from which the lithographs were based, in Realities Galleries, Melbourne. As such a high cost of production was involved in the binding of the book, only fifteen copies were originally bound for exhibition and sale at the show. Subsequent to this approximately another thirty copies were bound, making a total finished edition of fewer than fifty copies, far less than the anticipated 200. A number of the 50 hors commerce editions have been sold as individual plates through auctions and galleries. A number of sheets were recently discovered through the estate of Brack’s art dealer Rudy Komon, from which this book has been bound. This work is from Rudy Koman's estate.john brack, printmaking -
Melbourne Tram Museum
Film - Compact Diskette with video, 1985
Compact Diskette in a paper envelope with a video made from film taken by Neville Govett with voice over by Robert Green. With the CD are a photocopy of notes provided by Neville at the time of production on the sources, how made, when and that a copy had gone to the TMSV c1980. Has explanations on how the cable system worked, shunting of tramcars, views of the cars operating in Bourke and other streets, the Gertrude and Nicholson St powerhouse and other features. The last sheet (i6) - copy of an article written by Lorna Hanna, niece to Neville, wrote for the March 2013 issue of the North and West Melbourne News, with particular notes on the North Melbourne route and its operation. CD is a copy of an original held by Robert, provided by Robert on 26/7/2014 in time for the Melbourne Open House Day. DVD files converted to an AVI file 11/12/14 for showing at depot on PC - see htd553movie.avi in image files.trams, tramways, cable trams, north melbourne, abbotsford st., melbourne, cable grip, cables -
Bendigo Historical Society Inc.
Document - BALLET VICTORIA ON TOUR, BENDIGO, 20 June
Ballet Victoria On Tour, Bendigo, 20 June. Program. Articles on: Elaine Fifield, Rex McNeill and Laurel Martyn. Photographs of: Elaine Fifield, Rex McNeill, Laurel Martyn, Julie Mann, John Nunn, Margaret Wilson, Dianne Parrington, Sherril Smith, Robyn Niblett, David Pierce and Halina Zdanowicz. Ballet Victoria. Artist Director: Laurel Martyn. Administrator: Peter K Burch. Artists: Elaine Fifield, Rex McNeill, Dianne Parrington, Sherril Smith, John Nunn, David Pierce, Julie Mann, Margaret Wilson, Robyn Niblett, Halina Zdanowicz, Gaye Sinclair. Administration: Maurice Scott, Stefan Wenczel, Jennie Miles, Val Baenziger, Arthur Turnbull, Janina Cunovas, Stefan Wenczel, Richard Divall, William Ilster, William Baxter, Luba Nedbajlo, Athol Shmith & John Cato. Production: Graham McGuffie, Barry N W Benson, David Brindley, Judith Allen & Judith Sinclair. Head office and Studios: 49 Bouverie Street, Carlton, Victoria, 3053. Short articles with photos of; Elaine Fifield, Rex McNeill and Laurel Martyn. Photographs of Julie Mann, John Nunn, Margaret Wilson, Dianne Parrington, Sherril Smith, Robyn Niblett, David Pierce and Halina Zdanowicz. The Victorian Ballet Guild Patron: The Lady Casey. Chairman: W C Jewell. Directors: Harold Badger, Brian Dixon, MLA. L St. B Foster, R N Grove, G J Troup, J Scandrett. Ballet Victoria Production Credits: Lighting for all Ballets was designed by Graham McGuffie. Shoes and tights supplied by Martin's Ballet Boutique Advance Manager's car supplied by AVIS Rent-A-Car Audio consultant Graeme Thorne All scenery and costumes made in the Ballet Victoria workshops. Ballet Victoria wishes to particularly express its gratitude to Dame Peggy van Praagh, D.B.E., Co-Artistic Director . . . 20 June Bendigo. Some advertisements also appear in program.Kenneth James Print Melbourneentertainment, theatre, ballet victoria, ballet victoria on tour, bendigo, 20 june. program. articles on: elaine fifield, rex mcneill and laurel martyn. photographs of: elaine fifield, rex mcneill, laurel martyn, julie mann, john nunn, margaret wilson, dianne parrington, sherril smith, robyn niblett, david pierce and halina zdanowicz.. artist director: laurel martyn. administrator: peter k burch. artists: elaine fifield, rex mcneill, dianne parrington, sherril smith, john nunn, david pierce, julie mann, margaret wilson, robyn niblett, halina zdanowicz, gaye sinclair. administration: maurice scott, stefan wenczel, jennie miles, val baenziger, arthur turnbull, janina cunovas, stefan wenczel, richard divall, william ilster, william baxter, luba nedbajlo, athol shmith & john cato. production: graham mcguffie, barry n w benson, david brindley, judith allen & judith sinclair. head office and studios: bouverie street, carlton, victoria, . elaine fifield, rex mcneill and laurel martyn. photographs of julie mann, john nunn, margaret wilson, dianne parrington, sherril smith, robyn niblett, david pierce and halina zdanowicz. the lady casey. chairman: w c jewell. directors: harold badger, brian dixon, mla. l st. b foster, r n grove, g j troup, j scandrett. ballet victoria production credits: graham mcguffie. martin's ballet boutique avis rent-a-car audio consultant graeme thorne. dame peggy van praagh, d.b.e., co-artistic director . . . 20 june bendigo. advertisements in program. -
NMIT (Northern Melbourne Institute of TAFE)
Video recordings: Instructional NMCOT and NMIT 1980s
U-Matic Video recordings (Master tapes) mostly dated in the 1980s. Alphabetically: A house of all trades [No date] (14 min). An Introduction to floor managing An introduction to floor managing. Architrave: running the mould. Solid plastering. [No date] (17 min). Boom spray calibration (turf management). [No date] (6 min). Drafting. Module C51 Step no 4.(footwear) (1987) [No time] (Edit master) Fibrous plastering (1988) (Duration 11.00) Firm foundations: presenting a case for finance (21 min) Flux cored arc welding. Roof plumbing: fitting outlet. Friction in engineering (20 min). Grafting and budding techniques. (1986) (Duration 10.00) Horticultural courses at Collingwood College of TAFE. [No date] (10 min). Making a hand made thread. [No date] [No time] Making a hand-made thread Manual metal arc welding [No date] (24 min). Master saddlery; stitching: 1 saddle, 2 back. Microphones and their use in location sound recording [No date] [No time] Microphones and their uses in location sound recording Mold cutting [No date] [No time] Plain sailing: a film about business planning (20 min). Potentiometers, Part 1. (1983)(16 min). Preparation of artwork for video tape production (1977)(162 min). Preparation of instructional video tapes (1977)(12 min). Roof plumbing: fixing eaves cutters: Part 1 – fixing methods. [no time] Saddlery: hand stitching Safe saddle making. (1985) [No time] Solid plastering/Setting in Plaster and lime (1987) (Duration 10.00) (Edit master) Special electronic effects in video production. [No date] [No time] Splitting a stone using plugs and feathers [No date, possibly 1987] (Duration 9.40) (Master edit) The necessary art; videotape lighting: practical tips. (1974)(15 min). Tiling a staircase (1987) (Duration 25.00) (master edit) Water resistant board (W.R. Board): What is a word processor (26 min). WR Board northern metropolitan college of tafe, handbooks, nmit