This book was produced by Patons and Baldwins and contains knitting patterns for mens, womens and childrens garments.Patons / KNITTING BOOK / NO. 285 / "PAULINE" / See page 12 / 6d.handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting

This book was produced by the Lincoln Mills and contains fair isle knitting patterns for womens garments.Fair Isle DESIGNS / IN / Stylish Handknits / BY / LINCOLN / MODEL No. 1333 / SEE PAGE 4 / BOOK No. 682 / 8D.handicrafts - history knitting - fair isle, lincoln mills (australia) limited, handicrafts - history, knitting - fair isle

Patons knitting book from the early 1960s. Contains knitting patterns for childrens garments.JET . TOTEM . BLUEBELL . FUZZY WUZZY . DOUBLE QUICK / CONFETTI FLECKS . HIGHLAND . PATONYLE, 3 and 4 PLY / For Tiny Tots, / 6 months to 4 years, / 17 to 24 inches / PATONS BOOK / No. 645 / Patons / KNITTING BOOK 645 / WITH T.V. DESIGNS / 2'3handicrafts - history knitting, coats patons (australia) limited, handicrafts - history, knitting

Weaving sample folder: "WORSTED SPORTS COATING" pattern sheet with 3 cloth samples.GEOFF ROBINSON (pencil) WOOLLEN UPHOLSTERY (ink)weaving textile industry textile design, weaving, textile industry, textile design

This pattern bayonet was used by Australian troops in World War One and Two and the Korean War. British model 1907 bayonet with leather scabbard - overall length 550mmMA 1907 x MA 4 42wwi, wwii, korea, australian

Used in Australian Army Slouch Hat/Cap. Used 1904 - 1949 (3rd Pattern)Brass Rising Sun Badge/General service badge for army slouch hat/cap. Australian Commonwealth Military Forcesarmy, badge

World War 2 German Police Hat (Schutzpolizei) of an NCO pattern for the Munich District.Hard round peaked cap. Top one centimetre black leather, next 9 cm green felt attached to firm backing and bottom peak again black leather. Metal studs on side with black leather buckled strap going around the back. Attached to back is a large golden emblem of an eagle with wings spread, sitting on a shield with a Swaztika on it and gold laurel leaves coming off to the side. Mounted on the top at back is a silver oval shaped object with red markings. Lining on inside of hat is dark brown leather.german uniform, police hat, ww2

The chair has been used since antiquity, although for many centuries it was a symbolic article of state and dignity rather than an article for ordinary use. "The chair" is still used as the emblem of authority in the House of Commons in the United Kingdom and Canada, and in many other settings. In keeping with this historical connotation of the "chair" as the symbol of authority, committees, boards of directors, and academic departments all have a 'chairman' or 'chair'. Endowed professorships are referred to as chairs. It was not until the 16th century that chairs became common. Until then, people sat on chests, benches, and stools, which were the ordinary seats of everyday life. The number of chairs which have survived from an earlier date is exceedingly limited; most examples are of ecclesiastical, seigneurial or feudal origin. Chairs were in existence since at least the Early Dynastic Period of Egypt (c. 3100 BC). They were covered with cloth or leather, were made of carved wood, and were much lower than today's chairs – chair seats were sometimes only 10 inches (25 cm) high. In ancient Egypt, chairs appear to have been of great richness and splendour. Fashioned of ebony and ivory, or of carved and gilded wood, they were covered with costly materials, magnificent patterns and supported upon representations of the legs of beasts or the figures of captives. Generally speaking, the higher ranked an individual was, the taller and more sumptuous was the chair he sat on and the greater the honour. On state occasions, the pharaoh sat on a throne, often with a little footstool in front of it.[ The average Egyptian family seldom had chairs, and if they did, it was usually only the master of the household who sat on a chair. Among the better off, the chairs might be painted to look like the ornate inlaid and carved chairs of the rich, but the craftsmanship was usually poor. The earliest images of chairs in China are from 6th-century Buddhist murals and stele, but the practice of sitting in chairs at that time was rare. It was not until the 12th century that chairs became widespread in China. Scholars disagree on the reasons for the adoption of the chair. The most common theories are that the chair was an outgrowth of indigenous Chinese furniture, that it evolved from a camp stool imported from Central Asia, that it was introduced to China by Christian missionaries in the 7th century, and that the chair came to China from India as a form of Buddhist monastic furniture. In modern China, unlike Korea or Japan, it is no longer common to sit at floor level. In Europe, it was owing in great measure to the Renaissance that the chair ceased to be a privilege of state and became a standard item of furniture for anyone who could afford to buy it. Once the idea of privilege faded the chair speedily came into general use. Almost at once the chair began to change every few years to reflect the fashions of the day. Thomas Edward Bowdich visited the main Palace of the Ashanti Empire in 1819, and observed chairs engrossed with gold in the empire. In the 1880s, chairs became more common in American households and usually there was a chair provided for every family member to sit down to dinner. By the 1830s, factory-manufactured “fancy chairs” like those by Sears, Roebuck, and Co. allowed families to purchase machined sets. With the Industrial Revolution, chairs became much more available. The 20th century saw an increasing use of technology in chair construction with such things as all-metal folding chairs, metal-legged chairs, the Slumber Chair,[ moulded plastic chairs and ergonomic chairs. The recliner became a popular form, at least in part due to radio and television. The modern movement of the 1960s produced new forms of chairs: the butterfly chair (originally called the Hardoy chair), bean bags, and the egg-shaped pod chair that turns. It also introduced the first mass-produced plastic chairs such as the Bofinger chair in 1966. Technological advances led to moulded plywood and wood laminate chairs, as well as chairs made of leather or polymers. Mechanical technology incorporated into the chair enabled adjustable chairs, especially for office use. Motors embedded in the chair resulted in massage chairs. https://en.wikipedia.org/wiki/ChairThe chair is one of the most commonly used items providing comfort.Chair wooden varnished dark brown. Spokes for back support, front legs and spokes joining legs are patterned turned' wood. Backrest has a floral emblem with a kangaroo in the centre.Back rest has a floral emblem with a kangaroo in the centre.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, dining, carpentry

The chair has been used since antiquity, although for many centuries it was a symbolic article of state and dignity rather than an article for ordinary use. "The chair" is still used as the emblem of authority in the House of Commons in the United Kingdom and Canada, and in many other settings. In keeping with this historical connotation of the "chair" as the symbol of authority, committees, boards of directors, and academic departments all have a 'chairman' or 'chair'. Endowed professorships are referred to as chairs. It was not until the 16th century that chairs became common. Until then, people sat on chests, benches, and stools, which were the ordinary seats of everyday life. The number of chairs which have survived from an earlier date is exceedingly limited; most examples are of ecclesiastical, seigneurial or feudal origin. Chairs were in existence since at least the Early Dynastic Period of Egypt (c. 3100 BC). They were covered with cloth or leather, were made of carved wood, and were much lower than today's chairs – chair seats were sometimes only 10 inches (25 cm) high. In ancient Egypt, chairs appear to have been of great richness and splendour. Fashioned of ebony and ivory, or of carved and gilded wood, they were covered with costly materials, magnificent patterns and supported upon representations of the legs of beasts or the figures of captives. Generally speaking, the higher ranked an individual was, the taller and more sumptuous was the chair he sat on and the greater the honour. On state occasions, the pharaoh sat on a throne, often with a little footstool in front of it.[ The average Egyptian family seldom had chairs, and if they did, it was usually only the master of the household who sat on a chair. Among the better off, the chairs might be painted to look like the ornate inlaid and carved chairs of the rich, but the craftsmanship was usually poor. The earliest images of chairs in China are from 6th-century Buddhist murals and stele, but the practice of sitting in chairs at that time was rare. It was not until the 12th century that chairs became widespread in China. Scholars disagree on the reasons for the adoption of the chair. The most common theories are that the chair was an outgrowth of indigenous Chinese furniture, that it evolved from a camp stool imported from Central Asia, that it was introduced to China by Christian missionaries in the 7th century, and that the chair came to China from India as a form of Buddhist monastic furniture. In modern China, unlike Korea or Japan, it is no longer common to sit at floor level. In Europe, it was owing in great measure to the Renaissance that the chair ceased to be a privilege of state and became a standard item of furniture for anyone who could afford to buy it. Once the idea of privilege faded the chair speedily came into general use. Almost at once the chair began to change every few years to reflect the fashions of the day. Thomas Edward Bowdich visited the main Palace of the Ashanti Empire in 1819, and observed chairs engrossed with gold in the empire. In the 1880s, chairs became more common in American households and usually there was a chair provided for every family member to sit down to dinner. By the 1830s, factory-manufactured “fancy chairs” like those by Sears, Roebuck, and Co. allowed families to purchase machined sets. With the Industrial Revolution, chairs became much more available. The 20th century saw an increasing use of technology in chair construction with such things as all-metal folding chairs, metal-legged chairs, the Slumber Chair,[ moulded plastic chairs and ergonomic chairs. The recliner became a popular form, at least in part due to radio and television. The modern movement of the 1960s produced new forms of chairs: the butterfly chair (originally called the Hardoy chair), bean bags, and the egg-shaped pod chair that turns. It also introduced the first mass-produced plastic chairs such as the Bofinger chair in 1966. Technological advances led to moulded plywood and wood laminate chairs, as well as chairs made of leather or polymers. Mechanical technology incorporated into the chair enabled adjustable chairs, especially for office use. Motors embedded in the chair resulted in massage chairs. https://en.wikipedia.org/wiki/ChairThe chair is one of the most commonly used items providing comfort.Chair varnished dark brown. Spokes for back support, front legs and spokes joining legs are patterned turned wood. Back rest has a floral emblem with a kangaroo in the centre.Back rest has a floral emblem with a kangaroo in the centre.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, dining, carpentry

Post Card Valentine Series pre 1930. "The Lake" Stawell. The lake has been renamed and now called Cato Lake. This view is looking north and shows distant buildings of Stawell behind a line of trees. People can be seen enjoying the lake walking and swimming with a rotunda between the trees and the lake. Valentine Series post card of The Lake, Stawell looking north pre 1930's. The back of the Coffee Palace can be seen on the left back and the roof of the Anglican church can be seen above the trees. The other side to the right are houses in Florence Street. Along the lake are people walking and enjoying the waters edge swimming. A rotunda is to the left and the post card is framed by an overhanging willow tree. Valentine Series No 1814 The Lake, Stawell. Valentine Publishing Co. Melbourne & Sydney.stawell

Monochrome postcard titled lower right: “RIVER YARRA AT STUDLEY PARK, MELBOURNE”. The postcard was produced by ROBERT JOLLEY, MELB, (active 1900-1904). The photo is positioned to the left of the card and framed by an art nouveau design. A handwritten annotation on the front reads “BUT WITH THE MORNING / COOL REFLECTION CAME / BLANCHE STEPHENS”. On the reverse, there is a handwritten address in black ink to: MISS L STEPHENS / 26 WEST TERRACE / ADELAIDE. There is no division on the reverse of the postcard, dating it to before 1905. It lacks a postage stamp and postmark. Monochrome postcard of the River Yarra in Studley Park. The view is of the Yarra and its banks, with Kew on the left and Abbotsford on the right, as it appeared in the years 1900-1904. On the Abbotsford side of the river, there are a number of weeping willows lining the banks and houses on the hillside. The Studley Park side of the river includes some remnant vegetation and meandering walking tracks. Three very small figures are sitting on the Kew side. "RIVER YARRA AT STUDLEY PARK, MELBOURNE"river yarra -- kew (vic.), postcards -- kew, postcards -- studley park, robert jolley

One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. Book produced by Patons and Baldwins and containing knitting patterns for women's garments. It was sold by Buckley and Nunn Ltd, a Melbourne department store.Patons KNITTING BOOK NO. 341 / "LORRAINE" - See page 12 / P&B / WOOLS / 1'4d. BUCKLEY & NUNN LIMITEDhandicrafts - history knitting, patons and baldwins (australia) ltd buckley and nunn limited, handicrafts - history, knitting

One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This book was produced by Patons and Baldwins and contains knitting patterns for men's garments. It was sold by Buckley and Nunn Limited, the Melbourne department store.No. / 455 / Patons / KNITTING BOOK / No. / 455 / P&B / WOOLS / PATONS / BLUEBELL or CAIRN . TOTEM . PATONYLE . BEEHIVE 3-PLY / BEEHIVE 4-PLY . HIGHLAND SPORTS . HEYDAY SPORTS / 1'9 BUCKLEY & NUNN LIMITEDhandicrafts - history knitting, patons and baldwins (australia) ltd buckley and nunn limited, handicrafts - history, knitting

These pipes came from the Warrnambool firm of Peter Hand Tobacco Company Pty Ltd and were typical of the pipes sold by that firm. The Peter Hand Tobacco Company commenced in 1958 and was a wholesale distributor of tobacco and cigarettes throughout the Western District until early in the 21st century when tobacco smoking was no longer a widespread habit in any community in Australia. The retail shop was at 97 Liebig Street Warrnambool. These pipes are of interest as they came from the Peter Hand Tobacco Company, a prominent business in Warrnambool for 50 years. They are also a memento of the times when pipe-smoking amongst men was prevalent. These are briar pipes with black Bakelite mouth pieces. All appear to be unused. .1 A brown briar pipe with an indented pattern .2 A brown briar pipe with a polished wood .3 A light brown briar pipe with a mottled pattern finish .4 A brown briar pipe with a smooth polished finish1 ‘Seville Special’ .2 ‘Real Briar’ .3 ‘Nording Danmark N 118’ .4 ‘Vavrs VZ’ (?) peter hand tobacco company (warrnambool), history of warrnambool

This souvenir plate was sold to tourists in Warrnambool in the 20th century. It features an image of a popular tourist spot off the coast of Warrnambool – Thunder Point. Tourism has always been an important industry in Warrnambool and souvenir items such as this one continue to be sold, although colour images would most likely be used now. This plate is of interest as an example of items sold to local tourists in the 20th century. It will be useful for display. This is a circular glass plate with a ripple pattern on the rim and an outer edge with the glass heavily-impressed and patterned. The base of the plate has a sepia-coloured image of Thunder Point, Warrnambool. The image has been taken from a photograph. This has been affixed to the back of the plate and has a dark blue backing. ‘Thunder Point Warrnambool’ tourism in warrnambool

Salmon pink hand knitted woollen baby vest. Patterned yolk with rib pattern body. Cap sleeves with crocheted edges. Neckline with crocheted edge. Twisted wool tie around neck.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby vest

Textiles, brown coloured cushion cover of tapestry fabric on one side and yellow cotton fabric on reverse side. Edged with 5 mm cotton cord with loops and pom poms at corners. Tapestry fabric side has a pattern of concentric squares of yellow embroidered lines, squares and leaf patterns.textiles, domestic, cushion cover

Clothing. Cream coloured triangular ladies silk scarf. Mid blue border on two short sides with pattern of triangles and vine. Cream coloured centre has printed pattern of vines and leaves. Long edge of scarf is a raw edge that has been over locked. Old box 573.costume accessories, female, triangular silk scarf

Pair of pin-tucked and cotton lace trimmed pillow cases. Cream linen fabric with a 3.5cm deep scalloped cotton lace on opening edge featuring a floral pattern. There is a ribbon insert of same pattern 6.5cm from the edge. There are four and five rows of pin-tucking either side of insert.favaloro, pin-tucks, cotton lace

This knitting pattern book was produced during 1939-45 by Patons and Baldwins' and contains knitting patterns for mens civilian and service garments. The front cover illustrates a knitted convalescent jacket (with extra room for bandages, etc) and there are other patterns suitable for men in the services which could be knitted for the Red Cross or Comfort Funds. The back is illustrated with a photo of two men (one in a flying cap, one in army uniform) reading a sign on a wall which states: "Don't help the enemy! Careless talk may give away vital secrets".Front cover, Patons and Baldwins' Specialty Knitting Book no. 120, WWII. Back cover of Patons and Baldwins Specialty Knitting Book no. 120, WWII.MEN'S SERVICE AND CIVILIAN KNITWEAR / No. 120 / 6D. / PATONS & BALDWINS' / SPECIALTY / Knitting Book / THIS IS A SPECIALLY DESIGNED CONVALESCENT JACKETknitting, world war ii, patons and baldwins (australia) ltd

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens knitted garments. The photographs were taken inside Villawoods own knitting mill, in the dye house, the spinning department and the winding and knot detecting rooms. The mill manager, Stanley Harrison, can be seen on the back cover.BOOK 91 / LADY'S DESIGNS IN / 12 PLY EQUIVALENTS / BY / Villawool / 2'9knitting handicrafts - history textile mills, villawood textile company, knitting, handicrafts - history, textile mills

Emu eggs are perfect for decorating, painting or carving. Emu egg shells have multiple layers ranging from an inner white layer through to the dark green outer layer. The contents must be removed through a small hole (either tool drilled or poked with a needle). After the yolk has been blown out (scrambling the yolk first by poking with a needle will make it easier to remove), the egg needs to be washed through and left to drain dry. It can then be painted, carved, etched or decorated. Emu decorating is a traditional Aboriginal art. The carving of emu eggs by Indigenous and non-Indigenous people was popular in the late 19th century but production declined in the 20th century, partly due to the protection of eggs through legislation. This has been overturned in recent years with the development of commercial emu farms. In the period between the two world wars particularly, with the production of other Aboriginal artefacts for an outside market, the carving of emu eggs provided an important source of income for Aboriginal people in many parts of Australia. It was a widespread practice in the south-east and it was not unusual for Aboriginal people to decorate their own homes with carved eggs and other items created by themselves or community members, serving to affirm an Indigenous identity within the domestic environment. (ref National Gallery of Australia)This item is significant for its uniqueness and its aesthetic appeal.An emu egg which has been painted white and decorated with glued on cord/thread to make a pattern of flowers and leaves.emu-egg ornament handcraft

Pattern-hanging bracket slightly pyramid shaped object with wide base. Has square attachment both painted white. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

The Criterion Hotel was located on the western side of Kepler Street near the corner of Lava Street. John Tate of Woodford was the first licensee of the Criterion Hotel in 1873. The Humm family and the McGennan families were licensees for a considerable amount of time in the late 19th and 20th centuries. It was one of the last venues in the town to host live music. The last publican, John Palmer remembered it as a workers pub popular with local truckies and football clubs, in particular, Bushfield, Russell’s Creek and South Rovers. The Criterion closed in 2008 with the aim of turning it into office space but it was burnt beyond repair in 2010 and the remains were demolished in 2013.The Criterion Hotel was one of the earliest and longest licensed hotels in Warrnambool. As such it has local historical significance. The original building was an impressive landmark and the hotel itself has significant social importanceWhite plaster fragment with floral pattern enclosed within two plain borders. It is roughly five sided but edges are broken.criterion hotel, history of warrnambool, warrnambool hotels

The Centenary of Warrnambool in 1947 drew crowds of 20000. It was generally felt that the celebrations excelled anything that had been seen in the city in the last 100 years. There were numerous activities held over the weekend including an elaborate street parade which was followed by joining the 4500 children at sports and picnic celebrations at the showgrounds. The Warrnambool and District Turf club also held a race meeting to aid the Hospital and raised 740 pounds. It was estimated that 20000 attended the finale bonfire and fireworks in Albert Park. This is a hand made item to commemorate the occasion. This item has local historical, artistic and social significance as it relates to a major event in the history of the city.Crocheted rectangular with angled corners, doyley with Warrnambool centenary 1847- 1947 worked in pattern in centre of piece. Cream linen.Warrnambool 1847 Centenary 1947warrnambool, warrnambool centenary , warrnambool centenary 1947, centenary doyley 1947,

This lamp base would have had a glass chimney clipped to the burner. It is a portable kerosene lamp used in the 19th century and the early 20th century for household lighting before the advent of electricity.This item is retained for display purposes as an example of household lighting a hundred years ago.This is a clear glass lamp base with a metal burner attached to the top. The bottom of the base is hollow. The glass on the stem and bulb is patterned. A BLIXTENvintage household lighting, kerosene lamps

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.Four slide shoulder boards in camouflage pattern. Each has three pips embroidered in black signifying the rank of captain.army chaplain, rank insignia, major thomas bruce williams

According to the Ballarat College Report, Prize list and Prospectus published 1875 Miss E Rees was Dux of the school 'Ladies Department' and winner of the Mr R F Glover's Prize Essay. This book was awarded to Miss E Rees the following year by the Ballarat Ladies College associated with the ballarat Grammar School, Principal F J Thomas. Thomas had been appointed principal of Ballarat College in 1874 following the untimely death of the school's first principal Robert Oliver McCoy. However Thomas's credentials were questionable and he left the school under a cloud during 1875. Thomas established a rival college. This action had a devastating impact on Ballarat College because many students enrolled at the new college. This book is evidence of just one such transition. Ornately decorated book with calf spine and cover detail, marbled covers and end-pages, gold lettering and patterns on spine; Book plate inside front cover: Ballarat Ladies College / in association with the Ballarat Grammar School / CHRISTMAS 1878 / University Class / SPECIAL PRIZE / the gift of / the pupils of the Ballarat Gr. Sch. / for / 'the favorite girl' 2 vol. / awarded to / Miss E Rees / F J THOMAS, PRINCIPALe-rees, f-j-thomas, ballarat-ladies-college, grammar-school, 1876

Used by 3789179 Pte Frank FRIGERIO, 7 RAR, South Vietnam, 1967 - 1968.Australian Army pattern mattress outer. Green nylon. Divided into 3 sleeves that are held shut by the aid of press studs.equipment, mattress, outer